Фото

Though he is best known for his Art Nouveau and Art Deco nudes, when Frantisek Drtikol (1883-1961) passed way, he left more portrait photography than anything else--thousands of images made between 1910 and the 1930s.

This ambitious book is the first ever devoted to those portraits alone. The selection, culled from some 2,000 in Prague's National Archive, presents a gallery of eminent Czechs and Slovaks during the first Czechoslovak Republic, as well as prominent visitors to the country from many walks of life. Apart from their pure documentary value, these images reflect Drtikol's efforts to capture his sitters' inner selves, bridging idealism and materialism.

The artist has also been the subject of The Photographer Frantisek Drtikoland Photographs by Frantisek Drtikol; this volume is compiled and written by Josef Moucha.

Long before pin-ups, Playboy, or the Internet, enterprising Parisians at the turn of the 20th-century turned the relatively new invention of the camera toward the female nude. Artfully posed with classical architecture or in flirtatious dishabille with stockings and lingerie, the winking models embody the erotic fantasies of a repressed society. Some of the women shown are demure and shy, wearing a slip or low-cut blouse-a great tease in an age when showing an ankle was scandalous. Their daring glimpses of decolletage carry a particular charge, so rare in today's world of overexposure. These cards were sold, often in packets, at street kiosks and under tabac counters, hush-hush but nevertheless ubiquitous. As foreigners flooded the city in the early part of the 20th-century, the cards became cherished souvenirs that were secretly collected and shared among men abroad. This is when the phrase "French postcards" became a euphemistic code for erotic nude images. These lovely ladies evoke a campy nostalgia that celebrates a healthy, voluptuous ideal of sensual feminine beauty. More retro than raunchy, French Postcards has the saucy fun of a naughty valentine, sure to charm and entertain a friend or lover.

MÖREL is proud to present the most important retrospective book to date devoted to the Ukrainian artist Boris Mikhailov (born in 1938 in Kharkiv).

Considered one of the most influential contemporary artists from Eastern Europe, he has been developing a body of experimental photographic work exploring social and political subjects for more than fifty years.

Boris Mikhailov’s pioneering practice encompasses documentary photography, conceptual work, painting and performance. Since the 1960s, he has been creating a haunting record of the tumultuous changes in Ukraine that accompanied the collapse of the Soviet Union and the disastrous consequences of its dissolution.

In an extraordinarily rich body of work that defies categorisation, Mikhailov unsettles visual codes. Inventing his own distinct artistic language in series that vary enormously in terms of technique, format and approach, he bears witness to the harsh social realities and absurdities of his time.

Combining humour and tragedy, Boris Mikhailov unceasingly defends artistic freedom as both a means of resistance. Through his uncompromising treatment of controversial subjects, he demonstrates the subversive power of art.

For more than half a century, he has been bearing witness to the grip of the Soviet system on his country, constructing a complex and powerful photographic narrative on Ukraine’s contemporary history that in light of current events, is all the more poignant and enlightening.

From "blaue horse" till now days 1965-2022

Published on the occasion of Boris Mikhailov's major retrospective at the MEP, Paris
The book brings together 27 of Mikhailov's projects over the last 57 years.

Working closely with Boris and Vita Mikhailov on the design and edit of the book we have included over 3000 words in quotes giving a unique insight into each project and Boris' methodology and philosophy.

A second booklet with essays contributed by Simon Baker (Director of MEP, Paris), Laurie Hurwitz (Curator of the exhibition), and artist Leigh Ledare (artist and friend of the Mikhailovs) complements the main book. Included in this are also translations for the series Viscidity and Unfinished Dissertation.

About the Artist:

Born in 1938 in Kharkiv, Ukraine, and trained as an engineer, Boris Mikhailov is a self-taught photographer. Early in his career, he was given a camera in order to document the state-owned factory where he was employed; he used it to take nude photographs of his wife. He developed them in the factory’s laboratory, and was fired after they were found by KGB agents.

Today seen as one of the most important figures on the international art scene, he has received many prestigious awards, among them the 2015 Goslar Kaiserring Award, the Citibank Private Bank Photography Prize (now the Deutsche Börse Photography Foundation Award) in 2001 and the Hasselblad Award in 2000. He represented Ukraine at the Venice Biennale in 2007 and again in 2017.

His work has been exhibited in major international venues, including the Tate Modern in London, MoMA in New York, and more recently, the Berlinische Galerie and C/O Berlin in Berlin, the Pinchuk Art Center in Kyiv, the Sprengel Museum in Hannover and the Staatliche Kunsthalle in Baden Baden.

Boris Mikhailov is represented in Paris by the Suzanne Tarasieve Gallery. He also shows his work at the Sprovieri Gallery in London, Guido Costa Projects in Turin, Barbara Gross in Munich and Galerie Barbara Weiss in Berlin.

He lives between Berlin and Kharkiv with his wife, Vita

While the world evaporates into the digital, the anachronistic Polaroid snapshot dominates media and advertising. The recent sale of the photography collection owned by Polaroid’s inventor Edwin Land to the Viennese photography museum WestLicht marks an art-market trend toward the analog. Beginning in the sixties, Polaroid supplied artists around the world, from Ansel Adams to Andy Warhol, with each one of the imperium’s latest products. In return, 4,400 works by 800 photographers found their way into the company’s International Collection at their European headquarters near Frankfurt am Main. In 2008, when the last instant film factory was rescued from demolition by the company Impossible, the founder’s commitment to collecting could be carried on as well. This publication features selected Polaroid masterpieces and new Impossible instant photography by contemporary artists such as Stefanie Schneider and Nobuyoshi Araki.

Skateboarding in New York City is a singular experience. It is impossible not to feel the magnitude of the landscape, and with the city in constant motion, skateboarding is both exhilarating and extremely dangerous. There is no right or wrong way to navigate this vast terrain. Only one thing is certain - the skaters and images produced in New York City are wholly unique.

The shots in Full Bleed span 30 years, with contributions from over 40 photographers. This is the first-ever comprehensive overview of the one of the most diverse and rich skating locations in the world, bringing together legendary skaters and iconic photographers.

Featuring the work of: Giovanni Reda, Jessica Bard, Ivory Serra, Tobin Yelland, Miki Vuckovich, Thomas Campbell, Larry Clark, Ed Templeton, Jerry Hsu, Atiba Jefferson, Bryce Knights, Angela Boatwright, Athena Currey, Kenneth Cappello, Charlie Samuels, Andy Kessler, Mike O’Meally, Sammy Glucksman, Allen Ying, and more.

Previously unpublished photographs in an ideal gift format.

The most amusing snapshots from the largest collection of private photographs in the world are presented in Funny Pictures, another highlight in our new series of gift books. Selected photographic treasures from Christian Skrein's vast archives document the private worlds of many different types of people.

39 four-color images

Gary Schneider was born in 1954 in East London, South Africa. His work was the subject of a major exhibition that opened at Harvard University’s Fogg Museum in February 2004, and incorporates his previously acclaimed solo exhibition, Genetic Self-Portrait, an artistic response to the Human Genome Project. He has shown extensively worldwide, including Museé d’Elysee, Lausanne, Switzerland; Museum of Fine Art, Houston, Texas; Whitney Museum of American Art, New York; and Museum of Contemporary Photography, Chicago, Illinois. He is represented by Julie Saul, New York; Stephen Daiter, Chicago; and Howard Yezerski Gallery, Boston.

Ol’ Blue Eyes Is Back. Gay Talese’s New Journalism triumph, Frank Sinatra Has a Cold

“Sinatra with a cold is Picasso without paint, Ferrari without fuel — only worse. For the common cold robs Sinatra of that uninsurable jewel, his voice, cutting into the core of his confidence.” — Gay Talese

In the winter of 1965, writer Gay Talese set out for Los Angeles with an assignment from Esquire to write a major profile on Frank Sinatra. When he arrived, he found the singer and his vigilant entourage on the defensive: Sinatra was under the weather, not available, and not willing to be interviewed.

Undeterred, Talese stayed, believing Sinatra might recover and reconsider, and used the meantime to observe the star and to interview his friends, associates, family members, and hangers-on. Sinatra never did grant the one-on-one, but Talese’s tenacity paid off: his profile Frank Sinatra Has a Cold went down in history as a tour de force of literary nonfiction and the advent of the New Journalism.

In this illustrated edition, Frank Sinatra Has a Cold is published with an introduction by Talese, reproductions of his manuscript pages, and correspondence. Interwoven are photographs from the legendary lens of Phil Stern, the only photographer granted access to Sinatra over four decades, as well as from top photojournalists of the ’60s, including John Bryson, John Dominis, and Terry O’Neill. The photographs complement Talese’s character study, painting an incisive portrait of Sinatra in the recording studio, on location, out on the town, and with the eponymous cold, which reveals as much about a singular star persona as it does about the Hollywood machine.

The author:

Gay Talese joined the staff of The New York Times in 1955 and remained there for a decade. During the 1960s and 1970s he contributed many articles to magazines, principally Esquire. Talese is the best-selling author of eleven books including Thy Neighbor’s Wife, Honor Thy Father, and A Writer’s Life. He lives in New York City.

The photographer:

Phil Stern (1919–2014) was one of the preeminent photographers of Hollywood’s golden age, shooting for Look, Life, and Colliers, and working as a “special photographer” on the set of over 100 feature films, including Some Like It Hot, West Side Story, and What Ever Happened to Baby Jane?

Earth eternal. A photographic homage to our planet in its natural state

On a very fortuitous day in 1970, 26-year-old Sebastião Salgado held a camera for the first time. When he looked through the viewfinder, he experienced a revelation: suddenly life made sense. From that day onward — though it took years of hard work before he had the experience to earn his living as a photographer — the camera became his tool for interacting with the world. Salgado, who “always preferred the chiaroscuro palette of black-and-white images,” shot very little color in his early career before giving it up completely.

Raised on a farm in Brazil, Salgado possessed a deep love and respect for nature; he was also particularly sensitive to the ways in which human beings are affected by their often devastating socio-economic conditions. Of the myriad works Salgado has produced in his acclaimed career, three long-term projects stand out: Workers (1993), documenting the vanishing way of life of manual laborers across the world, Migrations (2000), a tribute to mass migration driven by hunger, natural disasters, environmental degradation and demographic pressure, and this new opus, GENESIS, the result of an epic eight-year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society — the land and life of a still-pristine planet. “Some 46% of the planet is still as it was in the time of genesis,” Salgado reminds us. “We must preserve what exists.” The GENESIS project, along with the Salgados’ Instituto Terra, are dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future.

Over 30 trips — travelled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions — Salgado created a collection of images showing us nature, animals, and indigenous peoples in breathtaking beauty. Mastering the monochrome with an extreme deftness to rival the virtuoso Ansel Adams, Salgado brings black-and-white photography to a new dimension; the tonal variations in his works, the contrasts of light and dark, recall the works of Old Masters such as Rembrandt and Georges de La Tour.

What does one discover in GENESIS? The animal species and volcanoes of the Galápagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo’é tribe deep in the Amazon jungle; the Stone Age Korowai people of West Papua; nomadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Juruá rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska... and beyond. Having dedicated so much time, energy, and passion to the making of this work, Salgado likens GENESIS to “my love letter to the planet.”

Whereas the limited Collector’s Edition is conceived like a large-format portfolio that meanders across the planet, this unlimited book presents a selection of photographs arranged in five chapters geographically: Planet South, Sanctuaries, Africa, Northern Spaces, Amazonia and Pantanal. Each in its own way, this book and the Collector’s edition — both edited and designed by Lélia Wanick Salgado — pay homage to Salgado’s triumphant and unparalleled GENESIS project.

The photographer:

Sebastião Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma and Magnum Photos. In 1994 he and his wife Lélia created Amazonas images, which exclusively handles his work. Salgado’s photographic projects have been featured in many exhibitions as well as books, including Other Americas (1986), Sahel, L'Homme en détresse (1986), Workers (1993), Terra (1997), Migrations (2000), The Children (2000) and Africa (2007).

The editor and author:

Lélia Wanick Salgado studied architecture and urban planning in Paris. Her interest in photography started in 1970. In the 1980s she moved on to conceiving and designing photography books and organizing exhibitions, numerous of them on Sebastião Salgado. Since 1994 Lélia Wanick Salgado has been the director of Amazonas images.

Bonhams is the world’s go-to source for classic race and sports cars. In this book, the auction house presents a selection of the most breathtaking models and tells their stories

Gentlemen, Start Your Engines! reveals the undeniable icons of the classic car scene. As lovers of exclusive limited series, record-making vehicles, and legendary races themselves, Jared Zaugg and the team at Bonhams went all out in their efforts to collect the best of the best in this publication — and it shows. Every page gives the reader a sense of the intensity of true automobile culture. Large-format images showcase sleek shapes and tactile vintage interiors in loving detail.

The book features a selection of models that go far beyond mere technical stats and gleaming chrome. Rather, they all offer something far more valuable: compelling stories. These include the rare and uniquely configured Lamborghini Miura SV Coupe purchased by rock star Rod Stewart. Or the Bugatti Type 57S Atalante Coupe from 1937 that, after the owner’s death, was rediscovered by his family sitting exactly as he left it nearly a half-century earlier. All the big names are included, but the focus is on what can be found behind the logos and the polished surfaces.

It might only take a slight turn of the ignition, but firing up classic cars also makes great moments in automobile history come to life. Every page of Gentlemen, Start Your Engines! gives the reader a sense of the intensity of true automobile culture. Large-format images showcase sleek shapes and tactile vintage interiors in loving detail. The book was compiled by Jared Zaugg, the man who co-founded what was widely regarded as the most important motorcycle event in the world, the Legend of the Motorcycle: International Concours d’Elegance. Although Zaugg has mostly been associated with motorcycles, in Gentlemen, Start Your Engines! he revels in his other passion, cars — double the number of wheels and double the fun!

In cooperation with Bonhams, one of the world's premier auctioneers of classic cars, Jared Zaugg reveals the undeniable icons of the scene. The book features a selection of models that go far beyond mere technical stats and gleaming chrome. Rather, they all offer something far more valuable: unique stories. These include the rare and uniquely configured Lamborghini Miura SV Coupe purchased by rock star Rod Stewart. Or the Bugatti Type 57S Atalante Coupe from 1937 that, after the owner’s death, was rediscovered by his family sitting exactly as he left it nearly a half-century earlier. Then there are classic beauties such as the Aston Martin DB4 GT, as well as a collection of historical vehicles that call to mind the origin of the word “horsepower” and the automobile’s humble beginning as a noble carriage. All the big names are included, but the focus is on what can be found behind the logos and the polished surfaces. With its striking photographs and compelling texts, Gentlemen, Start Your Engines! truly captures the feeling of these unique cars.

As lovers of exclusive limited series, record-making vehicles, and legendary races themselves, Jared Zaugg and the team at Bonhams went all out in their efforts to collect the best of the best in this publication — and it shows. Gentlemen, Start Your Engines! is a book that celebrates cars. While it will inspire some to dream and fuel envy in others, it offers superb stories for everyone.

Jared Zaugg embodies the lifestyle of a modern adventurer. He is not only an author but also actively involved in motorsport events and international expeditions. Wherever and whenever the world’s motorsport scene gets together, he can usually be found. Zaugg was one of the initiators of the seminal Legend of the Motorcycle: International Concours d’Elegance. In 2011, together with his wife, he established the exclusive men’s shop Bench & Loom, which interprets the classical style of Hemingway and McQueen for the present day.

Founded in England in 1793, Bonhams is the number one address for classic sports and race cars. Along with Sotheby’s and Christie’s, Bonhams is one of the world’s three largest auction houses and offers more than 50 specialist departments worldwide. Headquartered in London, Bonhams has offices in the United States, continental Europe, Australia, and Hong Kong and conducts more than 700 auctions annually.

Drawing on George Harrison’s personal archive of photographs, letters, diaries, and memorabilia, Olivia Harrison reveals the arc of his life, from his guitar-obsessed boyhood in Liverpool, to the astonishment of the Beatles years, to his days as an independent musician and bohemian squire. Here too is the record of Harrison’s lifelong commitment to Indian music, and his adventures as a movie producer, Traveling Wilbury, and Formula One racing fan. The book is filled with stories and reminiscences from Harrison’s friends, including Eric Clapton, Terry Gilliam, Eric Idle, Paul McCartney, Ringo Starr, and many, many others. Among its previously unpublished riches are photographs taken by Harrison himself beginning in the mid-1960s. It is a rich tribute to a man who died far too young, but who touched the lives of millions.

The elegant male nude photographs of George Platt Lynes, many never before published, from a newly discovered archive of negatives. George Platt Lynes was the preeminent celebrity portraitist of his day, shooting for Vogue and Harper’s Bazaar and creating distinctive photographs of iconic cultural figures such as Diana Vreeland, Salvador Dalí, and Orson Welles. But he also produced a separate body of work, kept largely hidden during his lifetime: photographs of the male nude. Many of these photos were shot in the studio and, like his fashion and dance work, were painstakingly posed and lit. They have a cinematic allure that evokes 1940s Hollywood and the lost era of New York’s café society. Many seem to illustrate some unwritten mythology. Others reveal private obsessions of the photographer, who was always alert to the sculptural qualities of a young man at his most vital. This is the only Platt Lynes book to focus on the male nude images in a comprehensive and carefully considered manner. It is the first book to be published with the cooperation of the artist’s estate, which has provided unprecedented access to institutional and private collections, including the Kinsey Institute and the Guggenheim Museum. The result: a trove of unpublished images that are sure to cause a sensation.

When German photographer Gerrit Engel moved to New York in 1994 to study architecture, he combed through bookstores in search of a book documenting the city’s most important buildings—not just some eccentric details but each edifice as a whole from the street level to the roof; no fancy photographic distortions but captured as the structures present themselves to the ordinary pedestrian. Having
searched in vain he decided to do it himself. Documenting prefabricated housing estates in East Berlin neighborhood of Marzahn, and Buffalo grain elevators, he knew what he was looking for. What he came up with is no less than a typology of Manhattan architecture: 150 buildings in chronological order of their creation between 1793 and 2005, complete with names of the architects and locations. Engel’s brilliant color photographs present a survey of the mix of styles that make Manhattan a unique architectural environment. We now get what Gerrit Engel had been looking for.

10 volume set of photos and text from each decade of the 1900s: '00s through '90s. In English, Spanish and Italian. Each volume is 400 pages with 370 pictures. Organized by themes, including politics, pop, art and sport

72 tritone photographs, 19 color photographs