Дизайн

Area – самый последний, глобальный обзор в области графического дизайна. Это заполненная изображениями книга, представляет работу 100 самых инновационных графических дизайнеров по всему миру. Проекты по корпоративному стилю, дизайну афиш, книжных и журнальных обложек, упаковки, музыкальных дисков и т. д. 100 дизайнеров были выбраны десятью критиками в сфере графического дизайна со всего мира. В книге более 1500 иллюстраций и граф. элементов на более чем 450 страницах. Long neglected, graphic design has been creeping into the consciousness of the general public. In our increasingly visual culture, it is an omnipresent form of creativity, something we are all influenced by whether we like it or not. Every logo, poster and CD cover confronts us with graphic design in some shape or form. It is the basis ofl visual communication and arguably the most pervasive creative discipline of our times. Essentially an exhibition in a book, this title presents the 100 graphic designers arranged in an A-to-Z order. Each of the designers is featured over two double-page spreads, which are extensively illustrated with examples of their work. Alongside these examples, a 400-word text by the selecting curator explains his/her choice and illuminates the depicted work. The reproductions are further complemented with extended captions and biographical information on the designer. The book is characterized by the enormous diversity of the 100 graphic designers. Showcasing talents from Minneapolis to Macao, this text opens the door to the work of emerging designers practising in more than 25 countries around the world. It reflects a unique multitude of styles, ideas, and influences: an endless range of creativity from the playful, digital graphics of Eboy in Berlin, to the regional aesthetics of Chaz Mavyanne Davies of Zimbabwe or Ahn Sang-Soo of Korea; from the political awareness of Iran's Reza Abedini, to the more sober and traditional designs of the Italy's Leonardo Sonnoli. Beyond this extensive survey of contemporary graphic design, ten curators were also asked to choose what they consider a design "classic" - a piece of printed design from any era that is of particular significance to them. These "classic" pieces are showcased in the shorter, second part of the book, each accompanied by a brief text explaining how the piece fits into the selecting curator's general view and philosophy of graphic design.

This book is an important complement to the Armani style, exploring Giorgio Armani’s touch for flower composition.

Armani is not only a brand, it is a lifestyle: an entire universe that includes fashion apparel and accessories, home furniture, decorative objects, restaurants, beauty, makeup, perfumes, fragrances, skincare, and flowers. The embodiment of style as lifestyle, Armani/Fiori launched in 2000 with the opening of the Armani/Manzoni 31 store, bringing essential taste to the world of flowers and floral decor. Since then, the philosophy behind Armani/Fiori has come to include dedicated boutiques in cities such as Milan, Hong Kong, Kuwait City, and Dubai.

This book marks the twentieth anniversary of the creation of Armani/Fiori and proposes a number of intricately designed bouquets stylishly encased in pure, linear vases and geometric shapes, crafted from precious materials that complement any decor and perfectly match the brand’s fashion and interior design. Armani flower designs include elaborate, one-of-a-kind floral arrangements and decorations for important events, festivities, and anniversaries.

About the Author:

Giorgio Armani is an internationally known fashion designer based in Milan. Renato Bruni is associate professor in botanics/pharmaceutical biology at the University of Parma. Harriett Quick is an award-winning journalist and contributing editor for British Vogue, How to Spend It and Modern Weekly in China. Dan Rubinstein is a writer, editor and curator. Former Home & Design Director at Departures magazine, his new luxury lifestyle podcast is “The Grand Tourist with Dan Rubinstein”.

The Around Europe Book Collection presents European design in the form of graphic trips across European creativity. Each volume gives insight into a specific creative field: Logos, Publishing, Promotion, Packaging, etc. The collection is not an encyclopedia of design, but the care taken in developing the artwork and the discriminating selection of works provide everything quality design lovers seek when exploring the ingredients which spice-up the process of designing. Project stories and interviews permit a look behind the scenes where inspiration rules the world of creation. It’s all about Packaging in the next volume of the Around Europe collection. Selected packaging that stand out by their Unconventional, Exceptional, Experimental, Elegant, Chic, Exclusive solutions.

Welcome friends to another edition of AroundEurope. This time we are into Publishing. As it is already common in this book series, we will visit different European countries looking for the most interesting graphic works from a huge variety of studios standing out by their high quality output. Although AroundEuropePublisher does not seek to be an encyclopaedia of design, it provides all the elements to become a graphic book for the lovers of high quality design and a big help to all those who are working in creative publishing.

In recent years the sneaker scene has exploded with artist and designer collaborations. These specialist shoes are produced as short runs, using innovative or luxury materials, and often have bespoke packaging. Some even push the design of the shoes themselves, creating hybrids or new incarnations of classic designs.

Focusing exclusively on contemporary, cutting-edge sneaker design, Art & Sole sets out to explore and to celebrate the creative side of sneaker culture – showing the best and most original rarities and collaborations. These are not shoes that can be found in your average sports store.

This book is a must for any enthusiast of sneaker design or collector of the shoes themselves.

500 illustrations

In recent years the sneaker scene has exploded through collaboration with artists and designers. These specialist shoes are invariably produced as short runs, using innovative or luxury materials and often with bespoke packaging. Some even push the design of the shoes themselves, creating hybrids or new incarnations of classic designs. Focusing exclusively on contemporary, cutting-edge sneaker design, Art & Sole sets out to explore and celebrate the creative side of sneaker culture, showing the best and most original rarities/collaborations and previewing the latest art and design. These shoes are at the sharp end of sneaker culture – not shoes that can be found in your average sports shop. The book highlights how a growing number of artists base their work on sneakers – from sculptures made from dissected shoes, to oil paintings on canvas, and even the customization of the shoes themselves. Among the top brands in the book are Nike, Adidas and Puma, and among the featured designers collaborating with them are Peter Saville, Sean D’Anconia and Haze.

London-based graphic design studio Intercity comprises Nick Foot, Nathan Gale and Tu Hoang. Founded in 2004, the company has produced work for a variety of clients, including 55dsl, Bush Records, Uniqlo, Five US, IDN, Carhartt and Creative Re.

Art as Jewellery is a visually stunning introduction to jewellery made by the titans of twentieth and twenty-first century art.

From Salvador Dalí, Man Ray, Alexander Calder and Pablo Picasso, through to Anish Kapoor, Damien Hirst and Grayson Perry, the great figures of modern art have all turned both thought and talent to jewellery. Often, they have eschewed the traditional jeweller’s preoccupation with material value and provenance, more concerned with the conceptual or aesthetic significance of their work. As is fitting for a book that covers a range of artists, every image is as striking as it is unique. By using contemporary pictures, Art as Jewellery develops a chronological timeline of jewellery presentation. Its pages are home to a stunning variety of design sketches and photographs. Some were shot by renowned 20th-century photographers, such as Ugo Mulas and Antonia Mulas, while others have been buried in archives for decades, unseen since the ’60s. In contrast, modern works have been given model treatment by top photographer Alexander English, making this book a glamorous blend of new and classic jewellery art.

Author Louisa Guinness, collector and gallery owner, provides insightful commentary on each artist and their work. Her input can be felt on a personal level; having worked alongside many of these artists as they developed their jewellery, she is in the perfect position to reveal the personal stories behind these pieces’ creation. Full-page colour photographs and sketches, some showing the artist at work in the studio, or with their muse, accompany each profile. Louisa also explores each artist in the context of the genre’s evolution, looking at the key exhibitions that have shaped the interest of artists and collectors.

This book will be of interest to jewellery and art lovers alike. Contents: Introduction What is Art as Jewellery Foreword Artists (more than 50 are covered, including Alexander Calder, Salvador Dalì, Man ray, Pablo Picasso, Louise Nevelson, Max Ernst and Corneille) Exhibitions

_Includes an introduction by Vivienne Becker, an award-winning jewellery writer, and a contribution from Julia Peyton Jones, previous director of the Serpentine Gallery, London
_A marvellous array of images, from archived photographs and sketches that have not been seen since the '60s, and the work of 20th-century photographers such as Ugo Mulas and Antonia Mulas, to modern shoots by Alexander English

This book contains stunning images for use as a graphic resource, or inspiration. All the illustrations are stored in high-resolution format on the enclosed free CD-ROM and are ready to use for professional quality printed media and web page design. The pictures can also be used to produce postcards, or to decorate your letters, flyers, etc. They can be imported directly from the CD into most design, image- manipulation, illustration, word-processing and e-mail programs; no installation is required. For most applications, single images can be used free of charge. Please consult the introduction to this book, or visit our website for conditions. Art Deco, like its forerunner Art Nouveau, was an eclectic style that drew inspiration from many sources. Designers borrowed from the pictorial inventions of contemporary avant-garde artists. The exciting colors and unfamiliar themes of the Ballets ruses exerted an especially strong influence. Also the powerful imagery of Africa and the arts of Asia and Pre-Columbian America provided endless sources of form and pattern. This collection of Art Deco decoration shows a style that is equally adaptable and as enjoyable now as when it was first created.

Art Deco embraced architecture, furniture, fabrics, stage design, and fashion – even painting. Like its forerunner, Art Nouveau, Art Deco was an eclectic style. It drew inspiration from many sources. Designers borrowed from the pictorial inventions of contemporary avant-garde artists.

This newly updated and expanded collection of Art Deco designs shows a style that is equally adaptable and as enjoyable now as when it was first created.

Sexy, modern, and unabashedly consumer-oriented, Art Deco was a new kind of style, flourishing at a time of rapid technological change and social upheaval

Lacking the philosophical basis of other European design movements, Deco borrowed motifs from numerous sources - Japan, Africa, ancient Egyptian and Mayan cultures, avant-garde European art--simply to create novel visual effects.

Art Deco 1910-1939 surveys the sources and development of the popular style with more than 400 colour illustrations and 40 chapters by numerous design specialists. The authors track Deco around the globe, from Paris to the United States - where it got its biggest boost from mass production - to Northern and Central Europe, Latin America, Japan, India, and New Zealand.

The book's broad focus encompasses industrial artefacts (the Hindenburg blimp, the Burlington Zephyr locomotive), as well as architecture, furniture, accessories, fashion, jewellery, typography and poster design. Despite the existence of other prominent artistic movements during the 1920s and '30s, the authors tend to hang the Deco label on virtually any object that portrays the effects of technology or employs colour, luxury materials or artificial light in striking ways. It does seem a stretch to include Man Ray's photographs, Sonia Delaunay's textiles and the movie King Kong in the Deco pantheon. But the great strength of Art Deco 1910-1939 is that it reveals the social context of Deco, not just its pretty face.
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‘The best book on Art Deco to have appeared so far, and likely to remain so.’ Bevis Hillier, Literary Review

Art Deco – the style redolent of the flapper girl, the luxury ocean liner, Hollywood film and the skyscraper – came to epitomize the glamour, luxury and hedonism of the Jazz Age. It burst on to the world stage at the 1925 Exposition internationale des art decoratifs et industriels modernes in Paris, and quickly swept across the globe. Its influence was felt everywhere, from the skylines of New York and Shanghai to the design of fashionable eveningwear and plastic radios. Above all, it became the signature style of the pleasure palaces of the age – hotels, cocktail bars, nightclubs and cinemas.

This authoritative publication brings together leading experts to explore the sources, varied forms of expression, distinct visual language and global reach of Art Deco. With its breathtaking illustrations, this lavish volume is the definitive book on what is, arguably, the most popular style of the twentieth century.

About the Authors

Charlotte Benton is an independent architecture and design historian. Her publications include A Different World? E´migre´ Architects in Britain, 1928–1958 (1995).

Tim Benton is Professor of Art History at the Open University. He has also co-curated a number of exhibitions, including Thirties: British Art and Design before the War (1979) and Art and Power (1996).

Ghislaine Wood is a Senior Curator in the V&A’s Research Department. She was curator of touring exhibition Art Deco 1910– 1939 (2003) and deputy curator of the major exhibition Art Nouveau 1890–1914 (V&A 2000).