Книги о восточном искусстве

Everyday Scenes from a Parallel World is a celebration of the beauty of the scenes and backgrounds in anime and manga. 

This unusual book turns the spotlight exclusively on the scenes and background illustrations. With only a few ordinary characters in these scenes, attention here is focused on the beauty of the illustrated backgrounds.

These background artworks feature familiar scenes from daily life: nostalgic townscapes, detailed cityscapes, intricate architecture, rooms that look like doll houses, etc. They are extremely realistic and detailed -- almost like photographs -- but at the same time give readers the sense that we are looking at images of a parallel world.

The works featured are by 39 well-known, mostly Japanese creators, illustrators, and animators. Some creators featured have made their entire careers specializing in drawing backgrounds. Frequently overlooked, this book finally gives them the recognition they deserve. Additionally, a section that explains drawing techniques and materials is included. The profiles of creators with messages from each, descriptions of each creator's techniques and preferred materials are written in both Japanese and English text.

This stunning collection will appeal to all art lovers and is sure to bring creators massive inspiration, too.

About the Author:

PIE International specializes in books for graphic designers, and high-quality visual books on photography, art, and Japanese Culture (Traditional and contemporary), as well as manga and comic art, and more.

The long-awaited ultimate illustration collection of Shirow Miwa, known as the author of manga DOGS, takes us deep into the core of his imagination!
Characters from the game Fate / Grand Order, Saber/Sigurd and Lancer/Brynhild are now included in this updated English edition!

Shirow Miwa, the Japanese manga artist and illustrator, is best known for the manga series DOGS and RWBY, but has also contributed to visual works such as the 7th Dragon 2020 and Fate / Grand Order games, and the animated films Kiznaiver and JOKER GAME. In his career as a manga artist and an illustrator, Miwa has drawn a range of edgy characters from ancient people with animal ears, summoned beasts and superhero-like aliens, to true bad boys wearing glasses, pretty girls riding robots, a mysterious priest, samurai in sailor uniforms, brutal twins, a macho butler, a hot boss and many more...

How were these distinctive characters created? Where does Miwa's imagination come from? What was he thinking while he was working on each of these stunning visual works? Delving into the core of Shirow Miwa's imagination, this book will fascinate those in the animation and gaming industries with its treasured rough sketches, character model sheets, and visual illustrations. Included at the end is Shirow Miwa's own commentary on each manga, game, and animation, which he wrote as part of each work's creative team. This additional material gives readers insight into his creative process and thinking and allows them to witness the moment of birth of each of his mysterious yet attractive characters. This book is an updated English edition of Gadgetry Shirow Miwa Design Achieves, which was originally published in Japan. The cover image has been redesigned to feature Saber/Sigurd and Lancer/Brynhild from the game Fate / Grand Order. This edition also showcases new character model sheets of Saber/Sigurd, which will surely satisfy the fans of Shirow Miwa hoping to collect all of his artworks.

About the Author:

Shirow Miwa is a Japanese manga artist and illustrator. He is well known for his manga DOGS / BULLETS & CARNAGE which is serialized in the manga magazine ULTRA JUMP. He has also contributed to games and animation works such as 7th DRAGON 2020 / 7th DRAGON 2020- , Kiznaiver, JOKER GAME, Fire Emblem: Smash Brethren 3, and worked on Fate /Grand Order as a character designer. His success as an illustrator seems unlimited. He also works as a member of online creative unit supercell.

Discover the exceptional artistry and rich traditions being kept alive by Japanese artisans in the 21st century.

In an era where global interest in handmade, small-batch products is heightening as a response to mass production, Handmade in Japan takes a look inside the workshops of the country’s artisans, revealing their endless pursuit of excellence, and what it means to dedicate one’s life to the stewardship of irreplaceable cultural heritage. Find inspiration in the exploration of handmade processes using sustainable materials and discover the lengths these makers go to in ensuring every product is perfect.

From hand-painted kimono dyeing to wooden trays carving, Handmade in Japan meets the craftspeople of Japan's diverse regions with unique insights into their traditions and how they work.

About the Author:

Irwin Wong is an editorial and commercial photographer based in Tokyo. Originally from Melbourne, Australia, he moved to Japan in 2005. He developed an interest in craftsmanship after photographing several artisans for work. His clients include Apple, The Washington Post, Forbes, and Nike.

The first monograph on Iraqi artist Hayv Kahraman surveys her figurative work, which mines the marginal space that pertains to diasporic peoples, collective and personal memory, and gender.

The vital practice of Hayv Kahraman produces ethereal figures relating to each other in complex grounds. Their grace belies the brutal history of violence and displacement Kahraman’s subjects endure, creating an oscillating effect that entices the viewer with its seductive order. The artist combines elements of Italian Renaissance painting and twelfth-century Baghdadi illuminated manuscripts to create an evocative, hybrid vocabulary. Her quietly radical shifts — where traditional Iraqi screens’ geometric patterns are replaced with sections of a woman’s body, or a manuscript figure is presented as doll-like parts — convey the artist’s developing exploration of femininity, acculturation, and abstract patterns. Essays by Martin Daughtry, Walter Mignolo, and Octavio Zaya accompany works from all series to date, where graphic patterning attests alternately to violence and to moments of agency, community, and escape.

About the Author:

Martin Daughtry is associate professor of music at New York University. Walter Mignolo is professor of literature at Duke University. Octavio Zaya is an art critic and curator living in New York City since 1978.

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Пролистать книгу Hayv Kahraman на сайте издательства.

Presented in a style as stunning as the prints it celebrates, this survey of Hiroshige tells the fascinating story of the last great practitioner of ukiyo-e, or "pictures of the floating world." Hiroshige is considered to be the tradition's most poetic artist and his work had a marked influence on Western painting towards the end of the 19th century.

Vincent van Gogh, Claude Monet, Paul Cezanne, and James Whistler were inspired by Hiroshige's serene depictions of the natural world. Arranged chronologically, this book illustrates through text and magnificent reproductions Hiroshige's youth and early career; his artistic development in the genre of landscape prints; his depictions of Edo and the provinces; the flower and bird prints; and his many popular books and paintings. It discusses the historic and cultural environment in which Hiroshige flourished and the many reasons his art continues to be revered and imitated.

Filled with 300 color reproductions, and featuring a clamshell box and Japanese-style binding, this volume is destined to become the definitive examination of Hiroshige's oeuvre.

A landmark book presenting the early "deluxe" versions of Hiroshige's Edo prints for the first time!

Utagawa Hiroshige's unique landscape series One Hundred Famous Views of Edo (modern-day Tokyo), first published in the 1850s, is among the best-known collections of Japanese prints and was revolutionary in its day. Individual prints from this collection are regarded as among the finest works in all of Japanese art.

In this series, Hiroshige captures 118 locations in and around Edo, today's Tokyo, during all four seasons and often from hitherto unknown and unique perspectives. These views were first printed in exquisite luxury versions, incorporating innovative woodblock printing features like color gradation. No complete set of the early versions exists today and this is the first book to present a complete set of the deluxe early printings, sourced from 32 different museums and private collections.

Author Andreas Marks consulted 4,700 prints in order to compile this definitive guide to Hiroshige's One Hundred Famous Views of Edo. Marks presents the various printed versions along with reference images showing how and where Hiroshige sourced his ideas for each view — from previous books and illustrations. The result is a definitive guide to understanding the complexity of Hiroshige's great work as well as the dynamics of the Japanese print market during this period.

Marks' introduction discusses the genesis of the series in the context of Japanese landscape art as well as Hiroshige's personal biography. The book then presents all 118 prints together with their source materials and a map showing the locations of each view, followed by a detailed appendix discussing the great color variations found in subsequent printings of the series.

About the Author:

Dr. Andreas Marks is the Mary Griggs Burke Curator of Japanese and Korean Art and director of the Clark Center for Japanese Art at the Minneapolis Institute of Art. From 2008 to 2013 he was the director and chief curator of the Clark Center for Japanese Art and Culture in California. He has a Ph.D. from Leiden University and a master's degree in East Asian Art History from the University of Bonn. A specialist of Japanese woodblock prints, he is the author of over 16 books. In 2014, he received the International Ukiyo-e Society award in recognition of his work and in 2018, the top book award from the International Fine Print Dealers Association.

This elegant volume showcases Hiroshige’s exquisite scenes of 19th-century Japan in a format that honors the Japanese bookmaking tradition.

The last great master of the ukiyo-e tradition, Hiroshige produced works of subtle yet intense color. This collection of prints, first published in the 1850s, contains images of each of Japan’s provinces. Created during Hiroshige’s highly productive later years, this series was an ambitious project that captured a crucial moment in Japan’s history, a decade before the Meiji Restoration would open the doors to industrialization and Western influence. One of its most striking characteristics is the vertical presentation, which allowed Hiroshige to experiment with perspective. His sweeping panoramas of the beautiful countryside combine the illusion of distance with a depth of detail that draws the viewer in. In addition to these glorious landscapes, Hiroshige’s depictions of busy urban centers provide a rare insight into daily life in the Edo era.

This beautiful slip-cased edition includes two volumes: a complete set of seventy prints and a separate booklet that provides an introduction to Hiroshige’s life and art as well as descriptive captions of the prints.

From thundering waterfalls and towering cliffs to wide beaches and bustling harbors, Hiroshige’s native land emerges in serene and exquisite detail — the perfect keepsake for fans of ukiyo-e, Japanese culture, and printmaking.

About the Author:

Anne Sefrioui is the author of numerous art books, including Monet: The Essential Paintings (2023), Kingfisher with Lotus Flower: Birds of Japan (2022), and Van Gogh: The Bigger Picture (2024), all published by Prestel.

This magnificent boxed set includes a silkbound volume of stunning, accordion-fold, color reproductions of Hiroshige’s complete series, accompanied by a separate booklet with background and descriptions of each print.

Roughly twenty-five years after Hokusai released his series of ukiyo-e prints depicting Japan’s most recognizable symbol, Hiroshige took on the subject as well — a common practice among the era’s printmakers. This volume features reproductions of the horizontal version of Hiroshige’s woodblock series, first published in 1852, and which reveal a mature artist working at the height of his powers. In the background of each of the views Mount Fuji is featured under varying vantage points and changing lights, towering over sites of sublime beauty, often animated by a few characters living in harmony with nature.

These exquisite fold-out plates are perfect for appreciating Hiroshige’s eye for composition, his nontraditional use of line, and the subtle gradations of colorand mood. Viewers can also learn much about daily life and culture in 19th-century Japan through carefully applied detail and symbolism. In his introductory booklet, Jocelyn Bouquillard provides captions for each print, as well as an appreciation of the remarkable and painstaking process of woodblock printing.

Packaged in an elegant slipcase, these volumes reflect the beautiful artistry and traditions that are embodied in the prints themselves.

About the Author:

Jocelyn Bouquillard is a curator at the Bibliothèque Nationale de France and an expert in Japanese prints.

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Пролистать книгу Hiroshige: Thirty-six Views of Mount Fuji

A one-of-a-kind book of pop-ups based on the works of the Japanese artist Hokusai

Hokusai (1760–1849) was an extraordinarily prolific Japanese master artist and printmaker of the ukiyo-e (‘pictures of the floating world’) genre. More than 150 years after his death, his legacy remains as important as any Western painter’s. His work inspired a roll-call of great artists including Van Gogh, Renoir, Monet, Gauguin, Manet, Degas and Klimt as well as craftsmen and architects such as Frank Lloyd Wright.

A wonderfully illustrated exploration of one of Hokusai's key motifs: Mount Fuji.

Hokusai's Thirty-six Views of Mount Fuji and the three volumes of his subsequent One Hundred Views of Mount Fuji show his fascination with a single motif: Mount Fuji. Hokusai's near-obsession with Fuji was part of his hankering after artistic immortality – in Buddhist and Daoist tradition, Fuji was thought to hold the secret to eternal life, as one popular interpretation of its name suggests: 'Fu-shi' ('not death'). Thirty-six Views of Mount Fuji was produced from c. 1830 to 1832 when Hokusai was in his seventies and at the height of his career. Among the prints are three of the artist's most famous: The Great Wave off Kanagawa, Fine Wind, Clear Morning and Thunderstorm Beneath the Summit. By the time he created his second great tribute to Mount Fuji, three volumes comprising One Hundred Views of Mount Fuji, he was using the artist names Gakyo rojin ('Old Man Crazy to Paint'), and Manji ('Ten Thousand Things', or 'Everything'). Contrasting the mountain's steadfastness and solidity with the ravages of the surrounding elements, Hokusai depicts Fuji through different seasons, weather conditions and settings, and in so doing communicates an important message: while life changes, Fuji stands still.

Including all the illustrations from these two masterpieces, this book also features many of Hokusai’s earlier renditions of the

About the Author:

Katsushika Hokusai (1760–1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Kyoko Wada is an art writer, critic and historian of Japanese culture.

Hokusai: An Artists' Tribute is a celebration of the artist's work and influence on modern art. 3dtotal Publishing has had the fantastic opportunity to take thirteen of Hokusai's drawings and bring them to life in full colour with the help of professional artists across the industry today. Our carefully chosen artists have created thoughtful recreations of the artist's original line works in their own style and share insights into the inspiration behind their interpretations. The original works have been selected from The Great Picture Book of Everything, a collection held at the British Museum consisting of 103 postcard-sized brush drawings detailing Hokusai's working methods. 

Contributing artists include Angela Hao, Hagushka, Jamie Chen, Janice Sung, Johanna Forster, Julia Schleicher, Kelogsloops, Lolloco, Luoman, Mengxuan Li, Mona Finden, Parakid, and Tessa Nelissen. 

With its printed layflat binding and high-quality finishes, Hokusai: An Artists' Tribute is a special keepsake to be appreciated by artists and art-lovers alike. 

About the Authors:

Janice Sung is a Canadian artist and painter. Drawing inspiration from Neoclassical, Baroque, and traditional Chinese and Japanese art, Janice blends human figures with natural elements to create ethereal and timeless pieces.

Hieu Nguyen, known by many as Kelogsloops, is a popular mixed-media artist from Melbourne, Australia. His work showcases his love for both digital and watercolour painting, while blending influences from surreal-art styles and Japanese anime. Hieu exhibits his work in galleries all over the world, while also keeping up with his successful social-media presence, boasting an online fanbase of over two million. He has also worked with big companies such as Disney and Paramount Pictures.

Now available again, this book presents a selection of Hokusai’s work known for its exquisite style and marvelous inventiveness.

This volume includes full-color reproductions of drawings and woodblock prints by Hokusai, one of Japan’s most revered artists. His landscapes — including the famous views of Mount Fuji — portraits of lovers and kabuki actors, nature and animal illustrations, as well as scenes of daily life in eighteenth- and nineteenth-century Japan reveal the artist’s genius for rendering a wide variety of subjects.

Author Matthi Forrer discusses Hokusai’s life and lasting popularity while placing his work within the context of Japanese society and the work of his contemporaries.

About the Author:

Matthi Forrer is an independent curator and the author of numerous books on Hokusai and Japanese art, including Hokusai and Hiroshige: Prints and Drawings (both by Prestel).

This definitive book tells the visual history of tile decoration in the Indian subcontinent, through vibrant photography and thorough research.

Historic India, which now encompasses the modern nations of India, Pakistan and Bangladesh, is celebrated for the richness of its architectural and decorative arts, but less well-known for glazed tiles. Arthur Millner opens up this hitherto neglected subject with a richly illustrated narrative. Millner traces the craft’s roots in Muslim Persia, Afghanistan and Central Asia, showing how imported glazing techniques combined with an ancient local tradition of clay craftsmanship. He explores the production, designs and influences in Indian tiles from antiquity to the colonial period, tracing the historical evolution through a series of key eras, including the Delhi Sultanate and the Mughal Empire in Northern India. Although glazed tiles are generally associated with Islam, they also briefly flourished in both Hindu strongholds, such as Gwalior and Orchha, and in Christian Portuguese-ruled Goa. More than four hundred photographs, many of little-known sites, are drawn from the author’s years of travel as well as from colleagues, the V&A Museum archives and other celebrated institutions. These images capture the architectural context and beauty of the designs, providing a visual compendium of styles and techniques. Taken together they offer a unique chronicle of an environmentally threatened aspect of the region’s cultural, artistic and religious evolution over centuries.

About the Author:

Arthur Millner is a consultant and independent scholar in the field of Indian and Islamic art. He lectures at the London School of Oriental and African Studies, the V&A Museum, the Royal Asiatic Society and the Oriental Rug and Textile Society. He is the author of Damascus Tiles (Prestel, 2015).

At the heart of this book are twenty-eight real-life animals and the myths and literature, paintings, drawings, textiles and ceramics they have inspired some of the most celebrated Japanese artists and writers to create

Since the dawn of Japanese folklore and religion, the Japanese soul has cultivated a special connection with nature and wildlife, in part due to the natural abundance of the Japanese archipelago. Every animal, from the frightening crow to the sublime crane, is sacred, occupying a central place in Japanese mythology, literature, arts, and crafts. In this text-rich art book, readers will find twenty-eight real-life animals, including the fox, frog, cat, monkey, and firefly, described in texts combining haikus, tales and anecdotes from everyday life and illustrated with objects produced by the some of the most celebrated Japanese artists and craftsmen.

Readers will see just how central animals -from the most fleeting to the most majestic, from the wildest to the most domesticated -are to Japanese legends and literature but also in the latest manga and animated films. In some cases, the animals are transformed and endowed with human attributes; in others, through a representative selection of Japanese art -paintings, prints, fashion and common Japanese objects such as netsuke (miniature sculptures)- they appear lovingly portrayed in their natural element: typical animals of the countryside, mountains, forests, rivers and sea, and even today's cities. While most of the animals in this Japanese bestiary are good omens, even ones a tad mischievous, downright evil or uniquely sacred, such as the sika deer or the crane, all are invested with strong symbolism and have become extremely popular in a country where everything is ephemeral and transient, yet everything remains.

Japanese Bestiary is an ideal book for anyone interested in Japanese drawing and painting, animal illustrations and wildlife art and literature.

About the Authors:

Nelly Delay, art historian, graduate of the Ecole du Louvre high school, was an art critic at Combat – founded in 1941 as a clandestine newspaper – and in various Swiss and Italian magazines before specializing, since 1963, in the study of ancient Japanese art. She organized Japanese art events in Paris from 1974 to 1984, for which she published texts on little-explored subjects and books on old Japanese drawings and paintings and the influence of Japanese on Western Art. Since 1989, she has devoted herself to publications and conferences within the framework of different cultural organizations and the OECD. Two of her many titles are available in English: "The Art and Culture of Japan" and "Japan: The Fleeting Spirit".

Dominique Ruspoli is a writer and photographer. Doctor (PhD) of Philosophy (by Paris 1 Pantheon-Sorbonne University, France) specialized on the aesthetics of western lough, she became lecturer on written communication and psychology at the EISEA (Graduate School of Engineering in Ivry, France). Dominique Ruspoli has addressed in her writings subjects as different as psychodrama, the humorous drawing, the Etruscans, Venice or the Lascaux cave, and has published also books on the Japanese artists Hokusai, Hiroshige and Kyosai. She is, since 2000, member of the College of Pataphysics - The Science of Imaginary Solutions, founded after the principles described by the symbolist writer Alfred Jarry.

Discover everything you’ve ever wondered about the legendary spirits, creatures, and figures of Japanese folklore, including how they have found their way into every corner of contemporary pop culture.

Japanese Myths Illustrated provides a sumptuous, accessible guide to the religious beliefs, myths and gods of this enduring culture.

Japanese mythology is a complex system of beliefs that also embraces Shinto and Buddhist traditions as well as agriculture-based folk religion. The Shinto pantheon alone boasts an uncountable number of kami (deities or spirits). One notable aspect of Japanese mythology is that it provided a creation story for Japan and attributed divine origins to the Japanese Imperial family, assigning them godhood.

Beautifully produced in traditional Chinese binding with over 130 photographs and illustrations, this book will fascinate anyone interested in the tales of an ancient culture and still has an enduring appeal today.

About the Author:

Melanie Clegg holds a BA (Hons) in Japanese Studies from the University of Oxford. After almost a decade spent in Japan, she now resides in the UK where she works as a freelance Japanese to English translator of video games and other entertainment media. She lives with her husband and their two one-eyed cats.