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The single piece of furniture that became the emblem of Danish design in the 20th Century

Danish designers are renowned around the world for their beautiful and functional chairs. Here is the book that tells the full story of the Danish chairs that were created during the 20th century. The Danish Chair is structured around chair types and illustrates how the ‘golden age’ of Danish furniture design was driven by the study and refinement of historical furniture types. It traces the family relations between the chairs and shows how they influenced each other in terms of detailing, construction and concept. Design was the cultural phenomenon that put Denmark on the world map in the mid 20th century.

The international brand of Danish Design arose in 1949 when American journalists began to write about the Danish furniture at the Copenhagen Cabinetmakers’ Guild exhibition. This was not only the beginning of an important export opportunity but was also taken up as a challenge by Danish designers, who became world-renowned for their obsession with creating the perfect chair.

The story of Eames furniture told in unparalleled detail on 800 pages with more than 2,500 images

Brimming with images and insightful text, this unique book is the benchmark reference on what is arguably the most influential and important furniture brand of our time. It reveals in unparalleled detail how Charles and Ray Eames, as well as a talented team of designers, worked to create pieces that still top bestseller lists. The book describes the key role played by the Eames Office's own development and perfection of production processes for its designs as well as the significance of its relationship with manufacturers. By documenting the creation and spread of these landmark furniture designs, this book also tells the story of how modernism became established in homes and offices throughout the world.

In this unique 2-volume, 800-page book with more than 2,500 images, Marilyn Neuhart tells the story — to paraphrase Charles Eames himself — of how Eames furniture got to be the way it is.

The Story of Eames Furniture is the benchmark reference on the subject. It is a biography — not of an individual person, but of arguably the most influential and important furniture brand of our time. Brimming with images and information, this 2-volume, 800-page book in a slipcase sheds new light on the context in which the furniture of Charles and Ray Eames was created. It documents in unparalleled detail how the design process in the Eames Office developed as well as the significant roles played by specific designers and manufacturers.

Through intense and self-critical teamwork, the Eames Office was the first to translate the theoretical approach of the Bauhaus into commercially successful design for a mass market. One can hardly exaggerate the relevance of Eames's modern concept of design. In many cases the success of the pieces is based on the Office's own development and perfection of production processes for its designs.

The concepts that originated in the Eames Studio made a fundamental impact on modern design. Its furniture still tops bestseller lists and, decades later, the pieces have not lost any of their original elegance, timelessness, freshness, and quality. Its combination of conceptual consistency, aesthetic mastery, and almost scientific persistence is particularly inspirational for young designers today.

The Story of Eames Furniture was written and designed by Marilyn Neuhart together with her husband John. Both have worked at the Eames Office in various capacities since the 1950s. They have looked after the house of Charles and Ray Eames since the designers’ deaths and have supervised the Eames Archive. More familiar with the material and protagonists than almost any other, Marilyn Neuhart has spent the last 15 years compiling the stories, images, and recollections featured in this book.

Image credits for all preview pages shown above: From The Story of Eames Furniture, © 2010 Eames Office LLC, from the Collections of the Library of Congress.

In the history of the decorative arts, there has never been another designer who has achieved such lasting impact. While lamenting the excesses of mass-production, he set up the firm of Morris, Marshall, Faulkner and Company. Soon it was producing a range of goods, from hand-woven tapestries, carpets and printed textiles to stained glass, metalwork and furniture. What the company offered was quite simply a way of life. 

Now available in paperback, Pamela Todd’s book celebrates William Morris’s genius, presenting a thorough overview of his life and career, while setting out his guiding principles so that a modern audience can recreate the Arts & Crafts style in their own homes.

A series of case studies explores six contemporary houses – from a modern London townhouse to a traditional Arts & Crafts home in Massachusetts – that have followed and adapted Morris’s dicta, brilliantly demonstrating how the style can be applied to our environment today.

The book concludes with a comprehensive style-sourcing section, as well as a gazetteer of places to visit for inspiration.

Decorative paint expert Annie Sloan shows how paint can transform any surface in your house.

In this, her most personal book yet, Annie Sloan opens up a world of possibilities when it comes to decorating your home. As well as ways to transform walls and furniture, you’ll also learn wonderful techniques for painting floors, fabrics, lighting and more.

Discover three chapters, all packed full of inspiration and advice: Furniture and Lighting, Fabric and Other Surfaces, and Walls and Floors. Forty step-by-step projects will guide you through the methods for using paint in ways you never thought possible, with clear instructions accompanying each picture, and helpful tips along the way. Learn about printing, stencilling, gilding, transferring images and dyeing fabric, as well as all the secrets of making the most of Annie’s own Chalk Paint® range. Find out, too, how to combine colours for different styles, and how to tap into your creativity by painting patterns freehand.

No matter what your skill level, Annie Sloan Paints Everything will enable you to make over your home so you have the naturally stylish, individual interior you’ve always wanted.

Exclusivity and new forms of craftmanship in design are becoming highly prized in a world that is returning to the values of authentic making, but new technology and material use have changed the definition of ‘handmade’ and increased the desirability of furniture items as objects of function and beauty. This ambitious overview of contemporary studio furniture celebrates the achievements of an international selection of designers producing works of individual artistic expression that sit as comfortably in museums as they do in domestic settings.

Featuring hundreds of stunning and unusual pieces, from finely finished tables and chairs made from natural materials to experimental furniture that straddles the boundary between craft and art, this is the only comprehensive survey of its kind. Covering a wide range of design themes reflecting the broad spectrum of practices around the world, this richly illustrated publication is an essential resource for design connoisseurs, collectors, and anyone interested in bespoke furniture design.

Contents List:

1. The Studio Craft Movement: Pioneers • 2. The Late Twentieth Century: Explorers • 3. The Twenty-First Century: Nature; Wood; Metal; Melded; Geometric; Biomorphic; Concept; Expressing; Tongue-in-Cheek; Ecology; Process; Interiors

About the Author:

Judith Gura (1935–2020) was a design historian and author whose books include A History of Interior Design (as co-author), Design After Modernism (2012), Sourcebook of Scandinavian Furniture (2007) and Postmodern Design Complete (2017, Thames & Hudson). She was on the faculty of the New York School of Interior Design and taught at Pratt Institute and FIT. A contributing editor to Art + Auction for many years, she also curated exhibitions at the New York School of Interior Design and worked on exhibitions at the Brooklyn Museum and the Whitney Museum.

A celebration of the rich and varied work of Italian-born American artist, designer, and master of metal, Harry Bertoia

From chapel altarpieces and bronze fountains, to wire chairs and silver brooches, Harry Bertoia's creative output was varied in the extreme. This new book explores his entire career: his move from Italy to Detroit at 15; his formative years at Cranbrook; his work with Charles Eames and Knoll; through to his fascinating sound sculptures.

In doing so, the book demonstrates how seemingly disparate works are in fact united in being reflections of nature, and places Bertoia's art squarely at the heart of American modernism.

About the Author:

Beverly H. Twitchell has a PhD in art history and has taught at various universities for 35 years. She first met Bertoia in 1973 and shared a close friendship with him until he died in 1978. As the only art historian who knew and worked with Bertoia in his last years, interviewing him at length, Twitchell is uniquely placed to offer real insight into Bertoia's work and world.

British Furniture 1820 to 1920: The Luxury Market, written by celebrated furniture historian Christopher Payne and including over 1,000 superb photographs, is a landmark publication and the first book to comprehensively assess British furniture design from the early origins of the so-called Victorian era through the myriad of influences in vogue up to the 1920s. It goes further than any book has attempted before, creating a continuum to underline the importance of the late Recency style favoured by George IV, moving through to the first two decades of the twentieth century, with a host of ever-changing styles and fashions. Payne studies the influence of the exhibition era, trade catalogues, retailers and subcontractors, and sheds light on the often-unidentified makers of reproduction furniture that later became an important part of the market. He also illustrates the importance of the revival styles, a fundamental part of the furniture trade that has often previously been ignored and shines the light on makers and suppliers of the popular Rococo Revival, ‘Queen Anne’ and ‘Chippendale’ styles. 

Some of the makers’ names are familiar to furniture collectors, such as Collinson & Lock, Edwards & Roberts, Gillow, Holland, Maples and Morris & Co., but many are less so and their work is explained and presented here for the first time.

- British Furniture 1820 to 1920 - The Luxury Market is the major work in its field, a stunning achievement and a landmark publication
- The first book to properly assess the work of British Furniture makers through the 19th century, among them great names such as Gillows, Maples, Hollands and Morris & Co
- In over 600 pages, all lavishly illustrated, the author creates the new and definitive work on this subject
- Christopher Payne, a former director of Sotheby's, is an independent furniture historian and well-known author who has appeared on the BBC Antiques Roadshow for over 30 years

About the Author:

Christopher Payne is an independent furniture historian, author and broadcaster. Formerly a director of Sotheby’s and with regular appearances on the BBC’s Antiques Roadshow, he has advised private clients around the world. In 2003 he published his ground-breaking study, François Linke, 1855–1946: The Belle Epoque of French Furniture, and remains curator of the extensive Linke archives. His books include works on European and French nineteenth-century furniture which have been translated into several languages, including French, Spanish, Hungarian and Chinese. He is a visiting professor at the Shanghai Institute of Visual Art (SIVA). His most recent book, Paris Furniture: The Luxury Market of the 19th Century, was published in French and English in 2018.

Classic contemporary design by one of the UK’s leading interior designers, set within the context of historical styles from the 18th century to the 21st

‘Tim Gosling is an authoritative guide, whose passion for craftsmanship, materials and creative expression shine through the lively text’ – House and Garden

‘Classic Contemporary portrays Regency, Victorian, Art Deco and Modernism in a new light, demonstrating how these styles from the past are being reinterpreted for a richly creative interiors future’– Designer Kitchen and Bathroom

Tim Gosling has an international reputation for designing exquisite interiors and beautifully crafted furniture for a range of public and private clients. Whether it is a Georgian townhouse or a Victorian mansion, a Venetian penthouse or
a Florida residence, Gosling’s response to the architecture as well as to the needs of those who commission him results in a look that is both classic and contemporary. Every element is produced using the finest materials and to the most exacting standards by highly skilled British craftsmen.

In Classic Contemporary, Gosling discusses the historical sources, from the 18th century to the 20th, as well as the work of his contemporaries that have influenced him and his work. By analysing in DNA-type depth what made historic styles so successful, so long-lasting and often so beautiful, he is able to show how they can be adapted for contemporary tastes.

Through these pages, Regency, Victorian, Art Deco or Modernism can be viewed in a new light, resulting in a book that provides a unique insight into the work of one of today’s most popular and respected designers.

About the Author:

Tim Gosling is a British furniture designer and interior designer. He carries out private commissions worldwide as well as commercial projects, such as the interior of The Goring, one of London’s most prestigious hotels.

This is the first definitive book on contemporary Chinese furniture, introducing the work of leading designers and design studios, including Chen Darui, Jerry Chen, Frank Chou, Hou Zheng-Guang, Hong Wei, Ma Yansong, Neri & Hu, Shao Fan, Shang Xia, Song Tao, Studio MVW, Xiao Tianyu and Zhang Zhoujie. It explains how the ‘New Wave’ of Chinese furniture designers are looking back to their cultural roots and revitalizing traditional forms, materials and techniques in order to produce interesting and exciting contemporary furniture.

About the Authors

Charlotte and Peter Fiell are the authors of over 50 books on design and the visual arts, including Scandinavian Design, The Story of Design, Designing the 21st Century and the bestselling 1000 Chairs.

Zheng Qu is an architect who worked at one of the UK’s leading architectural practices, BDP, where he set up the firm’s Shanghai office in 2010. He founded the China Design Centre in London in 2013.

Charles and Ray Eames were among the most influential designers of the 20th Century.

The Eames Furniture Sourcebook provides readers with a comprehensive overview of their furniture, which includes design milestones such as the Plywood Group, the Wire and the Plastic Chairs, the Aluminum Group, and the legendary Lounge Chair. Through detailed texts and extensive photographic material, it reconstructs the genesis of these and other pioneering designs, shedding light on the duo’s innovative use of materials and techniques, and analyzing the significance of their work within the context of their time.

The Eames Collection held at the Vitra Design Museum serves as the basis of this book. It is the largest collection of Eames furniture worldwide and includes prototypes, experiments, and study models from the Eames Office, as well as other key pieces.

This book explores the significant contribution to design culture made by Cassina, the first company to develop and industrialize timeless reeditions.

Since 1973, when Cassina launched the iMaestri Collection, the company has authentically reissued some of the most iconic models by the greatest architects of the twentieth century. The brand began this process in 1965 with the first reeditions of furniture by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, expanding over the years to create a specific collection with names such as Erik Gunnar Asplund, Charles Rennie Mackintosh, and Gerrit Thomas Rietveld. These designs have been updated, finding new life, thanks to innovative technological development carried out by the company, always in respect of the original designs.

The collection also tells of encounters between the company and renowned Italian architects, including Franco Albini, Gio Ponti, and Carlo Scarpa, and of how this combination of creative excellence and production quality has generated such extraordinary works. With the introduction of designs by Giacomo Balla, Marco Zanuso, Ico Parisi, and Vico Magistretti, the Cassina iMaestri Collection has become a symbol of timeless elegance representing the true essence of excellence Made in Italy.

Thanks to its original graphic design, the book reflects the richness and variety of Cassina’s catalog in which icons naturally dialogue with contemporary pieces to fully emphasize the continuity between past, present, and future.

The book, edited by Ivan Mietton, is organized into five thematic chapters that feature influential texts and new photographic material produced by international contributors.

About the Author:

Ivan Mietton is a former curator in the Design department of the Centre Pompidou in Paris from 2002 to 2005. He has contributed to major exhibitions such as Ettore Sottsass, 20 years of Design for Olivetti and Charlotte Perriand. In 2008, he decided to focus on the production of exceptional furniture and custom-made art installations.
 

A highly detailed look at the English country house interior, offering unprecedented access to England’s finest rooms. In this splendid book, renowned historian Jeremy Musson explores the interiors and decoration of the great country houses of England, offering a brilliantly detailed presentation of the epitome of style in each period of the country house, including the great Jacobean manor house, the Georgian mansion, and the Gothic Revival castle. For the first time, houses known worldwide for their exquisite architecture and decoration -- including Wilton, Chatsworth, and Castle Howard -- are seen in unprecedented detail. With intimate views of fabric, gilding, carving, and furnishings, the book will be a source of inspiration to interior designers, architects, and home owners, and a must-have for anglophiles and historic house enthusiasts.

The fifteen houses included represent the key periods in the history of English country house decoration and cover the major interior fashions and styles. Stunning new colour photographs by Paul Barker-who was given unparalleled access to the houses-offer readers new insights into the enduring English country house style. Supplementing these are unique black-and-white images from the archive of the esteemed Country Life magazine.  

Among the aspects of these that the book covers are: paneling, textile hangings (silks to cut velvet), mural painting, plasterwork, stone carving, gilding, curtains, pelmets, heraldic decoration, classical imagery, early upholstered furniture, furniture designed by Thomas Chippendale, carved chimney-pieces, lass, use of sculpture, tapestry, carpets, picture hanging, collecting of art and antiques, impact of Grand Tour taste, silver, use of marble, different woods, the importance of mirror glass, boulle work, English Baroque style, Palladian style, neo-Classical style, rooms designed by Robert Adam, Regency, Gothic Revival taste, Baronial style, French 18th century style, and room types such as staircases, libraries, dining rooms, parlors, bedrooms, picture galleries, entrance halls and sculpture galleries.

Houses covered include: Hatfield - early 1600s (Jacobean); Wilton - 1630/40s (Inigo Jones); Boughton - 1680/90s (inspired by Versailles); Chatsworth -1690/early 1700s (Baroque); Castle Howard - early 1700s (Vanbrugh); Houghton - 1720s (Kent); Holkham - 1730s-50s (Palladian); Syon Park - 1760s (Adam); Harewood -  1760s/70s (neo-Classical); Goodwood - 1790s/1800s (neo-Classical/Regency); Regency at Chatsworth/Wilton/C Howard etc - 1820/30s; Waddesdon Manor - 1870/80ss (French Chateau style); Arundel Castle -1880s/90s (Gothic Revival); Berkeley Castle -1920/30s (period recreations and antique collections); Parham House - 1920s/30s (period restorations and antique collections). The range is from the early 17th century to present day, drawn from the authenticated interiors of fifteen great country houses, almost all still in private hands and occupied as private residences still today. The book shows work by twentieth-century designers who have helped evolve the country house look, including Nancy Lancaster, David Hicks, Colefax & Fowler, and David Mlinaric

About the Authors:

Jeremy Musson is a leading commentator and author on the English country house. He was architectural editor of Country Life from 1998 to 2007, for which he wrote hundreds of articles on country houses and is still a contributor. As a former National Trust assistant curator he redecorated state rooms at Ickworth Park and curated Anglesey Abbey. Musson is the author of several books including The English Manor House, Plasterwork, How to Read a Country House, The Country Houses of Sir John Vanbrugh, and Up and Down Stairs: The History of the Country House Servant. A contributor to World of Interiors, The British Art Journal, and Cornerstone, he has interviewed many figures in the world of heritage, arts, and interior design, and he co-wrote and presented The Curious House Guest, a BBC2 series on important country houses in 2005-2006. Art historian Sir Roy Strong is the former director of London’s National Portrait Gallery and the Victoria and Albert Museum. Paul Barker is one of the U.K.’s leading architectural photographers.

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Brings together a superb collection of over 650 detailed examples English furniture and needlework from 1600 to 1760

These volumes are dedicated to one of the finest collections of early English furniture and needlework, formed by Percival D. Griffiths (1861–1937). Together with the noted authority, Robert W. Symonds, Griffiths assembled a pioneering collection of early English decorative arts: furniture, domestic needlework and related objects all dating to the seventeenth and first half of the eighteenth centuries. The book illustrates nearly 700 pieces owned by Griffiths and includes images of his interiors, and biographical data on Griffiths. Catalogue entries provide color images, exhibition histories, references, and provenance. These volumes present a wealth of new information that will aid both the amateur and connoisseur alike.

About the Authors:

Christian Jussel is a retired antiques dealer who specializes in English furniture. He was formerly president of The National Antique and Art Dealers Association of America, and later was a senior vice president at Sotheby’s in New York. William DeGregorio is a scholar of decorative arts, textiles, and historical costume, specializing in the history of collecting. He has worked for a wide variety of museums, dealers, and private collectors.

The first illustrated monograph presenting the work of British designer Lee Broom, founder of the eponymous brand and celebrated for his stylish, contemporary take on classic design products.

The book explores the many influences and ideas behind Broom’s portfolio of more than 100 products as well as highlights the way in which he showcases his work through original and engaging installations, exhibitions, and films. Lee Broom furniture, lighting, and accessories, some of which is now held in the permanent collections of cultural institutions in London and New York, is at once familiar and yet feels new — a signature skill of reinterpretation and the mix of classicism and modernity.

The book is presented thematically in four chapters, each relating to a defining aspect of Broom’s design personality. “Art Form” explores Broom’s relationship with architecture and silhouette, as well as the way in which he works with form, balance, and symmetry. “History Repeats Itself” delves into Broom’s fascination with historical starting points and reinvention and how techniques of the past can inform the future. “Material Boy” focuses on Broom’s meticulous approach to the process of making, his clever use of materials, and the art of collaboration. Finally, “Drama of Design” is a study of Broom’s background in theater and fashion and how both have permeated his creative thinking and the way he presents his work as immersive experiences.

With special contributions by Christian Louboutin, Vivienne Westwood and Kelly Wearstler.

About the Author:

Becky Sunshine is a London-based writer, editor, and consultant specializing in design, interiors, and lifestyle. Among the publications she collaborates with are Observer Magazine, Sunday Times Style, Wallpaper*, Telegraph Magazine, Vogue Living, Elle Decoration, Condé Nast Traveler, Elle Decor, Interior Design, and House & Garden.

Available again as of October 2019| Atmospherically illustrated tribute to the brilliant Danish designer and his own home, an icon of good taste

Birgit Lyngbye Pedersen was looking for the right sofa for a house from the fifties and discovered Finn Juhl (1912–1989), whose furniture is experiencing a renaissance in the wake of the retro wave. When Juhl’s house in Charlottenlund, which he designed and decorated in 1941–42, came up for sale, Pedersen purchased the building and all of its furnishings, presenting it immediately afterward to the adjacent Ordrupgaard Museum.

This monograph takes a look at Finn Juhl—alongside Hans J. Wegner and Arne Jacobsen one of the most important Danish Modernists—in an agreeably unpretentious way. Per H. Hansen, a renowned expert in Scandinavian furniture design, provides a humorous, extremely informative description of Juhl’s unconventional character and classic furniture—the Chieftain Chair, the Pelican Chair, or the Poet Sofa. Drawings, original photographs, images of the newly curated house (2008), and an amusing final chapter about his patrons round off this unusual volume.