Книги для художников и дизайнеров

Collage is such a flexible artistic medium that no matter what skills you master and what materials you use, you will be able to create amazing collages. All the things we know in drawing or painting, such as perspective, color, and composition can be thrown away. The only limitation is your imagination. This book traces collage as a technique back the ancient China, as an artist pursuit to the 20th century when Cubists established its utmost position in modern art and Surrealists pushed it forward to depict the subconscious world, and as a way of teasing during the Pop Art movement. For beginners, this book also includes a whole section for collage creation and displays a large number of collage works.

 - Collage history and collage creation are elaborated with abundant historical photos and drawings.
 - Articles on handmade and digital collage written by Hugo Barros and Julien Pacaud.
 - Interviews with well-known collage artists, Bryan Olson, Sarah Eisenlohr, Steve Hockett, and DR.ME, sharing their inspiring thoughts on collage.
 - Display of collage works categorized into art, graphics, and fashion.

James Gurney, New York Times best-selling author and artist of the Dinotopia series, follows Imaginative Realism with his second art-instruction book, Color and Light: A Guide for the Realist Painter.

A researched study on two of art's most fundamental themes, Color and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of underappreciated masters who perfected the use of color and light, the book examines how light reveals form, the properties of color and pigments, and the wide variety of atmospheric effects. Gurney cuts though the confusing and contradictory dogma about color, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensible tool for any artist.

This book is the second in a series based on his blog, gurneyjourney.com. His first in the series, Imaginative Realism, was widely acclaimed in the fantastical art world, and was ranked the #1 Bestseller on the Amazon list for art instruction.

About the Author:

James Gurney is the author and illustrator of the New York Times bestselling Dinotopia book series. He designed the World of Dinosaurs stamps for the U.S. Postal Service and has worked on over a dozen assignments for National Geographic magazine, painting reconstructions of Moche, Kushite, and Etruscan civilizations. He has won the Hugo, Chesley, Spectrum, and World Fantasy Awards. Solo exhibitions of his artwork have been presented at the Smithsonian Institution, the Norman Rockwell Museum, and currently at the Lyman Allyn Museum of Art. He has recently been named a "Grand Master" by Spectrum Fantastic Arts and a "Living Master" by the Art Renewal Center. His most recent book, Color and Light: A Guide for the Realist Painter, was Amazon's #1 bestselling book on painting for over 100 weeks and is based on his daily blog gurneyjourney.blogspot.com. For more information, visit www.dinotopia.com or www.jamesgurney.com

The primary skill needed by anyone who works in fashion is the ability to convey — to clients and the general public alike — images of the designs. The impression given to the viewer depends on whether the fashion design drawings are good. Contemporary Fashion Illustration Techniques thoroughly describes the basics of fashion illustration and covers the latest trends such as vivid images, sprightly movement, and garment material texture. After all, fashion drawing is not simply about sketching a body and face; only when you accurately reproduce the garments and their colors can the designs truly come to life.

Naoki Watanabe (Japan) is a veteran of fashion design drawing who has taught for 20 years at Kuwazawa Design School, one of Japan’s foremost fashion institutions.

Spearheaded by Constantine Sekeris, author of MetamorFX, this book is an in-depth look at costume design and illustration.

Showcasing an educational process breaking down the problematic areas of costume design for the film, video game and animation industries. From 10 top leading artists in the field, this title will have a wide range of aesthetic and design solutions. One will learn how to design and illustrate a costume from start to finish with educational tips and the process from sketches to finished Photoshop images to 3D ZBrush sculptures to fabrication.

Одежда, будь то из кожи, шерсти или ткани, имеет множество предназначений. Она защищает тело человека от воздействия внешних факторов, скрывает его, одновременно привлекая внимание.

При написании данной книги за основу были взяты: каталог европейской моды, составленный Чезаре Вечеллио, современные каталоги "Товары почтой", журналы мод, которые служили источником вдохновения для живописцев, скульпторов, рисовальщиков, а также для дизайнеров одежды и первоклассных модельеров.

Представленные здесь оригинальные иллюстрации представляют интерес для историков-любителей и позволяют судить о различных профессиях и ремеслах.

Не удивляйтесь, если на страницах этой книги вы увидите модели, созданные несколько веков назад, которые как будто сошли со страниц современных модных журналов.

An essential book for the fashion world: the techniques for creating outstanding fashion illustration with the most popular software, Adobe Photoshop. It is used by a range of professionals, from graphic designers and 3-D animators to video editors and product and fashion illustrators. The book shows you how to create the stunning images that grace the fashion magazines, department stores and newspaper supplements. Master the techniques provided here to unleash true creativity.

Kevin Tallon teaches his techniques at the world-famous Central St Martins College in London and has created a step-by-step technique book specifically for those interested in creating fashion illustrations: including mood boards, placement and repeat prints, fashion illustrations, garment sketches, logos and graphics, visualisation, presentation board and collection ranges. It follows on from his successful Creative Fashion Design with Illustrator but covers the world of creative fashion illustration rather than fashion design.

The book provides instruction on the basics, but also plenty of material for those who are already familiar with the software but want to make more of it. With tips and tricks, specific fashion tasks and meaningful application, the book covers photocomposition; advanced layers; scanning, colouring and photo retouching; colouring flat drawings; advanced photocomposition; image adjustment; montages; filters and brush tools, and much more.

Calla Editions brings James Gurney's bestselling tale of mystical humans and intelligent dinosaurs to a new generation in this 20th anniversary edition. Digitally re-rendered from the original transparencies, Gurney's spectacular artistry takes on new vitality. Includes a new Afterword by Gurney as well as a special section of behind-the-scenes studies and maquettes he used in developing his paintings.

About the Author:

James Gurney is the author and illustrator of the New York Times bestselling Dinotopia book series. He designed the World of Dinosaurs stamps for the U.S. Postal Service and has worked on over a dozen assignments for National Geographic magazine, painting reconstructions of Moche, Kushite, and Etruscan civilizations. He has won the Hugo, Chesley, Spectrum, and World Fantasy Awards. Solo exhibitions of his artwork have been presented at the Smithsonian Institution, the Norman Rockwell Museum, and currently at the Lyman Allyn Museum of Art. He has recently been named a "Grand Master" by Spectrum Fantastic Arts and a "Living Master" by the Art Renewal Center. His most recent book, colour and Light: A Guide for the Realist Painter, was Amazon's #1 bestselling book on painting for over 100 weeks and is based on his daily blog gurneyjourney.blogspot.com. For more information, visit www.dinotopia.com or www.jamesgurney.com

Drawing Fashion Accessories is a practical guide to illustrating footwear, millinery, bags and purses, cosmetic products and jewellery, offering a unique resource for students and professional fashion illustrators alike.

Beginning with a discussion of the media available for drawing fashion accessories and how best to use them, together with a demonstration of various art styles, Miller then moves on to demonstrate the technicalities of drawing different products, including the specific challenges of perspective, how to draw accessories on the body, and how to render a wealth of different materials. In addition to the practice of drawing, a series of specially illustrated glossaries introduces readers to the technical and style terminology used throughout the accessories industry.

Illustrated with specially created step-by-step sequences, Drawing Fashion Accessories provides students with the knowledge and freedom to develop their own work beyond the basics and to bring style and flair to their illustrations.

This stunning survey reveals the genre of fashion drawing to be an art form in its own right.
Exhibition Itinerary: Design Museum in London, England November 3, 2010 - March 6, 2011

Drawing Fashion celebrates renowned art dealer Joëlle Chariau’s unique collection of some of the most remarkable fashion illustrations from the twentieth and twenty-first centuries. These original works define the fine art of illustrating fashion, from Poiret, Chanel, Balenciaga, and Dior to Comme des Garçons, McQueen, and Viktor & Rolf.

This catalogue, which accompanies the exhibition at the Design Museum in London, showcases fashion illustrators at their creative heights: Lepape at the beginning of the century, Bérard in the 1930s and Forties, Cecil Beaton in the Fifties, Antonio from the Sixties to the Eighties, and current artists Mats Gustafson, François Berthoud, and Aurore de La Morinerie.

In their engaging and highly informative essays, New York Times Magazine journalist Holly Brubach and London Sunday Times chief fashion writer Colin McDowell reveal how the art of drawing fashion continues to reflect not only the spirit and style of the decades, but also the wider social and cultural changes of the past century.

There is a dearth of books covering drawing and product design. Drawing for Designers fills this gap, offering a comprehensive guide to drawing for product/industrial designers and students. As well as industrial product design, the book encompasses automotive design and the design of other 3D artefacts, such as jewellery and furniture. Covering both manual and computer drawing methods, the book follows the design process: from initial concept sketches, presentation drawings and visualizations, general arrangement and detail drafting to fully dimensioned production drawings, and beyond to technical illustrations and exploded/assembly diagrams used for publicity and instructing the end user in the product's assembly, operation and maintenance. Interspersed with the chapters there are case study spreads featuring famous designer products shown both as drawn concepts and as finished objects There are also several step-by-step 'how-to-do-it' sequences.

Alan Pipes is a freelance writer, illustrator, webmaster, and part-time publisher specializing in the applications of computers in graphic design, fine art, illustration and product design. He is the former editor of CadCam International and the author of Production for Graphic Designers.

A complete guide to all aspects of drawing for fashion designers, from simple line drawing, though crayons, painting to collage and computers. It gives the technical information on mastering the human figure in clothed form while encouraging readers to find their own creative style. It offers drawing and illustration techniques galore – most with step-by-step demonstrations. But the book also pays great attention to the creative process, how to use colour when designing and how to build up a knowledge of fabrics and illustrate them to best effect.

This is the most complete book on the subject to date and is made more useful by the sheer range of different styles of drawing. It encourages the reader to find a style that suits them.

A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who’s famed lectures and classes at New York City’s Art Student League captivated artists and art educators from around the world.

Faithfully producing and methodically analyzing 100 master drawings - including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others - Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every lesson is clearly delineated and illustrated. Throughout, also, is commentary that sheds light on the creative process of drawing and offers deep insight into the unsurpassed achievements of the masters.

Any professional artist knows that creating depth of field and the relative position of objects is practically impossible without the basic notions of perspective in drawing. This book explains and demonstrates in a series of sketches the practical foundations of perspective in drawing and sketching.

This retrospective showcases the works of a leader of the Decadent movement, Baron Hans Henning Voigt (1887–1969). Better known as Alastair, the artist created works that are frequently likened to those of Aubrey Beardsley, Harry Clarke, and Edward Gorey. Alastair's highly ornate and distinctively ominous style blossomed with a series of erotic illustrations for the publisher and literary renegade Harry Crosby. This original selection of striking black-and-white drawings invites close examination and appreciation of the artist's skillful, sensual tone.

These shadowy, sinuous images include characters from stories by Oscar Wilde and Flaubert, as well as scenes from La Tosca and The Magic Flute. An informative Introduction by editor David A. Beronä, a historian of illustrated books, offers background on Alastair and his unique place in twentieth-century art and illustration. Art historians, bibliophiles, and collectors and students of drawing and book illustration will treasure this affordable compilation of hard-to-find works.

This book’s aim is to submerge the reader in the world of illustration.

The first section ranges from how to start to draw a human figure to the techniques to stylize and synthesize it. This section provides a large amount of figures in different poses, as well as hands and feet — often the most difficult parts — in diverse postures and angles. However, in the field of fashion it is also essential to know how to draw fabric, and even more important to know how to draw the folds of clothing. The items of clothing are presented as much in technical drawing as in figures in movement, and forming light and shadow is also explained, as this gives quality to the illustration.

The second part of the book revolves around color and the different techniques with which one can work: watercolor, wax, pastel, and so on. All the drawings that appear constitute a brief exhibition of the changes that the fashion world has experienced and with this in mind a path has been laid which starts in 1900, illustrated in watercolors, and finishes in 2000, illustrated in pencil.

The goal of this volume is to uncover the reader’s desire to paint and to provide him with some of the secrets that will encourage him to do so. After all, experience is the most effective way to learn, whatever the subject.

Maite LaFuente is an illustrator and professor at the European School of Fashion Design in Barcelona, Spain. She is also the director of her own illustration studio, specialized in fashion drawings and design. As an illustrator, her works have been published in important fashion magazines such as Elle and Marie Claire. She currently lives and works in Barcelona where she is currently preparing a new book on fashion illustration.