Учебники по искусству

Shirley Trevena is a well-known and successful watercolourist, with a huge international fan base. Throughout her career she has pushed the boundaries of watercolour and is regarded as one of Britain’s most innovative artists in that medium.

Shirley’s watercolours are visually inspiring, vibrant in colour and strong in composition This, her third book, shows how she achieves her stunning results by pushing the medium to its limits. Shirley takes the reader through 10 paintings in great detail and shares all her professional tips and painting secrets. In addition, each painting has large close-up details so the reader can really see all the brushstrokes.

Shirley breaks the conventional rules of watercolour in many different ways: through her compositions, strange perspectives, fascinating textures and, above all, the strength and vibrancy of her colour combinations.

In Breaking the Rules of Watercolour, Shirley explains all her painting decisions and demonstrates her techniques at every stage. In this way, she encourages all watercolourists, whatever their level, to experiment with the medium and produce exciting and challenging work of their own.

About the Author:

Shirley Trevena is a well-known watercolourist with an international reputation who is regarded as one of Britain’s most innovative artists in the medium. She is a Member of the Royal Institute of Painters in Watercolour and is author of three best-selling books, Taking Risks with Watercolour, Vibrant Watercolours, Breaking the Rules of Watercolour and DVDs. In 2010 she was the British representative at the International Watercolour Festival in Antwerp.

Bridgman’s classic, essential guide — with more than 1,000 drawings and 22 expert lessons on mastering the human figure from every angle — is now completely redesigned!

Bridgman’s Complete Guide to Drawing from Life combines six well-known books by celebrated artist and lecturer George A. Bridgman, who taught figure and anatomy drawing at New York City's Art Students League. This fifth edition preserves Bridgman’s comprehensive, unequalled lessons and original sketches but repackages it with a new eye-catching cover that distinguishes it from the competition. In addition, the interior art has been cleaned and the design freshened in two-color. In its sleek new format, this authoritative volume is sure to continue as one of the premier figure-drawing publications of all time.

About the Author:

George B. Bridgman (1865–1943) was a celebrated Canadian-American artist and lecturer who taught figure and anatomy drawing for many years at New York City’s Art Students League. His previous books, assembled in this volume, separately garnered significant popularity and respect within the artistic community, and they continue to post strong sales.

After more than thirty years of research and teaching, artist Valerie Winslow has compiled her unique methods of drawing human anatomy into one groundbreaking volume: Classic Human Anatomy. This long-awaited book provides simple, insightful approaches to the complex subject of human anatomy, using drawings, diagrams, and reader-friendly text. Three major sections - the skeletal form, the muscular form and action of the muscles, and movement - break the material down into easy-to-understand pieces. More than 800 distinctive illustrations detail the movement and actions of the bones and muscles, and unique charts reveal the origins and insertions of the muscles. Packed with an extraordinary wealth of information, Classic Human Anatomy is sure to become a new classic of art instruction.

Ateliers have produced the greatest artists of all time - and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a book - and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of Old Masters and today’s most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students to step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.

About the Author:

Juliette Aristides is an extraordinary artist with a deep and well-rounded education in and solid commitment to the atelier movement. She studied at the National Academy of Design, the Pennsylvania Academy of the Fine Arts and various private ateliers. She is currently the instructor of the Aristides Classical Atelier at the Gage Academy of Art in Seattle, Washington. In 2003, Juliette was awarded the Elizabeth Greenshields Grant. Her work can be seen at the John Pence Gallery in San Francisco and the Art Renewal Center Living Masters Gallery. She is the author of acclaimed bestsellers Figure Drawing Atelier and Classical Painting Atelier.

Ateliers have produced the greatest artists of all time - and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a book - and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of Old Masters and today’s most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students to step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.

About the Author:

Juliette Aristides is an extraordinary artist with a deep and well-rounded education in and solid commitment to the atelier movement. She studied at the National Academy of Design, the Pennsylvania Academy of the Fine Arts and various private ateliers. She is currently the instructor of the Aristides Classical Atelier at the Gage Academy of Art in Seattle, Washington. In 2003, Juliette was awarded the Elizabeth Greenshields Grant. Her work can be seen at the John Pence Gallery in San Francisco and the Art Renewal Center Living Masters Gallery. She is the author of acclaimed bestsellers Figure Drawing Atelier and Classical Painting Atelier.

A great guide for painters who want to experiment with mixed media and make their landscape paintings more adventurous.

Popular artist and teacher, Soraya French, encourages readers to experiment with mixing media and to create more adventurous paintings and broaden their artistic horizons.

The media that Soraya uses in this book are acrylics, pastels and collage and she shows how to bring the best out of mixing these media with handy tips, some simple projects and several step-by-step demonstrations.

Landscape, and the way it changes over the seasons, is the ideal subject for experimenting with different textural effects using mixed media. Contemporary Landscapes in Mixed Media is divided into four seasonal chapters, with each section dealing with the colours, shapes, patterns and textures particular to each season.

There is information on mixing colours relevant to each season, as well as interesting ways of painting flowers and other details of nature, how to create exciting compositions, and how to add architectural aspects within the landscape. In some landscapes figures may be added in order to animate the composition and create a narrative.

This practical and inspirational book will help and encourage the reader to explore the fascinating potential of mixed media and to adopt a freer attitude in their painting.

About the Author:

Soraya French is a successful contemporary artist with an international reputation. She tutors occasional mixed-media workshops at her studio in Hampshire and overseas, and is the author of several acclaimed art books. Soraya is currently the president of the Society of Women Artists.

Conjure thrillingly sinister scenes with more than 1,000 surprising images 

From memento mori to día de los muertos, nothing inspires more than the imagery of mortality, and this book supplies collage artists with all they need to explore that spellbinding topic. Make shadowy skeletons dance before ruined churches, lilies bloom against apocalyptic cloudscapes, or serpents wind through empty eye sockets -- there's no limit to the visions you can conjure.

Make shadowy skeletons dance before ruined churches, lilies bloom against apocalyptic cloudscapes, or serpents wind through empty eye sockets... there's no limit to the visions you can conjure.

There are backgrounds, textures, images large and small – all ready for you to cut out and combine in expressive new ways. Just bring scissors, glue and your nightmarish reveries.

About the Author:

Eliza Scott has degrees in both literature and art and is features editor of Lula magazine. Maria Costa Planas, who created the cover image, is a collage artist based in Brighton, UK.

Imagine mind-bending new worlds with over one thousand surprising images.

From the same team that created the best-selling Extraordinary Things to Cut Out and Collage comes this new collection of surprising images: a trip down the rabbit hole which will blow your mind and add new life to your collages.

Every title in the Collage Kit series has all you need to create a host of surprising artworks of your own. There are over a thousand lively images – including backgrounds so you can create dramatic scenes – and a practical introduction will teach you the tricks of colour, composition, and juxtaposition that will fill your work with meaning and intrigue.

Just bring scissors, glue, and your imagination!

About the Authors:

Eliza Scott has degrees in both literature and art and is Features Editor of Lula magazine.

Marta Costa Planas, who creates the cover image, is a collage artist based in Barcelona.

Monument Valley, an indie puzzle game based on optical illusions and impossible objects, generated nearly $14.4 million of revenue in two years after its launch; An ordinary dress prompted an Internet discussion around the world of whether it was black and blue or white and gold; Artists applied visual illusion to large 3D artworks which are so fascinating that a mass of spectators are willing to pay for taking a photo. 

Optical illusions can be seen everywhere in our lives, from interior design, installation, 3D art, product, to brand identity, book cover, and typeface design. They can always draw wide public attention and bring economic benefits. 

This book has summarized 14 principles of visual illusion and 8 creation techniques and included more than 60 amazing optical illusion artworks. Most important, it enables readers to create visual illusion flexibly and effectively either for personal interest or for commercial project.

 - Theories and techniques of visual illusion.
 - Comprehensive history of the development of visual illusion.
 - 65 illusion artworks with detailed analysis of creating methods.

Digital Art Masters: Volume 6 delves into the working practices of some of the world’s best digital artists to reveal the creation processes behind their breathtaking images.

Originally launched in 2005, the annual Digital Art Masters series continues to showcase the work of some of the finest 2D and 3D artists from around the world. The latest volume, Digital Art Masters: Volume 6, welcomes another 50 up-and-coming and veteran artists, and follows the tradition of taking readers beyond the breathtaking images with detailed breakdowns of the techniques and tricks each artist employed while creating their stunning imagery. Inspirational and instructive, this is more than just a gallery or coffee table book.

Digital Art Masters: Volume 6 is a valuable learning tool with the added bonus of video tutorials from selected artists who specifically detail an aspect of their gallery image from start to finish, offering further technical insight into the creative process.

Now in its seventh year, the Digital Art Masters series presents another scintillating collection of work from 50 world-class digital artists.

Over the last seven years, the Digital Art Masters series has brought together over 300 fantastic examples of the world’s best 2D and 3D digital art. Digital Art Masters: Volume 7 continues this tradition by ushering in a new elite group of talented artists whose images are sure to inspire and astound in equal measure. But this book doesn’t just showcase beautiful art; it also offers up details of the creation process behind each image, penned by the artists themselves, presenting a unique opportunity for readers to follow in the footsteps of the masters.

Covering topics ranging from fantasy and characters to scenes and cartoons, Digital Art Masters: Volume 7 has something for everyone and is sure to get those creative juices flowing.

The classic Digital Art Masters series returns with another volume chocked full of brilliant digital art, image breakdown tutorials and unique, never-before-seen images.

Digital Art Masters: Volume 8 is not your typical digital art gallery book. While it does showcase stunning work from 50 of the best international artists, it also includes detailed tutorials explaining how each image was created. Each artist offers insight into their workflow and the methods they employ when it comes to creating a professional piece, from the early concept stage through to the final product. In addition, this year's volume boasts a selection of unique, never-before-seen images for your viewing pleasure. If you're looking to be inspired and learn something at the same time then Digital Art Masters: Volume 8 ticks all of the boxes.

A comprehensive reference covering an extensive range of painting and drawing styles

Bursting with practical techniques, engaging artist profiles and inspirational galleries, Drawing and Painting combines an authoritative approach with a contemporary aesthetic guaranteed to appeal to all artists.

The book’s up-to-date approach is a far cry from the dry instructions and dated artwork that feature in more traditional art books. In contrast to other, project-orientated titles, Drawing and Painting places the emphasis on the techniques themselves, encompassing drawing, sketching and a range of painting styles.

From pen and ink to oils and acrylics, specially commissioned photography and artwork accompanies step-by-step techniques, while profiles of contemporary artists provide insight into various working methods, materials and techniques.

Acknowledging the growing interest in digital tools as a medium, information is provided throughout the book on how effects can be created using Smart Pens, tablets and apps.

Contents List:

Introduction
I. Drawing Materials and Techniques
Pencil • Ink • Charcoal and Chalk • Pastel and Crayon
II. Painting Materials and Techniques
Colour • Materials • Watercolours and Gouache • Acrylic • Oil and Resin • Mixed Media • Making Paint
III. The Bigger Picture
Still Life • Environment • The Human Body • Making Visible
Resources

About the Author:

Kate Wilson studied painting at Winchester School of Art and the Royal Academy Schools. She is a winner of the Royal Academy Gold Medal and the Bateson Mason Drawing Award and received an Andre de Segonzac scholarship to study in Italy.

Drawing the Head for Artists is the definitive modern guide to drawing the human head and portrait, featuring the classic mediums and methods of the Old Masters.

Written by celebrated portrait artist and veteran studio instructor Oliver Sin, this richly informative and beautifully illustrated volume leads readers step-by-step through his method, from establishing a point of view to applying the timeless principles for creating an accurate and expressive likeness.

Among the topics covered:
- Essential Materials & Techniques: Learn about necessary supplies and basic drawing techniques, including hatching, various stroke styles, and blending.
- Applying the Essentials: Explore how the concepts of sight-sizing, value, negative space/shapes, and plane changes factor into a portrait’s underlying structure.
- Techniques for Creating Depth & Dimension: Investigate how contrasting shapes, overlapping forms, and linear and atmospheric perspective are used to enhance depth.
- Creating the Illusion of Three Dimensions: Examine how edges — contours as well as changes in value — are used to convey three-dimensional form.

Brimming with striking images that document all the phases and details of the author’s process, Drawing the Head for Artists inspires and informs all artists, from aspiring to accomplished, on how to successfully portray the physical subtleties and emotional eloquence of the human face.

The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.

About the Author:

Oliver Sin graduated from the Academy of Art University in San Francisco with a Bachelor of Fine Arts in Illustration. He began his career as a computer games concept artist, including stints at LucasArts and 3DO, and has been teaching for the Academy's School of 2D Animation and the School of Fine Art since 2001. His award-winning portrait art has been recognized by the Portrait Society of America, and featured on ArtistsNetwork.com, in the journal The Art of the Portrait, and in International Artist and Southwest Art magazines. Born in Hong Kong, Sin has lived in San Francisco since 1990.

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Пролистать книгу Drawing the Head for Artists: Techniques for Mastering Expressive Portraiture на Google Books.

Drawing the Human Head is an in-depth study of the infinite variety of emotions that the human face can express and of how these can be conveyed on paper.

Emotions such as joy, pain, sadness, jealousy and desire are inherent human traits, and the great artists have been able to move us over the centuries through their ability to communicate them. This book guides the reader through human emotion in the history of art and also analyses the methods required to reproduce it. With its clear and accessible texts, this book is an indispensable tool for students, who can also use it as a self-study manual.

About the Authors:

Giovanni Colombo was born in Como, Italy, in 1961. After attending a lyceum for the arts, he enrolled in the Accademia di Belle Arti di Brera in Milan to study painting. In the early 1980s, he attended the studio of A. Tenchio to deepen his knowledge of engraving, where he met and became friends with many other artists and started working in illustration in addition to painting. In 1982 he began showing his artwork, in both group and individual shows, and in 1988 he started to teach painting at the "Fausto Melotti" State Art School in Cantù, Italy - where he still works today. He wrote Percezione & Disegno: dalla visione alla rappresentazione (Perception & Drawing: From Vision to Representation; Ikon, Milan, 1998). He has published several limited edition booklets and engravings. Today he lives and works in Como.

Giuseppe Vigliotti was born in Estavayer Le Lac, Switzerland, in 1965 and currently teaches painting. In 1983 he received his diploma from a fine arts secondary school, and in 1986 his work was shown in numerous exhibitions, both group and individual. Since 1987 he's worked as a freelance illustrator and graphic designer for numerous publishers. In 1988 received his degree in painting at the Accademia di Belle Arti di Brera in Milan. From 2007 to 2010 he worked in art publishing, with specific experience relating to artists' books and the use of graphic design software, editorial layout and website creation. His current artistic focus is on video-installations, multimedia techniques and computer graphics. Today he lives and works in Como.