Книги по дизайну иллюстраций и постеров

The story of the illustrated book from the earliest printed books to the present day, told through the collections of the V&A’s National Art Library

Throughout history, images have been used to reflect the meaning of words and to enhance our understanding of texts. With the invention of mechanized printing in Germany in the 15th century, illustrated books were no longer the preserve of the elite and became a source of knowledge, instruction and pleasure for a wider audience.

Traditional accounts of the illustrated book survey its history in terms of technological advances, from illumination to hand-drawn illustrations and photography. This study offers a new approach, grouping books by subject – from natural history and travel to art, architecture and fashion. Gathered here are some of the most influential and compelling examples of the illustrated book, all chosen from the collections of the National Art Library at the Victoria and Albert Museum, London.

Each chapter starts with a general introduction to the subject, followed by key examples accompanied by narrative captions. The commentaries range beyond the illustrations to consider the whole book, the design, typeface, binding, inks and papers. Many of the books are not on display to the public and have been specially photographed for this volume. Most examples have been chosen for their significance, being innovative and beautiful. But humble books, often overlooked in histories, have also been selected, when particularly effective in their field, or simply memorable.

From beautiful printed Psalters and Books of Hours, to striking natural history books such as Audubon’s Birds of America, La Fontaine’s Fables illustrated by Marc Chagall, Serlio’s treatise on architecture and Owen Jones’s Grammar of Ornament, this book gives a fascinating overview of some of the finest illustrated books ever created. In the face of recent pronouncements about the death of the printed book, this volume demonstrates the enduring appeal of the illustrated book.

Contents List:

Introduction
1. Religion
2. Natural History
3. Travel
4. Fables & Folk Tales
5. Literature
6. Art Making
7. Art History
8. Architecture
9. Ornament and Pattern
10. Festivals
11. World Fairs
12. Fashion
13. Shopping

About the Author:

Julius Bryant is the Keeper of the Word and Image Department at the Victoria and Albert Museum, London. He is responsible for the museum's National Art Library, a major public reference library for the fine and decorative arts.

The official behind-the-scenes art book for Sony Pictures Animation’s feature film The Mitchells vs. The Machines.

Foreword by Debbie Rianda

Ramin Zahed’s The Art of The Mitchells vs. The Machines gives insight into how the filmmakers behind Sony Pictures Animation’s movie The Mitchells vs. The Machines were able to bring a fresh, new vision to the screen through concept art, sketches, and early character designs. The book also features exclusive commentary from director/cowriter Michael Rianda and codirector/cowriter Jeff Rowe, alumni of the team behind Emmy Award-winning Gravity Falls, and producers Phil Lord and Christopher Miller, the innovative and creative minds behind The LEGO Movie and the Academy Award-winning Spider-Man: Into the Spider-Verse.

The Mitchells vs. The Machines is an animated action-comedy about an ordinary family who find themselves in the middle of their biggest family challenge yet . . . saving the world from the robot apocalypse. No big deal, right? It all starts after creative outsider Katie Mitchell is accepted into the film school of her dreams and is eager to leave home and find “her people,” when her nature-loving dad insists on having the whole family drive her to school and bond during one last totally-not-awkward-or-forced road trip. But just when the trip can’t get any worse, the family suddenly finds itself in the middle of a robot uprising! Everything from smartphones to Roombas to evil Furbys is employed to capture every human on the planet. Now it’s up to the Mitchells, including upbeat mom, Linda, quirky little brother, Aaron, their squishy pug, Monchi, and two friendly but simple-minded robots to save humanity.

Featuring the voices of Abbi Jacobson, Danny McBride, Maya Rudolph, Beck Bennett, Fred Armisen, Eric Andre, and Oscar winner Olivia Colman, The Mitchells vs. The Machines is about embracing the things that make us unique, learning what it means to be human in a world increasingly filled with technology, and holding tight to the people most important to you when the unexpected hits.

About the Authors:

Ramin Zahed is an L.A.-based author and editor in chief of Animation Magazine. He has written for numerous outlets including Variety, the Hollywood Reporter, and Sight & Sound. His recent books include Spider-Man: Across the Spider-Verse: The Art of the Movie, The Art of Klaus, The Art of Captain Underpants, and The Art of DreamWorks Animation.

Debbie Rianda is the inspiration for Linda Mitchell and director Michael Rianda’s mom.

The Birds of America by John James Audubon is one of the best known and most valuable natural history books ever published. The original Double Elephant Folio edition has 435 hand-coloured prints of engravings made from Audubon’s original paintings. Apart from being of the highest artistic quality, Audubon’s illustrations were exceptional in that they portrayed the birds life-size in natural positions and in their native habitats.

This edition has been created by disbinding one of the two original sets held by the Natural History Museum, London, and then photographing it using the latest digital technology. It includes all of Audubon’s 435 bird images, reproduced as large as possible on the page and with the original numbering and captions faithfully recreated.

The culmination of over twelve years of work, Audubon’s masterpiece features some of the most stunning bird paintings of all time, from the great crested flycatcher and pin tailed duck to the common American swan. One of the most valuable natural history books ever published, it shows birds in natural positions and in their native habitats.

There is an introduction by world-renowned bird artist and author David Allen Sibley, whose The Sibley Guide to Birds is considered by many to be the most comprehensive guide for the identification of birds in North America.

About the Author:

John James Audubon was a naturalist and painter and is considered one of the greatest bird artists of all time. Born in Haiti in 1785, he spent much of his life travelling North America observing, catching and drawing birds and animals in remarkable detail. Using a variety of materials to create a highly dramatic style, he painted almost 500 species of the 700 or so regularly occurring North American bird species. He also painted other animals but it is his life-size illustrations of birds that he is most famous for.

From fine art to street style, the aesthetics and motifs of the gothic are entwined with the heart of today’s alternative visual culture.

Vampires and demons have become screen icons of the modern underworld. Skulls, crosses and religious iconography represent symbols of rebellion for a new gothic generation, a shorthand for an allegiance with a modern day underworld where monsters and misfits rule the world. Structured over three defining chapters (Gods & Monsters, The Kingdom of Darkness and Dark Arts/Higher Power), The Book of Black provides an exploratory visual narrative through which to reveal and celebrate the artists, aesthetics and styles of today’s gothic visual arts, presenting seminal gothic artworks alongside emerging artists of today.

About the Author:

Faye Dowling is a freelance editor, curator and art buyer specialising in photography, illustration, design and contemporary visual culture. She has worked for brands such as Stella McCartney, Louis Vuitton and Adidas, and magazines including Dazed & Confused, Frieze, Eye and Varoom. For Laurence King she is the author of The Book of Skulls (2011).

Boston, 1926. Francis Thurston goes through documents left behind by his grandfather’s brother, recently deceased under mysterious circumstances. He soon discovers the existence of a cult that worships ancient and unspeakable horrors. Mysterious murders, blood rituals in the depths of the Louisiana swamps, artists who descend into insanity after nightmarish visions, and a Cyclopean city that rises from the sea. Step by step, Thurston realizes that his relative’s research got too close to the truth. In the shadows, there are those who want to wake the sleeping god Cthulhu in order to spread madness and destruction over the entire world. The stars are right. Is the end near?

H.P. Lovecraft’s The Call of Cthulhu, first published in 1928, is one of the greatest classics of American horror literature. Cthulhu himself, dreaming and waiting at the bottom of the sea, became a symbol for the entire mythology that Lovecraft created. François Baranger, an illustrator who has previously worked in film and games, was fascinated early on by Lovecraft’s creatures and visions which populated the darkest recesses of fantasy. In this book, he has taken on the work of illustrating Lovecraft’s most iconic novel.

A charming addition to Rizzoli’s carefully curated program of bringing classic books back into print.

This beautifully packaged facsimile of Edith Holden’s original diary is filled with a naturalist’s masterful paintings and delightful observations chronicling the English countryside throughout 1906. As one of the few true records of the time in print, the handwritten thoughts and paintings contained in The Country Diary of an Edwardian Lady transport readers to a more refined, romantic, and simpler time.

Capitalizing on the current Downton Abbey–inspired appetite for Edwardian-era ephemera, fashions, and society, this reproduction brings readers back to a time in which propriety, civility, and an appreciation for the natural world reigned. This souvenir of a bygone era serves not only as a calming touchstone, but a reminder that as long as we choose to see it, we are still surrounded by beauty and grace. Presented to retain the charm and beauty of the original volume filled with Holden’s hand-drawn illustrations of the English countryside’s flora and fauna through the changing seasons of the year, as well as handwritten notes, observations, and quotations, The Country Diary of an Edwardian Lady makes a lovely addition to any home’s library or side table.

About the Author:

Edith Holden (1871–1920) was born at Kings Norton, Birmingham, one of seven children of a Midlands paint manufacturer. The family lived in the small village of Olton in Warwickshire and it was there that she wrote and illustrated the book. After attending art school, she worked as an illustrator, with her drawings being published in several books.

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Пролистать книгу The Country Diary of an Edwardian Lady

The Day of the Dead is a comprehensive, visual compilation of all forms of artistic material celebrating the world-famous annual Mexican festival. According to Mexican tradition, one day in the year belongs exclusively to the dead, a day on which they are granted celestial permission to visit friends and relatives on earth. In modern Mexico, festivities for the dead are idiosyncratic. Blending pre-Christian and Christian elements, celebrations for All Saints' and All Souls are unique in the Catholic world. Mexicans are as tormented by the idea of mortality as other nations, yet they honour and receive the departed with good cheer, visual splendour and imagination. Families welcome the returning souls with flowers, incense, candles and special foods. This is not a sombre occasion, but a time of feasting and reunion.

This anthology considers how the Day of the Dead has been celebrated in visual art and culture, from the traditional and iconic illustrations of skulls and singing skeletons by seminal lithographer José Guadalupe Posada to the paper cuts of Aaron Velasco Pacheco and representations of the festival by Diego Rivera and Frida Kahlo and in the folk art of the Linares family.

Curated by Julian Rothenstein and written by Chloë Sayer, an independent scholar and curator, specializing in Mexican art and culture, this is a must-have book for anyone interested in this extraordinary cultural event and its artistic representation.

"The Mexican...is familiar with death, jokes about it, caresses it, sleeps with it, celebrates it; it is one of his favourite toys and his most steadfast love." Octavio Paz, El laberinto de la soledad, (The Labyrinth of Solitude, 1961).

About the Author:

Chloë Sayer is an independent scholar and curator, specializing in Mexican art and culture. Based in London, she is a Fellow of the Royal Anthropological Institute of Great Britain. She lectures extensively, leads cultural tours to Mexico and has made ethnographic collections in Mexico and Belize for the British Museum.

In Dunwich, a remote village in Massachusetts, lost in the depths of an inhospitable countryside with dark valleys invaded by brambles, the old stories of witches are still alive and strange subterranean noises resound at times under the hills surmounted by mysterious circles of stones. On an isolated farm in the region, Lavinia Whateley, a simple-minded albino, gives birth to a child, Wilbur, whose father is unknown. Old Whateley, Lavinia's father, raises Wilbur while arousing the suspicion of the neighboring inhabitants who are frightened by the speed of growth of the child and his repulsive facies. Rumors of witchcraft have always swirled about Old Whateley, and after his death, Wilbur, upon reaching adulthood, became determined to increase the unholy knowledge imparted to him. To reach his goal, he goes to the Miskatonic University of Arkham to borrow the copy of the sinister Necronomicon in their possession. Professor Armitage, understanding the malevolent intentions of his visitor, refuses to accede to his request; thus a captivating illustrated version is born.

Always fascinated by the world of H.P. Lovecraft, François Baranger, an illustrator recognized worldwide for his talents as a concept artist for cinema and video games, has tackled the "cyclopean" task of putting his main stories into images.

Welcome to The Ink House, an artist’s mysterious mansion, built on a magical pool of ink that inspires creativity in anyone who lives there. When the artist goes adventuring, animals great and small arrive for the Annual Ink House Extravaganza. The party is about to begin…

Featuring a cast of loveable characters and discoveries on every page, this exquisitely inked picture book by acclaimed artist Rory Dobner will surprise and delight readers of all ages.

About the Author

Artist Rory Dobner creates exquisite ink illustrations inspired by the objects he collects. He has worked in the UK, USA, Australia and Hong Kong, and has completed commissions for clients including Agent Provocateur, MTV, Disney and Nike. His distinctive homewares range is available in stores including Liberty and Fortnum & Mason.

The new release from Clover Press’ line of THE MARVEL ART OF high end coffee table books!

Eisner award-winner Alex Maleev has worked on several Marvel titles, including seminal runs on Daredevil, Spider-Woman, and Moon Knight. Maleev began working in comics in the early 1990’s and quickly rose to prominence on several high profile projects at other companies, before teaming with Brian Michael Bendis on Daredevil, and reuniting with Bendis to re-imagine Spider-Woman and Moon Knight.

The Marvel Art Of Alex Maleev collects Maleev’s sublime artwork on Marvel titles including Daredevil, Spider-Woman, and Moon Knight, and includes never-before-seen sketches, behind-the-scenes material, and an introduction by Brian Michael Bendis.

The debut release from Clover Press’ new line of THE MARVEL ART OF high-end coffee table books!

With an illustrious career spanning nearly three decades, David Mack has created some of the most iconic and memorable artwork in the history of comics. He’s known for his work on Marvel titles such as DAREDEVIL, ALIAS, and JESSICA JONES, as well as co-creating the character Echo, all of which have earned him widespread recognition and critical acclaim. His film and television credits include creating the title sequences for Marvel Studios’ Captain America: The Winter Soldier and the Emmy-nominated title sequences for the Netflix series Marvel’s Jessica Jones. The Marvel Art Of David Mack collects Mack's art for DAREDEVIL and other Marvel books, and includes never-before-seen sketches, behind-the-scenes material, a foreword written by Vincent D'Onofrio, who played Wilson Fisk in the Netflix series Marvel’s Daredevil and in Marvel Studios’ Hawkeye, and an afterword by Brian Michael Bendis.

About the Author:

David Mack is a writer, artist, director, and designer. Mack earned an Emmy Award nomination for Marvel's Jessica Jones opening titles, is the New York Times bestselling creator of Kabuki, and has written Daredevil, where he co-created Echo. In 2018 Mack was honored with the prestigious Inkpot Award for his achievements in comic book art. His work has garnered nominations for ten Eisner Awards, four International Eagle Awards, and both the Harvey and Kirby Awards in the category of Best New Talent, as well as many other national and international awards and nominations.

The third release from Clover Press’ new line of THE MARVEL ART OF stunning new coffee table books!

David Nakayama is known for his many X-MEN, DEADPOOL and SPIDER-MAN covers, highlighting his fun and colorful take on Marvel’s iconic characters. After winning a talent contest to break into comics, he soon went into the video game industry, before returning to comic books at Marvel and gaining popularity as a cover artist with his exuberant and beautiful style gracing the likes of Scarlet Witch and Spider-Gwen to the White Queen.

The Marvel Art of David Nakayama collects Nakayama’s colorful art from his DVD and Marvel Legends packaging art to his exclusive and rare retailer variants for the first time. As an added bonus, this book features a foreword by J. Scott Campbell!

About the Author:

David Nakayama is a Honolulu-based freelance illustrator, concept artist, and art director. He's best known for his eye-popping Marvel Comics cover art (X-MEN, SPIDER-MAN), Color Bleed and magazine format variant covers, and Marvel Legends packaging art. After breaking into comics by winning Top Cow’s talent search, he spent twelve years in the video games industry, art directing titles such as HARRY POTTER: HOGWARTS MYSTERY and MARVEL AVENGERS ACADEMY. Since then, he’s retuned to comics full-time as a cover artist.

The fifth release from Clover Press’ new line of THE MARVEL ART OF stunning new coffee table books!

Clover Press is proud to present our latest art book project — The Marvel Art of Michael Turner!  This campaign features high-end coffee table book, plus some amazing extra exclusive items only available through this Kickstarter campaign and Clover Press!

Clover Press and Aspen Comics are teaming up to bring this amazing Kickstarter campaign to life, with both newly remastered and classic artwork featuring superstar artist Michael Turner’s renditions of classic Marvel Comics super heroes Spider-Man, Captain America, Iron Man, the Incredible Hulk, and many more!

About the Author:

In 1994, Michael Turner began working for Top Cow Productions, co-creating the comic series Witchblade, a popular indie comic book. Turner later debuted his creator-owned series, Fathom, in 1998. It became the best-selling comic book of that year. In 2002, Michael left Top Cow Productions to start Aspen MLT LLC., and create the hit indie title Soulfire, in addition to continuing Fathom. Later, Turner teamed up with DC Comics to produce the popular return of the iconic character, Supergirl, in the pages of Superman/Batman. Turner also provided covers for many of DC Comics’ titles such as Justice League of America, and an Eisner Award-nominated covers for DC Comics’ Identity Crisis. Turner would go on to illustrate covers for Marvel Comics, most notably the smash hit series, Civil War, but also covers featuring Spider-Man, Wolverine, the Fantastic Four and more. Turner’s Marvel and DC Comics cover work led to his iconic status as one of the most beloved cover artists and comic book pencilers of all time.

The fourth release from Clover Press’ new line of THE MARVEL ART OF stunning new coffee table books!

Russell Dauterman is an illustrator and character designer, best known for his work on the Marvel comic book series THE MIGHTY THOR, X-MEN, and SCARLET WITCH. Since Russell first saw X-MEN: THE ANIMATED SERIES as a kid, he’s loved the X-Men. That show led him to a nearly lifelong love of comics and to a career as a comic book artist. His work includes design, interior art, and cover art across the Marvel Universe. Russell has designed for the X-Men’s HELLFIRE GALA events and designed superhero costumes for Storm, Jean Grey, Scarlet Witch, and more. Russell’s Eisner-nominated run on THOR debuted at #1 on The New York Times Bestseller List for graphic novels, and his work has been adapted into video games and film. 

The Marvel Art of Russell Dauterman collects his hand-picked and fan-favourite pieces representing his 10 years of working at Marvel!

This stunningly illustrated book examines the history of poster design and its relation to the arts and broader culture

The poster is a versatile marketing tool widely used from the 19th century to today for everything from political events to movies. A good poster has many layers, it goes beyond advertising and makes statements about style, history, fashion, and taste at the time. It is these layers that can turn a poster into a work of art. This book showcases 480 posters by more than 200 artists and designers and tells a comprehensive history of the poster. The book includes art nouveau, Bauhaus, pop art, and contemporary posters from preeminent artists such as Alphonse Mucha, Egon Schiele, Pablo Picasso, and Andy Warhol and from noted designers ranging from Lucian Bernhard and A.M. Cassadre to Saul Bass, Tadanori Yokoo, and Stefan Sagmeister. The book also introduces many other leading poster designers whose names are less well-known. Contemporary advertisements for Calvin Klein, United Colors of Benetton, and Coachella are also explored. By tracing the history of the poster, this book shows social developments throughout the world and illuminates how art styles have changed over time.

About the Author:

Jurgen Doring is Head of the Department of Graphics and Posters at the Museum für Kunst und Gewerbe in Hamburg, Germany.