Искусство

Hailed by The Times as 'a pearl of a book', this new narrative history of the Renaissance by one of the UK’s foremost art critics takes in the whole of Europe and its global context

What was the 'Renaissance'? In the nineteenth century this flowering of creativity and thought was celebrated as the birth of the modern world. Today many historians are sceptical about its very existence. Earthly Delights rekindles the Renaissance as a seismic change in European mentalities, in a panoramic history that encompasses Florence and Bruges, London and Nuremberg. Artists from northern as well as southern Europe, including Leonardo, Bosch, Bruegel and Titian, star in a captivating and beautifully illustrated narrative that sets their lives against a period of convulsive change across a continent that was finding itself as it ‘discovered’ the world.

Art critic and writer Jonathan Jones tells the story of Renaissance artists as pioneers, adventurers and ‘geniuses’, a Renaissance concept. Albrecht Dürer gazes with wonder on Aztec art in Brussels in 1520, Leonardo da Vinci tries to perfect a flying machine, Hieronymus Bosch finds inspiration in West African ivory carvings imported by the Portuguese to Antwerp. A then unknown Netherlandish painter, Pieter Bruegel, arrives in 1550s Rome just as Michelangelo is striving in the same city to raise the new St Peter’s Basilica towards heaven. From Atlantic voyages to Germanic woods, Italian palazzi to the royal castle of Prague, this was an age when people dared to experiment with the occult and dabble in utopias: to think and create new worlds.

About the Author:

Jonathan Jones is the art critic for the Guardian newspaper. He is the author of several books including The Lost Battles: Leonardo, Michelangelo and the Artistic Duel that Defined the Renaissance (2010), The Loves of the Artists: Art and Passion in the Renaissance (2013), Sensations: The Story of British Art from Hogarth to Banksy (2019) and Artemisia Gentileschi (2020). Jones was also a member of the jury for the 2009 Turner Prize and has appeared in the BBC series Private Life of a Masterpiece. He was Series Consultant for BBC2’s Civilisations and is a frequent contributor to BBC Radio 4’s Front Row.

Contents List:

Introduction
1. The Arnolfini Nude
2. The Naked Citizen
3. The Triumph of Love
4. Profane Angels
5. Worldly Knowledge
6. Haywain To Hell
7. The Garden of Earthly Delights
8. Render Unto Caesar
9. Melancholia
10. Pulse of Life
11. Judgements
12. Carnival and Lent
13. Curiosities

Legendary American tattoo artist Ed Hardy's groundbreaking tattoos, flash, drawings, and artworks are gathered together for the first time in one brash book.

Ed Hardy's (b. 1945) unique vision spans decades, creating an indelible mark on popular culture. Accompanying a major exhibition, this profusely illustrated survey of his life in art traces his inspirations, rooted both in traditional American tattooing of the first half of the twentieth century and in the imagery of Japan's ukiyo-e era. Hardy, raised in Southern California, became intrigued with tattoo art at the age of ten, setting up shop in his parents' den. After attending the San Francisco Art Institute in the 1960s, he rejected a graduate fellowship from Yale to apprentice at studios up and down the West Coast. It was his intention to rescue tattooing from its subculture, "outsider" status and elevate it to at least the level of folk art.

Hardy's success at breathing new life into the art form is chronicled in a plethora of tattoo designs, paintings, drawings, prints, and three-dimensional work spanning fifty years. While the world that inspires him may be lost, Hardy's distinct visual language is vibrantly alive within American visual vernacular, synonymous to some with the spirit of the West Coast itself.

About the Author:

Karin Breuer is the curator in charge of the Achenbach Foundation of Graphic Arts at the Fine Arts Museums of San Francisco.

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Пролистать книгу Ed Hardy: Deeper Than Skin: Art of the New Tattoo

A fascinating examination of Munch’s prints, which were central to his creative process and established his reputation as an artist

Edvard Munch (1863–1944) is best known today as a painter, but his reputation was in fact established through his prints, which were central to his creative process. His printmaking was experimental and innovative, and he continually revisited the subjects of his paintings in striking prints, in which he evoked a wide range of emotion and mood through the use of varied techniques.

Munch’s early life in the industrial town of Kristiania (renamed Oslo in 1925) was marked by sickness and poverty. His first works centred on the expression of deep emotional experiences, specifically the deaths of his mother and teenage sister, as well as passionate yet unhappy love affairs of which his deeply religious father disapproved. Encouraged by his encounters with a Bohemian society of artists, writers and poets, he developed a visual landscape that was a radical deviation from the slick society portraits and grand Scandinavian landscapes then so much in vogue. His efforts attracted considerable attention and much criticism, and he practised with little financial success as a painter for ten years before he started to gain his reputation as a profoundly innovative printmaker.

Written by a team of experts, and with an interview by writer Karl Ove Knausgaard, this book will shed new light on the production of some of Munch’s most remarkable works.

Contents List:

Foreword by the directors of the British Museum and the Munch Museum; Sponsor’s foreword • Introduction • 1. Transfigured continent: Impressions from Munch’s Europe • 2. The inner soul of an artist: Munch’s background and the development of his Frieze of Life • 3. Munch and the world of printmaking • 4. Munch and the theatre in Paris • 5. ‘Is art influenced by too much business?’: Cultural capital and the market for Munch • 6. Plates, stones and blocks: Munch’s printing matrices • Reflections on Edvard Munch: an interview with Karl Ove Knausgaard • Checklist of works in the exhibition • Chronology; Checklist of exhibited items; Notes; Selected bibliography; Prints by Munch in UK public collections; Acknowledgments; Picture credits; List of contributors; Index

About the Authors:

Giulia Bartrum is Curator of German Prints and Drawings at the British Museum.

Karl Ove Knausgaard is a Norwegian author, known for six autobiographical novels titled My Struggle.

Munch’s pictorial worlds – the initial impetus for modernism

Edvard Munch’s radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin.

In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863–1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the “Magic of the North” (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch’s psychologically concentrated pictorial worlds.

About the Authors:

Thomas Köhler has been the director of the Berlinische Galerie, the State Museum of Modern Art, Photography and Architecture in Berlin since 2010.

Stefanie Heckmann has been the head of the fine art collection at the Berlinische Galerie since 2014 and is the curator of the exhibition.
 

Edward Hopper’s world-famous paintings articulate an idiosyncratic view of modern life. With his impressive subjects, independent pictorial vocabulary, and virtuoso play of colors, Hopper continues to influence to this day the image of the United States in the first half of the twentieth century. He began his career as an illustrator and became famous around the globe for his oil paintings. They testify to his great interest in the effects of color and his mastery in depicting light and shadow. The Fondation Beyeler is devoting its large exhibition in the spring of 2020 to Hopper’s iconic images of the vast American landscape. The catalogue gathers together all of the paintings, watercolors, and drawings from the 1910s to the 1960s on display in the exhibition, and supplements them with essays focused on the subject of depicting landscape.

About the Artist:

Edward Hopper (1882–1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work continues to be influential to this very day.

Everything You’ve Always Wanted to Know About Hopper

That incomparable melancholy in Edward Hopper’s pictures occasionally leads us to look at the details of his life. Where exactly did this master of loneliness live and work? What were his most important influences while he was working on his great paintings of America? In this wonderful, simply structured, A-to-Z book, Ulf Küster pursues these themes, which say a great deal about the painter and his interests, and yet he never loses sight of the artist and the necessary distance to his inimitable pictures.

Thus, Küster strolls through the ABCs of Hopper’s life and work, from the “American landscape,” “Buick” “Goethe,” and “shadow and sunlight” to the key word, “zero.” On the way he opens up many new doors or insights, enriching the views of Hopper’s paintings and making it possible to interpret them in new ways. An entertaining and informative book.

Edward Hopper (1882–1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work continues to be influential to this very day.

The art theoretician and curator Ulf Kuster(*1966, Stuttgart) has worked at the Fondation Beyeler in Riehen since 2004. He produces many internationally respected exhibitions and publications. Hatje Cantz has published a number of these, including his essay on Louise Bourgeois in the series Reading Art.

Brilliant Plumage. An unsurpassed monument in the history of scientific illustration

Edward Lear may be best known for his nonsense verse, but in his early years he excelled as an illustrator of birds and reptiles. This set of 42 hand-colored lithographs, originally entitled Illustrations of the Family of Psittacidae, or Parrots, was the finest achievement of his relatively brief career as a natural history draftsman, before failing eyesight led him to concentrate on his writing.

During Lear’s time, live parrots were rare and much sought-after, bought and sold for large sums by wealthy amateurs of natural history, and prized by 19th century European aristocracy for their astonishing plumage and mimickry of the human voice. Naturally, fine drawings of them were also highly prized. One of the first collections entirely dedicated to the species, Parrots includes African, Australian, and American parrots bred by eminent ornithologists such as Sir William Jardine and Prideaux John Selby, who sponsored Lear, inspiring and directing his work.

Unlike other avian illustrators who often worked with stuffed birds, the young and prodigiously talented Lear (1812–1888) made his drawings from live parrots, capturing their expressions and movements in remarkably lifelike illustrations. The new medium of hand-colored lithography facilitated the vivid elegance of Lear’s work.

This exquisite collection was originally reproduced in only 175 precious sets and sold by subscription to Britain’s most eminent scholars and wealthy collectors of living parrots. The Psittacidae established Lear as a celebrated illustrator, and professor of drawing to the young Queen Victoria. With a brief zoological introduction and written descriptions of each bird, this title revives TASCHEN's XL-sized edition to a more accessible, optimized format, bringing Lear’s parrots back to life for all to admire.

The author:

Francesco Solinas, born in Rome and educated at the University of Pisa, is Maître de Conférences at the Collège de France, Paris. He is the author of numerous books, catalogues and essays on 17th century Roman art and culture, as well as works on Italian aristocratic collections of the Medici, Barberini, Frescobaldi and Theodoli.

Now available in an attractive flexicover format, this visually stunning collection of landscape paintings and drawings by Egon Schiele brings to light a little-known aspect of this famous painter's oeuvre.

Best known for his depictions of the human form, Schiele was also interested in portraying the beauty and structure of the world he inhabited. In fact, Schiele's paintings of the countryside and his native Vienna comprise a large portion of his body of work. Nearly one hundred of the artist's landscapes are exquisitely reproduced in this handsome book and presented alongside photographs of the scenes he depicted, taken from the vantage point of the original works.

This volume proves that Schiele's mastery extends beyond his radical renditions of the human figure and reveals themes that appear throughout his work. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting.

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Пролистать книгу Egon Schiele Landscapes

Twisted Brilliance. Obsessive, radical, disturbing: Egon Schiele

With his revolutionary and liberated view of the naked body and sexuality, Egon Schiele emphatically wrote himself into the history of art at the beginning of the last century. Even today, the women and self-portraits painted by the enfant terrible of the Viennese modern age still have an exciting and bold effect. They were all created during the last decade of his short life.

After Egon Schiele (1890–1918) freed himself from the shadow of his mentor and role model Gustav Klimt, he had just ten years to inscribe his signature style into the annals of modernity before the Spanish flu claimed his life. Being a child prodigy quite aware of his own genius and a passionate provocateur, this didn’t prove to be too big a challenge.

His haggard, overstretched figures, extreme depiction of sexuality and self-portraits, in which he staged himself with emaciated facial expressions bordering between brilliance and madness, had none of the decorative quality of Klimt’s hymns of love, sexuality and yearning devotion. Instead, Schiele’s work spoke of a brutal honesty, one that would upset and irreversibly change Viennese society.

Although his works were later defamed as “degenerate” and for a time were almost forgotten altogether, they influenced generations of artists—from Günter Brus and Francis Bacon to Tracey Emin. Today, his then misunderstood oeuvre continues to fetch exorbitant prices on the international art market.

This monograph, first published in an XL edition, is now available in a slightly abridged, more compact edition to celebrate TASCHEN’s 40th anniversary and features the paintings and drawings that retrace the fertile last decade of Schiele’s life. These works are accompanied by essays introducing his life and oeuvre, situating the Austrian master in the context of European Expressionism and charting his extraordinary legac

The editor:

Tobias G. Natter is an internationally acknowledged expert on art in “Vienna around 1900.” For many years he worked at the Austrian Belvedere Gallery in Vienna, latterly as head curator. He also worked as guest curator at the Tate Liverpool, the Neue Galerie New York, the Hamburger Kunsthalle, the Schirn in Frankfurt am Main, and the Jewish Museum in Vienna. From 2006 to 2011, he directed the Vorarlberg Museum in Bregenz, and from 2011 to 2013 was director of the Leopold Museum in Vienna. In 2014 he founded Natter Fine Arts, which specializes in assessing works of art and developing exhibition concepts. He is the author of TASCHEN’s Gustav Klimt. Complete Paintings, Art for All. The Colour Woodcut in Vienna around 1900 and Egon Schiele. The Complete Paintings 1909–1918.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

This volume assembles the Expressionist master draughtsman's works on paper for the first time.

Apart from his few hundred paintings, Schiele created nearly 3,000 drawings and watercolours, but limited access to these fragile works has made a comprehensive survey of his work a rarity. Here then is a unique opportunity to study his astonishing artistic development over the 12 years of his brief career.

Jane Kallir, the author of Schiele’s catalogue raisonné, introduces each year of the artist’s output, discussing his step-by-step progression from child prodigy to master of the human form and expression.

Egon Schiele (1890-1918) was one of the greatest artists of the twentieth century.

A superb draftsman and colourist, he produced images of startling emotional power. Following the lead of his mentor, Gustav Klimt, Schiele created figurative works of uncanny intimacy and brought a new openness to the art of his time. Schiele's premature death at the age of 28 has added a mythic quality to his artistic achievements. Egon Schiele: Portraits focuses on five groupings of the artist's work: family and academy, fellow artists, sitters and patrons, lovers and allegory. In addition, it features a special section on a traumatic and pivotal period in Schiele's life: his arrest and imprisonment during the summer of 1912. Documenting the artist's changing style, both pre- and post-imprisonment, the book features many key works that have been assembled for this exhibition from both American and European museums and private collections.

About the Author:

Alessandra Comini is University Distinguished Professor of Art History Emerita at Southern Methodist University and a specialist in the work of Egon Schiele.

A unique and beautifully produced celebration of the iconic and beloved rock star, Elton at 75 features a slipcased hardcover with a gatefold timeline, gatefold artwork, frameable pull-out gig poster, and a pull-out photo print!

Few rock artists continue to gather more and more adulation with age. Sir Elton Hercules John is an exception who proves the rule. In Elton John at 75, veteran rock journalist Gillian Gaar presents a unique and beautifully produced celebration of the iconic and beloved rock star, examining Sir Elton through the lens of 75 career accomplishments and life events. Key studio albums are featured, of course, as are a curated selection of his earworm singles. But Gaar delves deeper to reveal the events that helped chart the course of Elton’s career:

- Key performances such as his breakthrough performance at LA’s Troubadour, and the historic Soviet Union and Dodger Stadium concerts
- Legendary collaborations with the likes of George Michael, Billy Joel, and Kate Bush
- His many film and television roles, including Tommy and The Muppet Show
- Tireless work on behalf of AIDS research
- Notable awards and honors, including knighthood
- And of course his collaboration with longtime cowriter Bernie Taupin

Beginning with his 1969 debut LP, Elton John is regarded as one of the most influential musicians and performers of the previous five decades. In examining 75 touchstones, Gaar provides a unique presentation of Elton’s career arc, from his first steps as a solo artist to the breakthrough album Goodbye Yellow Brick Road to his flamboyant stage presence, and beyond.

Every page is illustrated with stunning concert and candid offstage photography, including gig posters, 7-inch picture sleeves, and more. This incredible package also includes a gatefold Elton John timeline, a previously unpublished gatefold artwork, an 8×10-inch glossy print, and a pullout poster.

The result is a stunning tribute to one of the most admired stars in rock — in a milestone year.

About the Author:

Gillian G. Gaar has written for numerous publications, including Mojo, Rolling Stone, and Goldmine. Previous books include She’s a Rebel: The History of Women in Rock & Roll; Entertain Us: The Rise of Nirvana; Return of the King: Elvis Presley’s Great Comeback; The Doors: The Complete Illustrated History; and Boss: Bruce Springsteen and the E Street Band — The Illustrated History. She lives in Seattle.

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Пролистать книгу Elton John at 75 на Google Books

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Посмотреть видео о книге Elton John at 75

A gloriously illustrated overview of angels across art, religion, and literature

Ineffable, invisible, inscrutable – angels are enduring creatures across Judaism, Christianity, and Islam, and human experiences of the divine as mediated by spiritual emissaries are an aspect of almost every religious tradition. In popular culture, angels are often reduced to the most gauzy, sentimental, and saccharine of images – fat babies with wings and guardians with robes, halos, and harps. By contrast, in scripture whenever one of the heavenly choirs appears before a prophet or patriarch they first declare "Fear not!" for terror would be the most appropriate initial reaction to these otherworldly beings. Angels are often not what we'd expect, but it's precisely in that transcendent encounter that something of the strangeness of existence can be conveyed. Elysium: A Visual History of Angelology is a follow-up volume to Pandemonium: A Visual History of Demonology, and like that earlier title, this book will offer an account of the angelic hierarchies as they've been understood across centuries and cultures, of the individual personages like the archangels Michael, Gabriel, and Uriel who have marked the mythology of the West.

About the Author:

Ed Simon is staff writer for literary site The Millions and has contributed his characteristically engaging cultural criticism to almost every major American literary publication, including The New York Times, The Atlantic, The Paris Review Daily, The New Republic, and The Washington Post. With a PhD in English, Simon is an expert on the literature and religion of Renaissance Britain and early America, but he has developed a reputation among editors, critics, and readers for introducing complex subjects in an accessible manner. In fall 2021, Abrams Books released his latest book, Pandemonium: A Visual History of Demonology, which has since become the standard text on the subject for popular readers.

A joyful and celebratory gift book devoted to the work of the much-loved English artist Eric Ravilious (1903–1942) and the influence of natural forms and themes in his work.

Eric Ravilious was a designer, painter, printmaker and illustrator best known for his depictions of the English landscape, particularly the South Downs. Often described as a particularly ‘English’ artist, key to his style was an ability to convey in watercolour the mild vagaries of the British climate. His engagement with nature, though romantic rather than precise, pervades his works in many different techniques. This book explores his appreciation of the natural world and the techniques he used in a variety of media to convey those elements.

Drawing on the V&A’s collections, more than 100 beautiful images capture Ravilious’s deep enjoyment of everything in nature, from dewponds, cockerels, grassy hills, owls, greenhouse geraniums, cornsheaves and snow, to the rainy seas, airport-runway puddles and tideswept beaches of his later work as a war artist. The book includes sections on weather, plants, landscape, animals and birds, and ends with a section devoted to man in the landscape, showcasing Ravilious’s love of rusting machinery and other signs of human presence within nature, not least his famous depictions of hillside chalk figures.

This book will appeal to those with a love of English landscapes, flora and fauna or an interest in British art and design in the interwar period.

About the Author:

Ella Ravilious is Curator of Architecture and Design at the Victoria and Albert Museum, having worked there in various roles since 2005. She is the granddaughter of Eric Ravilious and Tirzah Garwood.
 

Craft one of the most original artists of our time into 3D!

Intricate patterns, elegant geometries, and mind-boggling graphics are trademarks of the magical visual world of Dutch artist M.C. Escher (1898-1972).  

Mysterious and mathematical at once, his work has captivated scientists, scholars, and popular culture, inspiring book covers, album art, films, posters, and puzzles.