История архитектуры

Architect and engraver Paul Letarouilly dedicated more than 30 years of his life to creating the most complete collection of plans, elevations, and details of the buildings and monuments of Renaissance Rome.

This student's edition of his achievement features highlights from five massive volumes, originally published between 1825 and 1882. Its systematic overview illustrates the principles of design behind the works of Michelangelo, Sangallo, Peruzzi, Vignola, Bramante, Bernini, Fontana, dalla Porta, Maderno, Borromini, and other great builders of the sixteenth and seventeenth centuries.

Letarouilly's engravings, which illustrate the translation of the principles behind classical architecture into the new age of the Renaissance, served as a major source of inspiration from the moment of their publication, and they remain standard references to this day. This edition includes informative text by classical architect and scholar John Barrington Bayley that offers insights into the architecture of Rome's palaces, villas, and squares as well as St. Peter's and the Vatican.

Ideal for students of classical, Renaissance, and Roman architecture, this affordable volume also constitutes a useful guide for visitors to Rome.

Glasgow Style: The life and work of Glasgow School pioneer, Charles Rennie Mackintosh

Scottish architect, designer, and painter Charles Rennie Mackintosh (1868 - 1928) was one of the earliest pioneers of modern architecture and design. While he never received major recognition in his hometown of Glasgow, his bold new blend of simplicity and poetic details inspired modernists across Europe.

Mackintosh s avant-garde approach embraced a variety of media as well as fresh stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, graphic design, landscapes, and flower studies. He embraced strong lines, elegant proportions, and natural motifs, combining a healthy dose of japonisme with a modernist sensibility for function. He preferred bold black typography, restrained shapes, and tall, generous windows suffusing rooms with light.

Mackintosh's projects in Glasgow include the famous Willow Tearooms, the private residences Windyhill and The Hill House, and the Mackintosh Building at the Glasgow School of Art, widely considered his masterwork. Much of his work was collaborative practice with his wife, fellow artist Margaret Macdonald. The couple made up half of the loose Glasgow collective known as The Four; the other two were Margaret's sister, Frances, and her husband, Herbert MacNair.

On the continent, this Glasgow Style was met with delight. In Italy, Germany, and, in particular, Austria, artists of the Viennese Secession and Art Nouveau drew much from its rectilinear, yet lyrical, forms. In this introductory book, we take in Mackintosh's practice across art, architecture, and design to explore his particular combination of the statuesque and sensual and its vital influence on modernist expression across Europe.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography

Excellently framed and designed, with bold, receding arches, the open timber roofs of the medieval period featured massive mouldings, carved timbers, and intricate tracery. Today, these roofs are recognized for their striking beauty, rich ornamentation, and the consummate skills of the carpenters and builders who crafted them.

This excellent reproduction of a rare nineteenth-century volume includes numerous full-page illustrations and construction details revealing a wealth of information on the major roof styles (tie-beam, trussed rafter, hammer-beam, and collar-braced) of medieval English churches. More than 50 illustrations of 34 English churches are included, among them the exquisite double hammer-beam roof of Knapton Church in Norwich, the richly ornamented roof over Trinity Chapel, Cirencester Church, in Gloucestershire, and the magnificent roof over Wymondham Church, in Norfolk, in which hammer-beams, boldly projecting into the nave, are exquisitely carved into figures of angels with expanding wings.

These and many more masterly constructions are captured in the authors' own geometric and perspective drawings (done on-site), superbly reproduced here in detailed, highly accurate engravings. In addition to a wealth of pictorial detail, the authors also provide an informative general introduction to the major types of roof construction, as well as expert commentary on each individual roof, describing its distinguishing characteristics, ornament, measurements, and other details.
Artists and illustrators will prize these beautifully rendered plates for their beauty and detail, while architects, antiquarians, and lovers of things medieval will appreciate the authenticity of the plates and the knowledgeable commentary of the architect-authors.
Republication of the London, 1849 edition.

Ludwig Mies van der Rohe (1886–1969) was one of the founding fathers of modern architecture. The creator of the Barcelona Pavilion (1929), the Farnsworth House in Plano, Illinois (1945–1951) and the Seagram Building in New York (1954–1958), Mies was one of the founders of a new architectural style. Well known for his motto "less is more," he sought a kind of refined purity in architectural expression that was not seen in the reduced vocabulary of other Bauhaus members. His goal was not simply building for those of modest income but building economically in terms of sustainability, both in a technical and aesthetical way; the use of industrial materials such as steel and glass were the foundation of this approach. Though the extreme reduction of form and material in his work garnered some criticism, over the years many have tried - mostly unsuccessfully - to copy his original and elegant style.

This book explores more than 20 of his projects between 1906 and 1967, from his early work around Berlin to his most important American buildings.

About the Series:

Every book in TASCHEN's Basic Architecture Series features:

- approximately 120 images, including photographs, sketches, drawings, and floor plans
- introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
- the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
-an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

With its streamlined shapes and forward-looking approach, the Art Deco style still looks modern today. In the 1920s and 1930s, designers and craftsmen made innovative use of both natural and man-made materials to produce elegant pieces that broke with tradition and celebrated the future. In this beautifully illustrated guide, antiques expert Judith Miller explores the key makers and pieces of the movement, explaining what to look for as a collector.

The book explores all the key collecting areas, with chapters on furniture, glass, ceramics, sculpture, metalwork, silver and plastics, prints and posters, rugs and textiles. With clear price codes and biographies of key makers and designers, the book also contains "A Closer Look" and "Good, Better, Best, Masterpiece" features comparing ranges of items from makers and factories.

About the Author:

Judith Miller began collecting in the 1960s while a student at Edinburgh University in Scotland. She has since extended and reinforced her knowledge of antiques through international research, becoming one of the world's leading experts in the field. In 1979 she co-founded the international best-seller Miller's Antiques Price Guide and has since written more than 100 books, which are held in high regard by collectors and dealers. Judith Miller appears regularly on TV and radio. She is an expert on the BBC's Antiques Roadshow and co-hosts the popular BBC series The House Detectives, ITV's Antiques Trail, and Discovery's It's Your Bid. She has appeared on The Martha Stewart Show and CNN. She is a regular lecturer and contributor to numerous newspapers and magazines, including Financial Times, BBC Homes & Antiques and House & Garden. She has lectured extensively, including at the V&A in London and the Smithsonian in Washington.

Mighty Morris. The arts and crafts power of designer William Morris

William Morris was a polymath designer, writer, artist, and socialist activist, associated with England’s Pre-Raphaelite Brotherhood as well as Arts and Crafts movement. His prolific design work included tiles, embroidery, tapestries, wallpaper, and carpets and championed handcraftsmanship, natural dyes, “art for all”, and beautiful patterns of subtly stylized natural forms.

William Morris (1834–1896) was one of the greatest creative figures of the 19th century. As a visionary designer, as well as a manufacturer, writer, artist, and socialist activist, he pioneered the Arts and Crafts movement of the Victorian era, and left an extraordinary influence on architecture, textile, and interior design.

This richly illustrated book offers a suitably beautiful introduction to Morris’s colourful life and all aspects of his design work, including interiors, tiles, embroidery, tapestries, carpets, and calligraphy. Though best known in his lifetime as a poet and author, it is these exquisite designs that secured Morris’s posthumous reputation. As page after page dazzles with their beautiful patterns and forms, we explore the pioneering craftsmanship and natural motifs that inspired them, as well as Morris’s remarkable cultural legacy, through British textiles, Bauhaus, and even modern environmentalism.

The authors:

Charlotte & Peter Fiell have written numerous TASCHEN books, including 1000 Chairs, Design of the 20th Century, Industrial Design A–Z, Scandinavian Design, Designing the 21st Century, Graphic Design for the 21st Century, 1000 Lights, and Contemporary Graphic Design. They have also edited TASCHEN’s Decorative Art series and the 12-volume Domus 1928–1999.

About the series:

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect 
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

Ce livre sans texte contient 260 planches gravées, fac-similé d’un catalogue des fonderies de Somme voire datant de la fin du XIX^esiècle.

Cette fonderie, qui fut longtemps dirigée par Antoine Durenne, a porté la qualité technique à son plus haut niveau. La collaboration avec des sculpteurs et dessinateurs de tout premier plan (on peut citer Auguste Bartholdi, l’auteur de la Statue de la Liberté, Carrier- Belleuse, Emmanuel Frémiet, Mathurin Moreau et bien d’autres) lui permet de se hisser à la première place de la fonderie d’art et de la fonderie ornementale.

C’est à cette dernière qu’est consacrée cette réédition qui recueille des milliers de dessins de balcons, balustrades, appuis de croisée, panneaux de portes et lambrequins. Tous les styles classiques motifs ornementaux y sont représentés, depuis le gothique jusqu’au XIX^e siècle, constituant ainsi une immense source iconographique.

Sommaire

Balustrades rampantes
Balustrades droites
Balcons de croisées
Barres d’appuis
Panneaux de porte
Lambrequins

The first comprehensive survey of the subject in more than 20 years, this lavish volume documents nearly 100 Mughal sites and monuments in India, Pakistan and Bangladesh.

'Mughal Architecture & Gardens' gives an insight into what is undoubtedly one of the most impressive groups of monuments and gardens ever to be ascribed to a single royal lineage. Innovative and inspirational, these 16th and 17th century constructions demonstrate the staggering wealth and power of those responsible for their creation, notably the emperors Akbar, Jahangir and Shah Jahan. Mughal architecture is a remarkable hybrid that fuses building forms and decorative schemes from Iran and Central Asia with long-established Indian practice. The most famous examples are the Red Fort in Dehli and Taj Mahal in Agra. This beautifully illustrated book outlines the history of Mughal architecture and gardens, from stylistic developments under different emperors, to the geometric origins of Mughal design and decoration. Now the gardens are mostly lost, but Michell carefully depicts how they would have been; their structures and layouts, the favoured varieties of colourful flowers and scented plants, and the laborious but innovative methods sometimes used to create running water in areas without natural springs and streams.

The author gives particular attention to the major monuments and gardens in the imperial centres of Mughal power, namely Dehli, Agra, Fatehpur Sikri and Lahore. These sections are accompanied by specially commissioned architectural plans as well as over 250 stunning colour photographs. Written by a leading authority on Indian architecture, this magnificent book is the quintessential guide to Mughal architecture and garden design.

About the Authors:

George Michell is an architectural historian, specialising in ancient Indian architecture. He obtained his PhD from the School of Oriental African Studies, University of London, has directed courses on Asian architecture at the Architectural Association, London, and was co-editor of the journal 'Art and Archaeology Research Papers' from 1972 to 1982. Since the 1980s, he has co-directed an international team of scholars and students at Vijayanagara, the medieval Hindu site in Karnataka. George Michell has also lectured at universities and museums throughout the USA, Europe, India and Australia. Among his many publications are 'The Royal Palaces of India', 'Islamic Heritage of the Deccan', 'Architecture of the Islamic World: Its History' and 'Social Meaning and Palaces of Rajasthan'. Amit Pasricha lives in New Delhi and comes from a family of photographers. A well-known architectural and social documentary photographer, his work has been exhibited in India, London and New York. His photographs have also been published in several books, including 'Dome over India: Rashtrapati Bhavan', 'Horizons: The Tata-India Century' and 'India: Then & Now'. Pasricha's most recent publication is the panoramic collector's edition, 'The Monumental India Book', winner of the Indian Tourism Award, 2008.

One of America’s greatest houses, the unequaled home of Gilded Age philanthropist Alfred I. duPont, has been newly restored to national acclaim. Nemours Mansion and Gardens is the 222-acre estate and onetime home of Alfred I. duPont-photographer, manufacturer, musician, politician, banker, inventor, suffragist, newspaper owner, businessman, and philanthropist. Designed and built in the Louis XIV style in 1909 by Carrere and Hastings, it is one of the largest and most opulent houses in America, to be compared only with the likes of the Biltmore Estate, the White House, The Breakers, and Hearst Castle. With seventy rooms spread out over 46,000 square feet, it is capacious, yet an intimacy of detail and graciousness of proportion give the visitor a feeling of serenity and a special sense of place that is unique to Nemours. Newly and painstakingly renovated, the house-now a museum that can be toured-glows with the finish of its original splendor, captured at long last in a volume that sumptuously reflects the magnificence of a masterpiece.   

 Dwight Young is a senior communications associate for the National Trust for Historic Preservation in Washington, D.C. Sisse Brimberg has been a regular photographer for National Geographic magazine since 1976. Cotton Coulson has worked as a photographer for National Geographic, was associate director of photography at US News and World Report, and has served as senior vice president of C-NET in San Francisco. Grace Gary is executive director of Nemours Mansion and Gardens.

Rem Koolhaas has defined architecture as a chaotic adventure. Nothing could be more true than that of the last two decades. Never has architecture been so unbridled and so extraordinary: the architectural cast has never been so wide and their works so diverse. What though if you are new to the subject? How is it possible to make sense of this seemingly unruly architectural landscape? There are so many different types of architecture, so many designers with such varying and even contradictory approaches.

This book is a much needed navigation guide for anyone interested in modern architecture. Organised chronologically, it enables you to find your way through one of the most prolific periods of building design. It looks at buildings in often contrasting styles that have been built almost simultaneously across the world with their roots in very different tendencies and schools of thought. A loose but effective framework is provided, which pulls all these multiple threads together, while key buildings are described individually with a unique clarity and precision.

* Covers seminal works, such as Guggenheim Bilbao and the Jewish Museum in Berlin.
* Features key architects: Norman Foster, Zaha Hadid, Herzog & de Meuron, Toyo Ito, Rem Koolhaas, Jean Nouvel and Renzo Piano
* Illustrated with more than 220 colour images

This illustrated volume on "Plazzi of Rome" presents the magnificent residences of popes and nobles of the Eternal City in an extraordinarily comprehensive and vivid way. Each palazzo and villa is described within its art historical context. Brilliant photographs capture the atmosphere of these fine palaces and villas in their whole splendor. How tightly the histories of the Borghese, Farnese, Colonna, Corsini, and many other of the grand old Roman families are interwoven with the histories of their stately residences becomes evident in the effort they spent in the construction, decoration, and upkeep of the buildings.The reader will learn how the Roman high nobility was obsessed over generations by the ardent desire to have an adequate palace to represent itself within the City of Cities. The competition for the most sumptuous palazzo led to the creation of some of the famous works of art that exemplify the refined - and often revolutionary - tastes of the great art patrons of the Italian capital.

This catalogue of the Palladio and His Legacy exhibition, centred on original drawings and books by the most significant and influential architect in the western world, Andrea Palladio (1508-80), examines his personal development and architecture, his influence on others achieved through his I Quattro Libri dell'Architettura, the subsequent dissemination of his teachings through translations and pattern books in Britain and America, and the influence of Palladianism on architecture in the New World.

The promulgation of Palladian principles resulted in new and original interpretations that took firm hold in America, influencing both grand formal buildings and smaller utilitarian structures. The drawings are supported by numerous architectural models. Three large examples - the Pantheon, Villa Rotunda, and Jefferson's unrealized design for the White House - programmatically illustrate the journey from Rome to America. Smaller models along with rare architectural texts and pattern books, through which Palladio's ideas were primarily transmitted, reinforce the themes of the book.

From the Palladian columns of our government buildings to Victorian-style taxidermy and terrariums, highlights from past decorative eras frequently resurface in our modern lives.

In Past & Present, Design*Sponge managing editor Amy Azzarito presents 24 pairs of essays and craft projects that explore the connection between decorative arts history and present-day design trends. From a Wedgwood-inspired headboard made using molding from the hardware store to an art nouveau– style tree-branch chandelier, the projects celebrate their roots yet fit perfectly into our contemporary living spaces.

The projects have been contributed by some of today’s best-known arbiters of design, such as Todd Oldham, Jonathan Adler, and Grace Bonney, adding extra allure to an already fascinating topic.

One the greatest architectural artists of all time, and certainly the most famous copper engraver of the 18th century, Giovanni Battista Piranesi (1720-1778) is most known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d'Invenzione. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome; so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi's romantic feeling for archaeological ruins, that they formed the mental picture of Rome for generations after. Indeed, Piranesi could be said to have shaped a whole strain of contemporary architecture, as well as the wider visualization of antiquity itself. In our time, he has had a direct influence on writers such as Borges and Kafka and on filmmakers such as Terry Gilliam and Peter Greenaway. Anyone who contemplates Piranesi's etchings will confront the existential nightmare of human existence and its infinite mysteries…