Искусство

The official behind-the-scenes art book for Sony Pictures Animation’s feature film The Mitchells vs. The Machines.

Foreword by Debbie Rianda

Ramin Zahed’s The Art of The Mitchells vs. The Machines gives insight into how the filmmakers behind Sony Pictures Animation’s movie The Mitchells vs. The Machines were able to bring a fresh, new vision to the screen through concept art, sketches, and early character designs. The book also features exclusive commentary from director/cowriter Michael Rianda and codirector/cowriter Jeff Rowe, alumni of the team behind Emmy Award-winning Gravity Falls, and producers Phil Lord and Christopher Miller, the innovative and creative minds behind The LEGO Movie and the Academy Award-winning Spider-Man: Into the Spider-Verse.

The Mitchells vs. The Machines is an animated action-comedy about an ordinary family who find themselves in the middle of their biggest family challenge yet . . . saving the world from the robot apocalypse. No big deal, right? It all starts after creative outsider Katie Mitchell is accepted into the film school of her dreams and is eager to leave home and find “her people,” when her nature-loving dad insists on having the whole family drive her to school and bond during one last totally-not-awkward-or-forced road trip. But just when the trip can’t get any worse, the family suddenly finds itself in the middle of a robot uprising! Everything from smartphones to Roombas to evil Furbys is employed to capture every human on the planet. Now it’s up to the Mitchells, including upbeat mom, Linda, quirky little brother, Aaron, their squishy pug, Monchi, and two friendly but simple-minded robots to save humanity.

Featuring the voices of Abbi Jacobson, Danny McBride, Maya Rudolph, Beck Bennett, Fred Armisen, Eric Andre, and Oscar winner Olivia Colman, The Mitchells vs. The Machines is about embracing the things that make us unique, learning what it means to be human in a world increasingly filled with technology, and holding tight to the people most important to you when the unexpected hits.

About the Authors:

Ramin Zahed is an L.A.-based author and editor in chief of Animation Magazine. He has written for numerous outlets including Variety, the Hollywood Reporter, and Sight & Sound. His recent books include Spider-Man: Across the Spider-Verse: The Art of the Movie, The Art of Klaus, The Art of Captain Underpants, and The Art of DreamWorks Animation.

Debbie Rianda is the inspiration for Linda Mitchell and director Michael Rianda’s mom.

An in-depth overview of Ukrainian art from the dawn of Modernism in the late nineteenth century to the start of the Russian invasion in Spring 2022.

This new volume in the World of Art series provides an overview of Ukrainian art, artists and art movements from the dawn of Modernism and the 1900s to the Soviet period, to post-Soviet times and the beginning of the war with Russia in February 2022. Ukrainian art and artists are discussed within historical and political contexts as well as how they have contributed to, and interacted with, Ukrainian culture and identity. Filled with rich illustrations, each chapter explores a different art period or movement.

We are at a historical moment where Ukraine and its cultural identity are in grave danger, and author Alisa Lozhkina offers a powerful opportunity to connect curious and empathetic readers with the Ukrainian art tradition.

About the Author:

Alisa Lozhkina is a leading art historian, critic, and curator. She was the editor-in-chief of the major Ukrainian art magazine Art Ukraine and served as a deputy director and chief curator of Mystetskyi Arsenal, Kyiv, the largest museum and exhibition complex in Ukraine. Lozhkina has curated numerous art projects in Ukrainian and international museums and art centers, and published several books. She has contributed to numerous publications including Texte zur Kunst, The Art Newspaper, ARTnews, Etudes sur L'histoire de l'art, and Los Angeles Review of Books. She is also an artist.

The Art of Urban Sketching is both a comprehensive guide and a showcase of location drawings by artists around the world who draw the cities where they live and travel. Authored by the founder of the nonprofit organization Urban Sketchers (www.urbansketchers.org), this beautiful, 320-page volume explains urban sketching within the context of a long historical tradition and how it is being practiced today.

With profiles of leading practitioners and discussions of the benefits of working in this art form, this inspiring book shows how one can participate and experience this creative outlet through modern-day social networks and online activity. You'll find more than 600 beautiful, contemporary illustrations, as well as artists' profiles and extended captions where these urban sketchers share their stories, how they work, sketching tips, and the tools behind each drawing.

With sketches and observations from more than 50 cities in more than 30 countries, The Art of Urban Sketching offers a visually arresting, storytelling take on urban life from different cultures and artistic styles, as well as insight into various drawing techniques and mediums.

About the Author:

Gabriel Campanario is a staff artist at The Seattle Times and the founder of Urban Sketchers (www.urbansketchers.org), a nonprofit organization dedicated to fostering the art of on-location drawing. Campanario's newspaper column, Seattle Sketcher, was awarded first place for blog writing in "The Best of the West" journalism contest. The blog and weekly print column, which combine location sketches and written stories, have quickly become popular in the Seattle area, where Campanario has been featured in TV and radio appearances. A native Spaniard, Campanario moved to the U.S. in 1998 and has lived near Seattle with his wife and two children since 2006. His journalism career spans two decades, working for newspapers in Barcelona, Lisbon, California, and Virginia. Campanario has a master's degree in journalism from the University of Navarra in Pamplona, Spain.

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Пролистать книгу The Art of Urban Sketching: Drawing On Location Around the World на Google Books.

If you know your enemies and know yourself, you can win numerous battles without a single loss. – Sun Tzu, The Art of War

Written in the 6th century BC, Sun Tzu’s The Art of War is still used as a book of military strategy today. Napoleon, Mae Zedong and Douglas MacArthur all claimed to have drawn inspiration from it. And beyond the world of war, modern-era business and management gurus have also applied Sun Tzu’s ideas to politics and corporate strategy. This illustrated dual-language edition not only presents the original Chinese characters with James Trapp’s translation on the facing page, it also tests Sun Tzu’s ideas against history. Each of the 13 chapters includes a new commentary giving examples of how Sun Tzu’s wisdom has been borne out on the world’s battlefields. When, for example, has information provided by spies changed the course of a battle? How has history shown Sun Tzu’s ideas on the importance of terrain in conflict to be true? And where can we best find examples of strategic warfare being waged? From the ancient world to the 20th century, the battles featured are illustrated with colour battle maps, paintings and artworks. Of immense influence to leaders across millennia, The Art of War Illustrated is a classic text richly deserving this illustrated and expanded dual-language edition.

About the Authors:

Sun Tzu (also known as Sunzi) was traditionally thought by historians to have been born around 544BCE, and that he later served as a general leading the forces of King He Lü of Wu, one of the seven Warring States of Eastern China during the Spring and Autumn period, and The Art of War is based on his many victories, although modern scholarship suggests the book may have been written later.

James Trapp is the author of Chinese Characters: The Art and Meaning of Hanzi, Chinese Proverbs and Tao Te Ching. A Chinese language graduate of the School of Oriental and African Studies (SOAS), University of London, he teaches Mandarin and is an Education Officer on the China Collection at the British Museum.

Never-before-published drawings by Andy Warhol, telling the story of a cheeky snake and the glittering constellation of celebrities that surround him

Noa the Boa is a slave to fashion with the heart of an actor and an obsession with celebrity. He becomes luxurious leather accessories for illustrious clients – from Grace Kelly’s pillow to the codpieces at the Folies Bergère – in a high-fashion gift book for adults that is whimsical, and a little bit naughty.

This charming story and never-before-published, rarely exhibited drawings by one of the world’s most beloved artists, are a veritable who’s-who of celebrities of the 1960s, from Chanel, Grace Kelly and Jackie Kennedy, to Diana Vreeland and a couple of Rockefellers.

In the turbulent global context following the fall of the Russian Empire and the October Revolution, Georgia declared its independence in 1918. Between then and the beginning of Soviet rule in 1921, an Avant-Garde creative scene burgeoned. Artists met, mainly in the many taverns and cafés in Kutaisi and the capital Tbilisi, to organise multidisciplinary events. Their frequent collaborations and interactions, which bore the imprint of Georgian tradition and Western and Eastern influences, took various forms: paintings, drawings, films, photos, performances and typographical experiments. Divergent movements such as Symbolism/Neo-Symbolism, Futurism, Dadaism, Zaum, Expressionism, Cubism and Cubo-Futurism existed side by side in unprecedented creative turbulence.

This book tells the unknown story of a vibrant Avant-Garde in the Caucasus, born in the taverns of Tbilisi – artistic laboratories where anything was possible, but where Soviet censorship lurked.

Extensively illustrated with works by Elene Akhvlediani, Gigo Gabashvili, Irakli Gamrekeli, Lado Gudiashvili, David Kakabadze, Petre Otskheli, Niko Pirosmanashvili, Ilia and Kirile Zdanevich, and many others.

_A short but flourishing era of Avant-Garde in Georgia brought back to life
_The publication coincides with the exhibition of the same name, The Avant-Garde in Georgia (1900–1936), which runs at BOZAR, Brussels from 5 October 2023 to 14 January 2024 and is part of the Europalia arts festival

A fascinating, narrative biography of the art movement that transformed the modern world, tracing the lives and activities of the key protagonists as they set about a revolution in art.

October 1917. The Russian Revolution wipes the old tsarist empire off the map. Marc Chagall, Wassily Kandinsky, Kazimir Malevich, Lyubov Popova, Alexander Rodchenko, Olga Rozanova, Vladimir Tatlin and other avant-garde artists participate in the revolutionary struggle, transforming inner cities with their progressive murals, posters, installations and performances. The new political leaders soon want nothing to do with these radical artists. While their reputation is growing in Europe, they experience increasing pressure in the Soviet Union.

Against a background of violent social and political change, author Sjeng Scheijen describes with compassion and humour events that shaped the artistic revolution in this, the first illustrated biography to relate the rise and fall of the leading figures of the Russian avant-garde. From philosophical and political subversion, involvement with the Bolshevik administration and links with Europe, to violent repression, incarcerations and torture in the 1930s under Stalin, events are narrated through artists’ personal memories drawn from existing and important new archival findings. Excerpts from diaries and correspondence reveal the extent of the avant-garde’s energy and determination to survive a totalitarian regime, civil war, hunger and terror.

Scheijen’s vivid, dynamic style, authoritative command of his source material and extensive original research provides exceptional insight into the lives of these avant-gardists, whose art left a lasting legacy that transformed modern art.

Contents List:
Introduction: why we paint our faces!
1. Kazimir Malevich in the Kremlin/ 1917
2. Tatlin, the Pittoresque collective/ 1917-1918
3. A white revolution/ 1917-1918
4. Monumental propaganda! Or, the avant-gardist as bureaucrat/ 1917-1918
5. Tatlin’s tower/ 1919-1921
6. Many avant-gardists in the provinces/ 1919-1922
7. The last laboratory/ 1922-1925
8. Family ties/ 1925-1927
9. Tatlin’s bird/ 1927-1932
10. Farewell/ 1932 and beyond

About the Author:

Sjeng Scheijen is an author and an internationally acclaimed expert on Russian art. He has curated several important exhibitions in London, Groeningen and elsewhere, and is the former cultural attaché to the Royal Netherlands Embassy in Moscow. His previous book, Diaghilev: A Life (2009) received much critical acclaim, being described as ‘masterful’ by the Guardian and ‘magnificent’ by the Daily Mail.

The book opens in January 1969, the beginning of The Beatles’ last year as a band. The Beatles (The White Album) is at number one in the charts and the foursome gather in London for a new project. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, with cameras and tape recorders documenting every day’s work and conversations, the band rehearse a huge number of songs, culminating in their final concert, which famously takes place on the rooftop of their own office building, bringing central London to a halt.

The Beatles: Get Back tells the story of those sessions through transcripts of the band’s candid conversations. Drawing on over 120 hours of sound recordings, leading music writer John Harris edits the richly captivating text to give us a fly-on-the-wall experience of being there in the studios. These sessions come vividly to life through hundreds of unpublished, extraordinary images by two photographers who had special access to their sessions ― Ethan A. Russell and Linda Eastman (who married Paul McCartney two months later). Also included are many unseen high-resolution film-frames, selected from the 55 hours of restored footage from which Peter Jackson’s documentary is also drawn.

Legend has it that these sessions were a grim time for a band falling apart. However, as acclaimed novelist Hanif Kureishi writes in his introduction, “In fact this was a productive time for them, when they created some of their best work. And it is here that we have the privilege of witnessing their early drafts, the mistakes, the drift and digressions, the boredom, the excitement, joyous jamming and sudden breakthroughs that led to the work we now know and admire." Half a century after their final performance, this book completes the story of the creative genius, timeless music, and inspiring legacy of The Beatles.

"It would be fair to say that today Let It Be symbolizes the breaking-up of The Beatles. That’s the mythology, the truth is somewhat different. The real story of Let It Be has been locked in the vaults of Apple Corps for the last 50 years.” ― Peter Jackson

Attention all creative fashionistas! The ultimate guide to drawing today's most stylish fashion designs has arrived! In this sequel to Christopher Hart's bestselling how-to-draw book Fashion Design Studio, aspiring fashion designers can access easy templates for drawing the designs of their dreams. This book not only covers the basics of drawing dresses, tops, pants, and accessories, it digs into all the dreamy details that make fashion so much fun. Fashion-forward details such as hi-low hemlines, cut-out shoulders, patchwork denim, high-cut waistlines, floral- print ankle boots, and carefully clashed patterns. Classic cuts that are perennial favorites are the starting point for drawing mix-and-match outfit details that will spark any aspiring designer's creativity. Offering accessibility, versatility, and on-point style, this is the guide every aspiring fashion designer needs for learning to draw their most fabulous creations.

About the Author:

Christopher Hart is the world's bestselling author of manga, basic drawing and cartooning books. His titles have set the standard for art instruction with more than 3 million copies in print in eighteen languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals.

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Пролистать книгу The Beginner's Fashion Design Studio: Easy Templates for Drawing Fashion Favorites

Riders on the Storm. The charge of 20th-century expressionism

Join the heady ride of Der Blaue Reiter, the group of artists who galloped just three years of the early 20th century together, but in their rejection of establishment standards and charge into a new artistic realm marked a major step in the evolution of European Expressionist and abstract art.

Although it only lasted three turbulent years, the afterburn of the Blaue Reiter (1911–1914) movement exerted a tremendous influence on the development of modern European art. Named after a Kandinsky painting, The Blue Rider, this loose band of artists, grouped around Russian émigré Wassily Kandinsky and German painter Franz Marc, sought to reject establishment standards and charge into a new artistic unknown.

Articulating spiritual values and concerns in an era of rapid industrialization, the artists of the Blaue Reiter were connected by a shared interest in painting, woodcuts, and prints, as well as the symbolic values of color and spontaneous approaches to artwork. Key pieces such as Franz Marc’s Blue Horse I (1911), Kandinsky’s Picture with a Black Arch (1912), and August Macke’s Woman in a Green Jacket (1913) reveal varying subjects, but all channel distorted perspectives, crude lines, and an emphatic, expressionist use of color.

The Blaue Reiter was abruptly truncated by the onset of the First World War, which killed two of its leading artists, along with growing dissent between the group’s protagonists. This book reveals the movement’s remarkable influence despite its brevity, presenting key works, artists, and their reverberating effects.

The author:

Hajo Düchting studied art history, philosophy, and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay’s Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrücken, and Mainz. Düchting has published numerous articles on the art of the modern era, color theory, and the teaching of art, and has authored a number of TASCHEN titles, including Paul Cézanne, Wassily Kandinsky, Robert and Sonia Delaunay, and Georges Seurat.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

From fine art to street style, the aesthetics and motifs of the gothic are entwined with the heart of today’s alternative visual culture.

Vampires and demons have become screen icons of the modern underworld. Skulls, crosses and religious iconography represent symbols of rebellion for a new gothic generation, a shorthand for an allegiance with a modern day underworld where monsters and misfits rule the world. Structured over three defining chapters (Gods & Monsters, The Kingdom of Darkness and Dark Arts/Higher Power), The Book of Black provides an exploratory visual narrative through which to reveal and celebrate the artists, aesthetics and styles of today’s gothic visual arts, presenting seminal gothic artworks alongside emerging artists of today.

About the Author:

Faye Dowling is a freelance editor, curator and art buyer specialising in photography, illustration, design and contemporary visual culture. She has worked for brands such as Stella McCartney, Louis Vuitton and Adidas, and magazines including Dazed & Confused, Frieze, Eye and Varoom. For Laurence King she is the author of The Book of Skulls (2011).

The skull is one of the most recognizable symbols of today’s contemporary visual culture. Adorning T-Shirts, badges and rock memorabilia as the ultimate symbol of anarchy and rebellion, the image of the skull has found its way into the vocabulary of urban life.

In response to this cultural phenomenon, The Book of Skulls presents a cool visual guide to the skull, charting its rebirth through music and street fashion to become today’s ultimate anti-establishment icon. From the Grateful Dead to skater punk graffiti, from haute-couture to Damien Hirst, this book is the ultimate collection of iconic and unusual skull motifs.

Packaged in an amazing 'skeleton' binding and drawing together artwork from music, fashion, street art and graphic design, The Book of Skulls is a celebration of one of today’s most iconic cultural symbols.

About the Author:

Faye Dowling is a freelance editor, curator and art buyer specializing in photography, illustration, design, and contemporary visual culture. She has worked for magazines including Dazed & Confused, Varoom, Frieze, Eye, Edit and Pictured.

‘Tea began as a medicine and grew into a beverage,’ are the opening words of Okakura Kakuzō’s The Book of Tea, written in English in 1906 for a Western audience. The book is a long essay celebrating the secular art of the Japanese tea ceremony and linking its importance with Zen Buddhism and Taoism. It is both about cultural life, aesthetics and philosophy, emphasising how Teaism – a term Kakuzō coined – taught the Japanese many things; most importantly, simplicity, which can be seen in Japanese art and architecture. Looking back at the evolution of the Japanese tea ceremony, Kakuzō argues that Teaism, in itself, is one of the profound universal remedies that two parties could sit down to. Where the West had scoffed at Eastern religion and morals, it held Eastern tea ceremonies in high regard.

With a new introduction, this is an exquisitely produced edition of a classic text made using traditional Chinese bookbinding techniques. Surely it’s time for tea.

About the Author:

Okakura Kakuzo was born in 1862, the son of a merchant. He learnt English as a child and went on to study languages at Tokyo University. There, he started a movement to preserve Japanese culture from the rise of modernism and westernisation. At the age of only twenty-nine, he was made principal of the National Art School, and many of his students went on to become famous artists. In 1898, he resigned to found a dissident school of art. To raise funds, he travelled to America, where he found a wealthy and interested patron in Mrs Isabella Gardner, ‘Queen of Boston’. Now a successful artist, he was also appointed curator of Chinese and Japanese art at the Boston Museum. A dramatic and extroverted character, he wrote The Book of Tea in 1906 and died seven years later, in 1913.

A year-by-year history of the people and events which shaped the evolution of jazz from its roots in Africa and the southern United States to the myriad urban styles heard around the world today

Updated and Revised Edition

The Chronicle of Jazz tells the whole story of jazz music and its personalities, a story rich with innovation, experimentation and controversy. Beginning at the dawn of the twentieth century, the book charts the evolution of jazz from its roots in Africa and the southern United States to the many styles heard around the world today, and looks closely at how jazz has influenced, and been influenced by, other musical and artistic forms.

It features hundreds of illustrations and rare images, from record-cover artwork to pictures of live performances, and is accompanied by an accessible and wide-ranging text that turns music into words and histories into living images. Each chronologically arranged section contains special features, on topics ranging from the bossa nova craze to jazz in Paris, personality sketches and seminal gigs and albums.

This is a vibrant celebration of imaginative and enduring music and is a rich resource for both jazz aficionados and all music lovers.

Contents List:

1895–1916: Origins • 1917–1929: From New Orleans to the East Coast • 1930–1945: Swing • 1946–1958: Style and Idea • 1959–1969: The Birth of Modern Jazz • 1970–1999: Innovation and Reaction • 2000–: Millennium Blues • Reference

About the Author:

Mervyn Cooke is Professor in Music at the University of Nottingham. Among his other books are The Cambridge Companion to Jazz, The Hollywood Film Music Reader, The Cambridge Companion to Twentieth-Century Opera, Letters from a Life: The Selected Letters of Benjamin Britten, A History of Film Music and The Cambridge Companion to Benjamin Britten.

The drums of war thunder once again . . .

World of Warcraft redefined online gaming for millions and millions of people, and in the fifteen years since its launch, each new chapter in the game’s story has been bolstered through the Blizzard Entertainment’s incredible cinematics. The Cinematic Art of World of Warcraft: Volume I goes behind the scenes with the team who built the game’s stunning movies. With never-before-seen concept art and accounts of the creative and technical process, this is the definitive visual gallery of how countless artists brought the world of Azeroth to life in incredible detail and motion.

The first installment in a new series, The Cinematic Art of World of Warcraft: Volume I is a visual chronicle covering the cinematics from the beginning of World of Warcraft through to the Warlords of Draenor expansion.