Сборники работ

Twilight chronicles the art of photographer Gregory Crewdson’s gallery exhibitions of his fantastic, creative images.

“Crewdson is at the forefront of a movement in contemporary photography that has abandoned realism in pursuit of pure cinematic fantasy.”—New York Times Magazine

Twilight: in that zone between the certainty of day and fear of the dark, Gregory Crewdson sets his eerie, enigmatic photographs. A woman floats in her flooded living room; a cow appears to have fallen from the sky onto a front lawn; a gang of teenagers, seemingly hypnotized, pile up household objects for a bonfire. Created as elaborately staged tableaux, this series of images suggests the bizarre yet beautiful surrealities behind deceptively familiar suburban facades.

Including both production stills and the 40 finished images, all in full color, this volume features an essay by Pushcart Prize–winning author Rick Moody, a novelist equally renowned for exposing the underbelly of small-town, middle-class America.

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Crewdson's most recent series of photographs, Twilight, are created as elaborately constructed film stills, catching the mysterious moment of time between before and after, revealing unknowable or unimaginable aspects of domestic reality.

A cow lies on its back on the lawn between two houses while firemen secure the area and a man searches the sky. Could the cow have rained down from above? In another image stacks and stacks of inedible slices of bread - bearing an odd resemblance to the mysterious monoliths at Stonehenge - are watched over by a gathering of birds. Both entirely foreign and oddly familiar, these images are carefully orchestrated events that challenge our very notions of familiarity, undermining our sense of certainty. These eerie and evocative photographs pair beauty with horror, obsession with disgust, and the real with the surreal, suggesting narratives open to endless interpretations. The book includes an essay written by fiction writer Rick Moody.

The book and exhibitions are comprised of the forty images from his Twilight series which was begun in 1998 - these exhibitions and this book chronicle the completion of the series and mark the first time it will be seen in its entirety.

An ode to beauty — Vincent Peters’s best black-and-white photographs presented for the first time in a Collector’s Edition with an elegant linen finish.

Vincent Peters, born in Bremen, Germany, in 1969, is one of today’s most active fashion photographers. At age of 20, he moved to New York, where he worked as a photo assistant. Upon his return to Europe, he worked for a number of art galleries before launching his own fashion photography career at Giovanni Testino. Peters’s clients include Wolfgang Joop, Bottega Veneta, Louis Vuitton, Hugo Boss, Emporio Armani, and Lancôme.

Over the last quarter-century, Vincent Peters’s photographs have graced the pages of Vogue, Glamour, and GQ and defined fashion campaigns from Dior to Hugo Boss to Yves Saint Laurent. One of the most sought-after portrait and fashion photographers, Vincent Peters prints also have a significant following in the fine art market. 

Vincent Peters’s photographs are defined by their precision, love of detail, and an exquisite lighting that lifts his images beyond fast-moving trends into something timeless and iconic. With an aesthetic reminiscent of Jeanloup Sieff or Herb Ritts, Peters manages to capture even the most photographed of faces — whether Scarlett Johansson, Monica Bellucci, or Penélope Cruz — with previously unseen nuance, creating a new sense of intimacy with each subject. 

Featuring Charlize Theron, Laetitia Casta, John Malkovich, and Emma Watson

About the Author:

Vincent Peters’s work has already appeared in The Light Between Us and Personal. Now, in parallel with the major Vincent Peters solo show at Fotografiska in Stockholm, this compact and affordable Vincent Peters photo book presents a selection of his best black-and-white images, including portraits of Charlize Theron, John Malkovich, Laetitia Casta, and Emma Watson. It’s a vivid overview of a photographic artist who is always evolving while remaining true to his principles. 

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Посмотреть компактное издение Vincent Peters: Selected Works

A concise compendium of Vivian Maier's enduring images

With the discovery of her archive in a thrift auction house in 2007, Vivian Maier’s posthumous trajectory from relative obscurity to one of the great American photographers of the 20th century is a story of a singular consistent talent. From the mid 1950s throughout her adult life she worked as a nanny between New York and Chicago, and it was during this time that she created a huge body of photographs and films recording every day street life, often including her own self portrait and moments of fleeting reflection within the cityscape. With her work compared to Helen Levitt, Robert Frank and Diane Arbus, her photographs are a fascinating window into American life.

About the Author:

Anne Morin is the director of diChroma Photography in Madrid.

Compelling portraits of celebrities and politicians from four of history’s most eventful decades. An overdue and in-depth retrospective of one of the most important German photojournalists

For almost four decades Volker Hinzʼs photographs defined the look of Stern magazine. His subtle yet revealing portraits of German politicians from Willy Brandt onwards are a vivid historical and artistic record of the Federal Republic.

As masterful as any of the major figures he profiled, Hinz excelled at capturing exactly the right moment. His reportage from the U.S. and across the globe gave us memorable images of greats such as Muhammad Ali, Woody Allen, Pelé and Franz Beckenbauer. Hinz’s works are classics that linger indelibly in our collective consciousness. Unlike most celebrity photography, his images have both the crisp candor of a snapshot and the reflective depth of fine art.

The last book completed by William Klein within his lifetime: A landmark retrospective encompassing Klein's legacy of creativity across photography, filmmaking, painting, book design, graphic design and beyond.

Photographer. Filmmaker. Artist. Designer. To master one of those disciplines would be a lifetime achievement for any creative individual, yet William Klein's career was celebrated in each of them over the last eight decades. Klein was one of the great image makers of the 20th century and one whose work remains an enduring creative influence on the work of contemporary artists, photographers and filmmakers.

With over 250 images, this career retrospective explores the late William Klein's entire creative and artistic arc. Directed by Klein himself, from the selection of content to book design, this large-format publication looks back at his uncompromisingly creative lifetime, showcasing Klein's prolific and relentlessly innovative contribution to the world of photography, art, design and filmmaking.

Published in association with a major retrospective at the International Center of Photography, this book is a comprehensive take on his career. While best known as a photographer who broke all the rules and conventions, William Klein: Yes focuses on the full range of Klein’s work, from his abstract paintings through to his startling, authentic street photography and photobooks and his dynamic, satirical take on filmmaking. With a flowing, chronological text by David Campany, this book will be both an introduction to William Klein for a new generation and a source of fresh insights for those who already know who William Klein was: a true original.

About the Author:

William Klein (1926-2022) was an American photographer, painter, designer and filmmaker. New York-born, Klein settled in Paris in 1948, where he studied at the Sorbonne and pursued his artistic career working briefly under Fernand Léger. Best known as a photographer, achieving fame with a series of acclaimed photobooks, including Life is Good and Good for You In New York (1956) and through his fashion photography in Vogue magazine. Klein was also a filmmaker, directing both feature films and documentaries, a graphic designer and art director.

Rising star Charles Fréger brings his inimitable eye to unfamiliar Japanese folk rituals

In rural Japan the passage of the year is marked by festivals and rituals that have changed little for centuries. Elaborate outfits, crafted from textiles as well as branches, straw and elements sourced from the natural environment, are donned in agricultural and fishing communities throughout Japan to celebrate seasonal rites of fertility and abundance.

Yokainoshima (literally ‘island of monsters’) explores the extraordinary range of masks, costumes and characters that reappear with each returning season. Charles Fréger’s photographs combine acute documentary attentiveness with individual portraiture in an entirely fresh and distinctive style.

Toshiharu Ito and Akihiro Hatanaka, both specialists in Japanese folk culture and anthropology, analyse Fréger’s photographs, setting the huge variety of eclectic clothing in ethnographic context and describing the local festivals, dances and rituals. A final illustrated reference section describes individual costumes and masks.

About the Author:

Charles Fréger is a photographer based in Rouen, France. Internationally acclaimed for his subtle and poetic portraiture, he has devoted himself to the representation of social groups. Previous books include Wilder Mann and Portraits in Lace.

#girlgaze is on a mission to close the gender gap by creating visibility and tangible jobs for girls behind the lens and this timely book, from photographer and media entrepreneur Amanda de Cadenet's visionary focus, features a beautiful and powerful collection of images capturing how young women perceive the world.

This inspiring must-have for feminists and creatives alike showcases the work of a diverse collective of female-identifying photographers mixing candid and formal photos of females living their lives: moments of significance caught in a fraction of a second at home, on the streets, remote countrysides, and in war-torn countries. Spirited, elegant, and inspiring, #girlgaze promotes and highlights the work of Gen Z female photographers from all walks of life and is a stunningly beautiful representation of the female gaze.

About the Authors:

Amanda de Cadenet is a British photographer, actress, and talk-show host. Amber Valletta is a fashion model, actress, and founder of Master & Muse. Inez van Lamsweerde is a fashion and art photographer and one half of the photography duo Inez and Vinoodh. Sam Taylor-Johnson, OBE, is an English filmmaker, photographer, and visual artist. Lynsey Addario is a Pulitzer Prize–winning photojournalist whose work has appeared in the New York Times, National Geographic and Time. Amy Astley is the editor-in-chief of Architectural Digest. Collier Schorr is an artist and photographer.

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Пролистать книгу #girlgaze: How Girls See the World

Published as a collection for the first time, these arresting and poetic and images of Northern Ireland reveal a rarely examined facet of the oeuvre of a celebrated twentieth century war photographer.

Akihiko Okamura became a renowned war photographer during the first years of the Vietnam war and later, as he documented wars in Biafra and the Middle East. In 1969, he moved from Southeast Asia to Dublin. From there, Okamura traveled frequently to Derry and other parts of Northern Ireland to document the country’s “Troubles.”

This beautifully produced book brings together for the first time Okamura’s Irish work, which was almost entirely unpublished before now. Presented in full page plates without text, Okamura’s images are imbued with soft, muted colors that contrast with the violence of the situation in which they were conceived. Brimming with feelings of fear, dread, anticipation, and resignation, these images reveal Okamura’s humanity and curiosity, his concern with day-to-day existence, and the absurdities, incongruities, and disruptions of life during wartime: women preparing afternoon tea outside bombed rowhouses; girls dressed in their Sunday best leaving flowers at a roadside shrine; a collection of empty milk bottles destined to become incendiary devices.

Illuminating essays by renowned photographic historians and experts place this astounding collection in context with Okamura’s larger body of work and situate these images within the history of both the medium and the country.

The Beauty of Machines

With the technological and digital revolution, an entire universe of machines and computers has developed alongside the human world. These machines tell the story of what it is to be human: our needs and desires, our hopes and follies, our visions for the future. Alastair Philip Wiper’s photographic eye sweeps across Adidas shoe factories, colossal shipyards, or laboratories such as the Swiss research center CERN, showing us spaces of incomprehensible complexity. Observers can experience through this a kind of visuality that no longer has a consistent point of view, but a diversity that overwhelms the process of seeing. These photos not only possess a unique beauty of their own, as well as a fascinating aesthetic, but also stimulate thought and the search for one’s own position in the world.

About the Autor:

The British photographer Alastair Philip Wiper (Hamburg, 1980) became known for his work for the magazines Wired, The Guardian, Scientific American, Wallpaper, and Vice. His series about Silicon Valley (Silicon Nights) and his book The Art of Impossible about Bang & Olufsen have been greatly admired. Wiper lives in Copenhagen.

A photo-dialogue on Florida past and present

Sunshine state. Swampland paradise. Tourist aspiration. Real estate racket. Refuge of excess. Political swing-state. Subtropical fever dream. With forms of nature and culture found nowhere else, Florida is unique. It is also among the most elusive and misunderstood of places. Anastasia Samoylova photographs Florida on intensive road trips. Walker Evans (1903–75) photographed it over four decades. Twisting the visual clichés, these two remarkably discerning observers convey Florida’s dizzying combination of fantasy and reality.

Evans witnessed modern Florida emerging in the 1930s, with its blend of cultures, waves of tourism, stark beauty and blatant vulgarity. He photographed there until the 1970s, making Polaroids that still feel contemporary. Samoylova inherits what Evans saw coming. With intelligence and humor, she picks her way through the seductions and disappointments of a place that symbolizes the contradictions of the United States today. In Floridas, photographs by Samoylova and Evans are presented in parallel, weaving past and present, switching between black-and-white and color imagery, all complemented by an essay by editor David Campany and a visionary short story by celebrated novelist and Florida resident Lauren Groff.

Florida is as fascinating as it is deceptive, a place of wild cliché and deep complexity. Walker Evans and Anastasia Samoylova have been two of the state’s most acute and thoughtful observers. In this book their photographs are seen in rich dialogue across the decades. Florida cannot be explained but these smart and playful photographers are the perfect guides to the puzzle. - David Campany

About the Authors:

Born in Moscow in 1984, Anastasia Samoylova moves between observational photography and studio practice. Recent exhibitions include those at Kunst Haus Wien, Kunsthalle Mannheim, USF Contemporary Art Museum, the Orlando Museum of Art, The Print Center and the Chrysler Museum of Art. Her work is held in the Wilhelm Hack Museum, Perez Art Museum Miami and the Museum of Contemporary Photography, Chicago, among other collections. Steidl published Samoylova’s FloodZone in 2019.

Walker Evans (1903–75) is an acknowledged master of photography whose diverse body of work continues to shape our understanding of the modern era. Evans began photographing in the 1920s, moving quickly to define his aesthetic and subject matter: straight and sober images of American everyday life and its environs. Within a decade he had produced some of the most significant photographs of the twentieth century, exhibited at the Museum of Modern Art and published two landmark books: American Photographs (1938) and Let us now Praise Famous Men with James Agee (1941). Evans wrote art and film reviews for Time (1943–45), was employed by Fortune between 1945 and ’65 and taught at Yale thereafter. Steidl has published Lyric Documentary (2006), Walker Evans: the magazine work (2014) and Double Elephant (2015).

The first monograph of trailblazing photographer Anastasia Samoylova is a vital – and gently humorous – meditation on environmentalism, consumer culture and our disorientating times

Adaptation is the first career survey on Anastasia Samoylova, one of the most dynamic image makers to have emerged in recent years. Bringing together her six major bodies of work, it reveals the enormous range of artistic influences and ideas that inform her art, as well as the threads of connection that unite them. While each series explores different themes, they share a formal beauty, a masterly use of colour and an original approach to visual culture for which she is rightly celebrated.

Russian born and now a native of Florida, Samoylova moves between observational photography and studio practice, often incorporating collage and painting. Her virtuoso compositions are layered meditations on an everyday life made precarious by rising sea levels, image overload, gentrification and corporate culture. This is a provocative vision of the 21st century, at once sublimely beautiful and incisive in its assessment of the challenges we face.

About the Author:

Anastasia Samoylova is an American, born in the USSR in 1984. Her previous books include Floridas (2022), Flood Zone (2019) and Image Cities (2022). David Campany is a renowned writer and curator with particular expertise in American photography. His many books include William Klein: YES (2023), The Open Road: Photography and The American Road Trip (2014) and Walker Evans: the Magazine Work (2014). He is Curator at Large for the International Center of Photography, New York. Lucy Sante is a Belgian-born American writer, critic, artist and frequent contributor to The New York Review of Books. Mia Fineman is Curator of Photography at the Metropolitan Museum of Art, New York.

Shortlisted for The Photographer’s Gallery’s Photography Foundation Prize

FloodZone is Anastasia Samoylova’s photographic account of life on the climatic knife-edge of the southern United States. Serious climate change is upon us, but this is not a visualization of disaster or catastrophe. These beautifully subtle and often unsettling images capture the mood of waiting, of knowing the climate is changing, of living with it. The color palette is tropical: lush greens, azure blues, pastel pinks. But the mood is pensive and melancholy. As new luxury high-rises soar, their foundations are in water. Crumbling walls carry images of tourist paradise. In the heat and humidity nature threatens to return the place to tangled wilderness. Manatees appear in odd places, sensitive to environmental change. Liquid permeates Samoylova’s urban scenes and unexpected views: waves, ripples, puddles, pools, splashes and spray. Water is everywhere and water is the problem. Mixing lyric documentary, gently staged photos and epic aerial vistas, FloodZone crosses boundaries to express the deep contradictions of the place. The carefully paced sequence of photographs, arranged as interlocking chapters, make no judgment. They simply show; elegant, sincere, acute and perhaps redemptive.

The coast of the southern United States looks and feels like a paradise, but all is not what it seems. As sea levels rise and hurricanes threaten, the beauty of the place becomes bittersweet. The future is uncertain but life goes on. FloodZone is a book about living with the contradiction.
Anastasia Samoylova

About the Author:

Born in Moscow in 1984, Anastasia Samoylova moves between observational photography, studio practice and installation. She has exhibited at the Aperture Foundation, New York; the Griffin Museum of Photography, Boston; and at festivals in Brazil, Belgium, France, Holland, China, South Korea and Germany. Samoylova has published her work in Smithsonian Magazine, FOAM, Art Press, Monocle and Bloomberg Businessweek.

Imaginaries in reality photography's role in the visual culture of the city

Image Cities is the latest project of photographer Anastasia Samoylova. In the series, carried out in cities across the globe, Samoylova studies the proliferation of photographic images in urban environments. She observes how in our neo-liberal era of networked economic markets and networked imagery the global centers of internationalized money and culture are becoming increasingly aligned and similar. At the same time, however, these cities attempt to promote their individuality, often by repurposing their specific histories. Samoylova’s work reveals how the cities she photographs are moving towards a generic urban landscape of anonymous steel and glass, and it also points to the role photography plays in creating this ideological gap between branded urban identity and lived reality.

About the Author:

Anastasia Samoylova (b. 1984) lives and works in Miami, Florida. Her photographs have been shown at museums in Europe and the USA. She is the winner of numerous prizes including the Fundación MAPFRE’s KBr Photo Award (2021).

André Kertész is one of the figures who shaped modern photography. From the First World War onwards, his independent spirit led him to practise an art based on spontaneity and sincerity, seeking out the chance moments that ‘capture the true nature of things.’ Tender, nostalgic, modest, he forged a new path for photography, a kind of poetic realism that was neither forced nor showy. ‘I never document,’ he said, ‘I give my own interpretation.’

PHOTOFILE brings together the best work of the world’s greatest photographers, in an attractive format and at an easily affordable price. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. The series has been awarded the first annual prize for distinguished photographic books by the International Center of Photography, New York.

The first retrospective monograph of one of the most fascinating talents in contemporary photography

Anja Niemi: In Character is the first career retrospective/monograph by the Norwegian photographer. Niemi’s work has emerged as a distinctive force within the venerable tradition of conceptual self-portraiture. She works alone and always in character. With her purposeful and elaborate stagings, Niemi is photographer, director and female lead, inserting herself into the lives of her fictional characters. Extending the genre of self-portraiture, Niemi is at heart a story-teller, a creator of fictions. Her images offer a multilayered, cinematic exploration of identity, gender roles and, crucially, our relationship with ourselves.

Anja Niemi is at the ‘breakout moment’ in her career, having had exhibitions in Amsterdam, London, New York, Oslo, Paris, San Francisco and Shanghai, and with her first museum retrospective show opening in February at Fotografiska in Stockholm. This book features over 170 photographs organized into the six series – Do Not Disturb, Starlets, Darlene & Me, Short Stories, The Woman Who Never Existed, and her latest series She Could Have Been A Cowboy – that have marked her career to date, supported by an essay and interview by Max Houghton, co-author of Firecrackers: Female Photographers Now. It is the perfect introduction for those encountering Niemi’s work for the first time, and a comprehensive retrospective of her career to date for her long-time followers.

About the Author:

Anja Niemi (b. 1976, Oslo) studied at the London College of Printing and Parsons School of Design in Paris and New York, and has exhibited in galleries worldwide. Three previous monographs of her work have been published, and her work appeared in Firecrackers: Female Photographers Now, also published by Thames & Hudson.

Contents List:

Introduction • Do Not Disturb • Starlets • Darlene & Me • Short Stories • The Woman Who Never Existed • She Could Have Been a Cowboy