Искусство

A sumptuously illustrated and richly detailed catalogue of enormous appeal to anyone interested in fashion, lifestyle, the history of costume and applied arts Thanks to a prestigious private collection, this book explains how from this moment on the clothing of men, women and children acquired a social, cultural and economic importance it had never had before in the history of the Western world and in what terms, from the Napoleonic era onwards, we may rightly talk about Fashion in the sense as we understand it today. From 1800 onwards dress evolved year after year reflecting historical and political events, industrial advances and technical development, influences of the arts and culture, and the taste of the rich and powerful.

150 color illustrations

The rediscovery of one of the most important painters of the Russian avant-garde, in the first comprehensive presentation.

Russian avant-garde artist Natalia Goncharova (1881–1962) left behind an extensive, diverse body of work. Starting out as a painter inspired by the folklore and art of her country, she produced colorful, strongly ornamental paintings. Her religious paintings based on icons were highly controversial. During her Moscow period, she began to work with cubism, giving the Russian avant-garde a significant push toward linking the traditional and the modern. Reading her letters and notes, one becomes aware of this non-conformist’s frequently biting, ironic tone.

In 1917 she settled in Paris permanently. There, she designed costumes and sets for Sergei Diaghilev’s Ballets Russes. In exile, however, the artist fell on hard times.

This publication illuminates the details of Goncharova’s life and work, and finally acknowledges the importance of this unconventional artist’s oeuvre, which, to this day, has not yet been properly recognized in her own country

A priceless record of a unique and increasingly fragile way of life, one threatened by conflict, climate change and tourism

The lower valley of the Omo, at the borders of Ethiopia, Kenya and Sudan, remains one of the wildest places in Africa. Over the course of numerous voyages to this forgotten land, Hans Silvester became fascinated by the beauty of the Surma and Mursi tribes, who share a taste for body painting and extravagant decorations borrowed from nature.

In this region of East Africa, the rivers that run through the dry savannahs are home to abundant flowers, papyrus and wild fruit trees, and this luxuriance becomes an invitation to creativity and spectacle. Within hand’s reach, a multitude of plants inspire fanciful and ephemeral self-decoration, and the Omo tribes react spontaneously: a leaf, root, seed pod or flower is quickly transformed into an accessory.

People create caps from tufts of grass or they ornament themselves with banana leaves or a stem laden with flowers. These decorations are embellished with butterfly wings, buffalo horns, boar’s teeth, colourful feathers and the like, and are further enhanced by body painting with pigments made from powdered stone, plants, berries and river mud.

Among the ranks of today’s contemporary painters in Germany, Neo Rauch has attained a unique position: his oeuvre has achieved wide recognition around the world, and the most important museums and collectors endeavor to acquire his paintings. To celebrate Rauch’s fiftieth birthday, an extensive retrospective will be shown in Leipzig and Munich simultaneously, each one featuring works dating from 1982 to early 2010.

The accompanying monograph is also unique. In it, long-time colleagues and companions provide highly individual descriptions of their experiences with Rauch’s paintings. They include fellow artists Luc Tuymans, Jonathan Meese, and Michaël Borremans. Art critics and historians such as Rudij Bergmann and Werner Hofmann, and museum directors, such as Markus Brüderlin and many others, interpret selected works of their choice in brief essays. An erudite text by Bernhart Schwenk provides an art-historical perspective on the artist’s entire body of work, while Uwe Tellkamp’s exclusive essay and a series of photos of Neo Rauch's studio by Timm Rautert complete this comprehensive publication.

The fourth book in the Art of the Twentieth Century series, this volume explores the changes in art during the last decades of the 20th century. The events of 1968-1969 paved the way for profound social transformations and created a new feeling towards individuals behaviour and the relations between them, with a new consciousness of the body and of social and political dynamics. Artists experimented with languages that were as far as possible away from any tradition of painting, sculpture and assemblage that had reached the sixties, seeking new means of expression.

These substantial volumes on art periods vividly portray the most important achievements from the areas of European architecture, sculpture, and painting. The impressive photographs of works from all visual arts movements are at the center of these richly illustrated volumes. The books successfully provide an overview of the artistic diversity of the individual periods, and they couldn't have been written and illustrated any more clearly. The informative and interesting texts have been written by renowned authors from the fields of history, architecture and art history, providing a multifaceted view of each period. These books are a real pleasure for anyone with an interest in art.

Illustrated with some 900 color photographs and reproductions, this volume explores the complexities of Neoclassicism and Romanticism in architecture and art through in-depth articles by eleven scholars, and reveals how these seemingly antithetical styles are in fact closely related. The book looks at Europe from the renewed interest in the art and architecture of classical antiquity in the mid-18th century (following the excavations of Herculaneum and Pompeii and the arrival of new architectural theories) through the effusions of the mid-19th century, and presents the work of such artists as Johann Heinrich Füssli, Eugène Delacroix, J.M.W. Turner, William Blake, and Francisco de Goya.

Volume 1:  288 pages, 325 illustrations.
Volume 2:  416 pages, 900 illustrations in colour and 342 signatures.

The Japanese belt accessories for men known as netsuke aroused great interest in Europe already at the end of the 19th century. Today they have become special, highly-prized collector’s items all over the world.

The main subjects are mythical creatures, gods of popular religion, and exotic animals and also depictions of Europeans, particularly Dutchmen, who fascinated the Japanese in the 18th and 19th century. The craftsmanship is of incomparable perfection, and the materials include boxwood, ivory, horn, coral, tortoise-shell and much else. Famous artists like Yoshimura Shûzan (1700–1773) and Ohara Mitsuhiro (1810–1878) created masterpieces which strongly influenced this art form.

The two volumes present more than 850 objects from the collection of Anne and Christian Trumpf, one of the most important netsuke collections worldwide, with in-depth commentary and lavish illustrations. The author, Dr. Patrizia Jirka-Schmitz, is a well-known scholar in this field. A new standard work on netsuke – an area of collecting that over the last few years has grown immensely on an international scale.

New Directions in Jewellery II is an astonishing collection of the most exciting jewellery today, exploring the increasingly varied ways in which the boundaries of design are being extended and challenged by contemporary makers.

New Directions in Jewellery II showcases an international array of makers and designers. From established jewellers like Karl Fritsch, Ted Noten and Monika Brugger, to exciting emerging talents like Madeleine Furness and Carla Nuis, the captivating works shown here, each in their own way challenge and engage with traditional conceptions of adornment. Focusing on jewellery as an experimental practice that engages with fine art, craft, design, fashion and popular culture, this book is an essential document of an ever-broadening discipline.

This rich visual survey profiles over 40 designers and also features an essay by prominent maker and academic Lin Cheung. From innovative uses of form and material, to conceptual pieces that critique the cultural and social meanings that have built up around the wearing and manufacture of jewellery— New Directions in Jewellery II is a vibrant study of the contemporary jewellery scene.

Following the success of the acclaimed New Directions in Jewellery, this second volume is as inspired, covetable and beautiful as the jewels it contains. New Directions in Jewellery II is a radical take on this age old art-form.

A new wave of designers and artisans are creating earrings that push the boundaries of jewelry design. Drawing on unique sources of inspiration to incorporate symbol and meaning, they are redefining the earring as more than a mere ornamental piece.

This book showcases innovative work by jewelry designers from around the world, exploring new trends in design and craftsmanship through style, form and concept. The earrings range from the traditional to more complex, cutting-edge pieces.

All the jewelry featured is notable for its exuberance, the choice of materials or its boldness, whether in terms of dimension, colour or composition. Whatever the materials chosen, it is the imaginative design that shines through.

TASCHEN 25—Special edition!

The avant-garde in an age of digital communication

Artists have always been early adopters of emerging media technologies, from Albrecht Dürer and his use of the printing press in the 16th century to Nam June Paik's experiments with video in the 1960s. The advent of the internet as a popular medium catalyzed a global art movement that began to explore the cultural, social, and aesthetic possibilities of such new communication technologies - the web, CCTV surveillance cameras, cell phones, hand-held computers, and GPS devices. Focusing on New Media art as a specific art historical movement, this book explores its technologies, thematic content and conceptual strategies. New Media art often involves appropriation, collaboration, and the sharing of ideas and expressions, and frequently addresses issues of identity, commercialization, privacy, and the public domain. Many New Media artists are profoundly aware of their art historical antecedents, making reference to Dada, Pop Art, Conceptual art, Performance art, and Fluxus.

Featured artists: Cory Arcangel, Jonah Brucker-Cohen and Katherine Moriwaki, Young-Hae Chang Heavy Industries, Vuk Cosic, Mary Flanagan, Ken Goldberg, Paul Kaiser and Shelly Eshkar, Jennifer and Kevin McCoy, Mouchette, MTAA, Keith and Mendi Obadike, Radical Software Group, Raqs Media Collective, RTMark, John F. Simon Jr.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

This work is a loveletter to the birthplace of Jazz: New Orleans. It features highlights from William Claxton's "Jazzlife". New Orleans will never again appear as it does in these rare and stunning photographs by William Claxton taken for the book "Jazzlife" in 1960. While traveling around the United States with musicologist Joachim E. Berendt to record America's original art form, Claxton met and photographed the jazz personalities in every major and minor city, capturing these musicians in their natural environment. Among the most poignant and soulful photographs are these from the colorful melting pot of New Orleans, the city where jazz was born.

Rings symbolize many things. They can serve as personal statements, adornments, representations of a commitment, or a sentimental reminder. In the hands of the world’s most creative jewelers they transcend into works of art in endlessly intriguing ways.

This marvelously illustrated survey showcases 591 contemporary rings that have been created by nearly 300 international designers. It is divided into five sections — one for each finger. Aside from being purely decorative, the position of the ring on the hand and the way in which it is worn can denote love, promise, rebellion, compromise, or affiliation.

The rings range from more traditional decorative rings to conceptual and abstract pieces. The featured designers employ a wide variety of techniques, and the materials they use include gold, platinum, precious stones, plastic, bones, fiber, wood, shells, plants, and more.