Искусство

From Pixar's upcoming film Incredibles 2, this making-of book is a dive back into the beloved world of the Incredibles. The Art of Incredibles 2 explores Pixar's highly anticipated sequel through colorful artwork, energetic character sketches, intriguing storyboards, and spellbinding colorscripts.

Featuring gorgeous production art and interesting details from the production team about the making of the film, The Art of Incredibles 2 overflows with insights into the artistic process behind Pixar's engaging creative vision.

About the Author:

Karen Paik is the author of several books about Pixar and its films, including To Infinity and Beyond!: The Story of Pixar Animation Studios.

The official behind-the-scenes art book for Marvel Studios’ Emmy Award–nominated Disney+ animated series What If…?

The Art of Marvel Studios’ What If…? takes fans behind the scenes of Marvel Studios’ first animated series. Reimagining famous events from the Marvel Cinematic Universe in unexpected ways, and featuring a voice cast that includes Hayley Atwell, Tom Hiddleston, Chadwick Boseman, and many other stars reprising their roles from the films, the Emmy Award–nominated What If…? creates alternate worlds from the ones you know and opens up a plethora of vast new realities.

With each story, The Watcher (Jeffrey Wright) acts as a guide through these various timelines and raises such questions as: What if Ultron successfully defeated the Avengers and acquired the Infinity Stones? What if Peggy Carter was injected with Super Soldier Serum instead of Steve Rogers? What if T’Challa became Star-Lord? Filled with striking imagery and a bold color palette, these timelines are brought to life in an animation style that is complementary to the look and feel of the MCU and features designs by the guiding hand of Ryan Meinerding, giving the series a cohesive look and feel with the films.

Through interviews with the animators, designers, producers, and writers of the series, readers will discover everything that goes into translating their favorite heroes and villains from live action to animation and how exciting new possibilities for storytelling can open up if you only ask, “What if…?”

About the Authors:

Paul Davies is the author of Marvel’s Spider-Man: The Art of the Game, Marvel Studios’ Eternals: The Art of the Movie, Marvel’s Avengers: The Art of the Game, Marvel’s Midnight Suns: The Art of the Game, and many more bestselling books on video game, film, and television production. Brad Winderbaum is the head of streaming, television, and animation for Marvel Studios. Winderbaum joined the Marvel Cinematic Universe during the production of the company’s first theatrical release, Iron Man, before going on to become an executive producer on such projects as Thor: Ragnarok and Black Widow and a producer on Thor: Love and Thunder. He serves as an executive producer on Marvel Studios’ Disney+ series, including WandaVision, Loki, Ms. Marvel, the animated series What If…?, and many other upcoming shows. Bryan Andrews (director/executive producer) is a multi-Emmy-winning animation artist. He has storyboarded some of the most iconic scenes in the Marvel Cinematic Universe, including major set pieces in all of the Avengers films and Captain Marvel, as well as the Guardians of the Galaxy and Iron Man sagas. He has provided additional materials in the concepts of many of the epic fight sequences. Joe Russo consulted with Andrews extensively in designing the final fight sequence for Avengers: Endgame. In animation, Andrews has worked closely with Genndy Tartakovsky as a writer and artist on the Emmy–nominated Sym-Bionic Titan and Emmy–winning Primal and Samurai Jack. He scored two more Emmys for his work on Star Wars: The Clone Wars. Currently, Andrews is directing and executive producing the highly anticipated third season of Marvel Studios’ animated series What If…? for Disney+ along with another animated series, Marvel Zombies.

Illustrated with overwhelming fineness, this is a world you wish you could visit

Munashichi is an illustrator who became popular drawing steampunk-like fantasy worlds with an overwhelming fineness and detail. Munashichi is well known in the anime and gaming industry for the concept design for the acclaimed video games Tales of Zestiriaand Tales of Berseria, the concept artwork for the anime television series Princess Principals, which was licensed by Sentai Filmworks in North America and MVM films in UK. Gigantic, sky-high buildings, deeply extended caverns, complexly crossed pipes, factory scenes, abandoned places and nostalgic townscapes are themes commonly seen in Munashichi’s illustrations. This book includes Munashichi’s past illustration works, concept images for games and anime series, original works and newly drawn illustrations just for this book.

This is a type of a book which you will always find something new every time you look back. Each illustration will tell you a different story. You will never want to come back from the world of Munashichi.

About the Author:

Well known in the anime and gaming industry for the concept design for the acclaimed video games Tales of Zestiriaand Tales of Berseria, the concept artwork for the anime television series Princess Principals, which was licensed by Sentai Filmworks in North America and MVM films in UK.

In The Art of Portraiture, author, artist, and expert teacher Stephen Bauman offers a synthesis of the best lessons he has learned in his career as a student, as well as the most efficient exercises he’s developed as a professional artist and teacher. 

Within the four main chapters – Vision, Foundation, Practice, and Process – invaluable topics are covered in thoughtful detail. These include classic fundamentals such as shadow, light, composition, and anatomy; each discussed with a philosophical approach and always with the artist’s individual journey in mind. In addition to art theory and educational insights, there are compositional analyses and practical exercises on specific techniques, accompanied by illustrative examples, helpful diagrams, and stunning finished pieces. 

Combining an academic and philosophical artistic perspective, Bauman provides a wonderfully deep dive into the messy, marvellous, and often magical world of portrait drawing.

- High-quality illustrations, photographs, and educational diagrams
- Explores core topics including anatomy, composition, shadow, and light 
- Study compositional analyses and follow practical exercises on specific techniques
- An extensive reference for any artist interested in learning the art of portraiture

Contents:

FOREWORD
PREFACE
VISION
Why Do We Draw?
Two types of vision
What is the goal of drawing?

THE LEARNING JOURNEY
What is the most useful way to learn?
Specifically, how do you learn to draw better?
Goal-setting and the 'SMART' approach
Practice

FOUNDATION
What is meant by foundation?
The siginal and the noise
Value, Light, And Shadow
Understanding values
Value relativity
Light and shadow
Lambert vs. linear value scale
The fall of light
Light for learning
Shadow shapes, light shapes
Organization And Simplification
Shadow is atmosphere, light is form
Organizing in a controlled setting
Selection and control
Simplification
3D-form-based simplification
Flat-shape-based simplification
The simplification of values
Organizing and keying edges
Visual Memory
All drawing is a visual memory exercise
Comparative measurements
Triangulation
Naive recognition
Anatomy
The skeletal and muscular system
Anatomical terminology
The bones of the skull
Muscles of the head and neck
Subcutaneous forms of the skull
The simplified model of the head
The frontal bone
The zygomatic bone
The mandible
The maxillae
Orbicularis oculi
Structures of the nose
Muscles of the cheek and chin
The masseter
The temporalis
The ear
Attaching the head to the body
Fat deposits of the Face

COMPOSITION
Thumbnailing
Composition terms
Start with a feeling
Keying and choices
Compositional analysis: Ivan Loginov
Compositional analysis: Ksenia Istomina
Compositional analysis: Daria Novikova
Compositional analysis: Nikolai Blohkin

PRACTICE
Getting Started
Studio set-up and effective practice
Materials
Three levels of drawing
The importance of an even tone
Exercise: Even tone practice
What can you learn from drawing a sphere?
Exercise: Sphere-drawing practice
Exercise: Simplified block-in practice
Drawing from memory
Exercise: Memory-drawing practic
Visual Block-In
Visual block-in: Stage one
Visual block-in: Stage two
Visual block-in: Stage three
Visual block-in: Stage four
Structural Block-In
Structural block-in: Stage one
Structural block-in: Stage two
Structural block-in: Stage three
Structural block-in: Stage four
Mass Drawing
Mass drawing: Stage one
Mass drawing: Stage two
Mass drawing: Stage three
Mass drawing: Stage four 
Mass drawing: Stage five

PROCESS
A portrait is a story
Thumbnail development
Anatomical studies
A hybrid block-in approach
Keeping your options open
Value and texture
Balancing values and dealing with doubt
The final stage
A note on self-assessment
GALLERY
GLOSSARY

About the Author:

Stephen Bauman is a classically trained artist and spent 12 years as an instructor in the drawing and painting programme of the The Florence Academy of Art. He was also the director of the Anatomy & Ecorche Department for six years, first in Sweden and then in the USA. In 2020, he left the academy to focus his efforts on his art career and online courses.

The Power and Purpose of Political Art

In an era of sensationalized news, artists around the world are observing politics and raising awareness on issues like authoritarian regimes, sustainability, climate change, diversity, and immigration.

Art’s ability to communicate, question, and influence opinions have made it a vital tool in activism. We are living in tumultuous times where democracies are challenged from all sides and there is a growing divide between left and right. Diverse topics are subjects that contemporary artists are covering to generate controversy, shine a light on government issues, and create empathy.

The Art of Protest explores the connection between art, politics, and activism today. Understand how over the past decade, artists have been engaging with political and social issues of all kinds and often raising alarms that are missed by politicians.

About the Authors:

Alain Bieber is the artistic director of the cultural institution NRW-Forum Düsseldorf. For the past two decades he has been organizing exhibitions with contemporary artists, especially in the fields of art and activism.

Francesca Gavin is contributing editor at Kaleidoscope, Twin, Good Trouble, Beauty Papers, and Financial Times, How to Spend It magazine. She cocurated “Manifesta11” and has curated exhibitions at Somerset House and Palais de Tokyo. She was co-editor of gestalten’s The Age of Collage 3, published in 2020.

This book is a visual chronicle of the Lucasfilm art department’s creation of new worlds, unforgettable characters and newly imagined droids, vehicles and weapons for the first movie in the Star Wars Anthology series — Rogue One: A Star Wars Story. In the same format and style as Abrams’ The Art of Star Wars: The Force Awakens, the book gives readers unprecedented access to hundreds of concept paintings, sketches, storyboards, matte paintings, blueprints and character, costume, and vehicle designs. The Art of Rogue One: A Star Wars Story will stand as the definitive guide to the artwork and imagination behind the newest chapter in the Star Wars franchise and will delight Star Wars fans and cineastes for decades to come.

Directed by Gareth Edwards (Godzilla, Monsters), with production design by Doug Chiang and Neil Lamont, Rogue One chronicles the adventures of a Rebel cell tasked with a desperate mission: to steal the plans for the Death Star before it can be used to enforce the Emperor’s rule. The all-star cast includes Felicity Jones, Diego Luna, Forest Whitaker, Mads Mikkelsen, Alan Tudyk, Riz Ahmen, Ben Mendelsohn, and Donnie Yen.

About the Authors

Josh Kushins has worked steadily for various Hollywood studios most recently on the Publicity teams for Lucasfilm Ltd. and DC Comics, and is the Director of Special Projects at the American Film Institute. He is the author of The Art of John Carter: A Visual Journey (Disney, 2012).

Doug Chiang and Neil Lamont served as co-production designers for Rogue One.

BAFTA –nominated Gareth Edwards (Monsters, Godzilla [2014]) served as director.

Ruth E. Carter is a living legend of costume design. For three decades, she has shaped the story of the Black experience on screen - from the eighties streetwear of DO THE RIGHT THING to the royal regalia of COMING 2 AMERICA. Her work on Marvel's BLACK PANTHER not only brought Afrofuturism to the mainstream, but also made her the first Black winner of an Oscar in costume design. In 2021, she became the second-ever costume designer to receive a star on the Hollywood Walk of Fame.

In this definitive book, Carter shares her origins - recalling a trip to the sporting goods store with Spike Lee to outfit the SCHOOL DAZE cast and a transformative moment stepping inside history on the set of Steven Spielberg's AMISTAD. She recounts anecdotes from dressing the greats: Eddie Murphy, Samuel L. Jackson, Angela Bassett, Halle Berry, Chadwick Boseman, and many more. She describes the passion for history that inspired her period pieces - from MALCOLM X to WHAT'S LOVE GOT TO DO WITH IT - and her journey into Afrofuturism.

Carter's wisdom and stories are paired with deluxe visuals, including sketches, mood boards, and film stills. Stunning photography by Awol Erizku reveals the beautiful details of Carter's most iconic creations. Fans will even get a glimpse behind the scenes of the highly anticipated BLACK PANTHER: WAKANDA FOREVER.

At its core, Carter's oeuvre celebrates Black heroes and sheroes, whether civil rights leaders or Wakandan warriors. She has brought the past to life and helped us imagine a brighter future. This book is sure to inspire the next generation of artists and storytellers.

About the Author:

Ruth E. Carter is one of the most renowned and celebrated costume designers working today. In addition to her win for Black Panther, she's been nominated for two other Oscars and an Emmy. She has costumed over forty films over the course of three decades. Her work is currently the subject of a traveling exhibit.

Step inside the Lucasfilm art departments for the creation of fantastical worlds, unforgettable characters and unimaginable creatures. The Art of Star Wars: The Force Awakens will take you there, from the earliest gathering of artists and production designers at Lucasfilm headquarters in San Francisco to the fever pitch of production at Pinewood Studios to the conclusion of post-production at Industrial Light & Magic — all with unprecedented access. Exclusive interviews with the entire creative team impart fascinating insights in bringing director J. J. Abrams’s vision to life; unused “blue sky” concept art offers glimpses into roads not travelled.

Bursting with hundreds of stunning works of art, including production paintings, concept sketches, storyboards, blueprints and matte paintings, this visual feast will delight Star Wars fans and cineastes for decades to come. The Art of Star Wars: The Force Awakens is the definitive expression of how the latest chapter in the Star Wars saga was dreamed into being.

About the Authors

Image archivist Phil Szostak was embedded with The Force Awakens art department as a conceptual researcher and archivist from December 2012 through the end of production, and has worked in conjunction with Star Wars art departments for six years at Lucasfilm. A graduate of the School of Visual Arts in New York, Szostak worked for Wild Brain Animation on the Disney Channel series Higglytown Heroes, and he ran the JAK Films Art Department on Skywalker Ranch for over three years before joining the narrative design team on LucasArts' Star Wars: 1313. He resides in San Francisco. 

Production designer Rick Carter has won two Academy Awards®: One for his design of Steven Spielberg’s Lincoln, and one for his otherworldly production design on James Cameron’s mega-hit Avatar. Carter received his first Oscar nomination for his work on Robert Zemeckis’s Forrest Gump, and an additional nomination for Steve Spielberg’s historic epic War Horse. Carter served as co-production designer for Star Wars: The Force Awakens, and is currently collaborating with Steven Spielberg on The BFG. He lives in Los Angeles.

Featuring exclusive concept art, character and costume sketches, and vehicle and creature designs by Lucasfilm Publishing and its partners, this official companion to Star Wars: The High Republic (Phase 1) offers fans a definitive, behind-the-scenes look at an ambitious new era of Star Wars storytelling.

Foreword by Kathleen Kennedy, president of Lucasfilm and eight-time Academy Award nominee

The Art of Star Wars: The High Republic takes fans behind the scenes of Phase 1 of Lucasfilm Publishing’s massive crossover event. Collecting the very best concept art of the characters, worlds, ships, and creatures of the High Republic — designed jointly by the Lucasfilm visualists and a team of legendary comic book and Star Wars artists, including Phil Noto, Iain McCaig, and Ryan Church, among many others — and presented alongside development materials and interviews with High Republic architects Claudia Gray, Justina Ireland, Daniel José Older, Cavan Scott, and Charles Soule, this is an essential guide to the creation, design, and realization of this visionary Star Wars era by author Kristin Baver.

The High Republic Phase 1: Light of the Jedi finds the Jedi Order and the Galactic Republic at the height of their respective powers, but following the events of the “Great Disaster,” the Jedi, led by Jedi Knights Avar Kriss, Loden Greatstorm, Keeve Trennis, and Stellan Gios, and joined by a diverse group of Padawans and Jedi Masters, are confronted by the looming threat of the Nihil — a marauding group of Outer Rim anarchists who stand opposed to all the Galactic Republic represents. In The Art of Star Wars: The High Republic, readers will discover the origins of the fan-favorite new characters taking on this threat, as well as exciting new starfighter and creature designs, beautifully rendered environments, and detailed views of Starlight Beacon — the shining symbol of hope in the Republic.

With more than 300 color illustrations, The Art of Star Wars: The High Republic is the only book to explore all facets of the design and artistic direction of a story that spans comic books, novels, and young adult books, taking Star Wars fans of all ages on a deep dive into the development of the New York Times bestselling series.

About the Authors:

Kristin Baver is associate editor of StarWars.com, host of This Week! in Star Wars, and author of Skywalker: A Family at War. She lives in San Francisco, California. Kathleen Kennedy, president, Lucasfilm. Recipient of the Academy’s prestigious 2018 Irving G. Thalberg Memorial Award, the Producers Guild of America Milestone Award, and an eight-time Academy Award®-nominee, Kathleen Kennedy is one of the most successful and respected producers and executives in the film industry today. As president of Lucasfilm, she oversees the company’s three divisions: Lucasfilm, Industrial Light & Magic, and Skywalker Sound. Kennedy was the producer of Star Wars: The Force Awakens, Rogue One: A Star Wars Story, Star Wars: The Last Jedi, Solo: A Star Wars Story, and Star Wars: The Rise of Skywalker. Kennedy is currently executive producer of the Emmy Award-winning series The Mandalorian, The Book of Boba Fett, and Obi-Wan Kenobi, and also serves as a producer on all of Lucasfilm’s live-action titles in production, including Indiana Jones, Willow, Andor, Ahsoka, and more. Kennedy has produced or executive produced more than 70 feature films, which have collectively garnered 120 Academy Award nominations and 25 wins. Among her credits: Jurassic Park, E.T. the Extra Terrestrial, The Sixth Sense, the Back to the Future trilogy, Who Framed Roger Rabbit, Gremlins, The Goonies, Poltergeist, Lincoln, War Horse, The Curious Case of Benjamin Button, The Diving Bell and the Butterfly, Schindler’s List, The Color Purple, and The Adventures of Tintin.

This official behind-the-scenes companion to season two of the hit Disney+ series The Mandalorian features exclusive concept art by the Lucasfilm art department and original interviews with the artists, writers, and filmmakers

The Art of Star Wars: The Mandalorian, Season Two takes fans behind the scenes of the second season of the Emmy Award–winning Disney+ live-action Star Wars television series. Filled with concept art, character, vehicle, weapon, and creature designs, and interviews with key crew and creatives, including executive producer/showrunner/ writer Jon Favreau (Iron Man, The Lion King) and executive producer/ director Dave Filoni (Star Wars: The Clone Wars, Star Wars: Rebels), The Art of Star Wars: The Mandalorian, Season Two will provide readers with an exclusive look at the stunning art and design work that helped bring new and returning characters and locations to life.

Season two of The Mandalorian tracks the continuing adventures of Din Djarin (Pedro Pascal) and the Child as they explore the far reaches of the Star Wars galaxy in an effort to return Grogu to his people and stay one step ahead of Moff Gideon’s (Giancarlo Esposito) Imperial remnant and squad of dark troopers. Alongside comrades from the first season, the duo encounters a cadre of new allies and forms tenuous alliances with former Jedi Padawan Ahsoka Tano (Rosario Dawson), frontier marshal Cobb Vanth (Timothy Olyphant), fellow Mandalorians Bo-Katan (Katee Sackhoff) and Koska Reeves (Mercedes Varnado aka Sasha Banks), and fan-favorite bounty hunter Boba Fett (Temuera Morrison). In The Art of Star Wars: The Mandalorian (Season Two), readers will encounter early visual and conceptual ideas for these new characters and their arsenal of weapons, ships, and armor, as well as the icy, lush, war-torn, and razed planets that serve as crucial stepping stones in Djarin and Grogu’s quest.

Returning for The Mandalorian season two, executive creative director Doug Chiang (Star Wars: The Force Awakens, Rogue One: A Star Wars Story) and the incomparable group of artists, designers, and dreamers known as the Lucasfilm art department “visualists” undertook the challenge of continuing to push the boundaries of Star Wars storytelling while also translating Ahsoka Tano from animation to live action and updating the look of the legendary Boba Fett. The Art of Star Wars: The Mandalorian, Season Two is the only book to explore the artistic vision for this groundbreaking sophomore season, taking readers on a deep dive into the development of the next chapter of Din Djarin and Grogu’s story. Exclusive interviews with the filmmakers and the Lucasfilm visualists provide a running commentary on The Mandalorian’s innovative art and design, revealing the inspiration behind the look and feel of the series.

**SEASON TWO burst is a removable sticker**

About the Authors:

Lucasfilm creative art manager Phil Szostak has worked in conjunction with Star Wars art departments since 2008. A graduate of the School of Visual Arts in New York, Szostak ran the JAK Films Art Department at Skywalker Ranch for more than three years before joining the narrative design team on LucasArts’ Star Wars: 1313. He is also the author of The Art of Star Wars: The Force Awakens (Abrams, 2015), The Art of Star Wars: The Last Jedi (Abrams, 2017), The Art of Star Wars: The Rise of Skywalker (Abrams, 2020), and The Art of Star Wars: The Mandalorian, Season One (Abrams, 2021). He lives in San Francisco. 

Doug Chiang is an Academy Award®–winning artist, author, and production designer. As creative director for Industrial Light & Magic, he served as visual effects art director of films such as Terminator 2: Judgment Day, The Mask, and Forrest Gump. In 1995, George Lucas personally selected Chiang to serve as head of the Lucasfilm art department for seven years on Star Wars: Episodes I and II. He left Lucasfilm in 2002 to form his own design studio, IceBlink Studios. Chiang returned to Lucasfilm in 2013 to work on Star Wars: The Force Awakens and currently serves as Lucasfilm VP and executive creative director. He served as production designer and design supervisor on The Mandalorian seasons one and two.

The Art of The Batman is the official behind-the-scenes illustrated tie-in book to the highly anticipated film The Batman by Matt Reeves (Cloverfield, Dawn of the Planet of the Apes, War for the Planet of the Apes), coming to theaters March 4, 2022. The Batman stars Robert Pattinson as Bruce Wayne/The Batman, Zoë Kravitz as Selina Kyle/Catwoman, Paul Dano as Edward Nashton/ The Riddler, Colin Farrell as Oswald Cobblepot/The Penguin, Jeffrey Wright as Lieutenant James Gordon, Andy Serkis as Alfred Pennyworth, and John Turturro as Carmine Falcone.

Two years of stalking the streets as The Batman, striking fear into the hearts of criminals, has led Bruce Wayne deep into the shadows of Gotham City. As the evidence surrounding a series of crimes begins to lead closer to home and the scale of the perpetrator’s plans becomes clear, Batman must forge new relationships, unmask the culprit, and bring justice to the abuse of power and corruption that has long plagued Gotham City.

Readers will get an insider’s look at the design and production process for The Batman, including insightful interviews with the filmmaking team and cast; never-before-seen conceptual paintings and set photos exploring this new version of Gotham City; shot-by-shot comparisons between the film and storyboards; and a closer look at the designs for the costumes, vehicles, gadgets, riddles, and more.

About the Author:

James Field has worked in the film industry since 2006. The International Winner of the Nickelodeon Writing Program 2016/17, Field has since divided his time between marketing and writing for film, television, and audio. He worked as Production Liaison for both The Batman and The Flash. He lives in the UK with his partner and children.

An in-depth overview of Ukrainian art from the dawn of Modernism in the late nineteenth century to the start of the Russian invasion in Spring 2022.

This new volume in the World of Art series provides an overview of Ukrainian art, artists and art movements from the dawn of Modernism and the 1900s to the Soviet period, to post-Soviet times and the beginning of the war with Russia in February 2022. Ukrainian art and artists are discussed within historical and political contexts as well as how they have contributed to, and interacted with, Ukrainian culture and identity. Filled with rich illustrations, each chapter explores a different art period or movement.

We are at a historical moment where Ukraine and its cultural identity are in grave danger, and author Alisa Lozhkina offers a powerful opportunity to connect curious and empathetic readers with the Ukrainian art tradition.

About the Author:

Alisa Lozhkina is a leading art historian, critic, and curator. She was the editor-in-chief of the major Ukrainian art magazine Art Ukraine and served as a deputy director and chief curator of Mystetskyi Arsenal, Kyiv, the largest museum and exhibition complex in Ukraine. Lozhkina has curated numerous art projects in Ukrainian and international museums and art centers, and published several books. She has contributed to numerous publications including Texte zur Kunst, The Art Newspaper, ARTnews, Etudes sur L'histoire de l'art, and Los Angeles Review of Books. She is also an artist.

The Art of Urban Sketching is both a comprehensive guide and a showcase of location drawings by artists around the world who draw the cities where they live and travel. Authored by the founder of the nonprofit organization Urban Sketchers (www.urbansketchers.org), this beautiful, 320-page volume explains urban sketching within the context of a long historical tradition and how it is being practiced today.

With profiles of leading practitioners and discussions of the benefits of working in this art form, this inspiring book shows how one can participate and experience this creative outlet through modern-day social networks and online activity. You'll find more than 600 beautiful, contemporary illustrations, as well as artists' profiles and extended captions where these urban sketchers share their stories, how they work, sketching tips, and the tools behind each drawing.

With sketches and observations from more than 50 cities in more than 30 countries, The Art of Urban Sketching offers a visually arresting, storytelling take on urban life from different cultures and artistic styles, as well as insight into various drawing techniques and mediums.

About the Author:

Gabriel Campanario is a staff artist at The Seattle Times and the founder of Urban Sketchers (www.urbansketchers.org), a nonprofit organization dedicated to fostering the art of on-location drawing. Campanario's newspaper column, Seattle Sketcher, was awarded first place for blog writing in "The Best of the West" journalism contest. The blog and weekly print column, which combine location sketches and written stories, have quickly become popular in the Seattle area, where Campanario has been featured in TV and radio appearances. A native Spaniard, Campanario moved to the U.S. in 1998 and has lived near Seattle with his wife and two children since 2006. His journalism career spans two decades, working for newspapers in Barcelona, Lisbon, California, and Virginia. Campanario has a master's degree in journalism from the University of Navarra in Pamplona, Spain.

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Пролистать книгу The Art of Urban Sketching: Drawing On Location Around the World на Google Books.

Never-before-published drawings by Andy Warhol, telling the story of a cheeky snake and the glittering constellation of celebrities that surround him

Noa the Boa is a slave to fashion with the heart of an actor and an obsession with celebrity. He becomes luxurious leather accessories for illustrious clients – from Grace Kelly’s pillow to the codpieces at the Folies Bergère – in a high-fashion gift book for adults that is whimsical, and a little bit naughty.

This charming story and never-before-published, rarely exhibited drawings by one of the world’s most beloved artists, are a veritable who’s-who of celebrities of the 1960s, from Chanel, Grace Kelly and Jackie Kennedy, to Diana Vreeland and a couple of Rockefellers.

In the turbulent global context following the fall of the Russian Empire and the October Revolution, Georgia declared its independence in 1918. Between then and the beginning of Soviet rule in 1921, an Avant-Garde creative scene burgeoned. Artists met, mainly in the many taverns and cafés in Kutaisi and the capital Tbilisi, to organise multidisciplinary events. Their frequent collaborations and interactions, which bore the imprint of Georgian tradition and Western and Eastern influences, took various forms: paintings, drawings, films, photos, performances and typographical experiments. Divergent movements such as Symbolism/Neo-Symbolism, Futurism, Dadaism, Zaum, Expressionism, Cubism and Cubo-Futurism existed side by side in unprecedented creative turbulence.

This book tells the unknown story of a vibrant Avant-Garde in the Caucasus, born in the taverns of Tbilisi – artistic laboratories where anything was possible, but where Soviet censorship lurked.

Extensively illustrated with works by Elene Akhvlediani, Gigo Gabashvili, Irakli Gamrekeli, Lado Gudiashvili, David Kakabadze, Petre Otskheli, Niko Pirosmanashvili, Ilia and Kirile Zdanevich, and many others.

_A short but flourishing era of Avant-Garde in Georgia brought back to life
_The publication coincides with the exhibition of the same name, The Avant-Garde in Georgia (1900–1936), which runs at BOZAR, Brussels from 5 October 2023 to 14 January 2024 and is part of the Europalia arts festival