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A never-before-seen collection of United States National Park Service maps

This book brings togethere a collection of over 400 maps produced by the United States National Park Service from 1910 to today. Photographer Brian Kelley has impulsively archived the rarely seen treasures over the past three years, uncovering a design portfolio with little to no credit to their respective designers. The growing collection displays a progressive design approach, from more typographic-driven covers, to the proliferation of duotone print production, culminating in the Unigrid system developed by Italian designer Massimo Vignelli in the 1970s.

Parks, our second title with photographer Brian Kelley, is a collection of over 300 United States national park maps, ephemera, and brochures spanning over 100 years.

Part of an ongoing project, Kelley collects oft-overlooked objects within the Parks Service. The book showcases nearly a century of art, cartography, and printed materials in a compelling visual history of America’s national parks and evolving graphic design styles culminating in Massimo Vignelli’s iconic design system, the Unigrid.

About the Author:

Brian Kelley received his BFA in photography from the School of Visual Arts. Kelley’s work resists the hurried march of consumerist modernity, seeking to halt the cyclical emptiness of our material lives to capture a sense of culture at ‘the end of history’. Jesse Reed and Hamish Smyth are graphic designers and partners at the design office, Order, in Brooklyn, NY. In addition to Order, they also operate Standards Manual, an independent publishing imprint focused on the preservation of graphic design history.

Plants are age-old symbols of vitality, health and wholesomeness. Plant Kingdom taps into the power of this symbolism by presenting iconic botanical forms as seen in the best contemporary design. The featured projects involve plant forms as used in branding campaigns, packaging, advertising, in-store displays and marketing collateral, to name but a few examples.

Process ― Visual Journeys in Graphic Design is a unique book highlighting the rarely shown sketching and process behind the making of marks and logotypes. It is based on the work by the studio BankerWessel. Fourteen projects are presented with over 1,500 individual sketches with attached annotations showing the actual thought process present in the creation. The book includes marks for a range of companies within the realm of art, music and fashion including Hasselblad Foundation and Fotografiska. This revised and expanded second edition also includes two new case studies and a written piece by designer Richard Baird titled 'In Search of Originality'.

The magical powers of a storybook cannot be denied, but what if within those pages awaited not traditionally-written fairy tales from all times and places, but those same tales re-told by some of the world’s most talented and respected artists! 

Professional illustrators and concept artists are experts at pushing their art to a higher level and finding exciting new ways to approach classic subjects. In this book, they reveal their creative secrets. Being able to think outside the box, intrigue the viewer, and bring nuance to a simple story are just some of the essential skills presented inside, and the familiar world of fairy tales provides a wealth of iconic characters and storylines to play with.

Discover multiple renditions of five well-known tales, from research and sketches to rendering and revisions. Informative step-by-step tutorials reveal techniques and tips that will help push your illustration skills to new heights. Learn what makes an effective fantasy illustration and compare different artists’ visions side by side.

Reimagine five classic tales:

• Little Red Riding Hood
• Jack and the Beanstalk
• The Pied Piper of Hamelin
• Goldilocks and the Three Bears
• Hansel and Gretel

About the Author:

3dtotal Publishing is a small independent publisher specializing in high-quality art books dedicated to bringing invaluable training to beginners, hobbyists, and professionals alike. Our titles proudly feature top industry professionals who share their experience in skillfully written step-by-step tutorials and quick tip guides placed alongside stunning artwork to offer creative insight, expert advice, and essential motivation.

From traditional art techniques, such as sketching and clay sculpting, to digital art software including Photoshop and Procreate, the vast knowledge offered by multiple contributing artists makes these books an indispensable addition to any artist’s bookshelf. Popular titles such as the Sketching from the Imagination and Beginner’s Guide series, along with our quarterly magazine CDQ, are part of a backlist of over 80 titles, many of which have been translated into several languages. At the heart of the 3dtotal Publishing catalogue, our sought-after “Art of” books showcase the very best content from the very best creators, in stunning and uniquely designed hard-back format. From 2022, we pledge to donate 50% of our net profits to charity, including planting one tree for every book sold.

Contents and contributors:

Welcome 
How to use this book
Introduction by Ognjen Sporin

Little Red Riding Hood
Red Riding Hood versus the Wolf – Ahmed Rawi
Little Red and the Hyena – Eilene Cherie Witarsah
The Little Wolf Hunter – Fatemeh “Blue Birdy” Haghnejad

Goldilocks and the Three Bears
Goldi the Gangster – Leroy Steinmann
Goldilocks the Greedy Bear – Tony “Eight” Camehl
The Golden Giant – Leo Gómez

The Pied Piper of Hamelin
The Dark Wizard of Hamelin – Inkognit
The Piper Imprisoned – Joshua Carson
The Vengeful Piper – Yongjae Choi

Jack and the Beanstalk
Jack and the Friendly Giant – João Moura
Jack in the Giant’s Palace – Fernando Peque
Jack and the Space Giants – Kory Lynn Hubbell

Hansel and Gretel
A Grimm Arctic Tale – Oliver Ödmark
The Mice and the Owl – Gabriel Gómez Almenzar
The Witch Hunters – Kaining Wang

Gallery
WISH! – Ron Sanders
Jack and the Beanstalk – Ryan Harrell
Rapunzel – Katie Goldberg
Red Riding Hood – Luc Brunet-Manquat

Contributors
Glossary

Since the end of the 19th century, our aesthetics have been challenged by various avant-garde artistic ideas, especially astounded by the chaotic visuals. But there are many more stories behind the chaos in art. This book digs into chaotic art heritage in human history, and features the most exciting graphic designs distinguished with chaotic styles, which have been broken down into four different approaches: distortion, redundancy, diversity, and randomness. As a tribute to the chaotic art refined by the courageous predecessors, as well as an applause to the chaotic visuals nourished by our contemporary designers, it serves as a bridge between artistic ideals and graphic communication, between puzzled readers and expressive designers.

If visuals could scream, wail or attack, what would they be like? Maybe you can find the answers in this book. Since a long time ago, there has always been some artists who resort to a fierce visual language to release their emotional powder kegs.

These visuals are shocking, stinging, terrifying, or even depressing. Unsettling as they are, we believe that such visual fierceness offers unique aesthetic value and can inspire generations. In this book, we will look into this extreme visual language, and try to find out how our early predecessors as well as our contemporary visual artists created the most striking images.

The constant innovation of modern graphic design and the improvement of people’s aesthetic sensibilities have demanded a higher level of taste and a deeper level of cultural connotation in designs. By presenting the projects from excellent designers and studios around the world, this book invites readers to step into a time machine and get to know the various schools and styles in different historical periods, with the aim to explore the diverse application and visualization of retro elements in modern graphic designs.

Just as film, art, music, and literature have the power to move people, Stefan Sagmeister's innovative work shows that graphic design, too, can cut to the emotional quick. His desire is to transform stale thinking, and Sagmeister: Made You Look does just that.

Compelling, honest, and intensely personal, Made You Look covers 20 years of Sagmeister's graphic design. With a text by design historian Peter Hall and annotated with Sagmeister's own writing, the book features images from the studio archive, as well as specific influences and reference points for his projects and ideas. Fully illustrated with a red PVC slipcase and silver-gilded pages, this monograph is a compilation of practically all the work Sagmeister and his studio ever designed up to 2001, even the bad stuff

About the Authors:

Stefan Sagmeister, born in Austria, received his MFA in graphic design from the University of Applied Arts in Vienna and, as a Fulbright scholar, a master's degree from the Pratt Institute in New York. Following stints at M&Co. in New York with Tibor Kalman and as creative director at the Hong Kong office of the advertising agency Leo Burnett, Sagmeister formed the New York-based Sagmeister Inc. in 1993. Peter Hall is a design critic and educator who has written widely about design in publications including Metropolis, Print, I.D. Magazine, The New York Times and The Guardian. He has previously served as the Senior Editor for the University of Minnesota Design Institute, written several books on design and currently teaches design at the University of Texas in Austin.

Stefan Sagmeister’s newest project encourages long-term thinking and reminds us that many things in the world are improving.

Initially conceived in 2020 as the world entered pandemic lockdown, Stefan Sagmeister has created a book that looks at the state of the world today, illuminating, through collected data, how far we’ve come, and encouraging us to think about where we can go from here.

Statistics are vividly brought to life, as numbers are transformed into graphs, inlaid into nineteenth-century paintings, embroidered canvases, lenticular prints, and hand-painted water glasses. 

The book includes a foreword from psychologist and leading authority on language and the mind, Steven Pinker; a featured essay by graphic designer and historian Steven Heller; and a conversation between Sagmeister and Hans Ulrich Obrist, curator and artistic director of Serpentine Galleries in London and will appeal to all visually minded readers, providing a positive reaction to the tumultuous news cycle of recent years.

Published in softcover with flaps Now is Better is contained within a die-cut slipcase and accompanied by a lenticular print designed by Sagmeister. Now is Better is an intriguing and thoughtful visual meditation on our daily lives.

About the Authors:

Stefan Sagmeister formed the New York-based Sagmeister Inc. in 1993 and has since designed for clients as diverse as the Guggenheim Museum, the Rolling Stones, and HBO. His work is in museum collections around the world, including the Museum of Modern Art in New York, the Philadelphia Museum of Art, the Art Institute of Chicago, the San Francisco Museum of Modern Art, and the Museum of Applied Arts (MAK) in Vienna. He teaches in the graduate department of the School of Visual Arts in New York.

Steven Pinker is the Johnstone Family Professor of Psychology at Harvard University, and the author of many books on language, mind, and human nature, including The Language Instinct, How the Mind Works, The Better Angels of Our Nature, and Rationality.

Hans Ulrich Obrist (b. 1968, Zurich, Switzerland) is Artistic Director of the Serpentine in London, and Senior Advisor at LUMA Arles. Prior to this, he was the Curator of the Musée d’Art Moderne de la Ville de Paris. Since his first show World Soup (The Kitchen Show) in 1991, he has curated more than 350 shows.

Steven Heller is co-chair of the SVA MFA Design program. He is the author, co-author, and/or editor of 200 books on design, illustration, and visual culture. For 33 years he was an art director at the New York Times for the OpEd page and the Book Review section. He has contributed to many magazines including The Atlantic, Wired, EYE, Baseline, and PRINT, where he has written The Daily Heller online for over a decade.

Amid the sea of listening options available in our digital world, it often takes more than a good beat or catchy lyrics for artistes to stand out among their peers, which is why – be they from the mainstream or indie genre – musicians often combine sound with compelling visuals to express their individuality and deliver their message.

Songscapes takes a deeper look into the craft that goes behind the making of a successful music identity, with artist interviews, production processes, and plenty of behind-the-scenes details. Explore the new wave of creativity in the packaging of CDs, vinyls, to cassette tapes, as well as the art and graphics that take to online streaming services, music videos, events and more.

The skull is one of the most recognizable symbols of today’s contemporary visual culture. Adorning T-Shirts, badges and rock memorabilia as the ultimate symbol of anarchy and rebellion, the image of the skull has found its way into the vocabulary of urban life.

In response to this cultural phenomenon, The Book of Skulls presents a cool visual guide to the skull, charting its rebirth through music and street fashion to become today’s ultimate anti-establishment icon. From the Grateful Dead to skater punk graffiti, from haute-couture to Damien Hirst, this book is the ultimate collection of iconic and unusual skull motifs.

Packaged in an amazing 'skeleton' binding and drawing together artwork from music, fashion, street art and graphic design, The Book of Skulls is a celebration of one of today’s most iconic cultural symbols.

About the Author:

Faye Dowling is a freelance editor, curator and art buyer specializing in photography, illustration, design, and contemporary visual culture. She has worked for magazines including Dazed & Confused, Varoom, Frieze, Eye, Edit and Pictured.

New in paperback, The Typography Workbook provides an at-a-glance reference book for designers on all aspects of type.

The book is part of Rockport's popular Workbook series of practical and inspirational workbooks that cover all the fundamental areas of the graphic design business. This book presents an abundance of information on type - the cornerstone of graphic design - succinctly and to the point, so that designers can get the information they need quickly and easily.

Whereas many other books on type are either very technical or showcase oriented, this book offers ideas and inspiration through hundreds of real-life projects showing successful, well-crafted usage of type. The book also offers a variety of other content, including choosing fonts, sizes, and colors; incorporating text and illustrations; avoiding common mistakes in text usage; and teaching rules by which to live (and work) by.

About the Author:

Timothy Samara is a graphic designer based in New York City, where he divides his time between teaching, writing, lecturing, and consulting through STIM Visual Communication. His 18-year career in branding and information design has explored projects in print, packaging, environments, user interface design, and animation. He has been a senior art director at Ruder Finn, New York's largest public relations firm, and senior art director at Pettistudio, a small multidisciplinary design firm. Before relocating to Manhattan, he was principal of Physiologic in Syracuse, located in upstate New York. In 1990, he graduated a Trustee Scholar from the Graphic Design program at the University of the Arts, Philadelphia. Mr. Samara is a faculty member at New York's School of Visual Arts, New York University, Purchase College/SUNY, and The New School, and has published six books on design and typography, all through Rockport Publishers: Making and Breaking the Grid; Typography Workbook; Publication Design Workbook; Type Style Finder; Design Elements, Design Evolution, and, most recently, Letterforms, released in September, 2018. Mr. Samara and his partner live in the Williamsburg neighbourhood of Brooklyn.

The beauty of nostalgia: 1924us revives modern brands with analogue craftsmanship.

Step into the world of Christian Watson’s creative studio, 1924us. Favoring historical tools and revisiting old techniques, the graphic designer, photographer, and illustrator applies his vision to anything, from brand and retail design, to tattooing and typography.

His atelier, 1924us revives modern brands with analogue craftsmanship. Persevering the practices and heritage style of the early 1900s, the brand’s work has come to epitomize this new-old aesthetic beyond the digital. Founded in Portland, 1924us has worked for more than 200 companies and also operates a general store.

Venture Onward is the comprehensive monograph of the artist’s work, providing beautiful and nostalgic visuals, which inspires readers to slow down and enjoy that which lasts a lifetime.

About the Author:

1924us is a branding company whose work brings the past into the present, preserving and resurrecting the handmade, heritage style of the 1900s. Founded in 2009, 1924US has worked for more than 200 companies—from small coffee shops to Fortune 500—and now also runs a general store. 1924us founder and creative director, Christian Watson, is an artist, a photographer, and designer.

Proportion as a basic element in the field of design has been widely researched and studied. Taking mathematical theories, the golden ratio, and sequence principles into consideration in design and art often helps improve visual aesthetics, and the beauty of well-used proportions can be found in a variety of design projects.

Visual Harmony presents outstanding design work highlighting well-crafted proportions, presenting projects that will be solid references to readers worldwide. It elaborates on the subject with information in the form of descriptive text and diagrams.

Brand logos, visual identities, illustrations, and other artistic works featured in this book stand out from others because of the designers' in-depth understanding of proportions, reflecting the importance of rational thinking in the ever-changing creative world.

This accessible book demonstrates how ideas influenced and defined graphic design. Lavishly illustrated, it is both a great source of inspiration and a provocative record of some of the best examples of graphic design from the last hundred years. The entries, arranged broadly in chronological order, range from technical (overprinting, rub-on designs, split fountain); to stylistic (swashes on caps, loud typography, and white space); to objects (dust jackets, design handbooks); and methods (paper cut-outs, pixelation).

About the authors:

Steven Heller is the co-chair of the MFA Design/Designer as Author + Entrepreneur program at the School of Visual Arts, New York. He is the author of more than 180 books on design and popular culture and the recipient of the 2011 Smithsonian National Design Award.

Véronique Vienne has worked at a number of US magazines as art director and is the author of The Art of Doing Nothing and The Art of Imperfection, as well as Something to be Desired. A frequent contributor to Graphis and Metropolis magazines, she lives in Paris.