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The second volume of legendary photographer Patrick Demarchelier’s sublime portraits of iconic Dior haute couture looks, from Christian Dior to Raf Simons.

From the moment Christian Dior unveiled his famed "New Look" collection in Paris on February 12, 1947, women’s fashion changed forever. Still one of the most revered names in fashion, Dior is known today for its unique couture dresses.

This gorgeous volume continues the homage paid by famed photographer Patrick Demarchelier to one of the most important and influential fashion houses in the world. Working closely with the House of Dior, Demarchelier showcases the extraordinary gowns made in the Dior ateliers from 1947 to today. Alongside dresses designed by Dior himself, creations by the designers who succeeded him show the continuity of the house’s rich heritage up to the absolute modernity of Raf Simons’s designs.

Sumptuously illustrated and beautifully designed, this book — a must for every fashion library — immortalizes the archetype of haute-couture glamour.

About the Author:

The House of Dior was started in Paris by designer Christian Dior in 1946 and is still located on 30 Avenue Montaigne, in Paris, where the ateliers keep the tradition of haute couture alive. Patrick Demarchelier is one of the best-known fashion photographers in the world. His work appears in top fashion magazines including Vogue, Harper’s Bazaar, and Vanity Fair. Cathy Horyn was the chief fashion critic of The New York Times from 1999 to 2014. She is currently working on a book about the paper’s fashion coverage since its inception.

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Посмотреть первый том Dior Couture by Demarchelier

Пролистать книгу  Dior: New Couture

This exquisite book takes the reader on a kaleidoscopic journey through the history of makeup, style, and color at the revered fashion house of Dior. An exquisite ode to color, this book presents the history of Dior cosmetics placed within contexts of fashion and art. Divided into twelve chapters (White, Silver, Nude, Pink, Red, Purple, Blue, Green, Yellow, Gold, Gray, and Black) Dior: The Art of Color showcases not only the sometimes glamorous, sometimes natural cosmetics, but also the aesthetics of color, which was the source of inspiration for so much of Dior’s creations. The evolution of color through the ages is presented with iconic works from renowned artists and Dior makeup advertising campaigns — including creations from some of the greats in the field, such as Serge Lutens, Tyen, and the current head of Dior makeup, Peter Philips — captured by master photographers such as Irving Penn, Guy Bourdin, and Richard Burbridge. With a highly engaging text and never-before-seen imagery, this is a book that no student of fashion or art should be without.

About the Authors:

Richard Burbridge is a photographer who has shot for Tom Ford, Chanel, and Cartier. 

Marc Ascoli is the art director responsible for the image branding of Jil Sander, Yohji Yamamoto, and Chloé, among others. 

Jerry Stafford is a writer and creative director of Premiere Heure, an advertising and feature film production company based in Paris.

The history of Dior as seen through the mythical Parisian address of 30, avenue Montaigne, home to the House’s headquarters and ateliers.

Celebrating 30, avenue Montaigne, this sophisticated volume — published on the occasion of the House’s 75th anniversary in 2022 — presents the public and unseen life of the iconic headquarters.

Located in the heart of Paris’s posh Triangle d’Or, 30, avenue Montaigne has been linked to the House of Dior’s story since 1946. Christian Dior chose this hôtel particulier to establish his couture house and present his collections, including the inaugural 1947 fashion show that marked the New Look era’s debut. Since then, Christian Dior and his successors — from Yves Saint Laurent to Maria Grazia Chiuri — have designed and created all the House’s collections here. 30, avenue Montaigne is where the ateliers are still based, making it a fabled address of Parisian haute couture. With emblematic images of Christian Dior working in his design studio, fitting sessions, and backstage fashion shows; archival documents; and a breathtaking portfolio of Dior creations, readers will discover 30, avenue Montaigne’s spirit throughout the decades while heralding its future.

About the Authors:

Pietro Beccari is Chairman and CEO of Christian Dior Couture. Maureen Footer is an American design historian and writer. She contributed to Christian Dior: Designer of Dreams (Rizzoli, 2021). Jérôme Hanover is a journalist who regularly writes for Vogue France and Le Figaro. Olivier Flaviano is the manager of the Galerie Dior. Laziz Hamani is a luxury still-life photographer who has photographed more than 30 books. 

Reaching beyond the intimate setting of the fashion show, the photographer paints a portrait of haute couture that takes the couturier’s intention to enchant the public and elevates it to the level of the sublime. The great names in photography, the mythical photos that have constructed Dior’s image, and the emblematic subjects of the house’s iconography — whether they are dreams of a faraway place or captured in the vast open-sky “studios” of Paris or Versailles — are all evoked in this vast panorama that takes us through more than sixty years in the history of fashion photography.

Published to accompany the Dior and Fashion Photography exhibition presented at the Musée Christian Dior in Granville, France, this lavish volume presents a wealth of gorgeous photographs that bring the character of the couturier’s dresses to life, with each photographer interpreting them in his or her unique style. Legendary contributors include Horst P. Horst, Richard Avedon, Irving Penn, Cecil Beaton, Norman Parkinson, Henry Clarke, William Klein, Helmut Newton, Guy Bourdin, Sarah Moon, Paolo Roversi, Nick Knight, Inez Van Lamsweerde and Vinoodh Matadin, Tim Walker, Willy Vanderperre, Patrick Demarchelier, and many more. Stunning, glamorous, and iconic, Dior and Fashion Photography exemplifies how the haute couture house transcended fashion to enter the realm of legend.

About the Author:

Florence Muller is an art and fashion historian and curator of numerous important exhibitions. She is a professor at the Institut Francais de la Mode. She is also the author of many publications on fashion, art, and design.

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Пролистать книгу  Dior: The Legendary Images: Great Photographers and Dior 

The Dior Bar suit is one of the most influential designs in the history of fashion. On February 12, 1947, Christian Dior presented this voluminous skirt combined with a jacket featuring a tiny waist, a pronounced bust, and enhanced hips in his first collection in the salons of 30 Avenue Montaigne. After the show, the editor in chief of Harper’s Bazaar, Carmel Snow, exclaimed: “It’s quite a revolution, dear Christian! Your dresses have such a new look!” The phrase made headlines.  

Dior’s New Look transformed the zeitgeist of a postwar France and heralded a storied career for his label. The New Look was an immediate sensation, and everyone wanted to wear the silhouette that Dior was later to describe as “the return to an ideal of civilized happiness.” Almost seven decades after its creation, the New Look revolution and its spirit continue to inspire the House of Dior.

Published to accompany the Dior: The New Look Revolution exhibition at the Musée Christian Dior in Granville, France, this stunning volume presents a rare collection of images that illustrate the Bar suit, from the initial sketches drawn by Christian Dior to the sartorial perfection of the completed outfit, as well as the many versions it has inspired. From Yves Saint Laurent to Raf Simons, season after season, the designers of Dior have interpreted the legendary curves of the Bar suit, dreaming up bustier versions, designing it in woolen denim, or adorning it with masculine prints. With exquisite photography and insightful text surveying over sixty years of Dior’s sublime reinvention, this book is a must-have for followers and students of fashion.

About the Author:

Laurence Benaïm is a writer and historian known for her biographies of Yves Saint Laurent and Marie-Laure de Noailles, among others.

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Пролистать книгу Dior: The New Look Revolution

This volume marks the twenty-fifth anniversary of the groundbreaking fashion designer who bridged the exclusivity and sex appeal of fashion and the universality and masculinity of sports. One of the much-written-about Antwerp Six group of influential cutting-edge Belgian fashion designers, Dirk Bikkembergs audaciously chose to focus his designs on the intersection between fashion and sport, particularly pieces designed for or inspired by soccer. Seeing sports as a universal language, Bikkembergs designed haute couture for athletes who are themselves already aesthetic icons of masculinity. The first designer to hold a fashion show in a sports stadium, Bikkembergs uses his local soccer team as a laboratory for styling with the latest fabric technology, creating designs that are sexy yet comfortably flexible, from exclusive jackets to high-performance underwear and sporty street shoes. In this handsome book, all of his one-of-a-kind designs are showcased in photographs taken in various locations around the world.

About the Author:

Dirk Bikkembergs is a world-renowned fashion designer.

Display in Use collates the best typefaces for big canvases and serves as a reference point for inspiration-seeking designers and typographers alike.

Renowned for their bold and attention-grabbing nature, display fonts are a brand’s go-to if it is looking to stand out amongst a sea of competition. Known for their intricate details, expressive style, playful elements, and varied weights, they are adaptable across diverse design contexts, seamlessly integrating into print, digital, and beyond. Display fonts also play a crucial role in determining a brand’s personality and impressions at first glance.

A continuation of the Sans/Sans Serif In Use collection, this edition features a curated selection of display type specimens, their design applications, and the thoughts that go behind the craft. Display In Use collates the best typefaces for big canvases and serves as a reference point for inspiration-seeking designers and typographers alike.

The first book celebrating Dolce & Gabbana Alta Gioielleria, a kaleidoscope of creativity in which formal invention is accompanied by rediscovery of historical Italian craftsmanship.

Dolce & Gabbana Alta Gioielleria (High Jewelry) inaugurated its first collection in Taormina in 2012. Ten years after that memorable date, the fashion house has decided to celebrate this precious universe of art, beauty, and knowledge in a book for the first time.

The creations of Dolce & Gabbana Alta Gioielleria have always been unique pieces. While the exceptional quality of gems and diamonds is certified by the most renowned international gemological institutes, the goldsmithery — which is carried out entirely by hand in the brand’s workshops by skilled goldsmiths — reinterprets highly refined processes, such as milgrain, filigree, and twisted wire.

It embodies an extraordinary heritage of tradition and know-how, forging material to transform it into a work of art. Miniatures, enamels, corals, and marvelous gems from the most important deposits in the world and magnificent diamonds, some of which are characterized by the unprecedented Dolce & Gabbana cut, are the absolute stars of this volume. Edited by Carol Woolton, it reveals the unique creations of Dolce & Gabbana Alta Gioielleria to the general public for the first time.

About the Author:

Carol Woolton is a global industry leader in the luxury sector, a contributing editor at British Vogue, and host of the podcast If Jewels Could Talk. As a jewelry historian, she has curated exhibitions internationally. 

This inspiring book accompanies the first travelling exhibition about Doris Duke’s estate Shangri La and its influential synthesis of modernist architecture and Islamic art and design. 

Situated on five acres of terraced gardens and pools overlooking the Pacific Ocean and Honolulu’s Diamond Head, Shangri La was the idyllic paradise of philanthropist Doris Duke, reflecting her personal passion for the art, architecture, and design of the Islamic world. The estate incorporates unique architectural features, such as carved marble doorways, jalis, and floral ceramic tiles, and the decor includes artifacts, such as silk textiles, jewel-toned chandeliers, and gilt and coffered ceilings, many collected during her travels. 

This volume presents an exclusive tour of Shangri La’s breathtaking interiors and landscape, including the splendid furnishings and art. Archival photographs of Duke and friends as well as correspondence and drawings provide a view into a lifestyle defined by the highest sense of aesthetics. Doris Duke’s Shangri La is sure to inspire both art and design lovers.

About еhe Author

Thomas Mellins has organized exhibitions for many institutions and coauthored with Robert A.M. Stern an award-winning New York architecture and urbanism series. Donald Albrecht is the Museum of the City of New York’s curator of architecture and design and the writer of many books. Deborah Pope is the executive director of Shangri La; Keelan Overton is the institution’s curator of Islamic art; Sharon Littlefield Tomlinson is its former curator. Linda Komaroff is the Los Angeles County Museum of Art’s curator of Islamic art. Tim Street-Porter is a widely published photographer and the author of numerous books.

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Пролистать книгу Doris Duke's Shangri-La: A House in Paradise: Architecture, Landscape, and Islamic Art

Drag is transformation, communication and, above all, exaggeration, where gender non-conformity is the plat du jour. Drag: The Complete Story observes this increasingly complex world by exploring drag’s journey through the twentieth century.

Corralled into thematic chapters, including glamour drag, art drag, butch drag, black drag, historical drag, comedy drag and popstar drag, this book is the first flamboyant and poignant survey of drag culture. 

Drag: The Complete Story is not just for fabulous queens and drag enthusiasts, but for anyone interested in gender fluidity and the culture surrounding it.

About the Author:

Writer, Fashionista and Author Simon Doonan is the Creative Ambassador for Barneys New York. His books include Saturday Night Fever Pitch,  Eccentric Glamour and Gay Men Don’t Get Fat. Simon is appearing as a judge on the NBC television show, Making It, co-hosted by Amy Poehler and Nick Offerman.

Esquire. Ford Motors. Burton Snowboards. The Obama Administration. While all of these brands are vastly different, they share at least one thing in com­mon: a teeny, little bit of Aaron James Draplin. Draplin is one of the new school of influential graphic designers who combine the power of design, social media, entrepreneurship, and DIY aesthetic to create a successful business and way of life.

Pretty Much Everything is a mid-career survey of work, case studies, inspiration, road stories, lists, maps, how-tos, and advice. It includes examples of his work — posters, record covers, logos — and presents the process behind his design with projects like Field Notes and the “Things We Love” State Posters. Draplin also offers valuable advice and hilarious commentary that illustrates how much more goes into design than just what appears on the page. With Draplin’s humor and pointed observations on the contemporary design scene, Draplin Design Co. is the complete package for the new generation of designers.

About the Author:

Aaron James Draplin is the founder of the Draplin Design Co., based in Portland, Oregon. He has created print, identity, and illustration work for Timberline Lodge, Woolrich, Patagonia, Nike, Mark Maron, and Sasquatch Festival, among others.

Muji's art director shares his own personal creative process.

Kenya Hara inspires the world with his impeccable design, from the subtle atmospheres and environments he creates as the art director of Muji and his ethereal exhibition designs to his simple everyday objects, packaging and books. His design aesthetic can be traced back to a private practice: the diligent drafting of ideas and forms in delicate sketches and drawings that ultimately develop into compelling solutions. For the first time in his career, Hara gives insight into the captivating early stages of his design process.

Ranging from tentatively sketched beginnings to confident designs of complex concepts, "Draw" immerses readers in the renowned designer's 40-year-long process of sketching and drawing by hand, leaving no doubt about the origins of his authentic designs. From Olympic logos to silhouettes of dogs and detailed drawings of knots, Hara's drawings are as expansive in subject matter as they are minimalist. Their technical skill engenders a true appreciation for draftsmanship, and could motivate even the most art-averse person to start doodling. Set to inspire the next generation of creatives, "Draw" is a gentle, persuasive call for the return to analog processes in the design cycle.

About the Author:

Kenya Hara (born 1958) is a Japanese graphic designer, author, curator, professor at the Musashino Art University in Tokyo and art director for MUJI. He has been awarded many prizes, including the Japanese Cultural Design Award. Hara is the author of "White", "100 Whites", "Designing Design" and "Designing Japan".

Whether it is via depictions of cute imaginary characters or familiar backdrops brimming with colour, illustrations can set the right tone for brands to tell meaningful stories. Besides enriching a visual language or identity system with vivid details, hand-rendered designs also make for heartwarming elements that enable companies to connect and engage with audiences in delightful ways.

The collection of projects featured in Drawing Attention: Custom Illustration Solutions for Brands Today serve to inspire designers with a variety of illustration styles and settings that help to add more narrative layers to a brand. From small businesses looking to highlight their charm to bigger ones in need of ‘humanising’ their touchpoints, the book showcases drawings that effectively bridge the creative and commercial to draw attention.

This is a truly exceptional collection of drawings from one of our most revered cultural commentators.

Gerald Scarfe began his career in the 60s working for PUNCH and PRIVATE EYE before taking a job as a political cartoonist for the DAILY MAIL. He then worked for TIME Magazine in New York before starting his long association with the SUNDAY TIMES that still exists today in the form of his weekly drawings. His varied career has seen him work with Pink Floyd (The Wall, Wish You Were Here), Roger Waters and Eric Clapton (The Pros and Cons of Hitchhiking), Disney (Hercules), English National Ballet (The Nutcracker), Los Angeles Opera (Fantastic Mr Fox) as well as produce such iconic images as those for the titles of Yes Minister and Yes Prime Minister. His work has featured in the New Yorker and various BBC TV films such as Scarfe on Sex and Scarfe on Class. Exhibitions of his paintings and drawings have appeared in the Tate Gallery, the National Portrait Gallery and the Smithsonian National Portrait Gallery. He is viewed by many as both a national treasure and a genius and this is the first collection of his work to appear for 20 years.

About the Author:

Gerald Scarfe was born and lives in London. His incredible career spans newspapers, satirical and political publications, television, film, theatre and opera. He has worked for the SUNDAY TIMES for 38 years and the NEW YORKER for 12 years.

Here is a complete, comprehensive drawing reference for design students and professionals alike who want to implement drawing as a professional tool. In Drawing for Graphic Design, Timothy Samara empowers readers to add drawing to their design vocabulary, featuring case studies of commercial projects from start to finish along with a showcase of real-world projects that integrate drawing as an intrinsic part of their visual communication. Filled with original author drawings and sketches, it’s a must-have reference that will benefit designers of all levels.

About the Author:

Timothy Samara is a graphic designer based in New York City, where he divides his time between teaching, writing, lecturing, and consulting through STIM Visual Communication. His 18-year career in branding and information design has explored projects in print, packaging, environments, user interface design, and animation. He has been a senior art director at Ruder Finn, New York's largest public relations firm, and senior art director at Pettistudio, a small multidisciplinary design firm. Before relocating to Manhattan, he was principal of Physiologic in Syracuse, located in upstate New York. In 1990, he graduated a Trustee Scholar from the Graphic Design program at the University of the Arts, Philadelphia. Mr. Samara is a faculty member at New York's School of Visual Arts, New York University, Purchase College/SUNY, and The New School, and has published six books on design and typography, all through Rockport Publishers: Making and Breaking the Grid; Typography Workbook; Publication Design Workbook; Type Style Finder; Design Elements, Design Evolution, and, most recently, Letterforms, released in September, 2018. Mr. Samara and his partner live in the Williamsburg neighborhood of Brooklyn.