Книги о стилях архитектуры

Mid-century modern continues its resurgence. Discover Australia's best examples of modernist residential architecture thoughtfully adapted for the present day.

The intuitive design, sunlit spaces and tranquil vibe of Modernist houses still have an enduring appeal today. But can these homes be updated for contemporary living while maintaining the integrity of the original architecture?

The New Modernist House presents twenty-one mid-century homes respectfully restored and renewed for future generations to enjoy. Designs by some of the period’s heavyweights – including Anatol Kagan, Alistair Knox and Ernest Fooks – have been sensitively updated by today’s creative innovators.

Alongside stories of the passionate homeowners, architects and collaborators who have given these homes new life, a historical overview and section on practical considerations inform those drawn to a Modernist dream house. This colourful volume is both a useful resource for those embarking on their own renovation journey, and a sourcebook of inspiration for delighting in moments of nostalgia.

About the Author:

Patricia Callan is the founder of Modernist Australia, an online archive of local Mid-Century architecture. She has appeared on ABC radio, The Design Files and Fairfax publications to champion Modernist architecture from a layperson's perspective.

An updated edition of this classic title on the origins of 20th-century ideas in architecture and the applied arts.

The turn of the nineteenth century saw an extraordinary flowering of invention in architecture and design, leading to the emergence of two contrasting styles: Art Nouveau and the International Style. Professor Nikolaus Pevsner brings clarity to this period of dynamic change by tracing the origins of twentieth-century ideas in architecture and the applied arts.

Featuring a new foreword by the distinguished architectural historian Kenneth Frampton, this classic title has now been updated with colour illustrations throughout.

About the Author:

Sir Nikolaus Pevsner (1902-1983) was Slade Professor of Fine Art, University of Cambridge, 1949-55, and Fellow of St John's College, 1950-55. He was the first Professor of the History of Art Department at Birkbeck College, University of London, retiring in 1969. He is probably best known for The Buildings of England, completed in more than fifty volumes shortly before his death, and for his Outline of European Architecture, which has remained a standard work for over forty years. Kenneth Frampton CBE served as Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation, Columbia University, New York, from 1972 to 2019. In 2018 he was awarded the Golden Lion of the Venice Biennale. His publications include Studies in Tectonic Culture, Labour, Work and Architecture, American Masterworks, Kengo Kuma: Complete Works and A Genealogy of Modern Architecture.
 

The Venetian Facade is about the facade. It explores the art and typology of the Venetian facade, not only as a high point of architectural literacy and achievement, but as a potentially useful contemporary stimulant.

There are no books that focus on the unique artistic characteristics of the Venetian facade and its potential relevance to contemporary architectural and urban issues, as this book intends.

This book is about architecture. It is not about history, although a bit of history is necessary to set the context. It is not about theory, although, again, a bit is necessary to connect the facade with urbanism.

It is also not about structure and technology. And, most definitely, it is not about the plan. All of these topics are well-covered elsewhere. This book is about the facade. It explores the art and typology of the Venetian facade, not only as a high point of architectural literacy and achievement, but as a potentially useful contemporary stimulant.

About the Author:

Michael Dennis is the principal of Michael Dennis & Associates in Boston, and Professor of Architecture Emeritus at MIT. 1986 Thomas Jefferson Professor of Architecture, University of Virginia; 1988 Eero Saarinen Professor of Architecture, Yale University; 2006 Charles Moore Professor of Architecture, University of Michigan.

_A formal study of the Venetian facade as a unique facade typology and as a resource for the design of modern facades
_The Venetian facade is a unique contribution to urban design
_As cities become increasingly important ecologically, socially, and economically, the design of urban facades will again become increasingly important

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A quiet rural town until World War I, Zaporizhzhia exploded into a major industrial centre in the 1920s following the con­struction of the Dnipro Hydroelectric Station.

This book looks at a later period in the history of what is now one of the largest cities in Ukraine, the 1950s to 1980s, when the focus in Soviet policy shifted from industrialisation to welfare and from production to consumption. In this respect, Zaporizhzhia may be seen as ‘a local model of the birth of a modern society’ – Soviet consumer society. Historian Pavlo Kravchuk and historian and graphic designer Mykhailo Mordovskoi skilfully combine text and images to show how this shift played out in urban planning, architecture, and, more importantly, the lives of ordinary Soviet citizens.

Prefabricated construction techniques enabled the rapid erection of districts of mass housing, giving ordinary people a small apartment of their own for the first time. With this came a need for consumer goods. At the same time, sitting in their new kitchens, people gained a modicum of privacy and a space in which to meet and discuss, away from the controlling eye of the state. The new Soviet apartment was ‘a place of leisure’, but also of dissidence – the beginning of the end of the regime.

About the Authors:

Pavlo Kravchuk is a Ukrainian architectural historian. Chief specialist in historical and cultural heritage at the Department of Culture and Tourism at Zaporizhzhia City Council. One of the founders of the Zaporizhzhia Museum of Architecture. Creative director of the digital portal Zaporizhzhia Heritage. Author and coordinator of 'Programmes for protecting cultural and historical monuments of Zaporizhzhia City for 2018-2022'. Editor of the Ukrainian-German publication Fragile Heritage: Architectural Modernism of the Ukrainian South and East: late 1950s-1980s (2023).

Mykhailo Mordovskoi is a Ukrainian historian and -designer. Head of the municipal museum network in Zaporizhzhia. Author of the permanent exhibition at the Zaporizhzhia Museum of Architecture. Holder of the Heritage Solidarity Fellowship for Ukraine from Europa Nostra, Global Heritage Fund, and ALIPH (2022). Curator of the Rethinking Space cultural centre - the first public space in Ukraine focused on understanding the events of the current Russian--Ukrainian war (2023).

Ukraine’s overlooked modernist buildings are under threat from development, decommunization and war. Photographer Dmytro Soloviov has crossed Ukraine documenting them to form the most comprehensive publication available on the subject.

What does Ukrainian Modernist architecture look like and why isn’t it better-known in the west?

Photographer and architectural tour guide Dmytro Soloviov is fighting to preserve the disappearing modernist heritage of his native Ukraine.

These innovative buildings are an extraordinary blend of function, avant-garde aesthetics and ingenious design, but despite these qualities, they remain largely unrecognised. This is a result of several factors, including the stigma of belonging to the Soviet era, corruption, neglect, as well as the ongoing threat of destruction from both unscrupulous developers and war.

From masterpieces such as the Kyiv Crematorium and Salut Hotel, to previously undocumented examples like the Uzhhorod Airport Terminal and the Novoarkhanhelsk Police Station, Soloviov has traversed Ukraine photographing the exteriors and interiors of these important buildings and their monumental art (mosaics, stained glass and sculptures). While the nation’s attention is consumed by more existential matters, he has documented the unique identity of one of the least catalogued periods of Soviet architecture, his images forming a singular record of an unexpected and rapidly disappearing legacy.

An introduction by renowned architecture critic Owen Hatherley, complete with historical images, cements these buildings in a cultural and political context. With over 120 examples across 240 pages, this publication is the most comprehensive available on the subject.

About the Author:

Dmytro Soloviov is a Kyiv-based Ukrainian architecture photographer and researcher documenting modernist art and architecture. His lifelong mission is to preserve modernist heritage and promote its value. Dmytro campaigns for the protection of significant modernist buildings and artworks, conducts architectural tours and lectures based on his research, and organizes monumental art restoration projects. His Instagram account @ukrainianmodernism has over 100,000 followers worldwide.

If you don’t know your Baroque from your Rococo, or the difference between Art Nouveau and Art Deco, or where Modernism ends and Postmodernism begins, then don’t fear, you’re not alone. Understanding Architecture will reveal all. From the ancient world to the present day, from medieval Cambodian temples to Paris metro stations, from American shotgun shacks to colonial villas, fascist grandeur to the latest ecologically friendly structures, the book expertly guides the reader through the world’s different architectural styles.

Arranged chronologically, over two spreads a major building is used to illustrate a particular style – King’s College Chapel, Cambridge for Perpendicular Gothic, the Palace of Versailles for Baroque, the Chrysler Building for Art Deco. Each entry is illustrated with both general view photographs and close-ups, accompanied by accessible text explaining the major features of the style. Each chapter also offers a general cultural background to the major architectural movements, putting them into historical context.

Illustrated with more than 200 outstanding photographs of remarkable buildings, Understanding Architecture is an excellent, accessible introduction to the history of architecture.

About the Author:

Lindsay studied at Cape Town University in South Africa, and after graduation she joined an architectural practice in Kuala Lumpur, Malaysia. She subsequently moved to a firm based in London, UK. Her work has taken her around Europe and South Asia designing buildings for large clients. Lindsay currently lives and works on the Isle of Wight where she runs her own architectural practice, Mattinson Associates Ltd.

Universal Principles of Architecture is a concise, visual introduction to 100 of the most fundamental elements of architecture. 

Take an expansive and provocative tour of architectural theory and practice, exploring everything from basic concepts to speculative design and subversive interventions.

Universal Principles of Architecture illustrates in 100 concepts the importance, possibilities, challenges, and roles that architecture plays in shaping the world. This radical and perhaps surprising survey is divided into five sections:Archetypes, Methods, Conditions, Relationships, and Imaginaries. And, each of the five sections in the book introduces in 20 principles architecture at different scales and stages of the design process.

Through an inclusive and holistic approach, the book refers to initial design ideas, creative design approaches, reflections on the effects of the built and destroyed environments, and architectural desires and aspirations to transform the world and engage with the cosmos.

Because architecture is the converging point where many fields of knowledge, ideas, forms, approaches, methods, sensibilities, and materials meet, the book provides a flexible and dynamic space where the material, conceptual, and social take shape. 

Written, illustrated, and designed by critically acclaimed architects, educators, and authors Cruz Garcia and Nathalie Frankowski of WAI Architecture Think Tank, Universal Principles of Architecture combines accessible writing with otherworldly images like the ones they have displayed in exhibitions at the Centre Pompidou Metz, Museum of Modern Art New York, Neues Museum Nuremberg, and Museum of Art, Architecture, and Technology Lisbon.

The principles include:
- Figurative Archetypes
- Parasitic Architecture
- Diagramming
- Modelling
- Three-Dimensional Printing
- Carbon Neutral
- Biomimicry
- Inclusive Design
- Participatory Design
- AI Cities
- Queer Cartographies
- Intergalactic Architecture

Intended as an intergenerational and transdisciplinary reference volume, the book presents an ambitious overview of what architecture has been and can be in a world full of urgent challenges and abundant opportunities for social and ecological responsibility, and design creativity.

This book will challenge your preconceived notions of what architecture is and how it can be used.

The titles in the Rockport Universal series offer comprehensive and authoritative information and edifying and inspiring visual examples on multidisciplinary subjects for designers, architects, engineers, students, and anyone who is interested in expanding and enriching their design knowledge.

About the Authors:

Founded by Puerto Rican architect, artist, curator, educator, author, and theorist Cruz Garcia and French architect, artist, curator, educator, author, and poet Nathalie Frankowski, WAI Architecture Think Tank is an internationally recognized studio invested in the development of new curricula and experiments that support public engagement with architecture. They are particularly interested in decolonization and anti-racist reconstruction of the role of architecture in the construction of new worlds. Garcia and Frankowski are Associate Professors at Iowa State University, where they are Design for Critical Futures Fellows in Activism and Emancipatory practice respectively, as well as faculty at the Advanced Architectural Design program at Columbia University. Their work has been part of the inaugural Chicago Architecture Biennial and exhibitions at the Centre Pompidou Metz, Neues Museum Nuremberg, Museum of Modern Art New York, and the Museum of Art, Architecture, and Technology Lisbon. They are authors of Universal Principles of Architecture.

waithinktank.com

Cruz Garcia is a Puerto Rican architect, artist, curator, educator, author, theorist, and co-founder of WAI Architecture Think Tank together with Nathalie Frankowski.

Nathalie Frankowski is a French architect, artist, curator, educator, author, poet, and co-founder of WAI Architecture Think Tank together with Cruz Garcia.

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Пролистать книгу Universal Principles of Architecture: 100 Architectural Archetypes, Methods, Conditions, Relationships, and Imaginaries на Google Books.

An expertly written and exquisitely photographed study of Victor Horta, the father of Art Nouveau architecture

Victor Horta (1861–1947) is well known as the creator of Art Nouveau architecture. Following the design of the Hôtel Tassel, Brussels, in 1893, Horta produced more than forty buildings during the following decade. This new book discusses the many influences on his designs, and his legacy. Detailed descriptions of nineteen projects, including Edicule Lambeaux, Hôtel Autrique, Hôtel Max Hallet and the Brugmann Hospital, are illustrated with Horta’s original drawings and specially commissioned photographs by award-winning architectural photographer Alastair Carew-Cox. It includes extensive photographs of Hôtel Solvay, one of Horta’s most important works. Access to photographers had been denied for many years, but was granted to the authors in 2016 in recognition of their significant contribution to the study of Horta.

Victor Horta: The Architect of Art Nouveau has been prepared in collaboration with the Horta Museum, Brussels, ensuring that it is both accurate and up to date. It will appeal to anyone interested in Art Nouveau, one of the great aesthetic movements of the late 19th and early 20th centuries, and one that laid the foundations for the development of modernism in architecture and interior design.

About the Authors:

David Dernie is an architect and educator. He studied at the University of Cambridge and then became a Rome Scholar at the British School of Rome and was elected a Fellow of Fitzwilliam College, Cambridge.
Alastair Carew-Cox is a photographer specializing in architecture and interiors. His work has been extensively published.

The fascinating story behind the revival of an ancient Italian castle and its enduring way of life.

When Charlotte Horton and her family of British bohemians discovered an abandoned Tuscan castle, little did they know that they would transform it into a vibrant, modern locale. Nestled in the rugged terrain of Mount Amiata, Castello di Potentino was a dilapidated mess: roofs had collapsed and there was no plumbing or electricity. Following the arduous process of purchasing it from 24 different owners, they set to work renovating the 11th-century structure.

In this enthralling account of ravamping the castello into a contemporary ode to Italian tradition, photographs by the late British fashion photographer Michael Woolley showcase the property, while Charlotte’s text dives into the renovation and life at Potentino. From a dramatic vaulted entrance hall to a starry ceiling mural, the interiors are bound to delight. Readers also learn about technical details, such as recycling materials, painting, and bureaucratic paperwork. A chapter dedicated to the land — complete with a vineyard and olive groves — displays Charlotte’s philosophy of self-sufficiency. This book is a must-have for those interested in Italian architecture and the Tuscan lifestyle, or anyone with the dream of restoring a castle in Tuscany.

About the Author:

Charlotte Horton has been living at and restoring Potentino since 2000. She worked for Vogue magazine, Secker and Warburg Publishing House, and as a freelance journalist. Michael Woolley was a British photographer who taught at the Kingston School of Art’s prestigious Fashion Design BA course. Marella Caracciolo Chia is a journalist for Architectural Digest, the New York Times, and T Magazine, among other publications.

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Пролистать книгу A Tuscan Adventure: Castello di Potentino: The Restoration of a Castle

The founders of Antoinette Poisson take readers inside their historic townhouse on the Atlantic coast to discover a style and art of entertaining rooted in French tradition and elegance.

Maison Lescop — the historic residence of an eighteenth-century French importer for the Indian trading company in Port-Louis, Brittany — seemed predestined to become the new home and restoration project for the creative duo behind Antoinette Poisson, a Parisian design team dedicated to reviving the savoir faire of domino paper for home decoration and furnishings. The art historians became enchanted by the poetic beauty of this artisanal craft — derived from an Indian block print technique — when they uncovered original hand-painted eighteenth-century domino wallpaper while restoring a mansion in central France.

Enchanted by the repeat-pattern domino prints, which range from florals and fauna to geometric and ikat, they have appointed their new home with the charming decorative touches that are their signature — handmade lampshades, wallpaper lined armoires, paper-mâché marriage boxes, assorted table settings, and luxurious textiles.

Celebrating the rhythm of life in France, they bring readers on adventures — shopping at the local market, antiquing, mushroom hunting, sheep’s cheese making, paper making, and textile dying — and share classic seasonal French meals inspired by antique cookbooks, served-up on hand-dyed indigo tablecloths or on nautical striped throws for a seaside picnic. They also include creative insight from their style icon friends, like American decoupage artist John Derian and French musician Clara Luciani.

About the Author:

Vincent Farelly and Jean-Baptiste Martin are co-founders and art directors of Antoinette Poisson, whose domino prints have been featured in collaborations with Gucci, Ladurée, Diptyque, and the Château de Versailles. Ruth Ribeaucourt, a lifestyle photographer, is the founder and editor of Faire magazine, dedicated to artisans and creatives around the world. John Derian is a decoupage artist based in New York.

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Пролистать книгу A Year in the French Style: Interiors and Entertaining by Antoinette Poisson на сайте издательства.

The first book to feature this modernist masterpiece, one of Walter Gropius and Marcel Breuer's most important residential commissions.

Offering a rare opportunity to explore the largest and most luxurious house designed by Walter Gropius, founder of the Bauhaus, and Marcel Breuer, leading architect and furniture designer of the twentieth century, this beautifully designed volume celebrates the Alan I W Frank House in Pittsburgh, Pennsylvania.

Built in 1939-40, the house embodies the Bauhaus "total work of art" philosophy, with Gropius and Breuer having designed every aspect of the building and its site. Illustrations including new and archival images and the architects' plans and sketches highlight an exquisite balance of proportions and colors. Accompanying essays place this house firmly within the American modernist canon just as the Bauhaus celebrates its one-hundredth anniversary in 2019.

About the Authors:

Alan I W Frank, son of the original owners, is president of the Alan I W Frank House Foundation, whose mission is to restore and preserve the Frank House. Kenneth Frampton is one of the world's leading architectural historians of modernist architecture. Barry Bergdoll, former curator of architecture and design at the Museum of Modern Art, is a professor of modern architectural history at Columbia University. Charles A. Birnbaum is president and CEO of the Cultural Landscape Foundation.

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Пролистать книгу Alan I W Frank House: The Modernist Masterwork by Walter Gropius and Marcel Breuer

Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the classical age to the present day.

About the Author:

Owen Hopkins works for the Architecture Programme at the Royal Academy of Arts in London. He is the author of Reading Architecture: A Visual Lexicon (Laurence King, 2012).

Sumptuously illustrated with over 1,000 illustrations and written by one of the world’s leading experts, Art Deco Complete will be the definitive work on the subject for many years to come.

In the most comprehensive account of the decorative arts of the Art Deco period ever assembled, Alastair Duncan celebrates the rich variety of form and diverse international roots that have made it a perennial favourite of collectors and a constant source of inspiration for designers.

Straddling two World Wars and the Great Depression, ushering in the Jazz Age and the era of the automobile and skyscraper, and shaping everything from the Golden Gate Bridge to the humble desk lamp, the story of Art Deco is the story of our modern world.

In its purest forms, it developed from a characteristically French image of luxury and refinement. Later, modernist European and American designers incorporated metal and plastic in styles described as ‘Streamline Moderne’, but which are now called ‘Deco’. Although Paris was the spiritual home of the movement, Art Deco was a truly global style, with designers from every country in Europe and the Americas inspired by a vast international catalogue of artistic and craft traditions.

The guide begins with essays on the major media of the period: Furniture and Interior Decoration; Sculpture; Paintings, Graphics, Posters and Bookbinding; Glass; Ceramics; Lighting; Textiles; Silver, Metal, Lacquer and Enamel; and Jewelry, each followed by lavishly illustrated in-depth biographies of the major designers and artists working in the medium.

The second half of the book is an authoritative illustrated A–Z listing of all significant designers in the Art Deco style, comprising over four hundred entries.

About the author:

Alastair Duncan was for many years an officer and consultant of Christie’s, New York, and is now an independent consultant on the decorative arts of the 19th and 20th centuries. He is the author of many books on the Art Deco period, including Art Nouveau and Art Deco Lighting, Art Deco Furniture, American Art Deco and Art Nouveau and Art Deco Bookbinding.

With over 1000 illustrations in colour and black and white

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Стильно оформленное, прекрасно иллюстрированное подарочное издание большого формата в суперобложке, упакованное в оригинальный подарочный футляр.

Это самая полная энциклопедия, посвященная искусству ар деко, за всю историю изучения стиля. Ар деко считается наиболее изысканным из всех декоративных стилей ХХ века, он возник на основе типично французского представления о роскоши и утонченности, что в 1920-е годы нередко выражалось в использовании экзотических материалов. Богатство и разнообразие форм, множество заимствований из других культур – характерные особенности стиля, благодаря которым ар деко не перестает быть фаворитом коллекционеров и источником вдохновения дизайнеров нового поколения.

Энциклопедия начинается серией эссе, посвященных мебели и декору интерьеров, скульптуре, живописи, графике, плакату и книжным переплетам. Предметом тщательного исследования являются  также художественное стекло, керамика, освещение, текстиль и ювелирные изделия. Каждая глава сопровождается иллюстрациями и подробными биографиями выдающихся мастеров. 

Arnold Schwartzman's stunning photographs of the finest examples of Art Deco from all over the world are collected here as a celebration of one of the world's most popular decorative styles.

Art deco is the 20th century's most glamorous architectural style and the one that shaped popular ideas of modern luxury. With over 200 photographs, this is a visual celebration of this very popular style. Unlike most other books on the subject that tend to be regionally specific, this book highlights Art Deco buildings from all over the world, from Australia to South America, with an emphasis on London, Los Angeles, New York, Chicago, Miami, and Paris. Art Deco features much careful and exacting detail, and of special interest in this book are photos that zoom in on murals, mosaics, flooring, ironwork, and other ornamental flourishes.

Art Deco began in 1925 and quickly swept the globe becoming the style epitomizing Jazz Age glamour and sophistication. It drew from a variety of influences including ancient Egyptian, Moorish, and Mayan motifs but also modernist movements like Cubism, Fauvism, and De Stijl. Its influence was felt everywhere, from the skylines of New York to Shanghai, and it gained prominence not only with architects and designers but enjoyed a passionate following among the public as well.

About the Author:

Arnold Schwartzman is an Oscar-winning filmmaker, a noted graphic designer, and the author of a score of books including London Art Deco and Deco Landmarks: Art Deco Gems of Los Angeles. He began his design career in British television before moving to Hollywood in 1978. He was the Director of Design for the 1984 Los Angeles Olympic Games and designed many of the key graphic elements for the annual Academy Awards. In 2010, he created the two murals for the Grand Lobby of Cunard's Queen Elizabeth. In 2001 he was awarded an OBE and in 2006 he was appointed a Royal Designer by the Royal Society of Arts.

The most complete in-depth survey of global Mid-Century Modern homes ever published – more than 400 stunning homes from 40 countries, designed by more than 290 of the world’s greatest architects

The love of Mid-Century style is at an all-time high, with a steady flow of exhibitions, house tours, and books celebrating its unique cross-generational appeal. This collection of more than 400 of the world’s most glamorous homes from more than 290 architects, showcases work built between the 1940s and 1960s by such icons as Marcel Breuer, Richard Neutra, Le Corbusier, Lina Bo Bardi, Alvar Aalto, and Oscar Niemeyer, alongside extraordinary but virtually unknown houses in Australia,  Africa, and Asia. This stunning and thoroughly researched, a comprehensive appraisal is a must-have for all design aficionados, Mid-Century Modern collectors, and anyone looking for inspiration for their own homes.

About the Author:

Dominic Bradbury is a writer and freelance journalist specializing in architecture and design. He has written over 20 books, including Mid-Century Modern Complete, The Iconic House, and The Iconic Interior. He contributes to magazines and newspapers in the UK, US, Australia, and internationally, including the Financial Times, The Times, Telegraph, House & Garden, World of Interiors, Wallpaper, and Vogue Living.