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The first-ever visual expansion of Werner’s Nomenclature of Colours, featuring over 800 illustration references from the natural world

This chromatic catalogue of the natural world pairs individual colour swatches with examples from the animal, vegetable and mineral kingdoms to create a beautiful and comprehensive colour reference system to grace every bookshelf.

Marking the 200th anniversary of the publication of Syme’s expanded edition of Werner’s Nomenclature of Colours (1821), this lavish volume takes Syme’s field guide of 110 standard colours and – for the first time – fully illustrates it with nineteenth-century depictions of his referenced species. Expert text explains the uses and development of colour standards in relation to zoology, botany, minerology and anatomy, while specimens from contemporary collector’s cabinets (birds, butterflies, eggs, flowers and minerals) are matched to each colour swatch. Syme’s groundbreaking guide attempted to establish a universal colour reference system to help identify, classify and represent species from the natural world: this landmark publication completes his endeavour.

Contents List:

Introduction The Origination, Purpose and Development of Werner’s Nomenclature of Colours by Patrick Baty • i. Whites, Greys and Blacks • 1. Werner’s Mineralogical System and how his Nomenclature of Colours Became Syme’s Colour Standard by Peter Davidson • ii. Blues and Purples • 2. Colours in Zoology: Subjective or Systematic? by Elaine Charwat • iii. Greens • 3. Syme’s Colour Chart in Botany: Origin and Impact by Giulia Simonini • iv. Yellows and Oranges • 4. One for All? Werner’s Nomenclature of Colours as a General Standard of Colour and its Particular Use in Medicine by André Karliczek • v. Reds and Browns

About the Authors:

Patrick Baty is the author of The Anatomy of Colour and owner of Papers and Paints, a specialist paint business in London. His great grandfather, the artist Robert Bevan, was described by a former director of the National Gallery as being ‘perhaps the first Englishman to use pure colour in the 20th century’. He runs a consultancy that advises on the use of paint and colours in historic buildings and has worked with Dulux and Little Greene to develop ranges of traditional paint colours for English Heritage. He also lectures frequently on the subject of paint and colour of the 18th and 19th centuries.

A large-format book that uncovers the secrets behind Nendo’s unique creative process

He named his firm ‘Nendo’, the Japanese word for modelling clay; he uses manga-like sketches to illustrate his design concepts; and he creates some of the most imaginative furniture in the world: he is Oki Sato, one of Japan’s most prolific designers. At any given moment, he has hundreds of projects in the works – architecture, interiors, furniture, tableware, and more. ‘There is nothing I would not design,’ says Sato.

Sato renders his designs with remarkable conceptual clarity. At the outset, he allows his imagination to run wild and then documents his idea with a simple black line drawing – be it a bathroom basin defined by a single, ceramic swirl or a pair of wooden chopsticks that twist together to become one. These 2D images are converted into minimal 3D shapes described with clean outlines and a largely monochrome palette. Like a traditional Japanese ink painting, which constructs an image with just a few brush strokes, Sato extracts the unnecessary and eliminates distraction.

Featuring Sato’s original sketches, full-scale product images and explanatory texts, nendo uncovers and unpicks the designer’s unique creative process, guiding the reader step-by-step through his innovative and playful world to reveal the secrets behind fifty of his inimitable works.

About the Author:

Oki Sato is founder of the multi-award-winning Japanese design firm Nendo. Geneviève Gallot is former director of the Institut national du patrimoine and of the École nationale supérieure des arts décoratifs.

New Folk Art features a colourful collection of work from around the world that draw from ancient folklore and traditional craft, and breathe new life into tales that have been passed down the generations.

It is human nature to look to the past when seeking inspiration — particularly in art. Unlike other genres that can be attributed to a specific era or style, folk art is harder to define or categorise due to its special place in the hearts of local communities. Although it used to be created for practical purposes, each piece tells a story of cultural heritage and craftsmanship that transcends time to inspire the creatives of today.

New Folk Art features a colourful collection of work from around the world that draw from ancient folklore and traditional craft, and breathe new life into tales that have been passed down the generations.

About the Author:

Headquartered in the heart of Asia, victionary connects creative talents and enthusiasts from all over the world through original concepts, intriguing graphic approaches, and innovative printing techniques. Founded by Victor Cheung in 2001, viction workshop ltd. provides fresh perspectives, timeless inspiration, and pure visual delight through its publishing brand, viction:ary. Aside from art, illustration, and graphic design-related titles, viction:ary also publishes travel guides and children’s books. To that end, we welcome you to join us in spreading the joy of print to every corner of the world.

Featuring countless contemporary layout examples and practical information, this book provides readers with a solid technical foundation for successful editorial design.

Now in paperback, this volume offers a comprehensive technical explanation of basic layout principles, a comprehensive field that covers the arrangement of typefaces, images, colours, objects, and grids on a page. The book presents also a panorama of contemporary editorial design trends and styles through a selection of 100 projects, from newspapers and magazines to catalogues, books, brochures and posters.

Supported by case studies and tips and tricks, within this book readers will gain an overall understanding of the fundamentals of editorial design, including paper size, typographic units, the history of typography and the styles of different typefaces, layout elements, interaction between sections, and the optimum way to visually convey a message. It is a perfect reference for designers who are looking for practical solutions and inspiration.

About the Author:

Wang Shaoqiang is a professor at the Guangzhou Academy of Fine Arts (China) and Doctoral Supervisor at the College of Arts and Humanities of the Macau University of Science and Technology. He is a prolific editor whose titles focus on design, art and lifestyle. He is also the editor of Design 360° magazine and Asia-Pacific Design yearbook. He has been invited to lecture at numerous universities, design academies and organizations, and he has been a jury member for China's most prestigious design and illustration awards.

We invite 20 interaction designers to discuss about emotion communication and information exchange in interaction design, with articles to share their understands about design technics, information exchange, emotional communication and the trends of interaction development. Lots of excellent interaction design cases will be featured, new trend of interaction design will be told through the articles and cases.

• 20 excellent interaction designers share their unique ideas about the new trend of interaction design.
• 77 top interaction design cases from 15 countries.
• Well-selected design cases are classified by three categories： social, functional and recreational.

Discover the floral heart of New York City in this companion to the popular Paris in Bloom by acclaimed photographer Georgianna Lane.

New York in Bloom leads you on a beautiful floral tour of the metropolis — past stylish floral studios and corner shops overflowing with fresh-cut blooms, through bustling flower markets, to blooming trees and lush public parks. With sumptuous photography, the unexpected, softer side of New York is revealed by juxtaposing floral beauty with exquisite botanical details found in the city’s iconic architecture. Also included are field guides to locating and identifying common spring blooms, a list of recommended locations and vendors, and a tutorial on how to create your own New York–style floral bouquet. For anyone who loves New York City, flowers, and photography, New York in Bloom is a gorgeous gift and an essential addition to one’s library of fine books.

About the Author:

Author and photographer Georgianna Lane is known for her romantic, light-infused images of flowers, gardens, and iconic travel destinations. Her work has been widely published internationally in books, magazines, calendars, greeting cards, and decor products. She is the author of Paris in Bloom and the soon-to-be-published London in Bloom. She divides her time between Paris and a wooded property in the Pacific Northwest.

As most of central London closes down late at night and the crowds head home, there are a select few who come out only after midnight. These ‘Night Flowers’, as they refer to themselves, encompass a loose-knit community of drag kings and queens, club kids, Goths, alternative queer and transgender people, fetishists, and cabaret and burlesque performers – all of whom bloom late at night and burn brightly under the city’s neon lights. Damien Frost’s arresting photographic portraits capture those who dwell on the fringes of nightlife in modern London, dressing in all manner of guises.

The portraits are the result of a project begun by Frost in 2014, when he went out every night to wander the city streets in search of its most colourful inhabitants. There he first came across the world of the Night Flowers and started documenting their wild looks and vivid creative expression.

Although traditional in style, for the most part the photographs were taken as incidental portraits after chance encounters on the street, down dark alleys or backstage in a club; the poise and grace of the subjects belie the quizzical looks, negative comments or even taunts thrown at the sitters by passers-by. Frost’s background in opera and theatre gave him a deep appreciation of the intricate details of the make-up and costumes, and of the many hours of preparation that it takes for each Night Flower to turn him- or herself into an ephemeral work of art. The resulting book is an extraordinary and powerful document of the ultimate alternative street style.

- Features over 300 dramatic portraits of those who inhabit the alternative nightlife scene in London, from drag queens to Goths
- Will appeal to anyone interested in fashion, street style and contemporary subcultures
- Damien Frost has more than 85,000 followers on Instagram+

About the Author:

Damien Frost is an Australian-born artist, graphic designer and photographer who works across the fields of painting, photography, website design, illustration and print design. He currently lives in London.

The first book on Nike's iconic DUNK SB, a mid-rise basketball court staple that has in the last two decades become a colorful (and often irreverent) icon of skate and streetwear.

Created in 2002, the Nike Dunk was adopted from the court by skateboarders and sneakerheads to become an icon of the streets. An early catalyst to evolving sneaker culture as we know it today, the Nike Dunk has enjoyed a storied legacy of reinvention through numerous iterations and creative collaborations proving to be an integral part of a culture obsessed with sneakers. To celebrate this legacy, Nike SB: The Dunk Book is the first book to present the historical archive of one of the most important shoes ever created. Worn by an ever-growing list of elite riders at competitions all over the world, Nike Dunks are prized as much for their funky, one-of-a-kind designs as well as their high performance.

Nike SB: The Dunk Book is filled with stunning images that tell the visual story of Nike SB's most iconic styles. Including Danny Supas, Staple Pigeon Dunks, De La Soul Highs, Paris Dunks, U.N.K.L.Es, and Supreme Dunk SBs, this volume flaunts the signature color-ways and craftsmanship that Nike SBs are known for.

Through enlightening anecdotes by the likes of Futura and Paul Rodriguez, readers get intimate accounts of how their favorite sneakers came to be. Also featured are archival images of Nike SB's most recognizable skaters rocking the iconic sneakers, including Eric Koston, Richard Mulder, Grant Taylor, Omar Salazar, Reese Forbes, Brian Anderson, Theotis Beasley, and Daniel Shimizu.

An unprecedented look at the design archives of the iconic sportswear brand.

In Autumn 2024 the Vitra Design Museum will present the first ever museum exhibition about Nike, the world’s most revered sport brand. The exhibition and this accompanying catalogue mark the milestones in Nike’s six decade history and explores its ascent into a global brand that holds a central role in popular culture. The focus of the exhibition is on Nike’s design practice – from the company’s beginnings in the 1960s and the design of its famous “swoosh” logo to iconic products such as Air Max Air Jordan and Vapor Fly, and current research devoted to future materials and sustainability.

The main source for the exhibition is the Department of Nike Archives, which contains a unique collection of drawings, prototypes and other documentation. The exhibition marks the most comprehensive access ever given to this archive. Among the objects on show are rarities and one-offs from the company’s early days in the 1960s, original design drawings and prototypes of iconic sneaker models, historical documents and films, as well as the results of collaborations with creative figures such as Virgil Abloh and Marc Newson.

Nike: Form Follows Motion traces Nike’s design process, which begins with the scientific analysis of the human body in motion and material research and culminates in the finished product and its branding. Along with Nike designers like Bill Bowerman, Diane Katz, Tinker Hatfield and Eric Avar, athletes – from the world’s greatest to the everyday – have played an important role in this design process.

The first book on the brilliant yet little-seen drawings of Norman Rockwell — including side-by-side comparisons of his drawings and his finished paintings.

Before Norman Rockwell put paintbrush to canvas, he had a precise idea of what he wanted to create. A perfectionist and analytical thinker, Rockwell completed numerous preparatory drawings in the process of developing his paintings, much like the Old Masters before him. He worked in several stages, including thumbnail sketches and studies of particular details – culminating in a meticulous tonal drawing that served as a basis for the final painting. But Rockwell’s drawing was not only in the service of his painting: he also executed finished illustrations in pencil and charcoal; kept travel sketchbooks; and shared illustrated letters, caricatures, and comics with his family and friends.

This abundantly illustrated book reveals the entire scope of Rockwell’s work as a draftsman. It reproduces the full sequence of preliminary drawings (and reference photographs) that led up to some of his most famous Saturday Evening Post covers – and it also presents a generous sampling of his standalone drawings, many of them rarely published. The text, by curators at the Norman Rockwell Museum, illuminates and contextualises the different aspects of Rockwell’s drawing practice.

Norman Rockwell: Drawings, which accompanies an exhibition at the Norman Rockwell Museum, will be a must-have reference for artists and illustrators, and a delight for art lovers.

About the Authors:

Stephanie Haboush Plunkett is Deputy Director/Chief Curator of the Norman Rockwell Museum. She currently leads the Rockwell Center for American Visual Studies and has organized many illustration-based exhibitions, including Inventing America: Rockwell and Warhol; Rockwell and Realism in an Abstract World; The Unknown Hopper: Edward Hopper as Illustrator; William Steig: Love & Laughter; and Ephemeral Beauty: Al Parker and the American Women’s Magazine, 1940–1960; as well as the international traveling exhibition Enduring Ideals: Rockwell, Roosevelt & the Four Freedoms. Her most recent publication is Drawing Lessons from the Famous Artists School: Classic Techniques and Expert Tips from the Golden Age of Illustration.

Jesse M. Kowalski, Curator of Exhibitions, joined Norman Rockwell Museum in 2015. Since coming on board, he has curated Enchanted: A History of Fantasy Illustration; Hanna-Barbera: The Architects of Saturday Morning; Inventing America: Rockwell and Warhol; The Art & Wit of Rube Goldberg; Superheroes and Superstars: The Art of Alex Ross; and Never Abandon Imagination: The Fantastical Art of Tony DiTerlizzi, and is currently preparing additional exhibitions. Prior to joining Norman Rockwell Museum, Kowalski served as Director of Exhibitions at The Andy Warhol Museum, where he was employed for eighteen of the Museum’s 20 years, curating many of the Warhol Museum’s popular traveling and in-house exhibitions.

Louis Henry Mitchell is the Creative Director of Character Design for Sesame Workshop, where he directs and oversees all aspects of character art. Most recently, he designed Julia, the first Sesame Street character on the autism spectrum, from initial character illustration to final sculpted Muppet. Mitchell studied at the School of Visual and The Art Students League, and credits Norman Rockwell as a major inspiration in his desire to become an artist.

With 233 (to be exact) hints, tips and pieces of advice, Now Try Something Weirder shows those in the creative industry how to have great ideas (every day).

Internationally award-winning graphic designer Michael Johnson draws on over thirty years’ experience (his CV clocks up eight creative posts, three dismissals and the launch of his own business) to share his ultimate secrets to enviable success … who said you should keep your secrets closely guarded?

Looking to improve the way you work with clients, understand and question design briefs, deliver knockout presentations – and generally gain covetable creative confidence? Sometimes the solution is staring you in the face.

‘Michael Johnson offers the most generous kind of professional advice: insightful but full of enthusiasm. Designers need cunning as well as inspiration’.

 — Deyan Sudjic OBE, Director of the Design Museum

‘Want better ideas, start reading better books. Or even something Weirder’.

 — Sir John Hegarty, founder of Bartle Bogle Hegarty

‘I’ve always wanted to be a little bit weird. Now a prince of weirdosity has come up with the perfect short guide to the creative life’.

— Robert McCrum, bestselling author and former editor at Faber and Faber and The Observer

‘Don’t try harder; try weirder. Michael Johnson’s new book is chock-a-block with home truths about graphic design. One of the first is also one of the best: Work out who you want to work for BEFORE you graduate. Worth the price of an education, right there’.

 — Marty Neumeier, branding guru and author of ‘The Brand Gap’ and ‘Scrambled’

‘I particularly liked pages   ,    ,    and   .’

 — Bob Gill, illustration and design legend and author of Forget All the Rules You Ever Learned About Graphic Design, Including the Ones in this Book

‘Michael Johnson is an amazing storyteller with a rich visual sensibility and an uncanny ability to grasp the weird and wonderful. He’s also learned a thing or two about life in his years as a graphic designer: you will become not only smarter but wiser from this insightful book. And every page will delight you.’
 — Jacqueline Novogratz, serial TED-talk speaker, pioneer of ethical investing (Acumen) and best-selling author

‘One cannot be in the design business for the time that Michael has without coming across the issues discussed in this book. As I read, I found myself nodding and smiling and saying to myself, “Yep, I know that one …. and that one.” The only way of knowing this information is to have lived it, or to work beside someone exceptional. Sadly, very few of us have that opportunity. So how brilliant then, that rather than keeping these gems to himself, Michael got off his backside and wrote it down in a witty little book.’
 — Martin Lambie-Nairn, founder of Lambie-Nairn and world-renowned television branding expert

About the Author:

Michael Johnson is a writer, designer and thinker, and founder of world-renowned brand consultancy, Johnson Banks. He has won many sought-after prizes, including seven yellow and one ‘black’ pencil from D&AD. He received its lifetime achievement award in 2017. His books include Problem Solved and Branding.

The first comprehensive, career-spanning monograph of NUNO, one of Japan’s most innovative and respected textile design studios

Named with a simple word meaning ‘cloth’, NUNO is one of Japan’s most important textile-design companies. Founded in 1984 by the legendary Junichi Arai and the company’s current director, Reiko Sudo, it is recognized as one of the world’s most innovative textile producers. Known for weaving together tradition and cutting-edge technology, NUNO designers are inspired by the past, present and future, integrating unexpected elements, such as paper or feathers or aluminium, with industrial methods, such as spatter-plating and chemical etching. All NUNO textiles – more than 2,500 have been created – are produced in Japan and are usually the handiwork of an individual craftsperson. Each bolt of cloth has a story to tell.

Though their textiles appear regularly in books, textile exhibitions and museum collections, a comprehensive NUNO monograph has not existed - until now. Featuring the most outstanding, influential or experimental fabrics, the book is organized into seven chapters, each based on a theme deriving from the onomatopoeic coupling in Japanese that defines a family of fabrics. For example, ‘Shima Shima’, meaning ‘striped’, presents striped designs ranging from bold and contrasting like zebra to subtly variegated like a tabby cat. Based on interviews, archival research and factory visits, the texts are illustrated with specially commissioned photos and drawings. Interspersed are essays by a wide range of contributors, from writer Haruki Murakami and architect Toyo Ito to curator Anna Jackson.

Bringing all the threads together in a beautifully designed package, NUNO is a document of exceptional beauty and a rare glimpse into the essence of Japanese design.

Contents List:

Foreword
Introduction
1. FUWA FUWA: Fuwa Fuwa by Haruki Murakami; Portrait of a Textile: Threadstray
2. SHIWA SHIWA: Shiwa Shiwa by Kenya Hara; Portrait of a Textile: Paper Rolls
3. SHIMA SHIMA: Stripes of All Colours by Brooke Hodge; Portrait of a Textile: Origami Weave
4. KIRA KIRA: Shining Within by Akane Teshigawara; Portrait of a Textile: Amate
5. SUKE SUKE: Three Transparencies by Toyo Ito; Portrait of a Textile: Turkish Wall
6. ZAWA ZAWA: Poems by Arto Lindsay; Portrait of a Textile: Jellyfish
7. BORO BORO: Essay by Anna Jackson; Portrait of a Textile: Colourplate On Colours
Chronology of Textiles
Acknowledgements
Biographies
Picture Credits

About the Authors:

Reiko Sudo is one of Japan’s most influential contemporary textile designers and managing director of NUNO. In recent years, she has become known as an advocate for textile artisans in Japan, creating designs that are technologically forward without diminishing the value of handicraft. Naomi Pollock is a design writer who lived and worked in Japan for over 30 years. Her most recent publication is Japanese Design Since 1945 (2020), also published by Thames & Hudson.

This whimsical love letter to the Big Apple’s most cherished and intriguing shops is a timeless celebration of New York’s diversity, energy, resilience, and weirdness.

Every New Yorker has a favorite place to shop — whether it’s for pizza or flowers, to grab a beer, or slurp down soup dumplings. When the coronavirus crisis hit in 2020, illustrator Joel Holland began drawing storefronts near his apartment as a way of memorializing an element of city life that seemed suddenly precarious. He posted them on Instagram and they quickly drew an avid following. Eventually, Holland’s collection grew to include shops recommended by friends or strangers online.

This book showcases 225 of his delightful illustrations and runs the gamut, from delis and bodegas to dive bars, bookstores, bakeries, newsstands, cafés, restaurants and more.

Each image is paired with engaging text written by journalist David Dodge and filled with the historical, cultural, and architectural details that have earned these stores a place in people’s hearts. Also included is a foreword by beloved Instagrammer New York Nico, who is known for chronicling the city’s independent businesses. The perfect gift for New Yorkers of all ages — as well as an insider’s guide to everything from dim sum to late-night jazz — this treasury of iconic shops belongs in the library of anyone who loves NYC.

About the Authors:

Joel Holland is an illustrator who has lived in New York City for over twenty years. His work has graced the New York Times, the New Yorker, New York magazine, Apple store windows across the world, and numerous book covers.

David Dodge is a freelance writer living in New York City who covers travel, LGBTQ+ issues, politics, and culture for outlets including the New York Times, Travel + Leisure, The Advocate, Out, and HuffPost. He is the co-author of Prestel’s 2021 book Sassy Planet.

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Пролистать книгу NYC Storefronts: Illustrations of the Big Apple's Best-Loved Spots на сайте издательства.

Surrealism was one of the most influential art movements of the twentieth century. This book examines the dialogue between Surrealism and design and, for the first time, reveals the enormous influence the movement has had on design over the last hundred years. It has encouraged designers to question the reality beyond what is visible and to design objects that offer resistance, undermine routine, and disrupt the quotidian. The spectrum of examples ranges from Duchamp’s ready-mades and Dalí’s sensual object sculptures to works by designers like Carlo Mollino or Gae Aulenti and includes current designs that analyse new technologies or gender roles in subversive ways. Evidently, Surrealism has lost none of its relevance — for art as well as for design.

With works by Gae Aulenti, André Breton, Achille Castiglioni, Le Corbusier, Salvador Dalí, Marcel Duchamp, Dunne & Raby, Ray Eames, Max Ernst, Front Design, Iris van Herpen, Friedrich Kiesler, Shiro Kuramata, René Magritte, Lee Miller, Carlo Mollino, Isamu Noguchi, Odd Matter, Meret Oppenheim, Mimi Parent, Gaetano Pesce, Man Ray, Robert Stadler, Studio Wieki Somers, among others.

A clear, concise and detailed historical analysis of the eclectic and arcane visual and material culture of the occult

Searching for the philosophers’ stone in the pursuit of transmutation and immortality; harnessing the properties of the natural world to cast magic spells; seeking visionary experiences to connect with the spiritual world; conjuring demons to enact our desires; using the tarot and astrology to divine the future – the quest to understand the mysteries of the universe and to tap into its powers has fuelled manifold occult philosophies from the early esoteric traditions of the ancient Egyptians to the practices of modern occultists.

For hundreds of years, occult – or hidden – knowledge has been recorded in esoteric manuscripts, enshrined in illustrated grimoires, inscribed in stelae, incorporated in cryptic paintings and embodied in arcane ritual objects. Delve within these pages and pore over myriad intricate images, ornate manuscripts and intriguing ritual objects, and discover the meaning concealed within the secret ciphers, mysterious symbols and covert rituals of the occult.

Contents List:

Introduction: As Above, So Below
Foundations
1. Astrology
2. Alchemy
3. Kabbalah
Occult Philosophy
1. Natural Magic
2. Astral Magic
3. Ritual Magic
Occult Revival
1. Occultism
2. Tarot
3. New Age & Occulture

About the Author:

Peter Forshaw is a researcher interested in the history of alchemy, magic, Kabbalah, astrology, ritual activity and esotericism. He has a doctorate in Intellectual History and is Associate Professor of Western Esotericism in the Early Modern Period at the Centre for History of Hermetic Philosophy, University of Amsterdam. In addition to editing several volumes on occult and esoteric subjects, he is the author of The Mage’s Images: Heinrich Khunrath in his Oratory and Laboratory and served as editor-in-chief of Aries: Journal for the Study of Western Esotericism for 10 years. He has contributed to TV and Radio programmes including BBC Radio 4’s In Our Time series and Channel 5’s The Philosophers’ Stone – The True Story. His Instagram page of esoteric art attracts more than 58,000 followers.