Искусство

The definitive catalogue of an unparalleled collection of Indian jewelry and luxury objects made at the height of the Mughal empire and the Deccan sultanates.

This is the definitive catalogue of an unparalleled collection of Indian jewelry and jewelled luxury objects made at the height of the Mughal empire and Deccan sultanates in the 16th and 17th centuries. The collection, widely regarded as one of the finest in the world, was assembled by Sheikh Nasser and Sheikha Hussa al-Sabah for The al-Sabah Collection, Kuwait, and reveals the beauty, sophistication and diversity of Indian jewelled arts.

The Indian subcontinent is naturally rich in gems. From ancient times master jewellers developed a wide array of unique techniques and made it home to the most sophisticated jewels on earth. Exotic birds and animals, flowers, trees and mythological scenes rendered in precious gemstones, gold and enamel demonstrate these artists’ prodigious imagination and skill. They produced not only an unmatched range of jewelry to adorn the body but also ritual and household items of astonishing refinement and luxury, as well as extravagantly large engraved gemstones to serve as symbols of their princely patrons’ royal power – including a spinel of nearly 250 carats believed to be the legendary Timur Ruby.

This volume includes not only the finest and most valuable pieces in the collection – some familiar to connoisseurs, others published here for the first time – but also many previously unknown types that extend our understanding of artistic output in the region. With specially commissioned photography giving unprecedented new views of more than 300 jewelled objects, this is a publication of historic importance and beauty, for all lovers of jewelry, the arts of India and of the Islamic world.

About the Author:

Salam Kaoukji is curator and collection manager of The al-Sabah Collection, Kuwait, and an editor of Thames & Hudson’s long-running and acclaimed series of catalogues. Her previous books include Precious Indian Weapons and other Princely Accoutrements (2017) and Treasury of the World: Jewelled Arts of India in the Age of the Mughals (with Manuel Keene, 2001).

This is the second extensive monograph dedicated to the internationally acclaimed Russian artist collective: AES+F.

Since 1987, AES+F have been working at the intersection of painting, sculpture, photography, video, and new technologies. They achieved worldwide acclaim in the Russian Pavilion at the 52nd Biennale di Venezia in 2007 with their provocative, other-worldly Last Riot (2007), the first of their signature large-scale, multichannel video installations. Always pushing the boundaries of their practice, between 2016 and 2019 the collective also worked on video set designs for theater and opera.

The volume will shed light on the psychoanalytic approach that underlies their language and provocations, intended to induce a process of self-reflection in the viewer, changing their perception of the world and society. Their visual journey will be articulated into three chronological sections corresponding to the most significant shifts in their conceptual evolution, covering their practice from 1995 to 2020.

The volume includes contributions by Tina R. Ryan and Brooke L. McGowan, Tom Morton and Hou Hanru.

About the Author:

Silvia Burini is Director of the Center for Studies in Russian Art (CSAR) at Ca’ Foscari University in Venice. Giuseppe Barbieri is full professor of History of Modern Art at Ca’ Foscari University of Venice, and is the head of the Department of Philosophy and Cultural Heritage.

The definitive and debut publication of the Qatar-based ARAK Collection – home to over 4000 works by artists from Sub-Saharan Africa.

The book features artworks from more than 100 artists in the collection. It serves as an essential framing text for the ARAK Collection and provides a much needed perspective on contemporary art from the continent. Through the ARAK Collection, one is able to gain a dynamic, collective vision of Africa.

Arranged according to the selectively identified themes of Abstraction, Portraiture, and Place, each with an accompanying contextual essay by art critic and cultural theorist Ashraf Jamal, the publication also features short, informative texts on each artist written by Jamal, curator and researcher Nneoma Angela Okorie, and art historian and writer Barnabas Ticha Muvhuti.

Through considered editorial decisions and engaging prose, African Art: The ARAK Collection places African art, and indeed the continent itself, at the centre of the world, and demonstrates why the rest of the globe is beginning to shift its focus toward the work of African artists.

About the Authors:

Ashraf Jamal is a Senior Research Associate in the Visual Identities in Art and Design Research Centre, University of Johannesburg. He is the former editor of Art South Africa and Art Africa.
Nneoma Angela Okorie is a curator, writer and researcher currently based in Accra, Ghana. Her curatorial & research practice is centered around exploring new forms of displaying & debating using visual, textual, activations, audio or archival materials.
Barnabas Ticha Muvhuti is a Cape Town-based writer and art historian with research interests in the marginalised Black modern artists-cum-teachers in Zimbabwe and the practices of contemporary artists based on the African continent and its diasporic communities.

This collection of projects by the "father of modern origami" contains detailed instructions for 60 of the master's original works.

Master origami artist Akira Yoshizawa was a true innovator who played a seminal role in the rebirth of origami in the modern world. He served as a bridge between past and present -- between the ancient traditional craft and the development of origami as a contemporary practice -- inventing new techniques and in preserving the traditional Japanese forms. In fact, the notational system of diagrams widely used today to indicate how models are folded was developed mainly by him. Above all, Yoshizawa was responsible for elevating origami to the status of an art form.

This beautiful origami book is the first comprehensive survey of the extraordinary work of Akira Yoshizawa. In addition to 60 models from his private collection, it features over 1,000 original drawings by the artist, and English translations of his writings in Japanese on origami, all of which are published here for the very first time.

Origami projects include:

- The Koinobori and the Helmet
- Butterflies of Every Kind
- Fairy Tale Crowns and Caps
- The Lion Mask
- The Tengu Masks

and much more!

Akira Yoshizawa also contains an explanation of the Master's personal philosophy of origami by Yoshizawa's widow, Kiyo Yoshizawa and an insightful introduction from Robert Lang, a leading artist and exponent of origami art in the West.

About the Author:

Born in 1911, Akira Yoshizawa is the father of modern origami. The publication of his first collection of models in the early 1950s caused a major sensation. In 1954, he founded the International Origami Centre in Tokyo. In 1955, his original works were exhibited for the first time at a show in Amsterdam, an enormously successful event that introduced him to the West. It was during these years that he came up with a system of notation based on a series of symbols and graphic signs indicating various types of folds and thus created a method that was later adopted by many origami artists and is still in use today. In subsequent decades Yoshizawa folded and taught origami, published books on the art, and participated in innumerable events on an international scale. As his fame spread throughout the world, he came to be seen as the most distinguished representative of the art, a pioneer of many techniques used in modern origami. Yoshizawa died in 2005, on the day of his 94th birthday.
 

Alan Chan, the renowned designer with an impeccable eye for Asian artifacts, has amassed a remarkable collection of over 10,000 exquisitely designed and crafted pieces.

This rare personal insight into the influences and inspirations behind acclaimed Hong Kong designer and collector Alan Chan gives an intimate view of the collection of objets he has fastidiously assembled throughout his life, and the creative process they have informed.

The pioneering, award-winning, and self-taught designer is known for his inventive and innovative designs. Effectively organized by theme, from tea to dragons, and with an emphasis on objets produced for China Trade, many of the elegant pieces photographed for this book showcase Chan’s insatiably inquiring mind. They offer insights into how his passion for collecting drives his characteristically whimsical signature take on East and West, tradition and innovation, where there is always a twist of the unexpected. Part autobiography, part reflection on creativity, it is full of insights into Chan’s remarkable design process, making it a treat for the eyes and a valuable resource for new and established designers alike.

About the Authors:

Catherine Shaw is an independent architecture, design, and art critic and published author. Trained as an urban planner, she has written extensively on urban development and arts and crafts in Asia. Aric Chen is an independent curator and writer based in Shanghai. He is professor and founding director of the Curatorial Lab at the College of Design and Innovation, Tongji University, and was formerly the lead curator for Design and Architecture at M+, Hong Kong.

This stunning two-volume set evokes the differences, as well as the affinities, between the works of groundbreaking artists Yves Klein and Alberto Giacometti.
 
Volume one of this beautiful new book features archival images of both artists among new texts by curator Joachim Pissarro and others, as well as never- before-translated texts by Isaku Yanaihara, Dino Buzzati, and Pierre Descargues. Detailed illustrated chronologies for each artist complete volume one, while the colourful second volume includes colour plates of all the works displayed during Gagosian Gallery’s 2016 London exhibition of the same title, as well as installation images.

About the authors:

Joachim Pissarro is the Bershad Professor of Art History and Director of the Hunter College Galleries at Hunter College in New York City. He was a curator at MoMA’s Department of Painting and Sculpture. 

Danielle Peterson Searls is an art historian specializing in French Modernism, Romanesque art, and Islamic textiles. 
Catherine Grenier has been the director of the Fondation Giacometti since 2014. She has organized several major exhibitions of Alberto Giacometti’s work. 

Daniel Moquay is director of the Yves Klein Archives. He has organized more than forty retrospective exhibitions of Klein’s work and published more than thirty books on the artist. 

Cecilia Braschi is an art historian and former researcher at the Fondation Alberto et Annette Giacometti (2005–2011). She has curated exhibitions of and written extensively on Alberto Giacometti. 

Richard Calvocoressi is the former curator at the Tate Gallery, London (1977–1983), as well as the former director of the Scottish National Gallery of Modern Art (1987–2007) and of the Henry Moore Foundation (2007–2015).

A comprehensive survey of the work of the legendary Swiss artist, this book illustrates and examines more than 100 of his sculptures, paintings, drawings, and prints

This lavishly illustrated retrospective traces the early and midcareer development of the preeminent Swiss artist Alberto Giacometti (1901–1966), examining the emergence of his distinct figural style through works including a series of walking men, elongated standing women, and numerous busts. Rare paintings and drawings from his formative period show the significance of landscape in Giacometti’s work, while also revealing the influence of the postimpressionist painters that surrounded his father, the artist Giovanni Giacometti. Other areas of inquiry on which Alberto Giacometti casts new light are his studio practice ― amply illustrated with photographs ― his obsessive focus on depicting the human head, his collaborations with poets and writers, and his development of the walking man sculpture, thanks to numerous drawings, many of which have never been shown. Original essays by modern art and Giacometti specialists shed new light on era-defining sculptural masterpieces, including the Walking Man, the Nose, and the Chariot, or on key aspects of his work, such as the significance of surrealism, his drawing practice, or the question of space.

About the Author:

Emilie Bouvard is director of collections and scientific program at the Fondation Giacometti, Paris.

Before the rise of Pop Art proper, Alex Katz developed an iconic style of figurative painting in the early 1960s ―  influenced by film, television, and billboard advertising. Seemingly detached and incredibly stylish, he created portraits of the New York scene as well as idyllic landscapes. Printmaking plays an equally central role in Katz’s work. He uses lithographs, etchings, silkscreens, woodcuts and linocuts to reproduce, reflect and further reduce his bold aesthetic, while retaining the radiant color characteristic for his paintings. Since the first edition in 2011, Katz has almost doubled his output of prints ― this timely new edition includes his complete prints, cutout editions, artists’ books, and also lists his works of applied art like book illustrations and public art projects. New essays and interviews with the artist give profound insights into the work of one of the foremost American artists of the present.

This eagerly awaited first monograph focuses on Alexander Ponomarev, one of Russia's most eminent and singular contemporary artists.

Alexander Ponomarev is one of Russia's most widely known contemporary artists, renowned both at home and abroad. In 2014, he was featured in Time magazine as one of the 100 Leading Global Thinkers thanks to the vast range of devices he employs to express his ideas, such as drawings, vast, complex installations, and a variety of technologies. He also captures some of the planet's most extreme and least accessible landscapes, symbolizing what he views as a world that is "culturally and morally adrift."

The themes he tackles are those he considers of critical relevance to today's world: the rapport between science and art, the exploration of the Arctic and Antarctic, the retrieval of ancient engineering traditions vs. today's advanced technologies, and the crucial and urgent issue of climate change.

The volume includes two ample introductory essays describing his position in the Russian context of art production over the twentieth and twenty-first centuries and his roots in the artistic and humanist culture of the early modern era (Vitruvius, Leonardo, Titian, and the major geographical explorations, etc.).

About the Author:

Silvia Burini is director of the Center for the Studies of Russian Arts (CSAR) at Ca' Foscari University in Venice. Giuseppe Barbieri is full professor of history of modern art at Ca' Foscari University. He has authored and curated over forty books and organized numerous exhibitions.

120th anniversary of his birth, the life and masterpieces by Alfred Hitchcock, a British filmmaker, master of suspense and cinema genius.

“If you make a bomb go off, the audience has a shock that lasts 10 seconds, but if you simply tell them there’s a bomb, the suspense is dragged out and the audience is kept on pins and needles for five minutes” (Alfred Hitchcock).

The supreme representative of the “seventh art”, director of masterpieces, milestone of world cinema, during his long career Alfred Hitchcock (1899–1980) made over 50 films, from his debut in silent cinema to 1970s movies that have terrorised entire generations.

Enthralling plots, original editing, brilliance, skilful ability in creating constant tension, frame after frame: these are the ingredients that have made Hitchcock a true icon of cinema history, worshipped and revered by countless admirers who still today imitate and study his innovative techniques.

Through a vast selection of photos and original contents taken from the set of masterpieces like Psycho (1960), Rear Window (1954), Birds (1963), Vertigo (1958), North by Northwest (1959), Dial M for Murder (1954), readers are taken backstage to discover curious details and better understand the life of this master of suspense.

Ali Banisadr's first major monograph delves into the Iranian painter's influences and practice.

Preeminent Iranian-American artist Ali Banisadr's canvases depict a complex swirl of action and abstracted figuration across a stagelike picture plane. Varied histories inform these paintings, ranging from the artist's synesthesia, to Persian miniatures, to the multi-figure works of Brueghel and Bosch, and the gestural imaginations of Willem de Kooning and Max Ernst.

Born in Tehran in 1976, Ali Banisadr grew up during the Islamic revolution and the eight-year Iran-Iraq War. In 1988, he and his family emigrated to Turkey and then to California. In 2000, he moved to New York City where he currently lives and works.

About the Authors:

Negar Azimi is a writer and the senior editor of Bidoun. Her writing has appeared in Artforum, Frieze, Harper's, The New Yorker, and The New York Times Magazine. Robert Hobbs, an art historian and curator specializing in twentieth- and twentieth-first century art, is the author of over fifty books and major catalogues on topics ranging from Abstract Expressionism to Earth Art and from Modernism to Post-Modernism. Joe Lin-Hill is Deputy Director of the Albright-Knox Museum. John Yau is a poet and critic who lives in New York. He has published over fifty books of poetry, artists' books, fiction, and art criticism.

Phoebe Hoban’s definitive biography of the renowned American painter Alice Neel tells the unforgettable story of an artist whose life spanned the twentieth century, from women’s suffrage through the Depression, McCarthyism, the civil rights movement, the sexual revolution, and feminism. Throughout her life and work, Neel constantly challenged convention, ultimately gaining an enduring place in the canon.

Alice Neel’s stated goal was to “capture the zeitgeist.” Born into a proper Victorian family at the turn of the twentieth century, Neel reached voting age during suffrage. A quintessential bohemian, she was one of the first artists participating in the Easel Project of the Works Progress Administration, documenting the challenges of life during the Depression. An avowed humanist, Neel chose to paint the world around her, sticking to figurative work even during the peak of abstract expressionism. Neel never ceased pushing the envelope, creating a unique chronicle of her time.

Neel was fiercely democratic in selecting her subjects, who represent an extraordinarily diverse population ― from such legendary figures as Joe Gould to her Spanish Harlem neighbours in the 1940s, the art critic Meyer Shapiro, Nobel Laureate Linus Pauling, Andy Warhol, and major figures of the labour, civil rights and feminist movements ― producing an indelible portrait of twentieth-century America. By dictating her own terms, Neel was able to transcend such personal tragedy as the death of her infant daughter, Santillana, a nervous breakdown and suicide attempts, and the separation from her second child, Isabetta. After spending much of her career in relative obscurity, Neel finally received a major museum retrospective in 1974, at the Whitney Museum of American Art, in New York.

In this first paperback edition of the authoritative biography of Alice Neel, which serves also as a cultural history of twentieth-century New York, the author Phoebe Hoban documents the tumultuous life of the artist in vivid detail, creating a portrait of the artist as incisive as Neel’s relentlessly honest paintings. With a new introduction by Hoban that explores Neel’s enduring relevance, this biography is essential to understanding and appreciating the life and work of one of America’s foremost artists.

All in the Family creator Norman Lear takes fans behind the scenes of the groundbreaking sitcom on the occasion of its 50th anniversary.

The face of television was changed forever in 1971 with the premiere of All in the Family. The working-class Bunker family of Queens, New York — lovable bigot Archie (Carroll O'Connor), his long-suffering “dingbat” wife Edith (Jean Stapleton), their liberal daughter Gloria (Sally Struthers), and son-in-law Mike "Meathead" Stivic (Rob Reiner) — instantly became, and half a century later still are, four of the most iconic characters in television.

In All in the Family: The Show that Changed Television, Norman Lear shares his take on fifty essential episodes that exemplify why the show remains as funny and relevant as ever. Its boundary-pushing approach to hot-button topics is examined with commentary from co-stars O’ Connor, Stapleton, Reiner, and Struthers, as well as writers, directors, and guest stars from the show. With previously unseen notes from Lear, script pages, production designs, and a foreword by super-fan Jimmy Kimmel, this book is the ultimate companion to the seminal series and a must for fans of Lear’s shows and television comedy. “Norman Lear,” said New Yorker critic Michael Arlen, “has a feel for what people want to see before they know they want to see it.” All in the Family, like all of the Lear shows that followed, was a turning point in television’s handling of taboo subjects such as race relations, feminism, homosexuality, war, religion, gun control, social inequity, and other controversial subjects, all of which remain in the news today.

About the Author:

Producer, philanthropist, and activist Norman Lear has the distinction of being among the first seven television pioneers inducted into the Television Academy Hall of Fame. He won his first two Emmy® Awards in 1971 (for All in the Family’s premiere season) and his most recent one in 2020, for Live in Front of a Studio Audience: ”All In The Family” and ”Good Times.” His memoir, Even This I Get to Experience, was published in 2014. Jimmy Kimmel is the host and executive producer of the Emmy® Award–nominated Jimmy Kimmel Live!, ABC’s longest-running late-night talk show. Also a comedian and writer, he has hosted some of the biggest events in pop culture, including the Academy Awards, the Emmys, the American Music Awards, and the ESPY Awards, as well as executive-produced and hosted the Emmy Award–winning Live In Front Of A Studio Audience: “All In The Family” and “The Jeffersons” and Live in Front of a Studio Audience: “All In The Family” and “Good Times.”

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Recognized as a major Pop artist in his day, Allan D’Arcangelo (1930–1998) has yet to receive the critical reevaluation of painters like Roy Lichtenstein and James Rosenquist. His first monograph in nearly a decade introduces new audiences to his iconic paintings, particularly his celebrated visions of life on the road.

Like Pop peers Andy Warhol and Ed Ruscha, Allan D’Arcangelo incorporated mass-manufactured images in works that elevate scenes of everyday American life. While his work often features imagery from more familiar 1960s art — Jacqueline Kennedy and Marilyn Monroe, smoking pin-up girls, Superman, Lucky Strike — it differs in the surreal elements he introduced to Pop tropes and romantic views of the American industrial landscape.

D’Arcangelo once observed his “most profound experiences of landscape were looking through the windshield.” The artist brought a Pop sensibility to the tradition of landscape painting in a graphic style that touched on Minimalism, Precisionism, and Hard-edge painting. Often framed from the perspective of the driver’s seat, D’Arcangelo’s work captures the deeply American experience of flying down an endless road. D’Arcangelo’s signature scrolling landscape cut through with flashing signs is as familiar to road trippers as it is to video game racers.

This comprehensive publication includes over 200 reproductions and three essays detailing what critic Dore Ashton describes as the “poetic awareness of the vastnesses both visible and invisible in American life [that] marked and distinguished [D’Arcangelo’s] work.”

About the Authors:

Alex J. Taylor is an Associate Professor in the History of Art and Architecture at the University of Pittsburgh, and the author of Forms of Persuasion: Art and Corporate Image in the 1960s. Evan Moffitt is a writer, editor, and freelance critic based in New York. Cécile Whiting is Professor of Art History at the University of California, Irvine, and author of A Taste for Pop: Pop Art, Gender, and Consumer Culture.

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The first volume in more than 20 years tells a new and modern story of the U.S. State Department’s Diplomatic Reception Rooms, one of the top collections of American fine and decorative arts in existence.

Winner, NYC Big Book Award 2023, Fine Arts; Best Art Book, American Book Fest Award, 2023

The art of United States diplomacy has been conducted over more than two centuries with figures from all over the world, in peacetime and in conflict. For the last six decades, these negotiations have taken place in the rarified environment of the Diplomatic Reception Rooms at the U.S. Department of State. Tucked inside the modern Truman Building in the center of Washington, D.C., lies this special suite of rooms transformed by four renowned architects — gems of classical architecture brimming with exceptional American art and artifacts that tell the story of the nation’s founding and represent the singular ideals of the American character.

Housing one of the finest collections in the world, along with the Metropolitan Museum of Art and Winterthur, these rooms display more than 5,000 objects, including paintings by John Singleton Copley and Gilbert Stuart; silver and porcelain owned by George Washington and other presidents; fine furniture; maps and documents; prints and drawings, not to mention the very desk the Treaty of Paris that ended the Revolutionary War was signed on.

With all-new photography and essays, this book captures the history of the rooms and explores more than 150 examples of the extraordinary American art that animates the exquisite spaces.

About the Author:

Virginia B. Hart is director and curator of the Diplomatic Reception Rooms and Bri Brophy is deputy chief curator. The Honorable John F. Kerry is U.S. Special Presidential Envoy for Climate, and former U.S. Secretary of State. Allan Greenberg is an architect and author. Mark Alan Hewitt is an architect and architectural historian. Stacy Schiff is a Pulitzer-Prize-winning author. Elizabeth Mankin Kornhauser is the Senior Curator for the 2026 Bicentennial at Frederic Chruch's home Olana and Curator Emerita of American Paintings and Sculpture at the Metropolitan Museum of Art. Alice Cooney Frelinghuysen is the Anthony W. and Lulu C. Wang Curator of American Decorative Arts at the Metropolitan Museum of Art. Alexandra Alevizatos Kirtley is the Montgomery-Garvan Curator of American Decorative Arts at the Philadelphia Museum of Art. Elliot Bostwick Davis is Senior Editor, Harvard Social Impact Review, Arts and Culture and a former museum curator and director. Deborah Dependahl Waters is an independent decorative arts historian and part-time assistant professor at Parsons, New School University. David M. Rubenstein is a financier and philanthropist. Carolyn Vaughan is a writer and editor of art books and exhibition catalogues. Laaren Brown is a writer and editor for art and natural history topics. Durston Saylor is a photographer of contemporary interior design and architecture. Bruce M. White is a photographer of works of art and historic architecture. Sarah Gifford is an award-winning graphic designer.

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