История архитектуры

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1995–1999: Leaving the 20th century
At the century's end, domus remained the bible of avant-garde design, showcasing the best architecture, interiors, domestic and industrial designs. This volume features buildings by Mario Botta, Arata Isozaki, Josef Paul Kleihues, Richard Meier, Günther Domenig, Herzog & Meuron, Frank O. Gehry, Peter Zumthor, Daniel Libeskind, and designs by Philippe Starck, Ross Lovegrove, Jonathan Ive, Alberto Meda, Paolo Rizzatto, Perry A . King, and Santiago Miranda. It also includes a CD-ROM with a complete index of all 12 volumes in the domus reprint collection.

"(…) Le Dictionnaire raisonné de l’Architecture comprend 10 volumes de 450 pages chacun en moyenne, soit environ 4000 pages de texte illustré de 4500 gravures sur bois. Outre le texte fort intéressant et vivant, c’est cette iconographie qui donne à l’ouvrage l’essentiel de son intérêt. (…) Nous avons ainsi sélectionné les principaux passages du Dictionnaire raisonné de l’Architecture écartant ceux qui étaient trop techniques et les courtes rubriques ne comportant que du texte. (…) Sur les 4500 gravures originales nous en avons présenté 1335 dans le présent volume et quelques centaines dans le tome 2. Nous pensons que l’essentiel du Dictionnaire raisonné de l’Architecture est ici présenté… Avec ces deux volumes de l’Encyclopédie médiévale qui reprennent l’essentiel des deux Dictionnaires de Viollet-Le-Duc avec 1440 pages, nous avons publié plus de 3000 dessins !" / Georges Bernage

Refonte en un volume du Dictionnaire raisonné de l’architecture (1854-1868) et du Dictionnaire raisonné du Mobilier (1858-1870) par Georges BERNAGE :

 TOME I : Architecture
- Avant-propos de Georges BERNAGE (5 photographies dont un portrait par NADAR)
- TABLE DES RUBRIQUES : 62 entrées de Abside à Porte 720 pages

 TOME II : Architecture et Mobilier
- Avant-propos de Georges BERNAGE (9 illustrations)
- TABLE DES RUBRIQUES : 11 entrées de Prison à Vitrail pour la fin de l’Architecture et 7 entrées de Armes à Instruments de musique pour le Mobilier.
720 pages

Bella Figura. Milan’s sumptuous modernist hallways

First impressions count, especially in Milano. In this unprecedented photographic journey, editor Karl Kolbitz curates 144 of the finest Milanese entrance halls from 1920 to 1970. Sumptuous in diversity and splendor, the volume features some of Milan’s most famous architects, from Gio Ponti to Piero Portaluppi, and showcases the city’s design DNA across high to low architecture.

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First impressions count, especially in Milano. In this unprecedented photographic journey, editor Karl Kolbitz opens the door to 144 of the city’s most sumptuous entrance halls, captivating in their diversity and splendor. These vibrant Milanese entryways, until now hidden away behind often restrained façades, are revealed as dazzling examples of Italian modernism, mediating public and private space with vivid configurations of color and form, from floors of juxtaposed stones to murals of minimalist geometry.

The collection spans buildings from 1920 to 1970 and showcases the work of some of the city’s most illustrious architects and designers, including Giovanni Muzio, Gio Ponti, Piero Portaluppi, and Luigi Caccia Dominioni, as well as non-pedigreed architecture of equal impact and interest. The photographs for the publication were exclusively created by Delfino Sisto Legnani, Paola Pansini, and Matthew Billings, each evoking the entryways with individual sensibility and a stylistic interplay of detail shots — such as stones, door handles, and handrails — with larger architectural views.

The images are accompanied by outstanding written contributions from Penny Sparke, Fabrizio Ballabio, Lisa Hockemeyer, Daniel Sherer, Brian Kish, and Grazia Signori, together bringing a wealth of architecture, design, and natural stone expertise to guide the reader through the applied materials and fittings as well as the art-historical and social implications of each of the ingressi. As much an architectural city guide as an aesthetic study, the book provides the exact address and an annotated Milan map for all featured entryways, as well as the architect name and date of construction.

In the well-documented realm of 20th-century Italian design, Kolbitz has stepped over the threshold and delivered a brand new area of inquiry in Milanese modernism. With the rigor of its multifaceted research, poised photography, and breadth of its featured hallways, this is an invigorating new reference work and an inside look at the city’s design DNA across high to low architecture.

The editor:

Karl Kolbitz is an editor based in Berlin. Growing up in the reunited German capital, he became interested in architecture and how the built environment shapes our lives. He worked with Mario Testino and Wolfgang Tillmans for many years before founding his own creative practice, which focuses on the development and design of art and architecture publications.

The contributing authors:

Fabrizio Ballabio is an architect and writer. He teaches history and theories studies at the Architectural Association (AA) and the Royal College of Art (RCA) and is a founding member of åyr.

Daniel Sherer teaches architectural history and theory at Columbia GSAPP and Yale School of Architecture. His research focuses on the modern reception of humanist architecture and on Italian modernism. Dr. Sherer has published extensively in journals in Europe and the U.S. including Artforum, Domus, Log, Perspecta, and Journal of Architecture.

Lisa Hockemeyer lectures on design history and criticism at the Polytechnic University of Milan and Istituto Marangoni. Her research focuses on 20th-century Italian design, industry, art, and ceramics. Dr. Hockemeyer has published widely and curated exhibitions in both Italy and the UK. She is Visiting Research Fellow at Kingston University, UK.

Penny Sparke is Professor of design history and Director of the Modern Interiors Research Centre at Kingston University, UK. She has lectured, curated exhibitions, broadcast, and published widely on design history, including her own books An Introduction to Design and Culture, 1900 to the Present and Design in Context. Professor Sparke is an Honorary Senior Fellow of the Royal College of Art.

Grazia Signori has been working in the dimension stone sector (testing and identification) since 2001. Her research focuses on the petrographical composition and technical properties of natural stones. She is a Visiting Professor at several Italian universities, including Politecnico di Milano and the Earth Sciences Department of Università di Milano and regularly publishes in Italian journals.

Brian Kish is an art historian and curator of Italian 20th-century design. His specialist knowledge includes designers Ico & Luisa Parisi, Gio Ponti, BBPR, Carlo Mollino, and Carlo Scarpa. He organized the first exhibition on Gio Ponti in the United States.

The photographers:

Delfino Sisto Legnani lives and works in Milan. His photography has been featured in a number of international magazines as well as in leading culture forums like the Victoria and Albert Museum in London, La Triennale in Milan, and the Venice Biennale of Architecture in 2012 and 2014.

Matthew Billings is a Berlin-based photographer and video artist whose work considers the intersection of moving and still imagery and the formal shifts brought about by technological advance. His work has been featured in magazines including Basso, Butt, and Paper.

Paola Pansini lives and works in Milan. Her photography focuses on still life and interiors and has been featured by some of the most prestigious fashion houses, international magazines, and architecture studios, including Armani, Prada, Valentino, Wallpaper*, Esquire, and David Chipperfield Architects.

Une ville entière – ou presque – tient dans ces pages qui accueillent plus de mille bâtiments parisiens. Qu’il s’agisse de monuments, d’immeubles d’habitation, d’hôtels particuliers… le dessin, mieux que la photographie, permet de restituer les lignes et les proportions de ces édifices qu’on a choisis parmi les plus remarquables. Des arènes de Lutèce au musée du Quai Branly, vingt siècles d’architecture défilent pour composer un panorama urbain exceptionnel.

Michel Poisson, architecte, se passionne depuis dix ans pour le patrimoine architectural de Paris auquel il a consacré quelques milliers de dessins. Il est l’auteur de “Paris monuments” (Minerva, 1998).

Michel Poisson, architecte, a consacré des milliers de dessins au patrimoine architectural de la capitale. Il est l'auteur, aux éditions Parigramme, de l'ouvrage Façades parisiennes.

Informative, readable text and 100 handsome illustrations of magnificent buildings make this book appealing not only to architects and architectural historians, but also to anyone with even a casual interest in architecture and design. It explains in simple terms the ways in which the relationship of exterior and interior elements creates unity.

Пролистать книгу Form and Design in Classic Architecture на Google books

The eighteenth century was a period of great inventiveness and originality in French decorative arts and interior decoration.

This book discusses in detail the creation and contents of the interiors of French aristocrats and financiers, including some that have never been photographed before. Using contemporary inventories, letters, and journals it brings to life the tastes and preoccupations of their creators - the Royal family, the aristocracy, the fashionable tourists and the nouveaux riches, as well as the dealers and craftsmen who worked for them, the artists, designers and architects. In addition, it explores the wider context of different styles of decoration, the effect upon them of changes in etiquette and social behaviour and the effect they had in turn upon the function and arrangement of rooms within the French interior.

Contents

Introduction
1. Clientele
2. Designers, Guilds and Dealers
3. Styles and Influences
4. Distribution, Use and Content of Rooms
5. Architectural Decoration
6. Furniture
7. Gilt-Bronze
8. Porcelain
9. Lacquer, Tôle and Wallpapers
10. Textiles
11. Silver
Appendix One
Appendix Two
Citation of Sources
Bibliography
Picture Credits
Index

John Whitehead is a frequent exhibitor at international art and antiques fairs, and serves on the committee of the French Porcelain Society. He is a well-known authority on eighteenth-century decorative arts and interior decoration, and has previously written, with Dr Oliver Impey, on the use of Japanese lacquer on French furniture, and with Sir Francis Watson on the porcelain collection of the Grand Dauphin

The Complete Gaudí. Freedom of form with the “Dante of architecture”

Antoni Gaudí merged Orientalism, natural forms, and new materials into a unique Modernista aesthetic that put Barcelona on the global architecture map. With brand-new photography, plans and drawings by Gaudí himself, as well as an extensive appendix of all his works including furniture and unfinished projects, this book takes us through the Catalonian’s fantastical universe like never before.

The life of Antoni Gaudí (1852–1926) was full of complexity and contradictions. As a young man, he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life, he devoted himself completely to the construction of one single spectacular church, La Sagrada Família. In his youth, he courted a glamorous social life and the demeanour of a dandy. By the time of his death in a tram accident on the streets of Barcelona, his clothes were so shabby that passersby assumed he was a beggar.

Gaudí’s incomparable architecture channels much of this multifaceted intricacy. From the shimmering surface textures and skeletal forms of Casa Batlló to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his buildings enjoy global popularity and acclaim; his magnum opus, the Sagrada Família, is the most-visited monument in Spain and seven of his works are UNESCO World Heritage Sites.

Packed full of expert texts and hundreds of full-colour illustrations, including new photography, this book presents Gaudí’s complete oeuvre. Like a personal tour through Barcelona, we explore his residential, religious, and public projects. We see how the “Dante of architecture” was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, transforming fantastical visions into realities on the city streets.

The author:

Rainer Zerbst studied modern languages at the University of Tübingen and in Wales from 1969 to 1975. From 1976 to 1982 he worked as a research assistant in the Department of English at the University of Tübingen. Since completing his doctorate in 1982, Zerbst has been active as a critic in the fields of art, literature, and theatre.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

One of England's most respected and influential architects, James Gibbs was born in Scotland, studied in Rome, and left a legacy of design the world will treasure forever. His legendary 1728 folio, a sprawling gallery of Gibbs's magnificent drawings, perspectives, and blueprints, is a brilliant testimony to his remarkable talent.

Profusely illustrated, the volume features such notable commissions as London's St. Martin in the Fields—the inspiration for many steeple churches of the colonial period in America; St. Mary le Strand, his first public building; Marybone Chapel; The Church of Allhallows in Derby; plus Gibbs's first commission, an addition for King's College at Cambridge. His most outstanding accomplishment may be the circular Radcliffe Library at Oxford, for which he received a Master of Arts. Also included here are detailed floor plans, plus fine drawings of decorative marble cisterns, ornamental iron gates, stately funeral monuments, and much more. Essential for an understanding of classic architecture, this stunning edition should grace the bookshelf of every architect, as well as architectural students, teachers, and historians.

Reprint of A Book of Architecture, London, 1728.

This comprehensive study of Gothic architecture traces the distinctively beautiful elements of Gothic style through the medieval churches of Europe. Gathered from a rare two-volume Victorian classic, over 700 meticulously rendered details and illustrations display every intricate aspect of Western culture's most magnificent ecclesiastical structures, including London's Westminster Abbey Church. The only edition of these antique architectural plates in print, this splendid book is a one-of-a-kind source of authentic Gothic design.

In page after fascinating page, this rich retrospective features the finest examples of medieval masonwork, woodwork, and metalwork dating back to the thirteenth century. Explore the soaring Gothic characteristics of vaulted ceilings, arched windows, flying buttresses, pointed spires, ornamental filials, and decorative panels, plus doorways, moldings, roofing, porches, door hinges, and other elaborate architectural elements.

Filled with fascinating insights into the creation of Gothic-style churches and cathedrals, this sweeping survey also provides lively observations of the medieval period.

After the global hit Ars Sacra, Rolf Toman and his team embark on a journey once more. The famous French cathedrals of Chartres, Reims and Laon are not the only highlights of this volume. Outstanding treasures of medieval imagery such as religious panel paintings, Madonna statues, illumination and goldsmith art; courtly culture also gets attention.

With his passion and meticulousness, photographer Achim Bednorz succeeded to get details in front of his camera that cannot even be perceived on the original locally. The photographs that are exclusive for this volume are particularly well-presented in their large format. The author Bruno Klein wrote his take on Gothic history to fit, and swiftly takes the reader into a past medieval world almost forgotten.

• Contains some previously unpublished works by the Russian Constructivist Yakov G. Chernikhov, taken from his son’s archive
• With 60 written drafts, 50 drawings and sketches, 200 ornaments, diary entries and private photos from the family album

Dmitry Y. Chernikhov (Hg.)
Graphic Masterpieces of Yakov G. Chernikhov
The Collection of Dmitry Y. Chernikhov
Workbook, notebook (facsimile), diary (facsimile)
400 pages over 450 images, 340 x 450 mm
hardcover with jacket in slipcase (3 vol.)

This splendid large-format volume features exclusive and previously unpublished works and documents from the famous Russian Constructivist Yakov Chernikhov from the archive of his son, Dmitry Chernikhov. These include sixty tables of typefaces, fifty drawings, and sketches, two hundred ornaments, as well as diary excerpts and photos from the private family album. With an introduction by the editor and an essay on Chernikhov’s artistic oeuvre by Dmitry Chmelnizki.

Графические шедевры Якова Чернихова из собрания Дмитрия Чернихова.

In this chronological selection of 32 of the most notable houses of England and Wales, the authors present a panoramic history of the evolution of the 'great house'. The selection tours acknowledged architectural masterpieces, such as Tredegar - one of a number of house in this book that were closed to the public for many years. It is also a history of great families, seen as part of the houses they created, where their descendants, in many cases, still live today. Full of memorable characters and anecdotal insight, this book is a glorious tribute to what Evelyn Waugh called our chief national artistic achievement. The original photographs show the unexpected as well as the familiar - the private rooms and servants' quarters as well as the grand exteriors and staterooms, the gardens and noble landscapes. They include some of the most splendid examples of English art and architecture, from awe-inspiring medieval stone to the beauties of the English Renaissance, the classical grandeur of the 18th century and the highest excesses of High Victorian taste, illustrating the work of Inigo Jones, Sir John Vanbrugh, Nicholas Hawksmoor, Thomas Chippendale, William Kent, Robert Adam and Capability' Brown.

Hugh Montgomery-Massingberd has been writing about country houses and their owners since the 1960s. He was the instigator and editor of an acclaimed four volume Guide to Country Houses and wrote a weekly Heritage column for over 20 years, first for The Field and then for the Weekend section of The Daily Telegraph. His many other books on heritage subjects include Great Houses of England & Wales; Great Houses of Scotland and Great Houses of Ireland.

Christopher Simon Sykes specialises in the photography of architecture and interiors, and is also the author of numerous books including English Country, Scottish Country and Living with Books. His photographs appear regularly in periodicals, including The World of Interiors, House & Garden, Town & Country, Vogue, Vanity Fair and The Sunday Telegraph magazine.

Never will you see English countryside and architecture more amorously photographed, nor the eccentricities of their owners more forgivingly celebrated.  Ferdinand Mount

Illustrations: 100 colour & 100 b&w images

For over 100 years,  Country Life  magazine has been recording the country houses of the British Isles and Europe. From the start, its weekly articles on the subject were illustrated with specially commissioned photographs by some of the century's pre-eminent architectural photographers. Photography remains the lifeblood of the magazine, and it has built up an unrivalled archive of architectural photographs of some of the finest houses in Western Europe.   Great Houses of Europe  brings together a collection of over 200 colour and black-and-white photographs by the master of natural-light photography,  Country Life  photographer Alex Starkey. And the distinguished architectural writer and historian Marcus Binney contributes an illuminating text, providing an essential historical background to some of Europe's most remarkable houses and their magnificent interiors. The book covers a wide range both geographically - there are houses in France, Italy, Spain, Portugal, Austria, Belgium, Germany, the Netherlands and Sweden - and in terms of architectural style - from Dutch Classical architecture (Het Loo) to spectacular Gothic revival (Kastel de Harr).  There are astonishing interiors: the stunning stucco ceilings of the Venetian Palazzo Abruzzi, and the beautiful mirror rooms done by the ladies of the Court for the enchanting  lust schloss . Schloss Favourite near Baden; the magnificent Baroque interiors of Schloss Bruhl, built for the Elector of Cologne, and the early 18th-century Baroque Castello Guarane in Piedmont with its fine frescoes; the early 20th-century Quinta da Regaleira in Sintra, built for a diamond tycoon with its fantasy gardens, half underground; the palatial Chateau de Roquetaillade near Bordeaux, gothicised in the 19th century by Villet-le-Duc, and the quintessential medieval extravaganza, the Chateau de Meillant in Burgundy; and, finally, the dramatic Swedish post-Renaissance Castle Stokloster, arguably the finest house in Europe.

In ad 79, the volcano Vesuvius erupted, burying the cities of Pompeii and Herculaneum under ash and rock, and leaving them remarkably well preserved for centuries. While Pompeii has been extensively written about and popularized, the remains of its sister city, a smaller yet wealthier community close to the sea, are less widely known, but they have yielded spectacular archaeological evidence.

This is the first major study of Herculaneum since that of Joseph Jay Deiss, published in 1966 and last revised in 1993. And in any language there have only ever been a handful of books available, mostly guidebooks and exhibition catalogues. Herculaneum is based on the latest excavation work and incorporates much new material that has revolutionized our understanding of the site. The book draws on a decade’s work with the Herculaneum Conservation Project which, thanks to the Packard Humanities Institute, has begun to reverse the neglect of previous years which had reduced this extraordinary site to a critical condition. Illustrated with more than 300 newly taken colour photographs and archive illustrations, plus eight spectacular 360-degree panoramas, it is the definitive overview for the general public of what we know and understand about Herculaneum, of what is still unknown and mysterious, and of the potential for future discoveries in both archaeological and political contexts.

In his highly acclaimed reference work David Watkin traces the history of western architecture from the earliest times in Mesopotamia and Egypt to the dramatic impact of CAD (computer-aided design) on architectural practice at the beginning of the 21st century. Adopting an approach that sees architectural history as a living continuity rather than a museum of neatly labelled styles, the author emphasizes the ongoing vitality of the Classical language of architecture, underlining the continuity between, say, the work of Ictinus in 5th-century BC Athens and that of McKim, Mead and White in 20th-century New York. Authoritative, comprehensive and highly illustrated, this fourth edition has been expanded to bring the story of western architecture right up to date.

Contents
Preface
1. Mesopotamia and Egypt
2. The Classical Foundation: Greek, Hellenistic, Roman
3. Early Christian and Byzantine
4. Carolingian and Romanesque
5. The Gothic Experiment
6. Renaissance Hamrony
7. Baroque Expansion
8. Eighteenth-Century Classicism
9. The Nineteenth Century
10. Art Nouveau
11. The Twentieth Century and Beyond
Glossary
Further Reading
Index