Книги о моде и фэшн дизайне

The area of recycling and upcycling is a rich and growing source of innovative design in the fashion and accessories industries.

In a fast-fashion world of throw-away clothing, it is the ultimate expression of the slow-fashion movement, with each piece individually conceived and crafted from scratch, using different materials each time.

ReFashioned features 46 international designers who work with recycled materials and discarded garments, reinvigorating them with new life and value. The result is beautiful and desirable clothing and accessories that also make an important statement to the fashion world about its wasteful and exploitative practices.

About the Author:

Sass Brown is Acting Assistant Dean for the School of Art and Design at the Fashion Institute of Technology, New York. Originally from London, England, Sass established herself as a designer with her own signature collection selling in the UK and across Canada. As a researcher, writer and blogger, her area of expertise is eco fashion, in all of its different expressions, from slow design and heritage craft skills to recycle, reuse and new business models. She has published papers, spoken, taught and advised women’s cooperatives and educational institutions in Brazil, Peru, Columbia, Sri Lanka, Italy, France, US, Canada and the UK, on the topic of sustainable design. Voted in the top 10 Women Who Changed the Face of Fashion by Fashion Compassion, Brown promotes the best in eco-fashion design, through a multitude of media, most notably her books, her website www.ecofashiontalk.com and her journalism.

Contents:

Foreword by Natalie Chanin (Founder of Alabama Chanin, US hand made clothing and homewares)

Introduction

Chapter One
Designers Working with Used Clothing (e.g. worn and discarded garments) or
Used Industrial Materials (e.g. defunct flour sacks)
Opening Text
2ETN (jewellery) [US]; Artemas Quibble (bags / jewellery) [US]
Atelier Awash [Germany]; CeeBee (bags / jewellery) [Italy]
Christopher Raeburn [UK]; Clare Bare (lingerie) [US]
Dalaleo (bags / jewellery)    [Brazil / Italy]; Denham [Netherlands]
Jeffrey Wang [China]; Julia Barbee [US]
Junky Styling [UK]; km/a [Austria]; KONDAKIS [Kenya]
Lu Flux [UK]; MAYER Peace Collection [Germany]
MILCH [Austria]; Nudie Jeans [Sweden]
Odette Picaud (jewellery / accessories) [France]
Otra (jewellery) [Canada / France]
Raggedy     [UK]; Saisei (bags) [Italy]
Schmidt Takahashi  [Germany]; Silent People (bags) [Italy]
Sylwia Rochala [Poland]; Tamara Fogle (bags) [UK]
The BEA Project [US]; Trashed Couture    [UK]
Ute Decker (jewellery) [UK / Germany]

Chapter Two
Designers Working with Unused Clothing Waste (e.g. textile cut-offs) or Unused Industrial Materials (e.g. plastic product scraps created during the manufacturing process)
Opening Text
Carmina Campus (bags) [Italy / Africa]
Eva Zingoni [France]; Friends with Benefits [US]
From Somewhere  [UK]; Goodone [UK]
Hibrida (accessories) [Chile]; Juana Diaz [Chile]
Kerry Howley (jewellery) [UK]
Michelle Lowe-Holder (jewellery) [UK]
Paulina Plizga [France]; Piece x Piece [US]
Rachel Freire [UK]; R.ds [Denmark]
Reet Aus [Estonia]; Steinwidder [Austria]
Trash-Couture [Denmark]; Waste Away (accessories)  [UK]

Conclusion

Further Reading
Designers’ Websites
Picture Credits and Acknowledgements

As our climate, ecological and social crises converge, urgent action is needed to maximize our chances of survival. A new commercial approach is possible but it requires a systemic shift, with companies learning to operate as part of a wider 'ecosystem', allowing fashion to restore what it has taken.

Regenerative Fashion presents a roadmap for new ways of doing fashion. To keep our planet safe, we must cut production and end our dependency on fossil fuels. We must also create dignified livelihoods for the millions of people working in the industry. By using natural resources, paying factory workers and farmers a living wage and scaling up craft production, we can not only rebuild soils, ecosystems and biodiversity, but also support decarbonization, regenerate communities and ensure a just transition for all.

Part guide and part manifesto, this book shares stories of our interconnectedness with the natural world and each other, divided into sections on Nature & Materials; People, Livelihoods & Crafts; and New Economy & Leadership. Fully illustrated throughout, it features interviews from best-practice designers and businesses around the world, as well as thought pieces from leading campaigners within the industry.

About the Author:

Safia Minney MBE is an award-winning social entrepreneur, speaker and advisor. She has over 20 years' experience as global CEO of the company she founded, People Tree, developing the first sustainable and Fair Trade supply chains and standards, and she has various advisory roles with businesses, networks and charities.

Nineties fashion-from grunge, to Clueless's Alaïa, to Margiela's new couture-is an essential reference point for contemporary style. This book, created in tandem with an exhibition at The Museum at FIT, documents the changing culture, attitudes, and creatives that ushered in our visual age.

Minimalism. Deconstruction. The rejuvenation of established houses. These are just a few of the concepts that have come to define 1990s fashion. Others include an increased concern with environmentalism, developing technologies and the beginning of the fashion internet, freewheeling historical references, and a predilection for lifting significant styles from other cultures (the issues raised by this 'borrowing' are reviewed through a contemporary lens). In the twenty years since the decade ended, the fashion world has experienced several nineties revivals.

Reinvention and Restlessness: Fashion in the 90s focuses specifically on designers who challenged the expected appearance or workings of high fashion, and who played an important role in laying the foundation for fashion of the twenty-first century, including: Tom Ford, John Galliano, Alexander McQueen, Marc Jacobs, Michael Kors, Martin Margiela, Stella McCartney, Helmut Lang, Jil Sander, Yohji Yamamoto, Rei Kawakubo, and Viktor & Rolf. Additional chapters address changes to fashion editorials and campaigns (under talents like Steven Meisel, Corinne Day, Inez & Vinoodh, Mark Borthwick, and Nan Goldin), a new theatricality to runway presentations, and the emergence of fashion theory as a field.

About the Author:

Colleen Hill is curator of costume and accessories at The Museum at FIT, New York. Valerie Steele is director and chief curator of The Museum at FIT and founding editor of Fashion Theory. Patricia Mears is deputy director of The Museum at FIT. Shonagh Marshall is a curator, writer, and arts consultant with a specialization in fashion and contemporary culture based in New York City.

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The definitive monograph on the fashion of Rick Owens -- one of the most daring and influential designers working today -- this book documents over a decade of sublime, iconic styles.

Since the establishment of his label in 1994, Rick Owens has transformed global fashion with his provocative clothing and subversive style. Distinguished by his grunge-meets-glamour aesthetic and defiant anti-fashion stance, Owens created a dark fashion empire that has accrued a devoted international following which gravitates toward the brand's sublime tailoring, somber palette, mystical layers, and gritty elegance.

Filled with photographs of Owens's most impressive looks from the last decade, this volume is conceived as a celebration of the Rick Owens aesthetic, approximating with printing effects some of the mystery and detailing associated with the brand. Iconic imagery taken from Owens's seminal lookbooks provides a unique look at the output of design from an artist who is at once comfortable with developing technologies and respectful of traditional approaches.

With principal photography by Danielle Levitt -- who achieved considerable acclaim for her social-realist images -- this book is essential for lovers of avant-garde fashion, photography, and design.

About the Authors:

Rick Owens is an American fashion designer and winner of a Cooper-Hewitt National Design Award.
Danielle Levitt is an American photographer based in New York.

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With his provocative and subversive approach to design, Rick Owens has been a transformative force in fashion since he founded his label in 1994. This essential volume is the first critical appraisal of Owens’s work, documenting the evolution of nearly three decades of the designer’s inimitable worldview.

Owens remains one of the most daring and influential fashion designers working today. Often described for his “a-grunge-meets-glamor” aesthetic, Owens has cultivated a devoted international following. In his creations, grace and grit are paired with an obsession with structural transformation and movement, where diaphanous, flowing shapes contrast with opaque forms and sharp edges, an approach to formal invention that is complemented by a mania for new and often exotic materials.

Timed to coincide with the first comprehensive show of the designer’s work taking place at the Palais Galliera in Paris in summer 2025, the scope and breadth of this exhibition promises to be a treat to both longtime fans and the uninitiated. Owens will reimagine the grand nineteenth-century palace housing the museum, with temporary installations that will serve as vitrines to his many creations. In effect dividing the book between the conception of showcases and the precious objects that they display within, the curatorial essays bookending this visual narrative will attempt to describe the multidisciplinary, even architectural approach Owens has to his creations.

About the Authors:

Rick Owens is an American fashion designer; he launched his eponymous line in Los Angeles in 1994, before moving to Paris in 2003. Miren Arzalluz is a fashion historian and the director of the Palais Galliera. Alexandre Samson is a fashion historian and head of the contemporary design department at the Palais Galliera.

Over 100 years of travel essentials by the collectible luxury luggage brand RIMOWA, whose signature aluminium cases have forever entered the contemporary design lexicon.

Since its beginnings in 1898 in Cologne, Germany, RIMOWA has been at the forefront of innovation, with a heritage marked by crafting the highest quality luggage for voyagers of every era. Throughout the twentieth century and into the present day, RIMOWA has always met revolutions in transportation with a pragmatic, industrial, and resolutely modern approach. From locomotives and steamships of the past to today's jetliners and beyond, its expertly engineered cases combine a distinctly streamlined design with technical prowess. With this rich history, coupled with recent collaborations with contemporary cult brands such as Supreme, Dior, Off-White, Porsche, and Fendi, the storied house's wares have built a reputation as coveted items for the discerning, purposeful traveler.

This new volume spotlights a selection of the most iconic pieces from RIMOWA's archives via captivating, never-before-published photographs exclusively shot for this publication, enriched with illustrations and other vintage brand material. From early turn-of-the-century trunks and leather luggage and the pioneering invention of the first lightweight aluminum suitcase in 1937, to the iconic 1950 grooved design inspired by the fuselage of classic aircrafts, rarefied imagery pays homage to the emblematic fixtures of RIMOWA's past and present, and with it the history of more than a century of travel.
Crafted in Italy and printed on the finest European papers, this oversize tome serves as an ode to RIMOWA's thirst for innovation and functional approach to modern luxury.

About the Author:

RIMOWA is a luxury luggage brand established in 1898 in Cologne by Paul Morszeck. Since its founding, it has placed quality and innovation at its core, creating luggage for the discerning, purposeful traveler. Designed and engineered in Germany, RIMOWA combines heritage and craftsmanship with the rigors of modern technology.

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Пролистать книгу RIMOWA: An Archive, Since 1898 на сайте издательства.

A gorgeous tribute to the legendary shoe and accessories designs of Roger Vivier

Master designer Roger Vivier elevated both the form and decoration of ladies’ shoes during his sixty-year career. His innate Parisian style embodied a sense of perfection and craftsmanship, and his work was coveted by style icons from Elsa Schiaparelli to Jackie Onassis. Described by Yves St. Laurent as bringing to his work a "level of charm, delicacy, refinement and poetry unsurpassed," he created the first stiletto heel for a ready-to-wear shoe line with the house of Dior in 1955.

His shoes are legendary, and the tradition of his innovative spirit continues with the revival of the house by current designer Bruno Frisoni, who has updated Vivier’s concepts, bringing his own touch to signature shapes and embellishments (including the buckle pump made famous by Catherine Deneuve in Belle du Jour).

This lavish volume celebrates the history of the venerated house and charts the current evolution of the fantastic haute-couture designs that keep Roger Vivier at the top of every well-dressed woman’s list.

With gorgeous new photography of the house’s collection of vintage shoes, beautifully rendered sketches, and details of the amazing accessories coming out of Roger Vivier today, this book is as chic as the shoes that fill its pages.

About the Author

Virginie Mouzat is the fashion critic of the French daily newspaper Le Figaro. Loïc Prigent is a documentary filmmaker. Colombe Pringle is a journalist and the editor of Point de Vue magazine. Olivier Saillard is the director of the Musée Galliera in Paris. Ines de la Fressange is the author of Parisian Chic. Catherine Deneuve is a celebrated French actress. Bruno Frisoni is the creative director of Roger Vivier. Cate Blanchett is an award-winning actress of stage and screen.

Пролистать книгу Roger Vivier на сайте издательства.

A highly personal journey through the creative universe of the fashion designer who brought us the galaxy dress — the defining look of the noughties.

Called the King of Curves, Roland Mouret marks his twentieth year in fashion with this definitive monograph featuring an in-depth look at his innovative designs, inspirations, and industry collaborations. This book is conceived as a series of conversations — between Alexander Fury and Mouret, and visually,between Mouret’s clothing and the women who wear it. Led by specially commissioned photography shot especially for this volume, each chapter unfolds in thematic narratives that lure readers deeper and deeper into Mouret’s world: sensuality, glamour, uniform, transformation, identity, and reinvention are just some of the themes explored. A detailed index of each garment appearing in the book completes this much-anticipated volume from the so-called master of the dress.

About the Author: 

Critically acclaimed French fashion designer Roland Mouret is the recipient of numerous accolades, including Elle British Designer of the Year and a record three nominations at the Lycra British Fashion Awards. Mouret’s work is praised for its originality both within and outside the industry. Mouret has flagship stores on Madison Avenue in New York and in London’s Mayfair. Alexander Fury is editor of AnOther magazine.

Renowned designer and former US national team oarsman Jack Carlson’s revised and expanded edition of Rowing Blazers is an essential and glorious celebration of the classic garment.

This handsome, eye-catching ode to the classic rowing blazer is a must-have for anyone who has raced the rivers or cheered on their favorite crew. Classic American style was born in British boathouses, where the very first blazers were made for college rowing clubs. This book, now revised and expanded, was created by champion rower Jack Carlson, who offers an insider’s guide to the elaborately striped, piped, trimmed, and badged garments, as well as the stories, historic clubs, and races associated with them and, of course, the elite athletes themselves.

Featuring stunning color photographs, Rowing Blazers is a visual feast, transporting readers to the highly atmospheric boathouses, campuses, and team rooms of clubs around the world. This revised edition features some 40 additional clubs, including the University of Tokyo; the Shanghai Rowing Club; Row New York, a nonprofit organization stressing academic achievement as well as rowing prowess; and Manley Career Academy High School in Chicago, the first all-Black high school rowing team in the US.

About the Authors:

Jack Carlson is a designer, archaeologist, former US team athlete, and founder of the acclaimed New York–based clothing brand Rowing Blazers. A three-time member of the United States national rowing team, he is a World Championships bronze medalist, Henley Royal Regatta winner, and Head of the Charles champion. Carlson has a PhD in archaeology from Brasenose College, Oxford, and an undergraduate degree in Classics and Chinese from Georgetown’s School of Foreign Service. He is a Fellow of the Explorers Club and a member of the I.B.F. (the International Bar Flies) at Harry’s Bar in Paris.

A stunning volume showcasing the magnificent court dress of the Russian Empire, culled from the authoritative collection at the State Hermitage Museum in St. Petersburg, photographed with the Winter Palace as a backdrop. Prerevolutionary Russia was renowned for the glamorous and luxurious lifestyles of the nobility, with their opulent palaces and glittering social life. Now, this lavish volume reveals the incredible clothing they wore, from everyday dress and ceremonial attire (traditional holidays outfits and military uniforms) to dress for special occasions, including elaborate evening wear for theater and musical events and fancy masquerade balls. Celebrated for luxurious materials and impeccable craftsmanship, the dress of the Russian nobility was haute couture at its finest. With beautiful photography and details highlighting the hand-spun silks and lace and jeweled embroideries, Russian Splendor highlights the glamour of this gilded age and offers a fascinating window into a vanished world. Essays by Hermitage Museum curators, alongside historic Russian paintings and photographs, place the clothing in a historical context, revealing the rich cultural layers and artistic influences of czarist Russia.

About the Author:

Mikhail Piotrovsky has been the director of the State Hermitage Museum since 1992 and has dedicated his career to making the treasures of the museum accessible to individuals and institutions around the world. Georgy Vilinbakhov, Evelina Tarasova, Tamara Korshunova, Nina Tarasova, and Julia Plotnikova are top researchers and curators at the Historic Costume Department of the State Hermitage Museum in St. Petersburg, Russia.

Published on the occasion of the couture house’s ninetieth anniversary, this book celebrates Elsa Schiaparelli’s shared creative passion with the twentieth century’s most esteemed artists.

Known for her bravado and boundary-pushing dresses, Elsa Schiaparelli is undoubtedly one of the greatest icons of twentieth-century fashion. After launching her eponymous haute couture house in Paris in 1927, the Roman-born designer captured the attention of the world at large not only thanks to her trompe l’oeil patterns and surrealist forms — but also because of her creative relationships with some of the epoch’s most renowned artists.

From Salvador Dalí, who collaborated with Schiaparelli on her infamous Lobster Dress to Alberto Giacometti’s furnishings for her salon and René Magritte, whose surrealist works inspired some of the designer’s creations, this beautifully illustrated tome delves into the couturiere’s fascinating rapports with these artistic legends. Through never-before-seen photography, intimate anecdotes, and essays penned by some of today’s most authoritative fashion critics, curators, and personalities, this volume is the first definitive work dedicated to the shared inspiration between the designer and her circle of artist friends.

Unique in its breadth of artwork and diverse contributors, this visually stunning book is a must for anyone interested in avant-garde art, twentieth-century fashion, or thought-provoking design.

About the Authors:

Hamish Bowles is the International Editor at Large for Vogue, and recognized as one of the most respected authorities on fashion and interior design. In addition to collecting and amassing an extensive private collection of historic haute couture, Bowles has curated numerous exhibitions, including Jacqueline Kennedy: The White House Years (2001); Balenciaga: Spanish Master (2010); and Balenciaga and Spain (2011), and has also written countless articles, reviews, and books, including: Vogue: The Covers (2011); Vogue: The Editor’s Eye (2012); Vogue Weddings: Brides, Dresses, Designers (2012); and Vogue and The Metropolitan Museum of Art Costume Institute: Parties, Exhibitions, & People (2014).

Donald Albrecht is an American curator specializing in design and architecture. He’s curated exhibitions such as Paris/New York: Design Fashion Culture, 1925–1940 for the Museum of the City of New York and New Directions in Sustainable Architecture and Design for the National Building Museum. He has worked with famous designers like Andrée Putman and Michael Gabellini. He teaches architecture at the American Academy.

André Léon Talley is an esteemed fashion authority, author, and contributing editor at Vogue.

Dawn Ades is Professor Emeritus of art history at Oxford University. She has additionally collaborated on exhibitions in London and Venice, including the exhibition celebrating Salvador Dalí’s centennial at the Palazzo Grassi.

Dilys Blum is a curator of costume and textiles at the Philadelphia Museum of Art.

Justine Picardie is a British author who wrote the bestselling 2011 biography of Coco Chanel, Coco Chanel: The Legend and the Life. She is the editor in chief of British Harper’s Bazaar and British Town and Country.

Angelo Flaccavento is an Italian fashion journalist whose work has appeared in Vogue and Business of Fashion, among others.

Suzy Menkes is a British journalist and fashion critic. 

Christian Lacroix is a French fashion designer and founder of his eponymous label.

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Book Two in the V&A's groundbreaking series presents 17 patterns for garments and accessories from a seventeenth-century woman's wardrobe. It includes patterns for a loose gown, a jacket, a pair of stays and a boned bodice, ivory and wooden busks, shoes, a hat, a stomacher, linen bands and supporters, a bag and a knife case. It also features a description of the stay-making process. Full step-by-step drawings of the construction sequence are given for each garment to enable the reader to accurately reconstruct them. There are scale patterns and diagrams for making linen and metal thread laces and embroidery designs. Multiple photographs of the objects, close-up construction details and X-ray photography reveal the hidden elements of the clothes, the precise number of layers and the stitches used inside.

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Посмотреть книгу Seventeenth-Century Women's Dress Patterns: Book One

In this exciting volume, Salvatore Ferragamo traces his life’s adventures from his origins as a village shoemaker to founding what would become a major global fashion brand.

“Ladies and gentlemen, the least important part of this book is the life story of an Italian shoemaker. We can all write our autobiography, and if I dwell on the details of my career it is only because it makes it easier to explain my calling: the work that became my life’s fundamental vocation.

Life has taught me that Nature gives us perfect feet. If they get damaged, it is because our shoes are defective. However, it is not necessary to undergo such torture, not even in the name of vanity. We can all walk happily wearing comfortable, refined, splendid shoes.
This is my whole life’s work: learning to make perfect shoes, refusing to put my name on those that aren’t.” — Salvatore Ferragamo

This is a new, completely updated edition of the autobiography of a man who made Italian fashion great throughout the world. Among the many vicissitudes of his adventurous life, the book features a magnificent series of encounters with and anecdotes about the most extraordinary Hollywood stars, such as Rudolph Valentino, Mary and Lottie Pickford, Pola Negri, Joan Crawford, and Greta Garbo. His loyal customers also included Marilyn Monroe, Douglas Fairbanks, Sophia Loren, Anna Magnani, Audrey Hepburn, and Paulette Goddard.

About the Author:

Salvatore Ferragamo was born 1898 in Bonito, a poor village in the south of Italy. After learning shoemaking in Naples, he opened a small shop in his hometown, then in 1915 immigrated to America, where he designed footwear for the film stars of the time. He returned to Italy in 1927 and founded the world-renowned Ferragamo company.

The first comprehensive book on the work of Simone Rocha, beloved Irish designer.

Simone Rocha emerged from the prestigious Central Saint Martins M.A. and upon the presentation of her first collection in 2010, and quickly garnered an instant following amongst fashion insiders and taste-makers, Adrian Joffe of Dover Street Market was an early fan. Borne from the deep and lush nature of her native home in Ireland, her designs are highly feminine, captivating, and infinitely dreamy. Her vision is one that seems to have no bounds — her highly singular designs have since reached a new set of followers that have since grown to include stylishly rebellious A-Listers like Rhianna, FKA Twigs, Billie Eilish, and Chloë Sevigny along with a devoted set of fashion darlings who don Rocha’s platform brogues, voluminous, almost gothic, dresses, and pearl shaped handbags in cities across the globe. Collaborations with brands like Moncler, H&M, and J Brand have also extended the visibility of her work on a serious level.

This book is a long, pensive gaze into Rocha's subversive world, one heavily inspired by the work of Louise Bourgeois and, undeniably, Rei Kawakubo of Commes des Garcons. A natural bookmaker (she’s published an impressive number of incredibly collectible zines), it is insightfully edited, designed, and crafted, gathering catwalk images, shadowy editorials, and backstage imagery in a manner that stays true to the very nature of the dark and twisting world she’s created. An absolute essential for any fashion-lover’s bookshelf, this monograph is highly anticipated and set to follow in the footsteps of successful authors Rizzoli has published in the past including Ann Demuelemeester, Rick Owens, Jun Takahashi, and Maison Martin Margiela.

About the Author:

Simone Rocha is an Irish fashion designer. She trained at the National College of Art and Design, Dublin and at Central Saint Martins, London. In January 2024, Rocha debuted her first haute couture collection with Jean Paul Gaultier during Paris Couture Week.

This vibrant publication brings to life four centuries of extraordinary garments and accessories inspired by the natural world

Sleeping Beauties: Reawakening Fashion explores clothing’s complex relationship with the body through the senses, offering new ways for understanding and experiencing a garment’s inherent artistry. Engaging texts by scholars, scientists, and conservators reveal the history behind over 200 works of fashion while also addressing their fragility and ephemerality.

Exceptional new photography by Nick Knight of creations by international couturiers and design houses ― including Cristòbal Balenciaga, Thom Browne, Collina Strada, Christian Dior, Gucci, Charles James, LOEWE, Madame Grès, Thebe Magugu, Maison Margiela, Alexander McQueen, Issey Miyake, Paul Poiret, Yves Saint Laurent, Elsa Schiaparelli, Bea Szenfeld, Philip Treacy, Iris van Herpen, Louis Vuitton, and Charles Frederick Worth ― further deepens our appreciation for each object’s sensorial integrity.

Published by The Metropolitan Museum of Art / Distributed by Yale University Press

About the Author:

Andrew Bolton, OBE, has curated some of The Museum's most visited exhibitions, including Alexander McQueen: Savage Beauty (2011), China: Through the Looking Glass (2015), Manus x Machina: Fashion in an Age of Technology (2016), Heavenly Bodies: Fashion and the Catholic Imagination (2018), and Camp: Notes on Fashion (2019). He has written more than twenty books, lectures widely, and contributes to many publications. Prior to joining The Met in 2002, he worked at the Victoria and Albert Museum in London for nine years. Born in Great Britain, Andrew earned a BA and an MA in non-Western art from the University of East Anglia. He has received several awards, including the 2015 Vilcek Prize in Fashion, the 2016 Fashion Group International Oracle Award, the 2022 CFDA Founder’s Award, and the 2023 Fashion Group International Superstar Award.