Сборники работ о дизайне

Five years in the making, an in-depth survey of Pentagram from its beginnings in 1970s London to its current status as one of the powerhouses of international design

Pentagram: Living by Design (two volumes) is the definitive statement on 50 years of Pentagram. This is an in-depth survey of the group from its beginnings in 1970s London to its current status as one of the powerhouses of international design.

Book one, The Biography, offers a comprehensive analysis of the group, its partners, its achievements, its multidisciplinary approach, and its unique business model. This is accompanied by a plethora of images (some never published), a visual essay of Pentagram’s work across four main sectors, a selection of partners writings, a Pentagram family tree, and much more.

Book two, The Directory, has profiles of 50 partners, past and present, accompanied by extensive coverage of their work. It’s a stellar roll call: from the five famous founders to some of the most celebrated names in contemporary design. It also includes a list of everyone who worked in the firm’s various offices.

Both books are designed by Tony Brook and the Spin design team and use a range of paper stocks and special colours.

About the Authors:

Adrian Shaughnessy is a graphic designer, writer and senior tutor at the Royal College of Art, London. He has written numerous books, including a recently published compendium of his design journalism, Scratching the Surface, and monographs devoted to legendary designers Herb Lubalin and Ken Garland. He regularly contributes to design publications and blogs such as Design Observer, Eye, Creative Review and Design Week. In 1988, Shaughnessy co-founded design studio Intro; today he runs ShaughnessyWorks, a consultancy combining art direction, writing, editing and lecturing, and is a co-director of Unit Editions. He is a member of the Alliance Graphique Internationale. Tony Brook is primarily a designer, but also a publisher, collector and curator. Brook founded SPIN, his south London-based studio, in 1992, and is a co-director of Unit Editions. He is currently a visiting professor in Graphic Design at the University for the Arts, a specialist arts university in the South East of England.

Machine Dazzle, to my mind, [is] a true theatrical genius who has created some of the most inventive costumes and sets I have ever seen. — Hilton Als, The New Yorker

Machine Dazzle is the much-in-demand designer and artist behind popular cabaret, drag, and performance stars such as Taylor Mac and transgender icon Mx. Justin Vivian Bond. For the first time, his over-the-top stage creations, made for himself and others, are collected here alongside stage environments, ephemera, and photos from his career.

In Machine Dazzle’s world, costumes are transformative objects with world-making capacity. The artist’s “queer maximalism” encapsulates a more-is-better attitude to making and creating, which looks to counter elitist notions that spectacle and extravagance are vapid. For him, these associations are embraced as queer for their affirmation of hybridity and the rejection of hierarchies of every kind.

On the occasion of a major exhibition at the Museum of Arts and Design, curator Elissa Auther brings together an expansive collection of essays and reminiscences from fellow performers, historians, and cultural critics that consider every aspect of Machine Dazzle’s rich body of work.

About the Authors:

Elissa Auther is deputy director of curatorial affairs and William and Mildred Lasdon Chief Curator at the Museum of Arts and Design. Mx. Justin Vivian Bond is a transgender singer, writer, performance artist, and activist. Mike Albo is a writer, comedian, and performance artist. madison moore is a cultural critic, DJ, and professor of queer studies at Virginia Commonwealth University. David Román is professor of English and American studies at the University of Southern California. Taylor Mac is a theater artist. Sally Gray is an independent scholar. Kalle Westerling is a theater and performance PhD candidate.

The first book on the great American landscape painter to focus primarily on his work in Nevada, capturing the beauty of the American West, its open spaces and the developing landscape at the dawn of the modern era.

This is the first comprehensive publication on the paintings, letters, photographs, and poetry made by Maynard Dixon (1875–1946) while he was in Nevada. This large, landscape format book accompanies a blockbuster exhibition on this colorful western painter and illustrator.

Although Dixon’s contributions as an artist are widely recognized throughout the American West, this significant publication surveys nearly 180 artworks he created in Nevada, Lake Tahoe, and the Eastern Sierra from 1901 to 1944. Dixon first visited the state of Nevada nearly 125 years ago; and while much has changed during the past century, one can still explore many of the same remote locales depicted in these paintings or drive across the state beneath what many like to refer to as a cloud-filled, “Maynard Dixon sky.”

Richly illustrated, including a wealth of privately owned paintings never before reproduced, the volume includes by texts by scholar Donald J. Hagerty on Dixon’s Nevada journeys, a significant essay on the art of the Boulder Dam (now Hoover Dam), and Dixon’s depictions of the workers who built the dam. The book has a 3-piece binding and gilded edges.

About the Authors:

Ann M. Wolfe is the Andrea and John C. Deane Family Chief Curator and Associate Director at the Nevada Museum of Art, Reno.

Donald J. Hagerty is the author of Desert Dreams: The Art and Life of Maynard Dixon, The Life of Maynard Dixon, and Art of Maynard Dixon.

Ann Keniston, PhD, is a Reno-based poet, essayist, and literary critic and professor of English at the University of Nevada, Reno.

John Ott, PhD, is Professor of Art History at James Madison University.

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Пролистать книгу Sagebrush and Solitude: Maynard Dixon in Nevada  на сайте издательства.

This is the first book to be published on one of the greatest American designers of the 20th century, who was as famous for his work in film as for his corporate identity and graphic work. Saul Bass (1920-1996) created some of the most compelling images of American postwar visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best-known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man with the Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta.

His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick’s Spartacus in the early 1960s to Martin Scorsese’s Cape Fear and Casino in the 1990s.

Designed by Saul Bass's daughter Jennifer and written by distinguished design historian Pat Kirkham, who knew Saul Bass, this book contains more than 1,400 illustrations, many from the Bass archive and never published before, providing an in-depth account of one of the leading graphic artists of the 20th century.

This definitive study is eagerly anticipated by design and film enthusiasts.

The long-awaited third monograph on the work of the most important British designer of his generation, showcasing projects from the last thirty years of his career

Neville Brody’s work sits at the intersections between graphic design, communication design and graphic art, pushing boundaries and blurring lines between them as he fuses influences from art, design, fashion, music, low and high cultures. Brody has been one of the most consistently innovative and shapeshifting graphic designers of the past fifty years. He has produced a body of commercial work covering editorial, brand identity, typography, systems, information and interface design of unparalleled boldness and sophistication for global clients that include Shiseido, Coca-Cola, Samsung, Nikon, LVMH, Nike and Dom Perignon, and UK clients such as the BBC, Channel 4, Tate Modern and The Times. The Graphic Language of Neville Brody 3 also captures a body of one-off creative works and site-specific collaborations that are motivated by creativity, political and cultural viewpoints, provocation, and expression.

The Graphic Language of Neville Brody 3 brings almost thirty years of work together in thematic sections that address the key fields of his vibrant design projects, including typographic experimentation, cultural subversion, and design systems. Richly illustrated, each project is explored in detail, revealing the work that has defined Brody’s recent practice across six chapters, from major brands to magazine editorials and features, revealing how Brody’s design language has been informed, evolved and remarkably stayed true to key themes and ideas throughout his career to date. Brody has produced a rich, dynamic and surprising body of new work that will attract a new generation of designers and art directors.

This inspirational volume will be essential reading for anyone interested in the evolution of graphic design over the past three decades.

Contents List:

Forewords
Intro
1. Image and Word
2. Re:Fuse
3. Typo/Graphism
4. Anti/Pro
5. Type/DNA
6. System Addicts
Outro/Backwords
Talks

About the Authors:

Neville Brody is a globally acclaimed creative director, designer, typographer and brand strategist, whose career spans over four decades. Well-known internationally for his iconic work on album sleeve designs and as art director for The Face and Arena, he has also worked on major projects for the BBC, The Times, Tate and Channel 4.
Adrian Shaughnessy is a graphic designer, writer and publisher based in London. He is a senior tutor in Visual Communication at the Royal College of Art. His previous books include How to be a Graphic Designer Without Losing Your Soul and Graphic Design: A User’s Manual.
Steven Heller is a graphic designer, art director, art critic and author. For over thirty years he held the position of senior art director at New York Times Book Review and U&lc magazine. He has authored and co-authored over 200 books on design and popular culture.
Jo-Ann Furniss is an editor, creative director and writer based in Leigh-on-Sea who has worked on The Face, i-D and Arena Homme+ amongst many other key titles.
Naomi Hirabayashi is a Tokyo-based graphic designer and art director involved in creative direction, branding, visual identity, corporate identity systems, and design for apparel brands, stores, musicians and many other fields.

A sweeping survey of the work of celebrated bon vivant Federico Forquet, whose decades-long design career has embraced couture fashion, elegant interiors, and imaginative gardens, reflecting both the best of Italian style and the dolce vita era of Rome.

Through his long and crowded life, polyglot designer Federico Forquet has been by turns a couturier who learned his craft at Balenciaga's side and whose creations for his eponymous house clothed the best-dressed women of the day; a decorator of interiors of singular style and charm; a discriminating collector of rare and beautiful objects, furnishings, and pictures; and a creator of magical gardens.

For the first time, the many worlds of this creative visionary are brought together in a richly illustrated celebration of style: from imagery of his lavish haute-couture gowns featured in 1960s and '70s Vogue, Harper's Bazaar, and other fashionable publications and worn by trendsetters such as Marella Agnelli, Sophia Loren, and Diana Vreeland to picturesque scenes of verdant Tuscan gardens and opulent, old-world Roman villas and palazzos decorated by Forquet. Accompanied by insightful texts from the design world's authoritative voices, this inspiring and utterly enchanting tome will appeal to readers fascinated by fashion, social history, gardens, interior design, and Italian style.

About the Authors:

Hamish Bowles is an author, fashion collector and historian, and the international editor at large at Vogue. Guido Taroni is a Milan-based photographer of still life, fashion, and interiors.

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Пролистать книгу The World of Federico Forquet: Italian Fashion, Interiors, Gardens

Step inside designer and sculptor Thomas Bastide’s studio to discover the techniques, concepts, and inspirations that lie behind his glass creations.

This book retraces forty years in the creative career of Thomas Bastide. The designer and sculptor has collaborated with prestigious French and international companies, including Baccarat, Hennessy, and Christofle, and this volume pays tribute to the unique techniques that he has contributed to the fields of crystal glassmaking, goldsmithery, and porcelain-making.

Featuring the themes that are fundamental to the artist’s work, such as equilibrium, deconstruction, mechanics, and fluidity, this volume invites readers to discover an exceptional savoir faire combining creativity, technical prowess, resilience, and dexterity. The text paints an authentic, vivacious, yet humble portrait of Bastide, and his anecdotes accompany photographs by Jo Pesendorfer of a selection of his works. 

This is a bilingual edition, in English and French.

About the Author:

Born in 1954, Thomas Bastide grew up watching Scandinavian master glassmakers at work, and glass—with the multiple creative possibilities it offers—has become a true passion for him. A graduate from the Penninghen School of Graphic Arts and ENSAAMA in Paris, and the Pilchuck School in Seattle, he began his professional career with Raymond Loewy, a star of the design world. Laure Verchère was a long-time journalist for Elle Décoration. She is the author of numerous books, including Signed Sybille de Margerie and Le Grand Hôtel & Café de la Paix, published by Flammarion.

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Пролистать книгу Thomas Bastide: Design​ на сайте издательства.

This highly anticipated follow-up volume presents the exquisite designs of Tord Boontje, one of the most creative and romantic industrial designers working today.

Tord Boontje: Enchanted World is a comprehensive visual document of the designer’s most recent work. As an artist and a craftsman, Boontje incorporates an artisanal sensibility into contemporary industrial design, drawing upon a rich graphic tradition to create objects of exceptional beauty and delicacy.

Featured here are some of his latest works, many undertaken after Boontje stepped down as Head of Design Products at the Royal College of Art in 2013 (a position he assumed after Ron Arad in 2009). Now, solely focused on his own design studio in London, Boontje showcases many of his designs, including the wispy Icarus Lamp, an armoire constructed entirely of pressed-metal fig “leaves” for Meta, a portable Bluetooth speaker for Yamaha hidden under a curtain of horsehair, and many other romantic explorations that have made Boontje’s output stand out in the world of design. Combining developing technologies and traditional approaches, his pieces are prized for their originality, delicacy, and intricate detail. This book is a must for design lovers, providing readers with a window into how Boontje crafts his unique objects, from studio prototype to retail. Indeed, the book is conceived as a work of total design, using special printing effects and beautiful marginalia on almost every page in the form of Boontje’s sensitive and romantic detailed hand-drawn illustrations that have served as the inspiration for many of the objects featured here.

About the Author:

Tord Boontje is an award-winning industrial designer from the Netherlands. He graduated from the Royal College of Art in London and was Head of Design Products at the college from 2009–2013. He first came into public prominence with his work for Target.

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Пролистать книгу Tord Boontje: Enchanted World: The Romance of Design

This highly anticipated follow-up volume presents the exquisite designs of Tord Boontje, one of the most creative and romantic industrial designers working today.

Tord Boontje: Enchanted World is a comprehensive visual document of the designer’s most recent work. As an artist and a craftsman, Boontje incorporates an artisanal sensibility into contemporary industrial design, drawing upon a rich graphic tradition to create objects of exceptional beauty and delicacy.

Featured here are some of his latest works, many undertaken after Boontje stepped down as Head of Design Products at the Royal College of Art in 2013 (a position he assumed after Ron Arad in 2009). Now, solely focused on his own design studio in London, Boontje showcases many of his designs, including the wispy Icarus Lamp, an armoire constructed entirely of pressed-metal fig “leaves” for Meta, a portable Bluetooth speaker for Yamaha hidden under a curtain of horsehair, and many other romantic explorations that have made Boontje’s output stand out in the world of design. Combining developing technologies and traditional approaches, his pieces are prized for their originality, delicacy, and intricate detail. This book is a must for design lovers, providing readers with a window into how Boontje crafts his unique objects, from studio prototype to retail. Indeed, the book is conceived as a work of total design, using special printing effects and beautiful marginalia on almost every page in the form of Boontje’s sensitive and romantic detailed hand-drawn illustrations that have served as the inspiration for many of the objects featured here.

About the Author:

Tord Boontje is an award-winning industrial designer from the Netherlands. He graduated from the Royal College of Art in London and was Head of Design Products at the college from 2009–2013. He first came into public prominence with his work for Target.

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Пролистать книгу Tord Boontje: Enchanted World: The Romance of Design на сайте издательства.

This illustrated book retraces the renowned and eclectic Chinese designer Yin Jiulong, featuring his prolific body of work spanning his twenty-year career.

This is the first comprehensive monograph on Yin Jiulong’s creations. Lavishly illustrated with 200 photographs and illustrations, this book provides complete documentation of the history, inspiration, and details of his eclectic career. Straddling graphic design, art, space and product design, and branding, Yin Jiulong’s creative output mixes traditional Chinese aesthetics, sought after materials, and contemporary artworks. His work has been extensively published in important magazines and newspapers such as AD, Ideat, Elle Decor, Vogue, Pattern, Life magazine, and Modern Weekly. It has also been exhibited in China, Japan, the Netherlands, and London; and at the Museum Prinsenhof Delft (Delft), Beijing Design Week, Design Shanghai, and Chengdu MoCA (Chengdu).

This volume offers beautifully photographed products and exhibition views of the designer’s charming artworks, while also featuring important projects made in collaboration with artists and fashion brands, including renowned Chinese artist Zhang Xiaogang, curator Lü Peng, and celebrated sneaker brand Feiyue.

About the Authors:

Yin Jiulong was born in Dazhou, Sichuan Province, in 1975. He graduated from Chengdu University in 1996. He is a famous artist and designer, with a twenty-year career in the field. In recent years, he started shifting from graphic design to space and product design, focusing on cultural design, creative industries, and brand marketing. In 2021 he founded the brand Material Imagination in Chengdu.

Lü Peng born in Chongqing in 1956, is an independent art historian, critic, and curator. He teaches at China Academy of Art, Sichuan Academy of Fine Arts, and Macau University of Science and Technology. He has published some of the most important Chinese artists’ monographs and the most complete volume on modern Chinese Art History, A History of Art in 20th-century China and curated a number of solo and group exhibitions in China and internationally.

Bao Qian is an independent art critic, curator and cultural planner, graduated from China Academy of Fine Arts. She has won the Chinese Contemporary Art Theory and Criticism National prize multiple times and has participated to major national planning projects such as “Gulangyu Cultural Development Plan" and "Quanzhou Ancient City Cultural Development Plan”.

Picture this. The biggest players in the highly competitive field of illustration

Culled from our Illustration Now! series is this selection of today’s most successful and important illustrators from around the globe. In his introduction, Steven Heller fleshes out the challenging process of narrowing down a field of 600 illustrators to a selection of the 100 most significant. The final cut, including artists such as Istvan Banyai, Gary Baseman, Seymour Chwast, Paul Davis, Brad Holland, Mirko Ilić, Anita Kunz, and Christoph Niemann, provides a snapshot of the highly dynamic and diverse world of contemporary illustration.

Features include:

- A self-portrait by each illustrator and examples of their work
- A profile text about each illustrator by Steven Heller
- Lists of selected exhibitions and publications
- Illustrators’ quotes about his/her work

О книге 100 Illustrators

100 Illustrators – расскажет о самых известных и великих иллюстраторах Мира на сегодняшний день. Позволит окунуться в сферу их творчества, представить, как создавались популярные художественные шедевры.

Автор книги 100 Illustrators, Стивен Хеллер, в своем вступлении подчеркивает сложность выбора и сужения кандидатов от 600 лучших иллюстраторов, до 100. В список наиболее значимых вошли такие знаменитые художники, как Иштван Баньяй, Гари Бейсман, Сеймур Чваст, Пол Дэвис, Брэд Голанд, Мирко Илич, Анита Кунц и Кристоф Ниманн. Их работы как нельзя лучше передают весь высоко динамичный и разнообразный мир современной иллюстрации.

Книга 100 Illustrators от издательства Taschen, включает в себя:

• Автопортрет каждого иллюстратора и примеры их работ;
• Описание профиля каждого художника от автора, Стивена Хеллера;
• Списки избранных выставок и публикаций;
• Цитаты иллюстраторов о своей работе.

This book collected spiffy graphics designers who born in 70-80's, 10 works which produced from apr 2006-mar 2007 for each designer and hold 20-35 pages.

21 | TWENTY ONE showcases designers living and working in Britain who have come to prominence since the millennium.

They lead public taste and critical debate; they are the innovators and the explorers of new materials or processes; they are establishing new ways of working, and redefining what that work might be. Combining interviews with commentary and evaluation, Gareth Williams examines what design means and has meant to Britain and British identity, looking at the roles of government, museums, galleries, studios, the public, and the designers.

Designers include El Ultimo Grito, Industrial Facility, Jaime Hayon, Troika and rAndom International, who have worked for brands such as British Airways, Camper, Droog, Muji, The Science Museum and MoMA.

This book offers a stunning visual history of 100 years of design.

They’ve shaped our modern age, whether it’s the chair we’re sitting in, the computer we’re reading on, or the house we’re living in. Design is everywhere, and this volume profiles 50 of the most influential figures of the past century. From the first bentwood chairs by Thonet to the holistically designed worlds of Bauhaus and Le Corbusier, and from the signature styles of designers such as Charles and Ray Eames, Eileen Gray, and Philippe Starck to internationally known brands like Swatch, Muji, and Apple, the designers here are profiled in double-page spreads packed with fascinating background information, photographs, and illustrations. As inspiring as it is informative, this far-reaching book celebrates the impact that design has on our daily lives.

Другие книги серии

50 Photographers You Should Know

50 Photos You Should Know

50 Contemporary Artists You Should Know

50 Fashion Designers You Should Know

50 Contemporary Fashion Designers You Should Know

50 Buildings You Should Know

Minimum Design: An indispensable compendium on important designers of the modern era
An ideal and accessible introduction suitable for students and lovers of design today

Pier Giacomo Castiglioni (1913-1968) and Achille (1918-2002) are the eldest and the youngest of the three Castiglioni brothers who all studied architecture at the Milan Polytechnic. The two Castiglioni brothers were interested in both technology and art and in the 1940s began their original professional partnership, "Castiglioni Brothers". The company was especially successful with their lamps for Arredoluce, Flos, and Artemide. The brothers worked from the viewpoint that design must restructure an object's function, form and production process, a philosophy they applied to every work they produced.

Published in the same style as the successful Minimum Architects series, the Minimum Design series includes books about the major figures in the field of design, creators of objects that have become a part of our daily lives. The lamp on our desk, the chair we are sitting on or the glasses we are wearing have a genius behind them to be discovered. These volumes will introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summarising the most significant reviews published in magazines and newspapers will complete the subject.