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It was in interwar central Europe that photography as a modern art form was established.

It fired the imagination of hundreds of progressive artists across Austria, Czechoslovakia, Germany, Hungary and Poland.
It became a symbol of modernity for millions through its use in magazines, newspapers, advertising and books.

Published to accompany an exhibition organized by the National Gallery of Art, Washington, this book presents the work that redefined the very notion of art and embodied at times a dizzying freedom from traditional social roles.

Familiar names such as László Moholy-Nagy, Josef Sudek and the Bauhaus are connected to a wealth of individuals and organizations whose influence is being recovered for the first time.

The perceptive text explores topics ranging from the avant-garde (surrealism, experimental photography) to popular culture (tabloids, sports, the ‘new woman’) to extremist politics and war. Particular attention is given to photomontage, a technique that epitomized the era and found broad acceptance among artists and mass media outlets.

Includes maps, biographies of the featured photographers, and a scholarly bibliography.

For the past four decades, François Halard has had the most privileged view on the world of art, interior design, and culture.

From his perch as the photographer of choice of Vogue to World of Interiors, he has captured many of the world’s most cherished spaces. Many of these have been catalogued in the first two volumes of his Rizzoli series. New Vision is the final of his three-volume magnum opus.

From film director Michelangelo Antonioni’s and actress Monica Vitti’s modernist hideaway in Sardenia to the painter Cy Twombly’s family retreat on the Italian coast, from Isamu Noguchi’s private studio in Japan to Luis Barragan’s lost masterpiece in Mexico, these are Halard’s most personal and intimate images yet published. Going beyond mere documentation, these photographs are the results of decades of a trained eye to see beyond the space into its essential soul. As the lover and collector of art and objects himself, each of Halard’s photo is a masterclass in acquiring by looking. Traversing between interior portraiture, authentication, and a cultural x-ray vision, the photographs collected here are a testament to a personal and unique visual imagination.

About the Author:

Francois Halard has been a regular contributor to American Vogue, Apartamento, T Magazine, and Cabana, among others, for over thirty years. His work for these publications established him as the most prolific and well-known interior and architectural photographer of our time.

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Пролистать книгу François Halard: The Last Pictures: New Vision  на сайте издательства.

In this book the successful French writer Francois-Marie Banier, whose intellectual mentor was Salvador Dali, reveals himself as a sensitive photographer. He shows his friends from international social and cultural circles in private, relaxed and unmasked.

Eye to Eye, the first personal portfolio by master photographer Frans Lanting, presents an extraordinary collection of animal images by an award-winning photographer and naturalist who "has set the standards for a whole generation of wildlife photographers," according to the BBC.

More than 140 photographs, made over a period of twenty years, reveal the unique personal aesthetic Frans Lanting brings to wildlife photography, as well as the startling new perspective on animals his images provoke. In a review of his work The New York Times states, "Mr. Lanting's photographs take creatures that have become ordinary and familiar and transform them into haunting new visions."

This book's exquisite images are accompanied by personal stories and observations from a lifetime of working with wild animals around the world, ranging from orangutans in the rain forests of Borneo to emperor penguins in Antarctica. More than 70 species are represented in this astonishing portrait gallery celebrating the diversity of life on earth.

Frans Lanting does not seek in these encounters the beauty traditionally revered by wildlife photographers: "The perfection I seek in my photographic compositions is a means to show the strength and dignity of animals in nature." Frans Lanting's work has been lauded by designers as art, by biologists as science, and by others as a new vision of the relationship between animals and people - one that challenges us to look animals in the eye and see ourselves.

Where the wild things are. From South America to Africa, up close with rainforest flora and fauna

Jungles is a personal exploration of nature in the tropics by master photographer, storyteller, and naturalist Frans Lanting. In a unique collection of images made over a period of 20 years in jungles from the lowlands of the Congo to the cloud forests of the Andes, Lanting interprets the aesthetic splendor and the remarkable natural history of the tropical rainforest - a realm of bewildering complexity where nothing is the way it first appears. "While the essence of photography is to show, jungles hide, or at best, suggest," Lanting writes. "So I opted to show impressions of jungles to evoke a sense of their kaleidoscopic nature - the glimpses of faces that melt into shadows, the bursts of color and shimmering light."

The book features four portfolios of images taken years and continents apart and stories of field expeditions into tropical wilderness areas. "Water and Light" shows the interplay of these elements with plant and animal life, with a story about life after dark in the jungles of Central America. "Color and Camouflage" explores the need to hide and the desire to be seen, and details a journey to a remote part of the Amazon Basin to document macaws. "Anarchy and Order" features impressions of growth and movement, and leads to a trek up a mountain in Borneo. "Form and Evolution" is an ode to the wonders of natural selection, and culminates in encounters with primates in the forests of Madagascar and Africa.

In photographs ranging from spectacular gatherings of rainbow-colored macaws to the misty exhalations of a forest at dawn, Lanting evokes the lush sensuality and intricate natural order of the tropical regions that form the beating heart of life on earth.

The photographer:
Dutch-born Frans Lanting has been hailed as one of the great nature photographers of our time. For the past two decades, he has documented wildlife and our relationship with nature in environments from the Amazon to Antarctica. Exhibits of his photographs have been shown at major museums in Paris, Milan, Tokyo, New York, Madrid, and Amsterdam.

The editor:
Christine Eckstrom is a writer and TV producer whose work has appeared in National Geographic, Audubon, and International Wildlife. Her feature story "The Last Real Africa" won a 2007 Lowell Thomas Award for Best Magazine Article on Foreign Travel from the Society of American Travel Writers. She is also the author of Forgotten Edens: Exploring the World's Wild Places (1993). She collaborates with husband Frans Lanting from their home base in California.

Beauty of the beasts. Frans Lanting’s vibrant tribute to the Old Africa of Okavango

"Botswana, many say, represents the last of Old Africa. And in the heart of this arid land lies a place as inspiring and as incongruous as the snow-capped summit of Kilimanjaro rising on the equator: that is the Okavango, one of the greatest wetlands on earth, whose very existence in the middle of a desert is nothing short of miraculous." — Frans Lanting, 1993

For a year, Frans Lanting roamed the wetlands and deserts of northern Botswana, living by the rhythms of the water and the movements of the animals as he captured them on film. National Geographic had sent him there on assignment, but what he would take away was much more than a magazine story; it was a seminal and unparalleled collection of photographs depicting an epic world of wilderness and wildlife. As Lanting wrote, “To many who have seen the fate of other wild areas in Africa and elsewhere in the world, the very notion that such a place as Okavango still exists is like a dream.” Living out of vehicles and canvas tents, gliding through swamps, following lions by night - Lanting, armed with his cameras, got up close and personal with some of the planet’s most formidable creatures.

The book he published a few years later, Okavango, was a testament not only to the wondrous wildlife of the region, but also to Lanting’s extraordinary courage, skill, and photographic vision. After many publications of Lanting’s work, including Life, Jungles, Eye to Eye, and Penguin, TASCHEN now revisits his original classic which drew critical praise worldwide with this updated and expanded edition of Okavango, further enhanced with all new reproductions and dozens of previously unpublished photos, as well as a new preface by Lanting.

František Drtikol (1883–1961) is considered to be the first Czech photographer enjoying international fame. Anna Fárová’s legendary exhibit in Prague in 1972 led to the rediscovery of his briefly forgotten work.

This elaborate, illustrated volume is devoted to the nude portraits, one of the focal points in Dritkol’s oeuvre. Art Nouveau and Symbolism were strong influences on his early photographs, in which his nudes are presented as dreamy nymphs or femme fatales.

After the end of World War I, he developed his own fascinating photographic style, characterized by geometric elements, expressive, dynamic poses, and dramatic lighting. An “Art Deco photographer,” as Fárová called him, Drtikol was inspired by Futurism, Expressionism, and Cubism to discover his own lyrical, formal vocabulary.

Though he is best known for his Art Nouveau and Art Deco nudes, when Frantisek Drtikol (1883-1961) passed way, he left more portrait photography than anything else--thousands of images made between 1910 and the 1930s.

This ambitious book is the first ever devoted to those portraits alone. The selection, culled from some 2,000 in Prague's National Archive, presents a gallery of eminent Czechs and Slovaks during the first Czechoslovak Republic, as well as prominent visitors to the country from many walks of life. Apart from their pure documentary value, these images reflect Drtikol's efforts to capture his sitters' inner selves, bridging idealism and materialism.

The artist has also been the subject of The Photographer Frantisek Drtikoland Photographs by Frantisek Drtikol; this volume is compiled and written by Josef Moucha.

Long before pin-ups, Playboy, or the Internet, enterprising Parisians at the turn of the 20th-century turned the relatively new invention of the camera toward the female nude. Artfully posed with classical architecture or in flirtatious dishabille with stockings and lingerie, the winking models embody the erotic fantasies of a repressed society. Some of the women shown are demure and shy, wearing a slip or low-cut blouse-a great tease in an age when showing an ankle was scandalous. Their daring glimpses of decolletage carry a particular charge, so rare in today's world of overexposure. These cards were sold, often in packets, at street kiosks and under tabac counters, hush-hush but nevertheless ubiquitous. As foreigners flooded the city in the early part of the 20th-century, the cards became cherished souvenirs that were secretly collected and shared among men abroad. This is when the phrase "French postcards" became a euphemistic code for erotic nude images. These lovely ladies evoke a campy nostalgia that celebrates a healthy, voluptuous ideal of sensual feminine beauty. More retro than raunchy, French Postcards has the saucy fun of a naughty valentine, sure to charm and entertain a friend or lover.

MÖREL is proud to present the most important retrospective book to date devoted to the Ukrainian artist Boris Mikhailov (born in 1938 in Kharkiv).

Considered one of the most influential contemporary artists from Eastern Europe, he has been developing a body of experimental photographic work exploring social and political subjects for more than fifty years.

Boris Mikhailov’s pioneering practice encompasses documentary photography, conceptual work, painting and performance. Since the 1960s, he has been creating a haunting record of the tumultuous changes in Ukraine that accompanied the collapse of the Soviet Union and the disastrous consequences of its dissolution.

In an extraordinarily rich body of work that defies categorisation, Mikhailov unsettles visual codes. Inventing his own distinct artistic language in series that vary enormously in terms of technique, format and approach, he bears witness to the harsh social realities and absurdities of his time.

Combining humour and tragedy, Boris Mikhailov unceasingly defends artistic freedom as both a means of resistance. Through his uncompromising treatment of controversial subjects, he demonstrates the subversive power of art.

For more than half a century, he has been bearing witness to the grip of the Soviet system on his country, constructing a complex and powerful photographic narrative on Ukraine’s contemporary history that in light of current events, is all the more poignant and enlightening.

From "blaue horse" till now days 1965-2022

Published on the occasion of Boris Mikhailov's major retrospective at the MEP, Paris
The book brings together 27 of Mikhailov's projects over the last 57 years.

Working closely with Boris and Vita Mikhailov on the design and edit of the book we have included over 3000 words in quotes giving a unique insight into each project and Boris' methodology and philosophy.

A second booklet with essays contributed by Simon Baker (Director of MEP, Paris), Laurie Hurwitz (Curator of the exhibition), and artist Leigh Ledare (artist and friend of the Mikhailovs) complements the main book. Included in this are also translations for the series Viscidity and Unfinished Dissertation.

About the Artist:

Born in 1938 in Kharkiv, Ukraine, and trained as an engineer, Boris Mikhailov is a self-taught photographer. Early in his career, he was given a camera in order to document the state-owned factory where he was employed; he used it to take nude photographs of his wife. He developed them in the factory’s laboratory, and was fired after they were found by KGB agents.

Today seen as one of the most important figures on the international art scene, he has received many prestigious awards, among them the 2015 Goslar Kaiserring Award, the Citibank Private Bank Photography Prize (now the Deutsche Börse Photography Foundation Award) in 2001 and the Hasselblad Award in 2000. He represented Ukraine at the Venice Biennale in 2007 and again in 2017.

His work has been exhibited in major international venues, including the Tate Modern in London, MoMA in New York, and more recently, the Berlinische Galerie and C/O Berlin in Berlin, the Pinchuk Art Center in Kyiv, the Sprengel Museum in Hannover and the Staatliche Kunsthalle in Baden Baden.

Boris Mikhailov is represented in Paris by the Suzanne Tarasieve Gallery. He also shows his work at the Sprovieri Gallery in London, Guido Costa Projects in Turin, Barbara Gross in Munich and Galerie Barbara Weiss in Berlin.

He lives between Berlin and Kharkiv with his wife, Vita

While the world evaporates into the digital, the anachronistic Polaroid snapshot dominates media and advertising. The recent sale of the photography collection owned by Polaroid’s inventor Edwin Land to the Viennese photography museum WestLicht marks an art-market trend toward the analog. Beginning in the sixties, Polaroid supplied artists around the world, from Ansel Adams to Andy Warhol, with each one of the imperium’s latest products. In return, 4,400 works by 800 photographers found their way into the company’s International Collection at their European headquarters near Frankfurt am Main. In 2008, when the last instant film factory was rescued from demolition by the company Impossible, the founder’s commitment to collecting could be carried on as well. This publication features selected Polaroid masterpieces and new Impossible instant photography by contemporary artists such as Stefanie Schneider and Nobuyoshi Araki.

Skateboarding in New York City is a singular experience. It is impossible not to feel the magnitude of the landscape, and with the city in constant motion, skateboarding is both exhilarating and extremely dangerous. There is no right or wrong way to navigate this vast terrain. Only one thing is certain - the skaters and images produced in New York City are wholly unique.

The shots in Full Bleed span 30 years, with contributions from over 40 photographers. This is the first-ever comprehensive overview of the one of the most diverse and rich skating locations in the world, bringing together legendary skaters and iconic photographers.

Featuring the work of: Giovanni Reda, Jessica Bard, Ivory Serra, Tobin Yelland, Miki Vuckovich, Thomas Campbell, Larry Clark, Ed Templeton, Jerry Hsu, Atiba Jefferson, Bryce Knights, Angela Boatwright, Athena Currey, Kenneth Cappello, Charlie Samuels, Andy Kessler, Mike O’Meally, Sammy Glucksman, Allen Ying, and more.

Previously unpublished photographs in an ideal gift format.

The most amusing snapshots from the largest collection of private photographs in the world are presented in Funny Pictures, another highlight in our new series of gift books. Selected photographic treasures from Christian Skrein's vast archives document the private worlds of many different types of people.

39 four-color images

Gary Schneider was born in 1954 in East London, South Africa. His work was the subject of a major exhibition that opened at Harvard University’s Fogg Museum in February 2004, and incorporates his previously acclaimed solo exhibition, Genetic Self-Portrait, an artistic response to the Human Genome Project. He has shown extensively worldwide, including Museé d’Elysee, Lausanne, Switzerland; Museum of Fine Art, Houston, Texas; Whitney Museum of American Art, New York; and Museum of Contemporary Photography, Chicago, Illinois. He is represented by Julie Saul, New York; Stephen Daiter, Chicago; and Howard Yezerski Gallery, Boston.

Earth eternal. A photographic homage to our planet in its natural state

On a very fortuitous day in 1970, 26-year-old Sebastião Salgado held a camera for the first time. When he looked through the viewfinder, he experienced a revelation: suddenly life made sense. From that day onward — though it took years of hard work before he had the experience to earn his living as a photographer — the camera became his tool for interacting with the world. Salgado, who “always preferred the chiaroscuro palette of black-and-white images,” shot very little color in his early career before giving it up completely.

Raised on a farm in Brazil, Salgado possessed a deep love and respect for nature; he was also particularly sensitive to the ways in which human beings are affected by their often devastating socio-economic conditions. Of the myriad works Salgado has produced in his acclaimed career, three long-term projects stand out: Workers (1993), documenting the vanishing way of life of manual laborers across the world, Migrations (2000), a tribute to mass migration driven by hunger, natural disasters, environmental degradation and demographic pressure, and this new opus, GENESIS, the result of an epic eight-year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society — the land and life of a still-pristine planet. “Some 46% of the planet is still as it was in the time of genesis,” Salgado reminds us. “We must preserve what exists.” The GENESIS project, along with the Salgados’ Instituto Terra, are dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future.

Over 30 trips — travelled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions — Salgado created a collection of images showing us nature, animals, and indigenous peoples in breathtaking beauty. Mastering the monochrome with an extreme deftness to rival the virtuoso Ansel Adams, Salgado brings black-and-white photography to a new dimension; the tonal variations in his works, the contrasts of light and dark, recall the works of Old Masters such as Rembrandt and Georges de La Tour.

What does one discover in GENESIS? The animal species and volcanoes of the Galápagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo’é tribe deep in the Amazon jungle; the Stone Age Korowai people of West Papua; nomadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Juruá rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska... and beyond. Having dedicated so much time, energy, and passion to the making of this work, Salgado likens GENESIS to “my love letter to the planet.”

Whereas the limited Collector’s Edition is conceived like a large-format portfolio that meanders across the planet, this unlimited book presents a selection of photographs arranged in five chapters geographically: Planet South, Sanctuaries, Africa, Northern Spaces, Amazonia and Pantanal. Each in its own way, this book and the Collector’s edition — both edited and designed by Lélia Wanick Salgado — pay homage to Salgado’s triumphant and unparalleled GENESIS project.

The photographer:

Sebastião Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma and Magnum Photos. In 1994 he and his wife Lélia created Amazonas images, which exclusively handles his work. Salgado’s photographic projects have been featured in many exhibitions as well as books, including Other Americas (1986), Sahel, L'Homme en détresse (1986), Workers (1993), Terra (1997), Migrations (2000), The Children (2000) and Africa (2007).

The editor and author:

Lélia Wanick Salgado studied architecture and urban planning in Paris. Her interest in photography started in 1970. In the 1980s she moved on to conceiving and designing photography books and organizing exhibitions, numerous of them on Sebastião Salgado. Since 1994 Lélia Wanick Salgado has been the director of Amazonas images.