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Greg Gorman
ID: 8049
Издательство: Damiani

In 1982 Greg Gorman was just beginning his career as a photographer, creating campaigns and publicity shoots for such films as Tootsie, The Big Chill and Scarface, with stars from the worlds of film, television and music gracing his studio on a daily basis. It was also at this time that Jeff Gorman and Gary Johns created a campaign for the famous Los Angeles-based eyewear company, L.A. Eyeworks, for which they hired Gorman as house photographer. The ads were published as full-page bleeds in Andy Warhol's Interview magazine; and the campaign, one of the very first celebrity endorsed "advertorials" of its kind, has endured over 30 years, making it one of the longest running photo-campaigns ever. Gorman was able to recruit stars for the campaign from his film-studio work, and Warhol--who personally called the photographer and requested to do an L.A. Eyeworks shoot, which led to the series' most famous portrait--also gathered famous faces for the company. Alongside Warhol, the many celebrities photographed by Gorman in their L.A. Eyeworks frames include Boy George, Philip Glass, Meryl Streep, Jodie Foster, Iman, Lypsinka, Bryan Ferry, Grace Jones, Quentin Crisp, John Waters, Johnny Rotten, Rob Lowe, Whoopi Goldberg, Mickey Rourke, Frank Zappa, Elton John, Divine, Pierce Brosnan, David Hockney, Debbie Harry and Pee Wee Herman. Gorman's luscious, era-defining, black-and-white photographs are gathered here for the first time.

Greg Gorman Over the past 40 years, Greg Gorman has photographed famous and infamous faces for film, music, politics, sports, advertising and pleasure. Greg continues to seek out projects worldwide that both grant him new experiences and provoke his inspiration. Between spending time at his homes in Los Angeles and Mendocino, where he also teaches, Greg conducts workshops and lectures internationally, and hosts exhibitions of his fine art photography. This compilation follows Greg's previously published works Volume I, Volume II, Inside Life, Perspectives, As I See It, Just Between Us, The Odes of Pindar and In Their Youth.

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David Robinson (Movie Icons)
ID: 3053
Издательство: Taschen

Greta Garbo’s uniquely photogenic beauty belies her great talent as an actress, as her performances in Queen Christina and Camille prove. A hint of a Garbo smile, touch, or glance conveyed volumes. She was languid, distant, and melancholy, yet in her love scenes she conveyed a passion and hunger that startled audiences and overturned American notions of eroticism and sexuality. Part of her fascination, too, is the mystery of her private lives and loves: “I want to be alone,” she insisted, but she remains the world’s divine woman.

The Movie Icon series: People talk about Hollywood glamour, about studios that had more stars than there are in heaven, about actors who weren't actors but were icons. Other people talk about these things, TASCHEN shows you. Movie Icons is a series of photo books that feature the most famous personalities in the history of cinema. These 192-page books are visual biographies of the stars. For each title, series editor Paul Duncan has painstaking selected approximately 150 high quality enigmatic and sumptuous portraits, colorful posters and lobby cards, rare film stills, and previously unpublished candid photos showing the stars as they really are. These images are accompanied by concise introductory essays by leading film writers; each book also includes a chronology, a filmography, and a bibliography, and is peppered with apposite quotes from the movies and from life.

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Ricci Stefania
ID: 5785
Издательство: Skira

The never-before-published wardrobe of a timeless star, for lovers of fashion, photography and film history.

Greta Garbo’s influence over fashion has transcended time. Her dresses, suits, impeccably-tailored coats with a slightly masculine look and the indispensable accessories (shoes, bags, glasses, foulards) has created a style emulated, imitated, even occasionally reviled, but never fully examined. For the first time a catalogue of great glamour and a travelling exhibition detail this extraordinary wardrobe whose minimalism fits so well with current fashion trends.

Editor of the catalogue is Stefania Ricci, the Director of Museo Salvatore Ferragamo in Florence, as the Divine was a Ferragamo client from the 1920s until her death, and the founder of the Italian maison designed for her hundreds of original, classical, futuristic, hand-made shoes and sandals, most of them shown here for the first time.
A stunning selection of black and white Garbo’s portraits by celebrated photographers completes the volume.

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Michael Lavine, Thurston Moore
ID: 4764
Издательство: Abrams

More than a decade after his death, alienated, awkward, heavily eye-lined Kurt Cobain continues to sit front and center in the arena of popular culture, as the subject of books, music, fashion, gossip, and inspiration for major motion pictures and documentaries. Together with flannelsporting, music-obsessed communities emerging (in the late 1980s and early 1990s) from the chilly Pacific Northwest, Nirvana, Sound Garden, and Pearl Jam changed the scene with wild aggressive sounds and truly alternative records.
Author Thurston Moore (of Sonic Youth) - who introduced Kurt Cobain t David Geffen (Geffen Records), a meeting that resulted in Nirvana’s first major debut, Nevermind, in September 1991, which by December was selling 400,000 copies a week - writes about the discovery of Seattle punk youth, the seminal bands that defined the movement, the exploitation of the subculture, and the backlash of grunge, as well as the death of his longtime collaborator and intimate Cobain.

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Alison Gingeras
ID: 8639
Издательство: Phaidon

An introduction to the groundbreaking work of Guy Bourdin (1928–91), a great innovator in the field of fashion photography

  • An introduction to the groundbreaking work of Guy Bourdin (1928–91), a great innovator in the field of fashion photography
  • Bourdin’s high glamour and seductive, often surreal, work revolutionized the genre of fashion photography
  • Introductory essay by Alison Gingeras provides a fresh perspective on Bourdin’s life and work, including his considerable influence on the world of commercial and fine art photography
  • Documents the development of Bourdin’s photography through a chronological sequence of 55 images
  • Introduces lesser-known and previously unpublished images alongside famous classics such as his campaigns for Charles Jourdan and Dior, and his work for French Vogue
Guy Bourdin was born in Paris in 1928 and received his first photographic training whilst performing military service in Senegal in 1948. His photographs were first shown in Paris in 1952, the catalogue for which exhibition included an introduction by Man Ray, and he began working for French Vogue in 1954.

Inspired by Man Ray’s brand of Surrealism, Bourdin rejected the descriptive roles of photography in favour of an exploration of the medium's capacity for the divergent. Along with certain American photographers, notably Edward Weston, Bourdin recognized a concern with formal perfection and extremely high finish that became his own objective, one perfectly adapted to the deceptive sophistication of fashion imagery, the landscape in which he developed his ideas for over thirty years.

At French Vogue, Bourdin demanded and was allowed unique editorial control and amazingly he extended this to his principal client in advertising, the shoe company Charles Jourdan, who first commissioned him in the 1960s. Bourdin's approach to campaigns reflected a distinct change for advertising in this period. Bourdin rejected the 'product shot' in favour of atmospheric, often surreal tableaux and suggestions of narrative. Bourdin was not alone in demystifying the object, but he was the most radical in his approach.

The impact of the imagery of Guy Bourdin on both commercial and fine art photography continues to resonate today, Bourdin made radical changes both in the style and the meaning of commercial imagery. His fashion shoots are mysterious, hypnotic, surreal, exposing the true and unnerving nature of desire. He shows that, within the context of fashion, it is rarely the product that compels us. It is the image – carefully staged narrative of sexual fantasy, the quest for the unattainable, the suggestion of danger – that stimulates consumer desire.

About the author(s)
Alison Gingeras is an international curator and writer based in Paris. She held the post of Curator of Contemporary Art Exhibitions and Collections at the Centre Pompidou, Paris (1999 to 2004) and was a member of the curatorial team at the Solomon R. Guggenheim Museum, New York from 1995 to 1999. She is on the editorial committee of Tate.Etc. magazine and has written dozens of exhibition catalogue texts and essays on contemporary artists.

 

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Julia Chaplin
ID: 7103
Издательство: Assouline

Yuppies, Yippies, Jet Setters, Bright Young Things, Generation X, Generation Y . . . and now the Gypset. Fusing the ease and carefree lifestyle of a gypsy with the sophistication of the jet set, the Gypsetters are artists, surfers, designers, and bon vivants who live and work around the globe, from Jose Ignacio, Uruguay and Ibiza, Spain, to Montauk, New York. Gypset Style explores the unconventional, wanderlust lives of these high-low cultural nomads and the bohemian enclaves they inhabit, as well as their counterculture forbears, such as the Victorian explorers, the Lost Generation, the Beatniks, and the hippies. And along the way, author Julia Chaplin looks back at quintessential gypsy boho moments in social history.
About the Author
Julia Chaplin is a New York based journalist and editor who covers contemporary art, fashion, design, lifestyle, and travel. She is a frequent contributor to The New York Times, Elle, Vogue, Wallpaper, New York magazine, and Conde Nast Traveler.

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Michael Dweck
ID: 9249
Издательство: Damiani

Cuba has a secret. One that has never been photographed, never reported in Western media and never acknowledged openly within Cuba itself. Michael Dweck is American photographer Michael Dweck's exploration of a compelling aspect of Cuba's contradictory status in the world today. The title, like much in Cuba, has a double meaning: Free Havana and Havana is Free. This revealing and contemporary work by a visual artist adept at capturing the quiet gesture, the alluring glance and the proud and provocative pose, brings to light a secretive social order as seen from within – a position not previously attained by an outsider. Behind the clichéd press images of vintage cars, crumbling buildings, peeling paint and a struggling unhappy people held back from progress, lays a hidden society of Cuba?s most influential people - the creative class. It is a socially connected group of keenly observant artists, glamorous models, filmmakers, musicians and writers captured in an elaborate dance of survival and success. Their lives are a constant play of appearances; they are the privileged class in a classless society. These Cubans are international, elegant and sophisticated. They have cars and passports in a country where travel is difficult if not impossible. They are fashionable, though Cuban couture is an oxymoron as there are few stores. They are socialists who would be lost without capitalism to sell their creative wares in the world?s markets. And they are the pride and flesh of Cuba's culture. They put their conscience on record, their art is their vision of the country.

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Pascal Szymezak
ID: 9594
Издательство: White Star

Ever since the original appearance of their first single-cylinder engine, followed by their twin cylinders, the Harley-Davidson has distinguished itself by imposing its models, owing to their trustworthiness and endurance, and then because of how many competitions they won.

The new Harley-Davidsons have become motorcycles offering modern performances, but which have succeeded in conserving the spirit of the brand and, above all, that special Harley-Davidson character. All you need to do is climb into the saddle and rev up a Harley-Davidson to discover a new motorcycling universe, where the concept of pleasure reveals its full meaning.

And this is the universe that this book invites you to discover, through the history of the brand's main models, embodying nearly 110 years of motorcycling adventures, touching upon tourism, sport, customization, and the simple and outright passion for motorcycles.

Pascal Szymezak, is a journalist who specialise in motorcycles, he began by collaborating with various periodicals and magazines, all related to motorcycling and motorcycle travel. He later became editor-in-chief for a monthly magazine specialising in the Harley-Davidson motorcycle, the new American models, the history, and trips through the country. He is the author and co-author of various books on the Harley-Davidson.

 

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Альберт Саладини, Паскаль Сцимезак
ID: 10709
Издательство: АСТ

Вы испытаете невероятные приключения с "Харлей-Дэвидсон" и познакомитесь со столетней историей этой когда-то небольшой семейной фирмы, которая сейчас занимает ведущую позицию среди производителей мотоциклов. Также вы узнаете об эволюции мотоциклов и хронике их побед, сможете проникнуть за кулисы мира "Харлей-Дэвидсон", посмеяться над забавными историями из жизни кампании и познакомиться с ее наиболее заметными представителями. А многочисленные фотографии проиллюстрируют лучшие достижения американского мотоконцерна.

Harley Davidson: A Way of Life

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Darwin Holmstrom
ID: 12553
Издательство: Motorbooks

Cruise through this collection of Harley-Davidson's most iconic motorcycles!

When most people imagine a motorcycle, chances are they picture a Harley-Davidson. That's because Harley-Davidson machines look the way the primordial biker inside each of us feels a motorcycle should look. In short, Harley-Davidson makes mythic bikes. Harley-Davidson: The Complete History celebrates these iconic motorcycles, presenting them all in one beautifully illustrated book.

The most beloved and recognizable motorcycles are included here: the Knucklehead, the Panhead, the Peashooter, the KR, the Sportster, the XR750, the Shovelhead, the Evolution, the Twin Cam, the V-Rod, and all the rest. Pages in the book reveal historic images as well as modern photos from the top motorcycle photographers working today. Additionally, there are chapters from some of the most celebrated motorcycle writers of all time -- Peter Egan, Kevin Cameron, Ed Youngblood, Allan Girdler, Steve Anderson, and many more. All of this material combines to tell the story of every major motorcycle that Harley-Davidson has built, from the very first prototype to the Silent Gray Fellow to the latest liquid-cooled CVO Electra Glides and Softails. Harley-Davidson: The Complete History is the ultimate history of the ultimate motorcycle company.

About the Author:

Darwin Holmstrom has written, co-written, or contributed to more than thirty books on subjects ranging from motorcycles and muscle cars to Gibson Les Paul guitars, including Indian Motorcycles, GTO: Fifty Years, Let's Ride: Sonny Barger's Guide to Motorcycling, Top Muscle: The Rarest Cars from America's Fastest Decade, BMW Motorcycles, The Life Harley-Davidson, and The Complete Idiot's Guide to Motorcycles. Darwin is the former senior editor at Motorbooks and former Midwestern editor for Motorcyclist magazine.

____________

Пролистать книгу Harley-Davidson: The Complete History на Google Books.

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Harry Benson, Reuel Golden
ID: 14032
Издательство: Taschen

Maybe I’m Amazed. A personal portrait of Paul McCartney by Harry Benson

Harry Benson began photographing the young Paul McCartney in 1964, a pivotal year for the Beatles when they took America by storm, toured the world, and made their movie debut with A Hard Day’s Night—all documented by the affable Scotsman. And when the Fab Four called it quits, it was Benson who was afforded intimate access to Paul and wife Linda, as Paul forged a new path creatively and personally.

Through Benson’s lens, Paul traces the evolution of its namesake as an icon, performer, and a devoted family man. We follow the musician at the height of his fame with the Beatles; in the recording studio with Linda and their band, Wings; with the family; behind the scenes and on stage during the 1975–76 “Wings Over America” tour; dancing the night away at a star-studded party on the Queen Mary to celebrate the band’s newest album; and with Linda on the couple’s farm in the U.K. in the early 1990s—a fittingly soft landing after so many years of flying high.

Featuring more than 100 color and black-and-white images by the legendary photojournalist, many never seen before, this collection is a window onto a one-of-a-kind artist, one who has remained somewhat enigmatic despite nearly a lifetime of being in the limelight.

Collector’s Edition of 600 copies (No. 101–700), each numbered and signed by Harry Benson

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

The editor:

Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, Andy Warhol. PolaroidsThe Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, and The David Bailey SUMO.

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Harry Benson, Reuel Golden
ID: 14742
Издательство: Taschen

Maybe I’m Amazed. A personal portrait of Paul McCartney by Harry Benson

Harry Benson began photographing Paul McCartney in 1964, when the Beatles took America by storm, toured the world, and made their movie debut with A Hard Day’s Night. The legendary photojournalist was on hand to document it all. When the Fab Four came to an end, it was Benson who had intimate access to Paul and his wife Linda, as Paul forged a new path, creatively and personally.

Featuring more than 100 color and black-and-white images, this collection is a window into the life of one of the world’s best-known recording artists, one who has remained enigmatic despite a lifetime in the limelight.

Through Benson’s lens, Paul traces the evolution of its namesake from performer to icon, father and husband. We see the young musician at the height of his fame with the Beatles, in the recording studio with Linda and their band Wings, with the family, behind the scenes and on stage during the 1975–76 “Wings Over America” tour, partying with the stars, and at the couple’s quiet farm in the UK in the early 1990s.

On the occasion of Sir Paul's 80th birthday, Paul gives an all-access look at a life spent making the world’s most popular music. A must for any music fan.

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

The editor:

Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, The Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, the David Bailey SUMO and Andy Warhol. Polaroids.

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Harry Benson
ID: 9840
Издательство: Taschen

The Fab Five. Behind Beatlemania

“These photos convey a really happy period for them and for me. It all comes down to music, they were without a doubt the greatest band of the 20th century, and that’s why these photographs are so important.” – Harry Benson, 2012

In early 1964, Harry Benson was getting on a plane for a foreign assignment in Africa, when he got a call from the photo editor of London newspaper The Daily Express. He was now going with The Beatles to Paris to document French Beatlemania and what followed was the biggest (ticket to) ride of his life.

Benson was warmly welcomed into The Beatles’ inner sanctum, resulting in some of the most intimate photographs ever taken of the band, then on the cusp of world domination. In Paris, he took the famous photograph of the Fab Four having a pillow fight at the George V Hotel; he shot their groundbreaking first visit to the United States, the full impact of New York hysteria, their famous appearance on The Ed Sullivan show, the band in Florida, including their surprising encounter with Cassius Clay; as well as on the set of A Hard Day’s Night. The relationship continued in 1966, including George’s honeymoon in Barbados and their notorious US tour, under the shadow cast by Lennon’s comment that the Beatles were “bigger than Jesus Christ.”

Benson’s luminous black and white photographs show at close quarters The Beatles composing, performing, encountering their fans, relaxing, and engaging with each other, while trying to cope with their increasingly isolating fame. In addition to hundreds of photographs, many previously unseen, there is an introductory essay by Benson as well as quotes and newspaper clippings from the period.

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

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Harry Benson
ID: 12353
Издательство: Taschen

Behind Beatlemania. Privileged access to the Fab Four

The best of Harry Benson’s era-defining Beatles portfolio, capturing the Liverpudlian quartet on the road, performing, and coming to terms with skyrocketing fame. From a pillow fight in Paris to their first U.S. tour, shot in luminous black and white, Benson’s pictures show intimate glimpses of George, John, Paul, and Ringo composing, relaxing, and engaging with euphoric fans.

In early 1964, photographer Harry Benson received a call from the photo editor of London’s Daily Express, who asked him to cover the Beatles’ trip to Paris. It was the beginning of a career-defining relationship, which would both make Benson’s name and produce some of the most intimate photographs ever taken of the Beatles.

In Paris, Benson captured the Fab Four in the midst of a pillow fight at the George V Hotel, a spontaneous moment which came to epitomize the spirit of the band — Benson himself has called it the best shot of his career. Later that year, he followed the group on the road for their debut U.S. tour, documenting their appearance on The Ed Sullivan Show, their surprising encounter with Cassius Clay, and the hysteria of New York Beatlemania. Benson also photographed George Harrison’s honeymoon in Barbados, documented the Beatles on the set of their debut movie A Hard Day’s Night, and was present on the now infamous 1966 tour when John Lennon said that the Beatles were “more popular than Jesus.”

Previously out-of-print, this re-edition brings back the best of Benson’s luminous black-and-white Beatles portfolio. Complemented by quotes and newspaper clippings from the period, an introduction by the photographer himself adds exciting personal testimony to these iconic images of the greatest band in musical history.

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

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Harry Benson
ID: 7923
Издательство: PowerHouse Books

Immortalizing the people and moments that have defined the past 60 years, world-renowned photojournalist Harry Benson has become as much a part of history as the photographs themselves. The scope of his accomplishments as a photojournalist is nothing short of remarkable: he has photographed every U.S. president since Eisenhower, as well as Robert F. Kennedy on the night he was assassinated, and Martin Luther King Jr. at his funeral; he has shot stars such as Elizabeth Taylor, Mick Jagger, Dolly Parton, Michael Jackson, Greta Garbo, and Truman Capote; he covered both the rise and fall of the Berlin wall, the IRA hunger strikes, the Freedom March through Mississippi, the Watts riots, 9/11, and conflicts in Kuwait, Bosnia, Somalia, Afghanistan, and Israel; and, on the eve of his 80th birthday, Benson is still at it, crisscrossing the globe on assignment for Conde Nast.

Harry Benson: Photographs is a visual celebration of Benson's incomparable career. Organized into chapters on celebrity, art, fashion, sports, politics, and photojournalism, Harry Benson: Photographs features a distinctive mix of iconic images alongside never-before-published photographs of Sir Winston Churchill, Nelson Mandela, Queen Elizabeth, Princess Diana, Jackie Kennedy Onassis, Billy Graham, Bobby Fischer, Muhammad Ali, the Beatles, Sonny Liston, Chuck Berry, O.J. Simpson, Yogi Berra, Sophia Loren, Kate Moss, Gloria Swanson, James Brown, Fred Astaire, Johnny Carson, Jack Nicholson, Marlon Brando, Al Pacino, Clint Eastwood, Woody Allen, Spike Lee, Alfred Hitchcock, Federico Fellini, Joseph Papp, Andy Warhol, Liza Minelli, Barbra Streisand, Halston, Giorgio Armani, Valentino, Diana Vreeland, and countless others. With unique access to the most elusive, alluring, and enduring legends of our time, Benson's magnum opus is an unsurpassed masterpiece of contemporary photojournalism and portraiture.

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