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This lavishly illustrated volume is a tribute to the designers who have made a lasting contribution to the history of interior design around the world, elevating the interior to an art form.

John Saladino and Jacques Garcia are renowned contemporary designers; the clean lines and light-filled interiors of the former contrast with the luxurious, richly colored spaces created by the latter. But who were the leading designers in the seventeenth and eighteenth centuries, and which elements of their legacy remain relevant in interior design today?

Respected interiors specialists Barbara and René Stoeltie chart the evolution of interior design from the seventeenth century to the present day and share their selection of significant designers from the last four hundred years. Arranged chronologically, the text places the designers in their historical context and details the primary elements that characterized their style or revolutionized taste in their day. The photographs provide a visually evocative overview of the designers’ key works, illustrating the overall impact of the room and the details that make each space memorable. These portraits of the designers and their chefs d’oeuvres demonstrate the aesthetic principles and creativity that shaped the history of interior design.

From eighteenth-century interiors by Dennis Severs to Billy Baldwin’s elegant yet livable home design, or from Madeleine Castaing’s eclectic creations that blended antiques with art to the gracious curves and pastel hues of Charles Rennie Mackintosh’s art nouveau Hill House, and from Bill Willis’s interpretation of Orientalism in Marrakech to the clean and graphic lines of Andrée Putman’s sleek interiors, this volume abounds with inspiration.

From subtly shimmering white subway-style walls to dramatic colorful mosaics, tile is one of the most seductive ways to enhance the beauty of a space. Long prized for its durability, tile has become more of an object of aesthetic desire than ever before. Your heart may be set upon using it, but with thousands of imaginative options available, you may not know where to begin. Now, The Art of Tile beautifully illustrates what to use, how to use it, and where to use it.

First, design writer and tile enthusiast Jen Renzi walks you through the basics of using the medium: selecting the best materials for certain spaces; installation and maintenance considerations; and aesthetic aspects, such as using tile as an accent or pairing tiles with different patterns in the same area. She then helps you answer the big-picture questions: Do I want eco-friendly bamboo tile in the bathroom? Gorgeous gold-leaf Italian glass tile on my backsplash? Or just a neutral-colored tile with a raised texture? Along the way, you’ll see dozens of installations to spark your imagination, including all of the latest advances and never-before-seen options, such as luxurious leather tile floors that coddle the feet, surprisingly realistic imitation-wood tiles made from porcelain, and an explosion of roses in a red-and-white dining room mosaic.

If you’d rather page through thousands of options to make your choice based simply on what strikes your eye, the catalog section of this book is the ultimate resource: more than 1,500 tile options organized in groupings such as:

* Color (typical color families, as well as pastels, vivids, and pure white)
* Pattern (damasks, dots, loops, herringbone)
* Motif (such as nautical themes, animals, food, or flowers)
* Texture (from subtle to dimensional)
* Shape (beyond squares, circles, and rectangles to hexagons, diamonds, and ovals)
* Material (including ceramic, cement, stone, and shell)
* Mosaic (from interlacing vines to abstract geometrics)

With inspiring photographs of tile installations from Montauk to Morocco, an extensive resource guide, and expert advice from architects, designers, homeowners, and tile manufacturers, The Art of Tile is as much a feast for the eyes as it is an indispensable and comprehensive resource.

The Arts and Crafts Country House is a fascinating and beautifully illustrated survey of some of Britain’s most important houses.

The Arts and Crafts Movement produced some of our country’s greatest works of design, architecture and decorative art. It grew out of a reaction against the Industrial Revolution in the late 1850s, inspired by an alternative vision of life based on the revival of traditional building crafts and the use of local materials.

Country Life magazine, founded in 1897, championed the movement in the weekly articles it devoted to country houses, illustrated with specially commissioned photographs. In his stunning book, Clive Aslet draws upon this unique archive to provide a detailed survey of 25 major country houses, designed by the movement's foremost architects, including Lutyens, Webb, Williams-Ellis and Blow. He also shows how the Arts and Crafts tradition continues to influence architects today. The 22nd title in this acclaimed series, The Arts and Crafts Country House reveals the enduring legacy of an architectural ideal.

Occupying a home means that every room has a purpose and creates an atmosphere that reflects the values and lifestyle of its inhabitants.

With a carefully curated collection of intimate and sophisticated interiors, ranging from a chic town house in Paris to a family house in Taipei and a tranquil country estate in Belgium, this book showcases fifteen authentic homes filled with color and charm while exuding a refreshing contemporary style. Each house has its own thoughtful narrative, but all share a common ethos: they are connected on an innate and authentic level by their sense of proportion and attention to detail.

All the homes featured reflect the personality and spirit of the people who inhabit it. With a wide-ranging mix of bespoke furniture, contemporary pieces, understated elegance and grand intimacy, they easily accommodate family and gatherings.

 “The Authentic Home" showcases homes that are luxurious but never pretentious. They celebrate comfort, character, and user-friendly design.

Whether it’s the “non-designed” aesthetic how to blend new and old, mix colors and patterns, pared-down rooms are remarkably harmonious and relaxed due to the blend of natural materials, muted colors, and matte surfaces and textures, especially from wood, stone, and rough textiles. This book presents interiors of a spare yet sumptuous sophistication.

 “The Authentic Home” is a tribute to compelling and characterful homes with profound sensibility.

With previously unpublished photography this new book will appeal to anyone interested in welcoming, soulful interiors.

Discover how to make the most of your gardening plot, however confined, with Isabelle's creative and inspiring projects, including creating a cocktail window box from which you can make your own delicious fruity drinks, recycling containers such as wine and fruit crates, and creating a country garden in the smallest urban space. You can also turn your balcony, roof terrace or patio into an attractive space to dine and entertain with stylish lighting and furnishing ideas. With The Balcony Gardener's uniquely different gardening ideas and practical advice, a lack of space won't hold you back; you will soon transform your mini-patch into a fabulous green oasis.

About the Author:

Isabelle Palmer is the founder of The Balcony Gardener (www.thebalconygardener.com), an online company specializing in product ranges for small urban outdoor spaces — balconies, patios, containers, and roof terraces. Isabelle’s work has recently been featured in the Evening Standard and Marie Claire. She grew up in Worcestershire, then moved to London to study at Chelsea College of Art and Design, embarking on a degree in Economics before working in PR. She has always been a keen gardener and began by using her own small balconies to create a little green oasis of her own. Confident that others would want to do the same, she started her successful business The Balcony Gardener. The author is based in London, UK.

Due to the functions it houses, the bathroom must respond to a set of highly specific characteristics, making it one of the most complex spaces in the home.

The layout options of this space are infinite and this book presents a vast selection of bathrooms chosen for their quality and originality and designed by prestigious architects and interior designers. They are showcased through seven different chapters: Small, Xtra Large, Open & Ensuite, Retro, Contemporary, Zen and Unique.

The 600-plus photographs included in the book are complemented by design ideas from leading international specialists.

This Old House is America’s longest-running home improvement show, airing on PBS since 1979. In this book, host Kevin O’Connor will chronicle 10 of the finest transformations rendered by the craftsmen and artists from the past decade of filming the show. Never before have completed projects from This Old House been displayed in such detail. From interiors to exteriors, with insights from every step of the process, the works presented in this book will give devotees of This Old House something they’ve never had before - the rarely shown finished spaces. With more than 200 stunning photographs showing the before-and-after of the best houses on the show, and unique insights and stories from O’Connor and some of the well-known crew members, fans of This Old House will be clamoring for this volume.

This paperback edition of The Big Book of Interiors features more than 600 different design ideas covering every room in the house…and then some.

For easy reference, the chapters are divided by location in the home:

• Living Rooms
• Bedrooms
• Kitchens
• Bathrooms
• Home Offices
• Kid Rooms
• Entrances and Corridors

Each section opens with text describing the decorating challenges unique to that part of the house, followed by full-color design ideas showcasing hundreds of different solutions to outfit every size room with a range of current interior style methods. The styles featured focus on the most popular used by today’s best interior designers, including New Rococo, Minimalism, New Rustic, Retro and Contemporary. Photographs are accompanied by captions explaining the different approaches from each designer and architect.

Whether it’s one room or an entire house, The Big Book of Interiors is the ultimate reference for every homeowner ready to redecorate.

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This book illustrates trends in contemporary living on the basis of around twenty projects carried out by leading architects and interior designers. The reports demonstrate that contemporary living nowadays calls for more than the harmonious integration of the latest designer furniture in a modern context.

Over a million houses were built in Britain during the Edwardian period and another four million in the years between the two World Wars; most of these are still in use as homes today. This book explains to current owners of such houses why and by whom their properties were built, how the original occupants would have decorated, furnished and used them, and the development of the distinctive architectural styles of the time. The leading architects of the Edwardian period were enthusiasts for a return to English vernacular styles, in contrast to what they considered the dry rigidities of classicism and the extravaganzas of the Gothic revival and they were also obliged for the first time to address the changes necessary to incorporate innovations such as modern sanitation, bathing facilities and the use of electricity into their designs. The first half of the book looks at the styles which these men created for showpiece developments such as Hampstead Garden Suburb and Letchworth Garden City and the way in which their designs were copied by speculative builders and adapted for the first council houses as the suburbs started to spread ever-outwards along the railway lines and the new arterial roads from the centre of London and other great cities. There are also chapters on the gardens of the period. In the second half of the book individual chapters are devoted to the various elements of the house - fireplaces and chimneys, doors and windows, kitchens, bathrooms and WCs, staircases, etc - to the methods and materials used in their construction and to the decorative styles and materials fashionable at the time. For anyone who now owns or lives in a house built between 1900 and 1939 and who is interested in its history or in maintaining or restoring its period character this book will be an invaluable resource. Richard Russell Lawrence is the co-author, illustrator and designer of The Period Home: Style, Detail and Decoration 1774-1914 and the co-author or editor of six other books.

This beautifully illustrated book celebrates the Parisian mansion that has served as the residence of successive British Ambassadors to France since 1814.

The British Ambassadors Residence in Paris is one of the most splendid historic homes in the French capital and the most impressive of all British ambassadorial residences abroad. The author, Tim Knox, charts the stirring story of the house, from its origins as the home of the Ducs de Charost, to its opulent heyday under Napoleons sister, Pauline Bonaparte, Princess Borghese, much of whose luxurious furniture and decoration survives intact. Since 1814, when Pauline sold the house to the 1st Duke of Wellington, the mansion has served as the residence of successive British Ambassadors to France, who altered the house to suit their taste and character, notably Sir Duff Cooper and his beautiful wife, Lady Diana, whose Empire-style study is still redolent of their brilliant social circle in post-war Paris.

This beautiful house on the rue du Faubourg St. Honoré, furnished with masterpieces of French Empire furniture and decorative arts, English silver, and paintings by British artists, remains a splendid but hard-working setting for promoting the Franco-British relationship.

The Camondos were a family of bankers and philanthropists – ‘the Rothschilds of the East’. Arriving in Paris from Istanbul in 1869, their presence was soon noted in the worlds of business, music, art and the wealthier echelons of Paris society.

One man, Moïse de Camondo, made their mark permanent with the legacy of the Musée Nissim de Camondo, a magnificent Belle Époque mansion built to contain the family’s collection of 18th-century French art, and which became a memorial to his son who did not live to inherit it: Nissim de Camondo, a pilot during the First World War, was killed in aerial combat in 1917.

With Moïse’s death in 1935, and the deaths of remaining members of the family at Auschwitz in 1943–44, the Camondo line came to an end. The house was bequeathed to the French state, and survived the war intact.

The exceptional qualities of the house, its architecture and its beautiful decoration have been captured in superb photographs by Jean-Marie del Moral. Essays by curators and experts associated with the museum explore the splendour of each object and work of art in detail, tracing their history and setting them in context, and bringing to life the deeply moving story of a remarkable collection driven by passion.

Today’s glamorous chambers of curiosity are to apartment design what the dandy is to fashion.

The most fascinating apartments have always been those that reflect the essence of their interesting occupants. These apartments function as showcases for individual character, as chambers of curiosities reflecting unconventional life patterns. The apartment as dandy, as it were.

Apartments like these contain a conglomeration of objects and features that underscore the personalities of their occupants. Modern classics meet personal acquisitions and unconventional items with their own backstory. In these out-of-the-ordinary rooms, uniformity is avoided and the historical consorts with the futuristic. Anything goes: muted colors are set against geometric patterns, antiques against ultra-modern lights, an industrial lamp hovers over an oriental carpet, dark wood paneling offsets a Carl Auböck design, and paisley is a backdrop to onyx. The list of contrasts goes on.

Like the living spaces of modernist designers and architects, these collage-like interiors are not dull, utilitarian residential units but true chambers of curiosities. The acquisition of rare, weird, and often exotic articles has less to do with money spent and more to do with the fantasy and life path of its occupant and creator.

Thus we are presented with interiors reminiscent of movies by Kubrick, Fincher, or Lynch—sometimes with an ambiance that is cool and detached, sometimes glamorous, often enigmatic, and always engagingly different.

Over 256 pages The Chamber of Curiosity takes the reader on a tour of exciting interiors. As with our publication Northern Delights, this volume also provides portraits of trailblazing interior designers. Complementing features on Jean-Christophe Aumas from Voici-Voilá, Pietro Russo, Dimore Studio, Autoban, and the Harmony Club, additional texts about the featured owners and their furnishings reveal how lives and fantasies can be materialized into an interior universe of desire and wonder. The result is a book on pioneering interior designs that focuses not so much on the acquisition of the latest products as on the telling of a story.

A sumptuous, large-format photographic tour of the extraordinary collections of antiques housed in fifteen private residences in Italy.

Over 150 superb photographs from the Country Life archive are selected especially here to highlight 25 major houses and their architects in a stunning and astoundingly thorough display.

In The Classical Country House architectural historian David Watkin takes a fresh and innovative look at the traditional British country house and shows how Classicism has been a seminal influence on British architecture since the seventeenth century. He demonstrates how the antecedents of the British Classical house, which lie in both Greek and Roman antiquity, were vigorously revived in the masterpieces of the Italian Renaissance, and enjoyed new life when transplanted to Britain by Inigo Jones, after his Grand Tour of the Continent in 1613 14. The book consists of five parts. The first looks at the birth of English Classicism in the seventeenth century, when houses such as Wilton House in Wiltshire (where Jones and John Webb designed the celebrated Double Cube Room) and Coleshill in Berkshire, reflect a rejection of contemporary styles in favour of a Renaissance-influenced design. The second part shows how the flowering of Classic design in the eighteenth century led to the creation of some of the most celebrated houses of the period: Chiswick House, Holkham Hall, Sir John Soane's Pitzhanger Manor, and the Grecian templar house, Grange Park. The third part recounts how the austerity of many buildings designed in the 18th century gave way to the richer styles of the Italian Renaissance Revival in the 19th century seen, for example, in Kingston Lacy, Dorset and Brodsworth Hall, Yorkshire. The final two chapters, on the twentieth century and beyond, reveal how even as individual an architect as Sir Edwin Lutyens immersed himself in a Classical language of design, in houses as diverse as Nashdom, Gledstone and the British Embassy in Washington D.C; and how, as the influence of Modernist design has waned, Classical styles have been revived most notably in the houses of Raymond Erith after the Second World War, and more recently by architects such as Quinlan Terry. David Watkin has selected over 150 of the finest images from the Country Life archive to illustrate an incisive study of 26 major houses and their architects. This highly informative and enlightening survey of Classicism through the centuries is a major addition to architectural history.