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Widely considered Japan’s most influential and prolific photographer, Daido Moriyama has been challenging conventions of the art form for more than a half-century.

This exhaustive and electrifying retrospective, published in cooperation with the Daido Moriyama Foundation and based on entirely new research, looks at every stage of Moriyama’s extensive career, including his extraordinary images as well as his conceptual contributions to photography.

One of a generation of postwar Japan’s groundbreaking artists, Moriyama has continually established his own visual grammar. This book features more than 190 chronologically arranged images that reveal his constantly evolving career: his early editorial work of the mid-1960s, focused on the American occupation and the experimental theater; his radical experimentation of late 1960s and the 1970s; the self-reflexive photos of the 1980s and 1990s; and his ongoing exploration of cities, among other relevant moments. It also includes more than 400 spreads from Moriyama’s rarely-seen publications, mapping the sources of his visual production. Rounding out the volume are texts by the editor and leading Japanese scholars, a personal essay by the artist, and a full chronology of his life and work. Accompanying a major exhibition on Moriyama’s output this impressive volume reframes Moriyama’s legacy, and is certain to become the definitive publication on his work.

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Dancers After Dark is an amazing celebration of the human body and the human spirit, as dancers, photographed nude and at night, strike poses of fearless beauty.

Without a permit or a plan, Jordan Matter led hundreds of the most exciting dancers in the world out of their comfort zones — not to mention their clothes — to explore the most compelling reaches of beauty and the human form. After all the risk and daring, the result is extraordinary: 300 dancers, 400 locations, more than 150 stunning photographs. And no clothes, no arrests, no regrets.

Each image highlights the amazing abilities of these artists — and presents a core message to the reader: Say yes rather than no, and embrace the risks and opportunities that life presents.

About the Author:

Jordan Matter is the author of the New York Times bestseller Dancers Among Us. He and his work have been featured on television, in print, online, and in exhibitions throughout the world, including Buzzfeed, ABC World News Tonight, Today, the BBC, The New York Times, The Huffington Post, #1 on Reddit, Daily Mail U.K., O, The Oprah Magazine, NPR, and the Savina Museum of Contemporary Art in Seoul, Korea. Matter lives with his wife and two children in New York.

The mystery of the body in motion. The surprise of seeing what seems impossible. And the pure, joyful optimism of it all. Dancers Among Us presents one thrilling photograph after another of dancers leaping, spinning, lifting, kicking — but in the midst of daily life: on the beach, at a construction site, in a library, a restaurant, a park. With each image the reader feels buoyed up, eager to see the next bit of magic.

Photographer Jordan Matter started his Dancers Among Us Project by asking a member of the Paul Taylor Dance Company to dance for him in a place where dance is unexpected. So, dressed in a commuter’s suit and tie, the dancer flew across a Times Square subway platform. And in that image Matter found what he’d been searching for: a way to express the feeling of being fully alive in the moment, unself-conscious, present.

Organized around themes of work, play, love, exploration, dreaming, and more, Dancers Among Us celebrates life in a way that’s fresh, surprising, original, universal. There’s no photoshopping here, no trampolines, no gimmicks, no tricks. Just a photographer, his vision, and the serendipity of what happens when the shutter clicks.

About the Author:

Jordan Matter, a portrait and dance photographer, is the author of the New York Times bestselling books Dancers Among Us and Born To Dance. His work has created a viral phenomenon, making him one of the most recognizable photographers on the planet. He has over 18M followers across social media, and his dance photography videos have been viewed over 2B times. In addition, he has been featured on YouTube’s Instant Influencer, ABC World News, Nightline, Late Night with Seth Meyers, Today and the BBC, and in The New York Times, the Huffington Post, O. The Oprah Magazine, Daily Mail UK, New York Magazine, and newspapers, magazines and exhibitions all over the world. "In Jordan Matter's photos, dancers make all the world their stage," wrote The New York Times. Jordan lives in Los Angeles with his wife and two children.

New in paperback, this revelatory book features rarely-seen multimedia works by the revered cult filmmaker David Lynch showing how he applies his powerful imagination and visual language across genres.

David Lynch has always been in the spotlight as a filmmaker, directing some of the most iconic movies ever made, but as a visual artist, he is less widely known. Lynch delights in the physicality of painting and likes to stimulate all the senses in his work. This new paperback edition brings together Lynch’s paintings, photography, drawings, sculpture and installation, and stills from his films. Many of these works reveal the dark underpinnings behind Lynch’s often-macabre movies. Others explore his fascination with texture and collage. Throughout, Lynch’s characteristic style — surreal, stylish, and even humorous — shines through. An introduction by music journalist and Lynch biographer Kristine McKenna, along with a thought-provoking essay by curator Stijn Huijts, offers fascinating new information and perspectives on Lynch’s life and career. This book reveals an unexplored facet of Lynch’s oeuvre and affirms that he is as brilliant a visual artist as he is a filmmaker.

About the Author: 

Kristine McKenna is an American journalist, critic, and curator. She has written for Artforum, The New York Times, ARTNews, Vanity Fair, The Washington Post, and Rolling Stone Magazine. Stijn Huijts is Artistic Director of the Bonnefantenmuseum, Maastricht in the Netherlands.

Experimenting with all forms of artistic creation, from painting to photography, from drawing to sound creation, David Lynch’s work appears to be the most protean of our time. In 2007, the Fondation Cartier pour l’art contemporain presented the exhibition-event The Air Is on Fire, which unveiled Lynch’s photographic and pictorial work. Nearly fifteen years later, the Fondation Cartier will publish Digital Nudes, an exceptional collection of the artist’s photographs dedicated to female nudes, as a follow-up to Nudes, published in 2017.

Second installment of the Lynchian saga devoted to the photographic exploration of the female body, Digital Nudes brings together a corpus of previously unpublished digital images in line with the aesthetics of Nudes’ analog photographs, while experimenting with the possibilities offered by digital technology.

Kaleidoscopic visions of legs, arms, or undefined curves, chiaroscuro portraits, photographs of varnished nails and lacquered mouths... So many examples of David Lynch’s treatment of one of the greatest artistic subjects, the female nude, which here becomes an ode to femininity, an invitation to contemplation and creative freedom.

David Yarrow takes his work to the next level in these tales of adventure and misadventure on an epic scale.

For more than two decades, legendary British photographer David Yarrow has created evocative photography of some of the world’s most iconic personalities, sporting moments, and endangered wildlife. With his images raising huge sums for charity, he is one of the most relevant and best-selling photographers in the world today.

This stunning volume is a retrospective of Yarrow’s storytelling work, which has earned him wide acclaim in the fine-art market. This assemblage of truly unmatched work brings the magic and brilliance of the big screen to each singular image. Inspired by the great cinematic directors, Yarrow tells stories from the Wild West to the pirates of the Caribbean, the coasts of Alaska to the plains of Africa, Manhattan to an old saloon in Montana. Whether poignant, dramatic, or provocative, they are always epic. Offering additional insight are behind-the-scenes photos and Yarrow’s own first-person contextual narratives.

The book features a mix of more than 150 yet-to-be-published and already iconic photographs, including work from assignments with some of the biggest names and brands in fashion, sports, and culture, like Cindy Crawford, Cara Delevingne, Russell Wilson, Ciara, and Alessandra Ambrosio.

About the Authors:

David Yarrow has been taking photographs for thirty-six years and has earned a worldwide following. He is a global ambassador for Land Rover and a European ambassador for Nikon. Cindy Crawford is an American supermodel and entrepreneur.

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This much-anticipated first monograph of the highly influential photographer showcases the best of his sensual fashion images and nudes.

Famous for his cinematic approach, Denis Piel catches women off guard, engaged in sensual moments that are filled with magic and curiosity. Known as one of the wonderboys of fashion photography of the 1980s, Piel and his style and aesthetic have influenced many photographers today.

This volume, designed by award-winning designer Ruth Ansel, features a selection of images spanning Piel’s career, including those taken on assignment for fashion magazines and advertising clients as well as nudes of breathtaking women who would become the supermodels and actresses of a new generation, such as Nastassja Kinski, Uma Thurman, Andie MacDowell, Christy Turlington, Gia Carangi, Tatjana Patitz, Kelly LeBrock, and Jamie Lee Curtis.

About the Author:

enis Piel’s influence during the 1980s was significant, earning him an international reputation for his beauty, fashion, and celebrity spreads for magazines including Vogue, Vanity Fair, and GQ, and for brands such as Donna Karan, Calvin Klein, L'Oréal, Revlon, and Estée Lauder. His work has garnered many international awards. Piel’s photographs are in the permanent collection of The Victoria and Albert Museum, London; The Museum of Fine Arts, Boston; and numerous private collections. Polly Allen Mellen has been a stylist and fashion editor for more than sixty years at Harper’s Bazaar and Vogue, and was the creative director of Allure. Donna Karan is an American fashion designer and the creator of the Donna Karan New York and DKNY clothing labels.

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Пролистать книгу  Denis Piel: Moments

In May 1971, Artforum, bastion of late modernism, featured the work of a photographer for the very first time. On its cover and in a six-page spread, it published selections from Diane Arbus's portfolio, A box of ten photographs. In the words of the magazine’s editor and photography sceptic, Philip Leider, “The portfolio changed everything . . . one could no longer deny [photography’s] status as art.” At the time of Arbus’s death, two months later, only four of the intended edition of fifty had been sold. Two had been purchased from Arbus by Richard Avedon (the first for himself, the second as a gift for his friend Mike Nichols); another was purchased by Jasper Johns; and a fourth by Bea Feitler, art director at Harper’s Bazaar. Arbus signed the prints in all four sets; each print was accompanied by an interleaving vellum slip-sheet inscribed with an extended caption. For Feitler, Arbus added an eleventh photograph, A woman with her baby monkey, N.J., 1971.

Acquired by the Smithsonian American Art Museum, Washington, D.C., in 1986 — and the only one of the four completed and sold by Arbus that is publicly held — that portfolio is the subject of an exhibition on view at the museum from April through September 2018. This exceptional book replicates the nature of Diane Arbus’s original and now legendary object. Smithsonian curator John P. Jacob, who has unearthed a trove of new information in preparing the book and exhibition, weaves a fascinating tale of the creation, production, and continuing repercussions of this seminal work.

About the Authors:

Diane Arbus (born and died in New York, 1923–1971) is one of the towering figures of twentieth-century art. In the forty-five years since her death, her singular achievements have been celebrated by a host of major museum retrospectives throughout the world and by six posthumous publications, all of which have remained continuously in print since their publication, including Diane Arbus: An Aperture Monograph (1972), and Diane Arbus: Revelations (Random House, 2003).

John P. Jacob is the Smithsonian American Art Museum’s McEvoy Family Curator for Photography. Previously, Jacob was vice president and director of the Inge Morath Foundation. Recent publications include Harlem Heroes: Photographs by Carl Van Vechten (2016), among others. Jacob’s research on spirit photography and the tintype, for which he received the 2012 Shpilman Award for Excellence in Photography from the Israel Museum, will be published by the museum as Ghost Stories: Found Photography and the Certification of Presence.

Known for her evocative portraits, Diane Arbus is a pivotal figure in American postwar photography. Undeniably striking, Arbus’s black-and-white photographs capture a unique gaze. Criticized as well as lauded for her photographs of people deemed “outsiders,” Arbus continues to attract a diversity of opinions surrounding her subjects and practice. Critics and writers have described her work as “sinister” and “appalling” as well as “revelatory,” “sincere,” and “compassionate.” In the absence of Arbus’s own voice, art criticism and cultural shifts have shaped the language attributed to her work.

Organized in eleven sections that focus on major exhibitions and significant events in Arbus’s life, as well as on her practice and her subjects, the seventy facsimiles of articles and essays –– an archive by all accounts –– trace the discourse on Diane Arbus, contextualizing her hugely successful oeuvre. Also with an annotated bibliography of more than six hundred entries and a comprehensive exhibition history, Documents serves as an important resource for photographers, researchers, art historians, and art critics, in addition to students of art criticism and the interested reader alike.

After spending most of the last twenty years photographing people in war-torn places around the world, photographer Bobby Sager trains his gaze upon a UNESCO world heritage site in the Arabian desert to deliver a visual tour de force.

Sager traveled to Diriyah, an ancient mud city abandoned by its inhabitants several decades ago. The fragile site has been closed to visitors for over a decade. But during the final stages of a major ten-year restoration, Sager was given unlimited access to capture the soul of this magical place before it was opened to the public. 

Captivated by the erosion in Diriyah’s mud-brick walls, Sager is drawn to the “faces” he sees within the mud patterns of the town’s architecture. Sager asks us to think of these faces as our hosts and us as their guests as we explore the streets, palaces, mosques, and schools of this three-hundred-year-old city.

Desert landscapes and architectural compositions accompany details of the walls and the faces in this lushly produced, oversize volume.

Bobby Sager is an American photographer whose photography has given rise to several publications and exhibitions. Books include: The Power of the Invisible Sun, (Chronicle 2009), Beyond the Robe (Powerhouse Books, 2013), and Invisible Sun (Rizzoli 2019).

About the Author:

Bobby Sager is an American photographer. His photography has given rise to several publications and exhibitions, including: Invisible Sun (Rizzoli, 2019).

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Don McCullin is one of the greatest photographers of conflict in our time. His career has encompassed the last fifty years – a relentlessly photographed era steeped in conflict.

His photographs reveal the bleak underbelly of northern England, wars in Cyprus, Biafra, Vietnam, Cambodia and Beirut, riots in Derry, and famine and disease in Bangladesh. All are photographed with unswerving compassion. With all the beauty of classical tragedies, collectively McCullin’s photographs constitute one of the great documents of human conflict and its attendant grief, expressed with a visual lyricism that allows us to glimpse the unbearable.

PHOTOFILE brings together the best work of the world’s greatest photographers, in an attractive format and at an easily affordable price. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. The series has been awarded the first annual prize for distinguished photographic books by the International Center of Photography, New York.

Utterly individual, yet impossible to classify, Elliott Erwitt is one of the most remarkable photographers in America today. Sudden coincidences and chance encounters with objects and situations allow him to capture glimpses of the ridiculous or the comical side of everyday events, and his visual jokes become striking and pithy observations about life. Compassionate, humorous, sinister, playful, bitter, bawdy, lyrical – this collection confirms Erwitt’s limitless ability to capture a range of moods and nuances of expression.

PHOTOFILE brings together the best work of the world’s greatest photographers, in an attractive format and at an easily affordable price. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. The series has been awarded the first annual prize for distinguished photographic books by the International Center of Photography, New York.

This addition to the affordable Photofile series brings together the best work of Ernst Haas, one of the world's greatest photographers. One of the early pioneers of colour photography, Haas began his photographic career in the 1940s in Vienna, rising to fame following the publication of his photo essay on returning prisoners of war from Russia. In 1951, Haas decided to make his home in NewYork, and became renowned for his work with motion photography and advertising campaigns for companies such as Marlboro, Chrysler and Volkswagen. With a selection of his most representative images and a bibliography for further reading, this is an ideal introduction to the photographer.

About the Author:

Virginie Chardin writes widely on photography and is the author of Elegance: The Seeberger Brothers and the Birth of Fashion Photography.

This collection of striking colour images from the American West is both a moving national portrait as well as a celebration of analog colour photography from an undisputed genius of the form.

The photographer behind Life magazine’s first-ever all-colour photographic essay, Ernst Haas made — and captured — history as an early adopter of Kodachrome film. The Austrian-born artist had already established himself as a black-and-white photographer when he moved to America in 1951. But as a member of the renowned Magnum agency, he transformed the genre with his colour-saturated images, the perfect medium for capturing America’s geographic and cultural landscapes. From desert storms, Route 66 gas stations, and Las Vegas neon to rolling prairie, dilapidated farms, small-town parades, and city sidewalks, Haas’ perfectly composed images, contain a distinct pictorial language, suffused with poetry, pattern, and light. At the same time, his pictures communicate a journalist’s point of view, whether the subject is rural poverty, suburban comfort, or the myth of the American West. The remarkable book offers a vision of America that feels both poignantly distant and reassuringly familiar.

About the Author:

Paul Lowe is a senior lecturer in photography and an award-winning photographer. He teaches at the London College of Communication. His photographs have appeared in Time, Newsweek, Life, the Sunday Times Magazine, the Observer, and the Independent, among others.

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Пролистать книгу Ernst Haas: The American West

An introduction to the work of the celebrated fashion photographer.

An experimenter and innovator, Erwin Blumenfeld (1897–1969) produced an extensive body of work including portraits and nudes, celebrity portraiture and advertising campaigns – but it is his fashion photography for which he is best known.

Having fled Paris during World War II, Blumenfeld forged a stellar path in New York, where he worked for Harper’s Bazaar, American Vogue, Helena Rubinstein, L'Oréal and Elizabeth Arden.

Discover Blumenfeld’s masterful work through sixty full-page reproductions in this title in the Photofile series. The curator Emmanuelle de l’Ecotais contributes an introduction.

About the Author:

Emmanuelle de l’Ecotais is curator of photography at the Musée d’Art Moderne de la Ville de Paris.