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Like Soiree, Designing Life's Celebrations will appeal to readers looking for modern, elegant ways to entertain at home. Impeccably styled and photographed, ranging from a Moroccan-themed evening to a New Year's Eve family dinner, all of the parties emphasize original ideas for designing tabletops, linens, and flowers.

Through seventeen stunning at-home parties, celebrity event planner Dejuan Stroud shares ideas, instruction, and inspiration for effortlessly beautiful table settings and glorious centerpieces.

About the Author:

Dejuan Stroud is known for elegant weddings, celebrity events, and movie premieres, but his dream is to inspire and encourage people to bring flowers into their lives in an effortless way. He grew up gardening with his parents and grandmother in Greenville, Alabama. After a successful run on Wall Street, Stroud decided in 1996 to start his dream business, Dejuan Stroud, Inc. Twenty years later, he is one of the most successful event planners in NYC with an impressive celebrity client list and amazing media coverage. Jon Bon Jovi is an American singer-songwriter, record producer, philanthropist, and actor, best known as the founder and frontman of the band Bon Jovi. He and his wife Dorothea, have four children.

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This book showcases a lesser-known aspect of Maurice Sendak’s oeuvre–his set designs for opera and ballets.

Maurice Sendak is well-known for his acclaimed children’s books, but he was also an avid opera lover and designed a number of sets for opera and ballet productions, among them Mozart’s The Magic Flute, Janáˇcek's The Cunning Little Vixen, Prokofiev’s The Love for Three Oranges, Tchaikovsky's The Nutcracker, and an opera by Oliver Knussen based on Where the Wild Things Are. This book brings together over one hundred and twentyfive pieces from among the more than nine hundred in the Morgan Library & Museum’s collection, including preliminary sketches, final watercolors, and cardboard models. Essays in the book discuss the importance of music to Sendak’s work, his fascination with comic strips, movies, mechanical toys, and pop-up books, and the artworks that inspired his stage designs. The book reveals the full breadth of Sendak’s visual work for opera and ballet and highlights his keen sense of humor, his love of art history, and his ability to tell striking stories through his art.

About the Authors:

Rachel Federman is Assistant Curator of Modern and Contemporary Drawings at the Morgan Library & Museum. She received her PhD in Art History from the Institute of Fine Arts, New York University, and previously held the position of Assistant Curator of Painting and Sculpture at the San Francisco Museum of Modern Art. She has published essays on Bruce Conner, Paul McCarthy, Allen Ruppersberg, and Andy Warhol, among others.

Liam Doona is a freelance theater designer and Head of the Department of Design and Visual Arts at Dún Laoghaire Institute of Art, Design and Technology, Ireland, where he also lectures in scenography. Alongside his academic role, he has maintained a practice as a set and costume designer. His work was included in the Collaborators exhibition (2007) at the Victoria and Albert Museum, London, and can also be seen in 2D-3D (2003) and Collaborators (2007), the quadrennial reviews of British stage design published by the Society of British Theatre Designers.

Christopher Mattaliano was named Portland Opera’s General Director in 2003. He has directed productions for such companies as the Metropolitan Opera, New York City Opera, San Francisco Opera, Washington Opera, Canadian Opera Company, Minnesota Opera, and Portland Opera, among others. He has also taught and directed at the Juilliard School, Manhattan School of Music, Yale University, and Princeton University and served on OPERA America’s Board of Directors from 2005 to 2011.

Avi Steinberg is the author of three books, including The Happily Ever: Travels in the World of Popular Romance, which will be published by Knopf Doubleday in 2020. He is a contributing writer at The New York Times Magazine and the Culture Desk of The New Yorker.

Overly cute little bears in a vast range of colors, grinning elephants and cuddly mice cavorting on changing tables, winter parkas and playhouses – the design quality of children's products often in the past left very much to be desired. Children’s furniture, fashion and toys today strive for the aesthetics of a contemporary lifestyle while still being fun and functional for kids. Meeting both demands makes the creation of children’s goods one of the most exciting and challenging tasks for designers.

Successful kids’ design unites quality, sustainability and safety with ingenuity, style and pleasure. This volume presents a selection of the most innovative designs for children, from novelties to established classics. It is for all parents who value great design and want to pass it on to their children.

CONTENT

- Rip + Tatter Chair (Pete Oyler, USA)
- Bicycle Saddle Bag (Meisen auf Reisen, Germany)
- Playhouse X-Hus (Studio14, Norway)
- Tube Toys (Oscar Diaz, Great Britain)
- Chestnut Paper Lamp (Studio Snowpuppe, The Netherlands)

The first book on the eclectic and whimsical work of fashion designer Olympia Le-Tan. An admitted bookworm, designer Olympia Le-Tan is best known for creating one-of-a-kind handbags resembling literary classics such as Catcher in the Rye, Doctor Zhivago, and For Whom the Bell Tolls. Olympia Le-Tan — designed to look like a bag that looks like a book — invites the reader to discover the scope of the multifaceted French designer’s creations from her signature minaudières to her quirky ready-to-wear line and seemingly endless collaborations with fellow artists and designers. Born in London and raised in Paris, Le-Tan, whose father and sometimes collaborator is celebrated illustrator Pierre Le-Tan, got her sartorial debut at the age of nineteen. After working with Karl Lagerfeld at Chanel, Gilles Dufour at Balmain, and deejaying for the likes of Kirsten Dunst, Yves Saint Laurent, Balenciaga, and Purple magazine, she has earned the image of a prolific designer and worldly collector with a finger on the pulse of fashion. This book offers a playful and autobiographical glimpse into the world of Le-Tan and the inspirations behind her eclectic designs. Filled with candid photographs and charming illustrations, Olympia Le-Tan presents a whimsical look into one of the most creative designers on the scene today.

About the Author:

Olympia Le-Tan is a self-taught fashion designer. She started her career at the Chanel design studio with Karl Lagerfeld. In March 2012, she launched her first ready-to-wear collection — classic clothes with a twist, a mix between her British and Parisian heritage using velvets, tartans, college stripes, and Liberty print fabrics.

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From the intriguing mind behind Codex Seraphinianus comes this beautifully illustrated tribute to the famed Neapolitan character Pulcinella (or "Punch" as he is referred to in English). This short monograph on Pulcinella is conceived as a extension of the Codex Seraphinianus, an encyclopedia filled with variations and fantasies on a theme. Pulcinellopaedia Seraphiniana contains over one hundred extraordinary graphite illustrations with scarlet accents, some of which are depicted in comic-strip style. Conceived as a musical Suite, it is divided into nine scenes with an intermission. It features the oddly surreal and globally recognized character, whose origins have been lost in the mists of the time. An ancestor of Pulcinella was certainly Maccus, the protagonist of the Atellanae Fabulae, very popular farces in ancient Rome, but it was in the early seventeenth century that the character assumed the name and costume that we all know.

Distinguished by a long nose and typically dressed in white with a black mask, Pulcinella is often depicted in various kinds of misadventures and singing about love, hunger, and money. As he famously did in the Codex, Luigi Serafini, has created Pulcinellopaedia Seraphiniana in a unique language all its own, and has filled it with fascinating and mysterious illustrations that will no doubt prompt devotees to obsessively try to decipher the artist’s intention. Written by Serafini’s imaginative coauthor and alter ego "P. Cetrulo," who represents Pulcinella himself, the book artfully presents the struggles of a rebellious antihero who must come to grips with the challenges of everyday life.

Originally, a book about Pulcinella and his world appeared in 1984, after Serafini’s involvement with the 1982 Carnival of Venice, the first revival of the famous festivity after two centuries of silence. Now more than three decades later, this new edition has been extensively revised and includes a new afterword by the author. Like its predecessor, the original edition became immensely sought after and highly valuable, fetching more than one thousand dollars if book collectors were lucky enough to get their hands on a copy. All fans of Serafini’s work will treasure this volume. Rizzoli will also publish a deluxe limited edition with a signed and numbered print.

About the Author:

Luigi Serafini was born in Rome in 1949. He is an artist with an eclectic background as architect, ceramicist, glassmaker, set designer, and writer. He is best known for the cult classic book Codex Seraphinianus, also available from Rizzoli.

Machine Dazzle, to my mind, [is] a true theatrical genius who has created some of the most inventive costumes and sets I have ever seen. — Hilton Als, The New Yorker

Machine Dazzle is the much-in-demand designer and artist behind popular cabaret, drag, and performance stars such as Taylor Mac and transgender icon Mx. Justin Vivian Bond. For the first time, his over-the-top stage creations, made for himself and others, are collected here alongside stage environments, ephemera, and photos from his career.

In Machine Dazzle’s world, costumes are transformative objects with world-making capacity. The artist’s “queer maximalism” encapsulates a more-is-better attitude to making and creating, which looks to counter elitist notions that spectacle and extravagance are vapid. For him, these associations are embraced as queer for their affirmation of hybridity and the rejection of hierarchies of every kind.

On the occasion of a major exhibition at the Museum of Arts and Design, curator Elissa Auther brings together an expansive collection of essays and reminiscences from fellow performers, historians, and cultural critics that consider every aspect of Machine Dazzle’s rich body of work.

About the Authors:

Elissa Auther is deputy director of curatorial affairs and William and Mildred Lasdon Chief Curator at the Museum of Arts and Design. Mx. Justin Vivian Bond is a transgender singer, writer, performance artist, and activist. Mike Albo is a writer, comedian, and performance artist. madison moore is a cultural critic, DJ, and professor of queer studies at Virginia Commonwealth University. David Román is professor of English and American studies at the University of Southern California. Taylor Mac is a theater artist. Sally Gray is an independent scholar. Kalle Westerling is a theater and performance PhD candidate.

An artistic photographic book dedicated to the reconstruction of the Polcevera Viaduct, also known as Ponte Morandi, in Genoa, which tragically collapsed in 2018.

Andrea Botto, a photographer and visual artist specializing in large works, uses his shots to describe the stages involved in the demolition of the old Ponte Morandi and the construction of the new infrastructure designed by Renzo Piano. His lens follows each phase of the undertaking with technical expertise and attention to the composition of the image, in a skillful combination of documentary reportage and aesthetic research.

Botto has been working for RINA Consulting, the Italian agency supervising both the demolition and the construction of the new bridge, which is set to become a new landmark in Genoa, having been designed by Renzo Piano, one of the most renowned architects in the world.

RINA Consulting was selected by the commissioning authority to carry out project management, supervision, quality control, and safety coordination during the execution phase of the project.

About the Author:

Andrea Botto is an Italian fine-art photographer and lecturer. His projects have been acknowledged by grants and awards and have been exhibited in international museums. His works can be found in private and public collections. He carries out and manages editorial and corporate projects, specializing in decommissioning and infrastructure projects.

On the occasion of the 15-year anniversary of Idee und Klang Audio Design (Idea and Sound Audio Design), a publication has been created that is dedicated to sound scenography and at the same time reflects the work of the atelier. It includes questions about the still young field of acoustic exhibition design as well as personal experiences in the area of audio creation. The topic is framed by interviews and texts by guest authors within this discipline.

With numerous sound examples via QR codes / Soundcloud app

Idee und Klang Audio Design is a team of composers, sound designers and technologists who create artistic, historical or commercial living environments with sound and music. The works of the studio founded in 2005 comprise sophisticated media installations, exhibitions and brand facilities such as the National Museum of Qatar, BMW Museum in Munich and Imperial War Museum in London.

Studio Culture Now features in-depth interviews with a host of leading design studios. The interviewees share their experiences, insights, fears and joys, and reveal how they deal with the fundamentals and aspirations of studio life.

Candid and generous, these extensive Q&As form a blueprint for anyone planning a studio practice, or anyone struggling with maintaining one.

Topics covered include: getting jobs, working with clients, balancing creativity with profitability, accounting, hiring, promotion, wellbeing, and much more. The interviews, mostly conducted in the past few months, also reveal how studios are adapting to the changes brought about by the coronavirus pandemic.

The Business of Design debunks the myth that business sense and creative talent are mutually exclusive, showing design professionals that they can pursue their passion and turn a profit. For nearly thirty years, consultant Keith Granet has helped designers create successful businesses, from branding to billing and everything in-between.

Unlike other business books, The Business of Design is written and illustrated to speak to a visually thinking audience. The book covers all aspects of running a successful design business, including human resources, client management, product development, marketing, and licensing. This timely update on the 10th anniversary of the first edition includes new content on social media, working from home, and understanding and working with different generations, essential tools in today's ultra-competitive marketplace.

About the Author:

Keith Granet, a leading expert on the business of design, is the founder of Granet and Associates, a management consulting and licensing agency; Studio Designer, a digital platform for the interior design industry; and the Leaders of Design Council, an organization of design professionals focused on community and mentorship. Granet lives with his husband and their two sons in Los Angeles.

Thirteen words, thirteen protagonists, thirteen stories. This special journey crosses different regions and tells of mastery, know-how, emotions, and characters that honor ancient Italian traditions.

Gaggia, the brand that invented espresso machines for bars and homes, wanted to represent Italian creativity in 13 stories. To achieve this, it selected the same number of contemporary artisans, including a blacksmith, a motorcycle restorer, a ceramist, a hatter, a tailor, and a creator of floral sets, and depicted them in the pages of the book through the images of Stefania Giorgi and the words of Laura Maggi.

In this tale, coffee is an often invisible link; it represents the irreplaceable value of reflection, of time rediscovered, of having a break.

About the Author:

Laura Maggi is an independent journalist and curator with extensive professional experience in design, contemporary art, architecture, lifestyle, and travel. Stefania Giorgi belongs to a family of photographers. She collaborates with national and foreign interior design and travel magazines.

Never show everything

"Girls, Gags & Giggles" - this was publisher Robert Harrison's recipe for dishing up the American pin-up to the U.S. male. In the 1950s his girlie magazines sold by the millions, before becoming icons of pulp and trash culture.

These skilfully illustrated girls with their curvaceous forms and inviting lingerie soon overtook America's national dessert, in terms of popularity, and even developed considerable potential as a cultural export during the 1940s. "Never show everything," was always the motto. Smiling prettily at the camera, the models exuded just the right amount of sex appeal without seeming too sophisticated or artful. They were the 'girls next door' whose wholesome attraction soon made one forget the magazines' deliberately trashy presentation. Their rosy complexions and innocent allures still titillate even in an age when far more graphic material is the norm. For everyone who enjoys pin-ups, push-ups and pulp style!

“To look at these pictures is to remember that there was a time when taking off your clothes was a potent gesture, when the mere fact of a naked woman could be thrilling.” National Post, Toronto

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Посмотреть книгу  Gil Elvgren. The Complete Pin-ups

Following the success of the previous volumes of the series, this book offers children a great selection of some of their favourite animals, such as lions, elephants or zebras. This is an ideal book for entertaining the whole family where pro-activity is the key in order to see the final result. Besides, paper-craft toys are a unique way of mixing creative and spatial abilities that help children to strengthen their cognitive skills.

Do you ever find yourself wondering, "Has she had work done?" Do you flip through supermarket tabloids to see who's the latest star to have gone under the knife? Do you secretly adore before and after photos? Well, let's face it, who doesn't? Aesthetic surgery has become a global phenomenon.

In places like Hollywood, the mystery isn't who's had work done, but who hasn't. Those who have been to the world's best surgeons can get away with lying about it, while others have the evidence written all over their faces. From liposuction to lip implants, this book explores all the ins and outs of body sculpting via photos, illustrations, essays, and interviews.

Topics include:
- Beauty and Beauty Surgery
- Beauty in Art
- The Astonishing History of Aesthetic Surgery
- Ethnicity and Aesthetic Surgery
- Plastic Surgery in the Movies
- The Michelangelo of the Scalpel: Ivo Pitanguy
- The World`s most famous aesthetic surgeo
- Methods and Techniques
- Jokes and Caricatures

Vibrant, bold, and enigmatic. Africa Rising showcases the work of Africa’s young creatives alongside more established artists from the voluptuous continent’s vibrant metropolises.

The African artistic spirit extends far beyond the canvas and studio; a new wave of African creatives is on the rise and making a name for itself in design, fashion, photography, and architecture across Africa and abroad. While the colors, patterns, and crafts are profoundly rooted in African tradition, young designers infuse their creations with a delightfully discordant edge making them contemporary, unique, and truly pieces of African design. 

Africa Rising calls stereotypes and archaic clichés into question. A comprehensive portrait of Africa manifests from marrying Peter Mabeo’s furniture made from indigenous wood or Nobukho Nqaba’s body of photographic work that handles the themes of migration and foreignness through the clever use of everyday objects or the publicly-minded architecture of David Adjaye with the up-and-coming threads of Selly Raby Kane’s energetic fashion line or the soundscapes of Spoek Mathambo’s Fantasma that fix Bantu lyrics to computerized beats.

Insightful essays from experts and artisans contextualize each portrait and provide insight into talented pioneers, outstanding projects, and the way craft can be a catalyst for social and economic developments. The volume is co-edited by Design Indaba: a multifaceted design platform that garners worldwide critical acclaim for their annual design conference held in Cape Town. Africa Rising celebrates the way art strengthens and unifies cultures and, most importantly, invokes the multi-faceted richness of Africa.

Explore Africa’s worldwide ripple effect of inspiration, creativity, and artistic community.