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Chapters cover Jacobean and William and Mary styles, Queen Anne, Chippendale, Classical Period, and Early Victorian furniture. Miss Comstock gives the historical background of each period and style, describes the known craftsmen, and illustrates each innovation in design. Photographs include famous and less well-known examples representing the height of American achievement in furniture making. Every piece illustrated is described in full with its history, style, region, the kind of wood used, and probable date. The book features over 700 illustrations of individual pieces of furniture and whole rooms from houses of noted collectors and from house museums showing authentic settings in which these pieces were used. Readers will also be delighted with the photographs which show details of carvings and turnings and with the paintings of the period which depict modes of dress, frequently an influencing factor on furniture design.

The Metropolitan Museum’s preeminent collection of early colonial furniture is expertly documented in this long-awaited publication. It covers the full spectrum of furniture forms made during the 17th and early 18th centuries - from chairs and other seating to tables, boxes, various types of chests and cupboards, and desks.  Each of the 141 objects is thoroughly described with detailed information on provenance, construction, condition, inscriptions, dimensions, and materials.  Photographed anew in color for this volume, each piece is explicated in terms of the styles and craftsmanship of the period and is evaluated in light of comparative pieces in public and private collections throughout the country. One appendix contains photographic details of construction and decorative elements, and another has drawings of joints and moldings.

This is an important study of the fine handcrafted furniture made in America between 1840-1880. Most pieces are identified by the cabinetmaker who made them and biographies of the leading cabinetmakers from all over America are presented. There are special sections on Wooden desks and John Henry Belter including new, significant information on Belter the man.Most of the examples have not been seen before in any publication. In the book, Mrs. Dubrow explains why this was the most productive period of American furniture making, and she shows actual room settings as well as individual forms.

From among the world-renowned treasures at the Winterthur Museum, the author selected 400 outstanding examples of American furniture from the Queen Anne and Chippendale periods, representing the era when the cabinetmakers of New England, New York, Philadelphia, and the South were at the height of their achievement. Each illustration is accompanied by information about the pieces place of origin, date of construction, dimensions, special features and qualities, and the maker and original owner when known. A special section presents the furniture in its proper environment, including ten rooms in full color. There is technical information for the serious collector and a highly readable history for those interested in the early-American way of life.

Before his death in 1954, Joseph Downs was director of the Winterthur Museum, in Delaware, and curator of the American Wing of the Metropolitan Museum of Art in New York for nearly twenty years.

The incomparable Winterthur Museum collection of beautiful and distinct Federal period American furniture is described and illustrated in this book, first published in 1978. Todays printing technology makes this book even more stunning, presenting beautiful photos of 491 pieces. The text explores the maker, place of origin, size, materials, dimensions, details of design and, most importantly, an evaluation of the merits of each piece. It is a history of the entire process of furniture making in Federal America. This is a classic encyclopedia for Federal period furniture enthusiasts, and a mine of information for everyone interested in the social and cultural history of the formative years of the United States.

Charles F. Montgomery (1910-1978) worked at the Winterthur Museum, in Delaware, from 1949 to 1970, as director and senior research fellow devoted to early American culture. From 1970 until his death, he was curator of American art collections and professor of art history at Yale University.

Ce livre décrit la structure de trente meubles du XVIIIè siècle. Les nombreux dessins en perspective éclatée réalisés par l’auteur présentent d’une manière inédite et particulièrement explicite la façon dont sont construits ces meubles. Le texte complète judicieusement les dessins en permettant de mieux comprendre les particularités de chaque meuble. De son expérience de restaurateur, l’auteur, ancien ébéniste, fidèle défenseur de la tradition, témoigne par cet important travail d’une expérience qui lui a permis de côtoyer des meubles exceptionnels dont il restitue très fidèlement l’anatomie.

Sommaire :
Style Louis XIV : Commode en marqueterie Boulle, Commode marquetée,Bureau à huit pieds, Bureau en marqueterie Boulle.
Style Louis XV : Commode légèrement galbée, Commode plaquée en aile de papillon, Commode galbée marquetée avec fleurs de couleur, Secrétaire à abattant, Bureau en pente, Bureau plat, Petit bureau de dame, Table liseuse, Table serre-bijoux, Bureau à bascule.
Style Transition : Table de toilette, Petit secrétaire de dame, Meuble d’entre-deux à rideau, Table ronde avec écritoire, Table ronde, Table ovale, Commode à ressaut.
Style Louis XVI : Commode à pieds cannelés, Commode à pieds colonne en façade, Bureau plat, Bureau plat avec tirette, Bonheur du jour,Table rognon, Bureau à cylindre, Secrétaire, Table à la tronchin.Glossaire.

Alastair Duncan introduces us to the work of more than eighty architects, furniture makers and interior designers. The colour and monochrome photographs – almost all of them specially commissioned for this book – form a valuable portfolio of Art Deco furniture for anyone seeking comprehensive information about this design movement. This volume will have lasting appeal for collectors as well as the general public.

Western-style furniture was a relatively late arrival in Asia, where climates and lifestyles were markedly different from those in Europe. But furniture design in Asia quickly blossomed into a major decorative art.

Each of the countries covered here – China, India, Indonesia, Japan, Korea, Thailand, Tibet and the Philippines – developed its own particular designs, creating pieces of furniture as works of art. Today these are treasured by collectors worldwide, as well as in the countries where they originated.

Examples have been drawn from private collections, antique dealers and museums around the world, and are organized by country and then by type:  chairs, armoires, tables, chests and more. Each piece has been specially photographed and is described in detail, and the relations between the various periods and styles are explored. The texts have been written by local experts, making this not only a sumptuous overview but also a peerless reference source in any collector’s library.

Ce livre présente les principaux assemblages utilisés dans les métiers du bois. Il compare les techniques orientales, principalement japonaises et chinoises, aux techniques d’assemblage utilisées en Europe. Il est illustré par de nombreux schémas et photographies permettant de comprendre la manière dont sont réalisées ces constructions souvent complexes.

Sommaire :
L’origine des assemblages. Les éléments d’assemblages en bois et en métal. L’évolution des assemblages du bois. Les diverses formes.

For the past thirty years, this book has, in its various editions, outsold all others on British antique furniture simply because it is unique in explaining what to look for when assessing the value of individual pieces. In this, the fifth edition, the huge financial importance of patination and colour has been explained and illustrated - something which has become increasingly important in recent years.

This classic guide consists of over 1,600 photographs of furniture found in shops and auction rooms throughout the country with the author's down-to-earth comments on important features which affect individual prices. The reader will come to understand the rules and prejudices which apply while the eye will become aware of gradations of quality. He will come instinctively to assess the workmanship and how all this affects the final price tag. This is, above all, a reference book for the practising collector and dealer, a work from which the memory may be refreshed and points checked.

Each item is clearly referenced. This enables the annual price revision list to be compiled with a ready cross-reference. The list is available in January/February each year on a private subscription basis and details are contained within the book.

- The best-selling guide to British antique furniture for over thirty years, now in its fifth edition with over 400 new colour images
- Colour plates show the financial importance of patination
- Contains revised prices in both £ Sterling and US $

The best-selling guide to British antique furniture for over forty years, now in its sixth edition.

For the past forty years this book has, in its various editions, outsold all others on British antique furniture simply because it is unique in explaining what to look for when assessing the value of individual pieces. In this, the sixth edition, the huge financial importance of patination and colour has been explained and illustrated - something which has become increasingly important in recent years. This classic guide consists of over 1,600 photographs of furniture found in shops and auction rooms throughout the country with the author's down-to-earth comments on important features that affect individual prices. The reader will come to understand the rules and prejudices which apply while the eye will become aware of gradations of quality. He will come instinctively to assess the workmanship and how all this affects the final price tag. This is, above all, a reference book for the practicing collector and dealer, a work from which the memory may be refreshed and points checked.

John Andrews is both a founding member of, and the first author published by, the Antique Collectors' Club. His professional background as a market researcher and his love of furniture have made his books unique in their clear explanations and practical, factual approach. Apart from collecting, restoring and writing about furniture, he is an active businessman and fiction writer.

Focuses on the top 50 designers of British furniture. This manual is written for those who wish to know more but don`t know where to begin. It also provides maps and timelines to help plan a journey through four centuries of the world`s finest furniture and contains more than 500 images.

Skulls, butterflies, hunting trophies, ancient Egyptian artifacts, the alleged skeletons of mythological creatures, and many other mysterious oddities fill cabinets of wonder. A centuries-old tradition developed in Europe during the Renaissance, cabinets of wonder (also known as curiosity cabinets) are once again in fashion. Shops, restaurants, and private residences echo these cabinets in their interior design, by making use of the eclectic vintage objects commonly featured in such collections.

Cabinets of Wonder showcases exceptional collections in homes and museums, with more than 180 photographs, while also explaining the history behind the tradition, the best-known collections, and the types of objects typically displayed. Offering both a historical overview and a look into contemporary interior design, this extravagantly illustrated book celebrates the wonderfully odd world of cabinets of wonder.

A leading figure in the Italian and international design universe, Carlo Colombo is one of Italy's best-known and prolific designers, with a recognizable touch.

Carlo Colombo was born in Brianza, the land of the greatest Italian furniture companies and home to several key figures of contemporary design. Having graduated with a degree in architecture from the Politecnico di Milano, his career has grown with great intensity and success, including his iconic pieces such as the Minerva chairs or the Bali armchairs, the award-winning Albume washbasins, and the Sveva sofa.

This book recounts the multifaceted universe of a designer poised between passion and rationality. It draws on a selection of his most significant design products, his methodology, creative inputs and collaborations with protagonists from the business and finance worlds, as well as enlightened clients and artists.

About the Author:

Maria Vittoria Capitanucci is an architecture historian and critic who teaches History of Contemporary Architecture at the Politecnico di Milano. She collaborates with specialized magazines and websites and is the author of various essays and monographic works.

Carlo Mollino (1905-1973) was one of the foremost figures in a generation of Italian designers. This biography demonstrates Mollino's unique anti-conformist attitude, a design statement that was at odds with the zeitgeist in his home town, Turin, in the 1950s. This brave move, however, paid off and was the reason for the great international interest in his extraordinary creative skills in the fields of architecture, design and photography.

Also famous for his love for mountains, cars and aviation, Mollino captured the attention (and the amazement) of the critics for the individuality of his works. In architecture, furniture and interior design, his output combined examples of Surrealist sensibility and a pioneering and highly personal organic approach. His famous three-legged chairs, tables with zoomorphic shapes, armchairs 'on tiptoe' and daring skeletal structures have in recent years achieved the very peak of world collecting, thereby contributing to his renown as an unparalleled creator.

Published in the same style as the successful Minimum Architects series, the Minimum Design series includes books about the major figures in the field of design, creators of objects that have become a part of our daily lives. The lamp on our desk, the chair we are sitting on or the glasses we are wearing have a genius behind them to be discovered. These volumes introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summarising the most significant reviews published in magazines and newspapers completes the subject.

Contents: Carlo Mollino by Andrea Branzi; The Janus-faced genius; Catalogue of Objects; The Objects; Carlo Mollino; Critique; Selected References