Книги по истории дизайна

An amazing archive of New York City Transit Authority memorabilia provides a unique look at the city’s past.

New York City Transit Authority: Objects originated as a photography experiment. In 2011, New York photographer Brian Kelley began documenting collections of used MetroCards in his Brooklyn studio, arranging them in various grids with the goal of perfecting the lighting of an image. His brother suggested he make the grids more interesting by finding other types of cards. Having exhausted his search of discarded MetroCards in many of the city’s 472 subway stations, Kelley turned to eBay for new finds.

The online rabbit-hole gave him a crash course in the history of NYC transportation. He discovered tokens dating back to 1860, a ticket stub from 1885 when it cost three cents to take the train across the Brooklyn Bridge, as well as patches, matchbooks, tokens, timetables, pins and signs, posting his photographs of these finds on Tumblr and Instagram. Six years on, many MTA employees follow and advocate his project, sometimes contacting him with information and tips on rare items. As the collection grew, Kelley recognized that there were no comparable digital archives documenting the city’s transportation evolution.

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New York City Transit Authority: Objects contains over 400 artifacts related to the New York City Subway, collected and documented by photographer Brian Kelley.

Kelley started collecting MTA MetroCards in 2011, and he quickly became fascinated by other Subway-related objects. This catalogue is the first of its kind — presenting a previously uncollated archive of ephemera dating back to the 1850s.

Copyright

All of the objects shown in this book are property of the Metropolitan Transportation Authority.

© Metropolitan Transportation Authority

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without prior permission in writing from the Metropolitan Transportation Authority on behalf of the New York City Transit Authority.

Photographs © 2017 Brian Kelley
The Project © 2017 Eric Greene

In 1962, when Peter Dixon joined the Sainsbury’s Design Studio, a remarkable revolution in packaging design began. The supermarket was developing its distinctive range of Own Label products, and Dixon’s designs for the line were revolutionary: simple, stripped down, creative, and completely different from what had gone before. Their striking modernity pushed the boundaries, reflecting a period full of optimism. They also helped build Sainsbury’s into a brand giant, the first real ‘super’ market of the time. This book examines and celebrates this paradigm shift that redefined packaging design, and led to the creation of some of the most original packaging ever seen.

Produced in collaboration with the Sainsbury family and The Sainsbury Archive, the book reveals an astonishing and exhaustive body of work. A unique insight into what and how we ate, the packaging is presented using both scanned original flat packets and photographic records made at the time. With an essay by Emily King featuring interviews with Peter Dixon and Lord Sainsbury of Preston Candover.

A collection of over 150 “QSL cards”, QSL? chronicles a moment in time before the Internet age, when global communication was thriving via amateur, or “ham”, radio operators.

Discovered by designer Roger Bova, the distinctly designed cards follow the international correspondence of one ham, station W2RP, who turned out to be the longest-standing licensed operator in The United States.

Communications between amateur radio (AKA ham radio) operators and citizen band stations have been crowding the world’s electromagnetic spectrum since its invention in the early 20th century. Millions of operators formed what could be almost be described as an early internet ― projecting their voices, ideas, and humanity around the earth’s surface using various techniques and frequencies to bounce their waves around the earth’s surface, off of the ionosphere, and even the moon.

Any communication network needs a way of identifying individuals. A QSL card is a written confirmation of prior communication between two amateur radio or citizens band stations ― postcard sized and mailed between users.

Do You Confirm Receipt of My Transmission is derived from the Q code. A Q code message can stand for a statement or a question (when the code is followed by a question mark). In this case, ‘QSL?’ (note the question mark) means “Do you confirm receipt of my transmission?” while ‘QSL’ (without a question mark) means “I confirm receipt of your transmission.”

Just like today’s internet avatars, operators had their own style and often projected their personality using their QSL cards. Collecting cards was popular, and a source of pride to operators.

Published by Brooklyn-based design imprint, Standards Manual, Do You Confirm Receipt of My Transmission is a visual history of these cards, spanning from approximately 1960–1990. Over 190 cards are included, front and back, with high-resolution details. The collection forms a visual history of early global communication ― something we now take for granted but was once a marvel. Today, there are over 3 million licensed radio operators worldwide.

Target sparked the democratization of design two decades ago, as the first retailer to forge partnerships with well-known and emerging designers to offer high style without the high price tag.

This idea altered the fashion and style landscape forever -- and became a retail game changer. Now readers can discover the inside story from those who were there -- the designers, photographers, creators, superfans, and, of course, the Target guests.

For 20 years, Target's design partnerships have made a mark on culture at large, with the retailer's brand promise of "Expect More. Pay Less." embracing the belief that design should be accessible, too. At the center of Design for All are the designers -- offering exclusive collections in stores or at another Target first, the pop-up shop. From Michael Graves to Isaac Mizrahi, John Paul Gaultier to Philippe Starck, Jason Wu, Alexander McQueen, Gwen Stefani and more, Target has collaborated with more than 180 designers throughout the past two decades. And this book covers it all with new glimpses behind some of the most iconic collections including Missoni, Stephen Sprouse, and Lily Pulitzer.

Target: 20 Years of Design for All is the definitive tale of Target's impact on culture and retail with page after page recounting every one of those memorable years. Through beautiful photographs, advertising stills, sketches, and interviews with designers, influencers and Target insiders, this book offers everything readers love about Target. It's chic and approachable. Stylish and inclusive. With surprises around every corner.

About the Authors:

Target, considered a leader in design, is one of the largest retailers in the United States with more than 1,800 stores across the country. Kim Hastreiter cofounded Paper, an independent pop-culture magazine, which she coedited for thirty-three years.

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Пролистать книгу Target: 20 Years of Design for All: How Target Revolutionized Accessible Design

An updated and expanded edition, covering the past five years of the Met Costume Institute’s exhibitions and galas through the lens of Vogue

The Metropolitan Museum of Art Costume Institute’s annual fashion exhibition is the most prestigious of its kind, featuring subjects that both reflect the zeitgeist and contribute to its creation. Each exhibition — from 2005’s Chanel to 2011’s Alexander McQueen: Savage Beauty and 2012’s Schiaparelli and Prada: Impossible Conversations — creates a provocative and engaging narrative drawing hundreds of thousands of visitors. This updated edition includes material from 2015’s China: Through the Looking Glass, 2018’s Heavenly Bodies: Fashion and the Catholic Imagination (the most visited exhibition in the museum’s history), and 2019’s Camp: Notes on Fashion. The show’s opening-night gala, produced in collaboration with Vogue magazine, is regularly referred to as the party of the year, and draws a glamorous A-list crowd, drawing an unrivaled mix of Hollywood fashion. This updated edition of Vogue and the Metropolitan Museum of Art Costume Institute once again invites you into the stunning spectacle that comes when fashion and art meet at The Met.

About the Authors:

Hamish Bowles is the international editor at large of Vogue and has worked for more than two decades at the magazine, where he has written extensively on style and contemporary culture. Chloe Malle is a freelance writer and Vogue contributing editor.

In the history of the decorative arts, there has never been another designer who has achieved such lasting impact. While lamenting the excesses of mass-production, he set up the firm of Morris, Marshall, Faulkner and Company. Soon it was producing a range of goods, from hand-woven tapestries, carpets and printed textiles to stained glass, metalwork and furniture. What the company offered was quite simply a way of life. 

Now available in paperback, Pamela Todd’s book celebrates William Morris’s genius, presenting a thorough overview of his life and career, while setting out his guiding principles so that a modern audience can recreate the Arts & Crafts style in their own homes.

A series of case studies explores six contemporary houses – from a modern London townhouse to a traditional Arts & Crafts home in Massachusetts – that have followed and adapted Morris’s dicta, brilliantly demonstrating how the style can be applied to our environment today.

The book concludes with a comprehensive style-sourcing section, as well as a gazetteer of places to visit for inspiration.

The ultimate survey of mid-century modern design and architecture

This definitive survey of one of the most popular, collectable and dynamic periods of international design offers a rich overview of all aspects of the subject. Mid-century furniture, lighting, glass, ceramics, textiles, product design, industrial design, graphics and posters are covered, as well as architecture and interior design, exemplifying post-war optimism and energy, use of innovative and affordable materials and forms of mass manufacture, and newly developed precepts of ‘good design’.

Nearly 100 major and influential creators of the mid-century period are highlighted, whether based in Scandinavia, Western Europe, America, Japan, Brazil or Australia. They include icons such as Saul Bass, Robin Day, Charles and Ray Eames, Marimekko, Isamu Noguchi, Dieter Rams, Lucie Rie and Paolo Venini, as well as architects Alvar Aalto, Philip Johnson, Richard Neutra and Oscar Niemeyer. An additional illustrated dictionary features hundreds more key mid-century designers and manufacturers as well as important organizations, schools and movements.

The book showcases classic designs as well as little-seen rarities, and unusual objets d’art as well as mass-produced items. Complete with thirteen specially commissioned essays by renowned experts and over 1,000 mainly colour illustrations, it is a must-have acquisition for any design aficionado, collector or reader seeking inspiration for their home.

Contents List:

I. Media & Masters: Furniture • Lighting • Glass and Ceramics • Textiles • Product and Industrial Design • Graphics and Posters • II. Houses & Interiors • III. A–Z of Designers and Makers

About the Author:

Dominic Bradbury is a journalist and writer specializing in architecture and design. He is the author of many books on the subject, including Mountain Modern, New Brazilian House, Vertical Living, Mid Century Modern Complete, The Iconic Interior, Mediterranean Modern, New Natural Home and The Iconic House, all published by Thames & Hudson.

A celebration of the visual artistry behind the evolution of sound recording with specially commissioned photography of iconic, rarely-seen artefacts from the collections of the EMI Archive Trust

Charting the truly global story of the evolution of sound recording and playback, from Scott de Martinville’s invention of the phonautograph in 1857 to popular streaming services of today, this serendipitous volume details the four distinct ages of recorded sound – acoustic, electrical, magnetic and digital – documenting prototypes, rare examples of classic technology and other iconic artefacts from the vaults of the EMI Archives and beyond.

The Art of Sound showcases the hardware that changed the way we listened to music: from wax cylinder to stereophonic gramophone, acoustic horn to magnetic loudspeaker, valve radio to solid-state transistor, wire recorder to magnetic tape, Walkman to iPod, and compact disc to digital download. Facsimile blueprints splice the chapters: quirky, innovative and handsome patents from yesterday’s tomorrows. Archival catalogues, covers and industry ephemera, along with press shots of long-forgotten stars, exemplify the sophisticated graphic and marketing approach of each era and every continent.

Music and audio expert Terry Burrows guides you through the evolution of every technological age in informative and engaging text punctuated with concise biographies of the great innovators, from Emile Berliner to Thomas Stockham.

An Electronic Sound Book of the Year 2017

Contents List:

1. First Wave / Acoustic Era: from 1877 to 1924 • 2. Second Wave / Electrical Era: 1925 to 1945 • 3. Third Wave / Magnetic era: from 1946 to 1974 • 4. Fourth Wave / Digital era: from 1975 to present • Outro

About the Author:

Terry Burrows is an author, musician and producer. Best known as a cult performer under the alias Yukio Yung, Burrows has recorded with The Chrysanthemums, Asmus Tietchens and the duo Push-Button Pleasure. He is also a prolific author of more than 80 books relating to music history, tuition and technology, popular psychology and history.

The acclaimed chronicle of the rich history of this innovative furniture company, from its founding in the early twentieth century to today

For more than 100 years, Michigan-based Herman Miller has played a central role in the evolution of modern and contemporary design, producing timeless classics while creating a culture that has had a remarkable impact on the development of the design world. Herman Miller is known as much for its pioneering designs and international influence as for its emphasis on environment and community service.

In this far-reaching survey, new and archival photography illustrates the evolution of Herman Miller's furniture designs over the course of the century. Featuring the stories and creations of legendary designers including Ray and Charles Eames, George Nelson, and Alexander Girard, and through its thousands of illustrations, this book tells the Herman Miller story as never before, documenting its defining moments and key leaders, and making Herman Miller: A Way of Living an indispensable volume for the bookshelves of design-lovers around the globe.‘

There have been many books about Herman Miller, its ethos, designers, and furniture, but none as comprehensive as this.’ – Interior Design

The first book on one of the leading collections of modern industrial design. A must-have for lovers of modernism, this is an accessible but authoritative introduction to the field. From the second industrial revolution to the start of the digital revolution, industrial design has played a major role in shaping society and the everyday objects used for living, working, and traveling. As factories transitioned from manufacturing machines for war to mass-produced goods, industrial design evolved to meet the needs of a quickly growing consumer economy. 100 Designs for a Modern World is a curated overview of the most influential pieces of modern industrial design from 1900 to the present day. George R. Kravis II has collected some of the most innovative and memorable products — including, for example, the Silver Streak glass iron — that contributed to this radical transformation of global culture. This book presents one hundred exceptionally designed objects: chairs, radios, irons, electric clocks, ceramic tableware, textiles, posters, and other graphic designs. The chronological organization generates a history of industrial design since the turn of the twentieth century. With an introduction by design historian Penny Sparke, this book is an authoritative reference on industrial design in the twentieth and early-twenty-first centuries. Meticulously selected and beautifully photographed, this elegant book is both an informative guide and a source of inspiration for collectors and enthusiasts of modern industrial design.

About the Author:

George R. Kravis II, a collector and philanthropist who has cultivated one of the preeminent collections of industrial design, established the Kravis Design Center in Tulsa, Oklahoma, in 2013. Penny Sparke is a professor in the School of Design and Art History at Kingston University London.

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Пролистать книгу 100 Designs for a Modern World: Kravis Design Center

Despite the borders of the USSR being closed to majority of its population, Soviet citizens were among the world’s most frequent flyers. 

This book unfolds the story of Soviet air travel, from early carriers like Deruluft and Dobrolet, to the enigmatic Aeroflot. Organised like an Air Force, with a vast fleet of aircraft and helicopters, Aeroflot was the world’s biggest air carrier of passengers and cargo, responsible for a wider range of duties than any other airline. Aeroflot – Fly Soviet uses beautiful graphic ephemera to illustrate a parallel aviation universe that existed for 70 years, from the very beginning of the USSR through to its demise in 1991.

Sumptuously illustrated with over 1,000 illustrations and written by one of the world’s leading experts, Art Deco Complete will be the definitive work on the subject for many years to come.

In the most comprehensive account of the decorative arts of the Art Deco period ever assembled, Alastair Duncan celebrates the rich variety of form and diverse international roots that have made it a perennial favourite of collectors and a constant source of inspiration for designers.

Straddling two World Wars and the Great Depression, ushering in the Jazz Age and the era of the automobile and skyscraper, and shaping everything from the Golden Gate Bridge to the humble desk lamp, the story of Art Deco is the story of our modern world.

In its purest forms, it developed from a characteristically French image of luxury and refinement. Later, modernist European and American designers incorporated metal and plastic in styles described as ‘Streamline Moderne’, but which are now called ‘Deco’. Although Paris was the spiritual home of the movement, Art Deco was a truly global style, with designers from every country in Europe and the Americas inspired by a vast international catalogue of artistic and craft traditions.

The guide begins with essays on the major media of the period: Furniture and Interior Decoration; Sculpture; Paintings, Graphics, Posters and Bookbinding; Glass; Ceramics; Lighting; Textiles; Silver, Metal, Lacquer and Enamel; and Jewelry, each followed by lavishly illustrated in-depth biographies of the major designers and artists working in the medium.

The second half of the book is an authoritative illustrated A–Z listing of all significant designers in the Art Deco style, comprising over four hundred entries.

About the author:

Alastair Duncan was for many years an officer and consultant of Christie’s, New York, and is now an independent consultant on the decorative arts of the 19th and 20th centuries. He is the author of many books on the Art Deco period, including Art Nouveau and Art Deco Lighting, Art Deco Furniture, American Art Deco and Art Nouveau and Art Deco Bookbinding.

With over 1000 illustrations in colour and black and white

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Стильно оформленное, прекрасно иллюстрированное подарочное издание большого формата в суперобложке, упакованное в оригинальный подарочный футляр.

Это самая полная энциклопедия, посвященная искусству ар деко, за всю историю изучения стиля. Ар деко считается наиболее изысканным из всех декоративных стилей ХХ века, он возник на основе типично французского представления о роскоши и утонченности, что в 1920-е годы нередко выражалось в использовании экзотических материалов. Богатство и разнообразие форм, множество заимствований из других культур – характерные особенности стиля, благодаря которым ар деко не перестает быть фаворитом коллекционеров и источником вдохновения дизайнеров нового поколения.

Энциклопедия начинается серией эссе, посвященных мебели и декору интерьеров, скульптуре, живописи, графике, плакату и книжным переплетам. Предметом тщательного исследования являются  также художественное стекло, керамика, освещение, текстиль и ювелирные изделия. Каждая глава сопровождается иллюстрациями и подробными биографиями выдающихся мастеров. 

The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers in an extraordinary conversation about modern art. 

Bauhaus 1919–1933, published to accompany a major multimedia exhibition at MoMA, is the first comprehensive treatment of the subject by MoMA since 1938 and offers a new generational perspective on the 20th century’s most influential experiment in artistic education. It brings together works in a broad range of mediums, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theatre and costume design, and painting and sculpture – many of which have rarely if ever been seen outside of Germany. 

Featuring about 400 colour plates and a rich range of documentary images, this publication includes two overarching images by the exhibition’s curators, Leah Dickerman and Barry Bergdoll, concise interpretive essays on key objects by over twenty leading scholars, and an illustrated, narrative chronology.

A rare and fascinating look at the Bauhaus’s global legacy, and a central publication of the school’s centenary celebrations

From its inception in 1919, the Bauhaus was a truly international institution. Students and teachers travelled from Croatia, Hungary, Japan, Palestine, Russia, Switzerland and the United States to Weimar and later Dessau and Berlin to become part of the school, drawn to the Bauhaus because of its cosmopolitan, avant-garde perspective and hands-on curriculum. This outlook was reflected in the way the school received and interpreted diverse influences, ranging from Arts and Crafts to reform pedagogy, from Eastern spirituality to constructivism, machine production and the Neues Bauen (New Building) movement. Art and design at the Bauhaus also contained a transcultural element, gleaned through exposure to non-western cultures, books and museum collections and interaction with foreign students and visiting lecturers.

Featuring contributions from artists, historians, cultural theorists and others, Bauhaus Imaginista offers a rare opportunity to explore a history of transcultural exchange in the 20th century through the specific lens of the Bauhaus and its reception in different geographies and time periods. Part of the large-scale project marking the school’s centenary, its focus is on the experimental, open-ended character of modernism as well as its inherent cosmopolitanism. As never before, it shows the crucial role the Bauhaus had in reimagining the relationship between art and society.

About the Authors:

Marion von Osten is a curator, researcher and writer based in Berlin. Her previous publications include, as co-editor, Colonial Modern: Aesthetics of the Past, Rebellions for the Future and Transcultural Modernisms. 

Grant Watson is a London-based curator and researcher. Recent projects include How We Behave with If I Cant Dance, Amsterdam, exploring questions of life practice and politics through filmed interviews (2014-present).

Family, food, engineering: these three words define the Bertazzoni brand, whose kitchen appliances date back to the nineteenth century.

For more than 100 years, Bertazzoni kitchen appliances have helped people bring the best of home-cooked food to the family table. This book traces the history of the brand, from the first wood-burning cooking stoves through the gas stoves of the 1950s to contemporary completely designed kitchens. From the nineteenth century to the present day, the history of Bertazzoni appliances is intertwined with the history of home, living, and family cooking traditions. By looking at the evolution of kitchen design, we can trace the changes in our lifestyles.

A brand with cooking ranges at its core that now also provides complete kitchens in every part of the world, Bertazzoni first began selling in the U.S. and Canada in 2005, and since then it has become a global brand that is still proud of its local, family roots in Italy.

About the Author:

Decio Giulio Riccardo Carugati is a writer, journalist, design critic, and historian who contributes to various media in relation to current affairs, culture, art, and design. He has published many books with Mondadori Electa.

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Пролистать книгу Bertazzoni: Cooking is an Art