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Henrietta Spencer-Churchill
ID: 1639
Издательство: Rizzoli

Having worked in period interiors for all her successful transatlantic career, Henrietta Spencer-Churchill turns to her key area of expertise: architectural detail and how to incorporate period details into your own home.

This comprehensive guide to the best of three centuries of the most enduring decorating styles explains and illustrates the distinguishing characteristics, from both European and American periods, from the Baroque to the end of the nineteenth century. Henrietta shows how architectural elements of these classic decorating styles can be adapted and used in the home today to produce her trademark understated grandeur.

Divided by period, each section begins with a beautifully illustrated introduction and chronology of interior styles, with a guide to the history, nature, and most enduring aspects of the time. Covering both architectural and furnishing detail, photographs and artworks illustrate the best of period features and schemes from real homes, and Henrietta shows how to use influences from the past to create a period feel. Using beautiful interiors from around the world, the book covers every detail from grand Regency marble columns to lavish Baroque-inspired cushions.

Lady Henrietta Spencer-Churchill is the elder daughter of the 11th Duke of Marlborough, whose family home is Blenheim Palace. Her interest in interior design began when at the age of 16 she travelled to study fine art and languages in Florence and Paris. Later she returned to England to finish her formal studies at the world-famous Inchbald School of Design.

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Frédéric Chaubin
ID: 7303
Издательство: Taschen

The beauty of Soviet brutalism. A photographic record of 90 weird and wonderful buildings from the last decades of the USSR

Photographer Frédéric Chaubin reveals 90 buildings sited in fourteen former Soviet Republics which express what he considers to be the fourth age of Soviet architecture. His poetic pictures reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announced the end of the Soviet Union.

Taking advantage of the collapsing monolithic structure, the holes in the widening net, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the "speaking architecture" widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad). This puzzle of styles testifies to all the ideological dreams of the period, from the obsession with the cosmos to the rebirth of identity. It also outlines the geography of the USSR, showing how local influences made their exotic twists before the country was brought to its end.

Frédéric Chaubin's Cosmic Communist Constructions Photographed is elected best book on architecture of the year by the International Artbook and Film Festival in Perpignan/France (Festival International du Livre d'Art & du Film Perpignan).

The photographer:

Frédéric Chaubin has been, for the last fifteen years, editor-in-chief of the French lifestyle magazine Citizen K. Since 2000 he has regularly featured works combining text and photography. The CCCP collection research was carried out from 2003 to 2010, through an intuitive and creative travel process. This project has been shown throughout the world, from Japan to the United States.

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Посмотреть книгу Cosmic Communist Constructions Photographed - Frédéric Chaubin. CCCP в бюджетной серии Bibliotheca Universalis

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Frédéric Chaubin
ID: 11705
Издательство: Taschen

Brutalist Beauties. Architectural remnants of the USSR

An unrivalled photographic journey through time and geography, Frédéric Chaubin’s Cosmic Communist Constructions Photographed gathers 90 buildings in 14 former Soviet Republics, each built between 1970 and 1990. In their local exoticism, outlandish ideologies, and puzzle of styles, these vast, weird, and wonderful buildings are extraordinary remnants of a fallen system and state.

Elected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frédéric Chaubin’s Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990.

Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the “speaking architecture” widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political centre watching you like Big Brother (House of Soviets, Kaliningrad).

In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system. In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

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Посмотреть полноформатное издание книги Cosmic Communist Constructions Photographed - Frédéric Chaubin. CCCP

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Charlotte Fiell (Editor), Peter Fiell (Editor)
ID: 3352
Издательство: Taschen

For over seventy-five years, domus has been hailed as the world’s most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, the magazine’s central agenda has always remained that of creating a privileged insight toward identifying the style of a particular age, from Art Deco, Modern Movement, Functionalism and Postwar to Pop, Post-Modernism and Late Modern. Beautifully designed and comprehensively documented, page after page domus presents some of the most exciting design and architecture projects from around the world.

TASCHEN’s twelve-volume reprint features selected highlights from the years 1928 to 1999. Reproducing the pages as they originally appeared, each volume is packed with articles that bring to light the incredible history of modern design and architecture. A truly comprehensive lexicon of styles and movements, the volumes are accompanied by specially commissioned introductory texts that not only outline the history of the magazine but also describe what was happening in design and architecture during each era covered. These texts have been written by many of the magazine’s renowned past editors: Mario Bellini, François Burkhardt, Cesare Maria Casati, Stefano Casciani, Germano Celant, Manolo De Giorgi, Fulvio Irace, Vittorio Magnago Lampugnani, Alessandro Mendini, Lisa Licitra Ponti, Ettore Sottsass Jr., Luigi Spinelli, and Deyan Sudjic. The volumes have also been thoroughly indexed, allowing the reader easy access to key articles —many of which have been translated into English for the first time.

TASCHEN’s domus collection is a major publishing achievement and an important must-have for all design and architecture teaching institutions, practicing architects, designers, collectors, students, and anyone who loves design.

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Fulvio Irace, Luigi Spinelli
ID: 4332
Издательство: Taschen

domus - The quintessential works of Modernism

Volume I  -  1928–1939

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1928–1939: Birth of the International Style
The International Style of the late '20s and '30s was defined by groundbreaking buildings, interiors and furniture by Le Corbusier, Mies van der Rohe, Marcel Breuer, Robert Mallett-Stevens, Alvar Aalto, and Richard Neutra. The Italian avant-garde, including Giuseppe Terragni, Carlo Mollino, Gio Ponti, Melchiorre Bega, Franco Albini or Studio BBPR, were also central in the formative decade of Modernism. Tubular furniture, glass works by Venini and Fontana Arte, and industrial design are featured, alongside American skyscrapers and office interiors.

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Manolo De Giorgi, Luigi Spinelli
ID: 4333
Издательство: Taschen

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1940–1949: Destruction and reconstruction
Fascism's rise and World War II led to widespread destruction in Europe, followed by reconstruction, democratization, and the search for new social values. In fascist Italy, Modernism flourished in buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni. After the war, Organic Design emerged alongside the International Style. Despite enormous obstacles, the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. This tome includes reports and features on modern industrial design and furniture, domestic and business interiors, new prefabricated houses, and American academic architecture.

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Lisa Licitri Ponti, Luigi Spinelli
ID: 4334
Издательство: Taschen

domus - The quintessential works of Modernism

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1950 – 1954: Architecture of the avant-garde
The early 1950s were characterized by great optimism, as memories of World War II receded. Architecture and design sought new forms, materials and applications – and domus captured the mood with detailed reports on Tapio Wirkkala, Finn Juhl, Carlo de Carli, Carlo Mollino, Piero Fornasetti, Harry Bertoia and George Nelson; via features on Le Corbusier’s famous Unité d’Habitation; the Case Study Houses of Charles and Ray Eames; Richard Neutra in California and Oscar Niemeyer in Brazil; and the futuristic Olivetti Showroom by Studio BBPR in New York. This book offers a superb overview of international architecture of the avant-garde in the early '50s.

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Luigi Spinelli, Ettore, Jr. Sottsass
ID: 4335
Издательство: Taschen

domus - The quintessential works of Modernism

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1955–1959: International affairs
The late 50s was an era of grand visions and increasing internationalization, as evidenced by the works included here by architects and designers like Oscar Niemeyer, Carlos Raúl Villanueva, Vittoriano Viganò, and Angelo Mangiarotti. Also featured are office machines by Olivetti, furniture by Ray and Charles Eames, ceramics and lights by Ettore Sottsass, the Herman Miller Showroom by Alexander Girard in San Francisco, Le Corbusier’s pilgrimage church in Ronchamp and Gio Ponti’s Villa Arreaza in Caracas.

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Stefano Casciani, Luigi Spinelli
ID: 4336
Издательство: Taschen

The quintessential works of Modernism

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1960–1964: Design goes pop
The early '60s saw the rise of Pop Art and popular culture, leading to Pop Design–particularly in interiors, where new synthetics and plastics replaced metal, glass or wood, leading to radical new designs. Volume V features designs by Ray and Charles Eames, Verner Panton, Achille and Pier Giacomo Castiglioni, and Joe Colombo. In architecture, buildings by Gio Ponti, Carlo Scarpa, Angelo Mangiarotti, James Stirling, and Eero Saarinen are among the highlights.

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Charlotte Fiell (Editor), Peter Fiell (Editor)
ID: 4337
Издательство: Taschen

domus - The quintessential works of Modernism

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.

Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1965–1969: Looking to the future
In the late '60s, architecture and design changed radically. Functionality, elegance, and faithfulness to materials gave way to experimentation and exploration. Archizoom and Archigram questioned status symbols and consumerism, reflected in the Anti and Radical Design movements. Also featured are Joe Colombo, Ettore Sottsass, Gae Aulenti, Olivier Mourgue, Achille and Pier Giacomo Castiglioni, Verner Panton, Kenzo Tange, Luigi Moretti, Oscar Niemeyer, and Gio Ponti.

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Germano Celant, Luigi Spinelli
ID: 4338
Издательство: Taschen

domus - The quintessential works of Modernism

For more than eight decades, domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting design and architecture projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1970–74: Individuality reigns supreme
The early '70s saw seismic changes in architecture and design, as a trend towards individuality manifested in novel styles and construction methods. Futuristic work by Luigi Moretti stood in contrast to practical designs by Renzo Piano or Richard Rogers; elsewhere the first postmodern tendencies could be detected. Japanese architect Kisho Kuramata created metabolic buildings and city planning, while the living landscapes of designers Verner Panton and Joe Colombo opened new vistas.

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Cesare Maria Casati, Luigi Spinelli
ID: 4339
Издательство: Taschen

For more than eight decades, domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1975–1979: First signs of ecological awareness
The mid–'70s saw a global energy crisis resulting from oil shortages. As a result, architecture and design moved to embrace alternative resources, ecological building methods, and recyclable materials. Featured are postmodern buildings by Richard Meier, the modernistic structures by Foster Associates, the Centre Georges Pompidou by Renzo Piano and Richard Rogers, and the work of the Japanese architects Arata Isozaki and Kisho Kurakawa. Also included are designs for transport systems, office machines, and electrical appliances.

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Alessandro Mendini, Luigi Spinelli
ID: 4340
Издательство: Taschen

For over eight decades, domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, and Pop, to Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1980 – 1984: Postmodern preoccupations
The early '80s saw the rise of Postmodernism. Italian design groups Alchimia and Memphis, led by Alessandro Mendini, Andrea Branzi, Michele de Lucchi, and Ettore Sottsass, questioned the functionality of design objects. Everyday items and classic designs were reinterpreted with ironic relish. In architecture, similar ideas took shape in the buildings of Hans Hollein, Michael Graves, Studio Nizzoli, and the offices of Venturi, Rauch & Scott Brown, while deconstructivist tendencies were recognizable in early designs by Zaha Hadid.

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Mario Bellini, Luigi Spinelli
ID: 4341
Издательство: Taschen

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1985–1989: The eighties in full force
Along with the Postmodern - buildings, interior decoration, and designs by Peter Shire, Richard Meier, Gustav Peichl, Ricardo Bofill, Ettore Sottsass, Arata Isozaki, and Arquitectonica – the High-Tech Style was dominant, led by the Hong Kong & Shanghai Banking Corporation offices by Foster Associates, and the Lloyds Building by Richard Rogers. Contemporary avant-garde led with designs by Daniel Libeskind in Berlin. In product design, furniture and lamps by Alberto Meda and Philippe Starck were published in domus for the first time.

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Vittorio Magnago Lampugnani, Luigi Spinelli
ID: 4342
Издательство: Taschen

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.

Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1990–1994: The next generation
The early 1990s saw a generational shift in architecture and design: domus documented the rise of architects Tadao Ando, Jean Nouvel, David Chipperfield, Philippe Starck, Rem Koolhaas, Peter Eisenman, Jacques Herzog, and Pierre de Meuron, while still featuring architectural greats like Frank O. Gehry, Mario Bellini, Richard Meier, Renzo Piano, Norman Foster, and Santiago Calatrava. In product design, Marc Newson, Rodney Kinsman, Jasper Morrison and Fernando and Humberto Campana made waves.

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