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Exploring Picasso’s seemingly opposite styles and artistic processes during a three-month summer vacation. This publication and the accompanying exhibition are the first to reunite major works from Picasso’s studio in Fontainebleau, France, in over 100 years.

Between July and September of 1921, in a rented villa in the town of Fontainebleau, France, Pablo Picasso created an astonishingly varied body of work. Published to accompany an exhibition at The Museum of Modern Art, New York, that reunites these works for the first time since they left the artist’s studio, Picasso in Fontainebleau presents both monumental versions of Three Musicians and Three Women at the Spring alongside other major works on canvas, small preparatory paintings, line drawings, etchings, and pastels he created in Fontainebleau. Encompassing both Cubist and classic academic styles, these works are complemented by never-before-seen photographs and archival documents. An introductory essay by curator Anne Umland examines the critical issues that distinguish Picasso's Fontainebleau oeuvre, and is followed by 15 short essays co-authored by curators and conservators that offer art historical analysis of groups of closely related works and object-based insights into materials, structures, and processes. By investigating Picasso’s decision to paint simultaneously in seemingly opposite styles, Picasso in Fontainebleau emphasizes the interconnectedness of his process and practice, and his ability to disrupt expectations of artistic evolution and stylistic consistency.

About the Authors:

Anny Aviram is Senior Paintings Conservator at MoMA.
Lee Ann Daffner is a Photography Conservator at MoMA.
Michael Duffy is a Paintings Conservator at MoMA.
Emilie Faust is an Paintings Conservator, the Fundación Almine y Bernard Ruiz-Picasso para el Arte.
Francesca Ferrari is a former Mellon-Marron Research Consortium Fellow in the Department of Painting and Sculpture at MoMA.
Starr Figura is Curator in the Department of Drawings and Prints at MoMA.
Alexandra Morrison is Curatorial Assistant in the Department of Painting and Sculpture at MoMA.
Erika Mosier is a Conservator at MoMA.
Rachel Mustalish is a Paper Conservator at The Metropolitan Museum of Art, New York.

Table of Contents:

Before Fontainebleau
1. “Where Is the Real Picasso?” by Alexandra Morrison and Michael Duffy
2. “Ballets Russes Designs” by Francesca Ferrari and Erika Mosier
3. “Pochoirs” by Starr Figura and Erika Mosier
In Fontainebleau
4. “Line Drawings” by Alexandra Morrison and Erika Mosier
5. “Family Photographs” by Lee Ann Daffner and Francesca Ferrari
6. “Maternities” by Francesca Ferrari, Anny Aviram, and Emilie Faust
7. “The Spring” by Anne Umland, Anny Aviram, and Erika Mosier
8. “Studies for Three Women at the Spring” by Francesca Ferrari, Anny Aviram, and Erika Mosier
9. “Studio Photographs” by Lee Ann Daffner, Francesca Ferrari, and Michael Duffy
10. “Three Women at the Spring and Three Musicians” by Anne Umland, Cindy Albertson, Anny Aviram, and Erika Mosier
11. “Red Chalk and Charcoal Drawings” by Alexandra Morrison, Erika Mosier, and Anny Aviram
12. “Pastels” by Rachel Mustalish and Anne Umland
13. “Cubist Still Lifes” by Alexandra Morrison and Anny Aviram
Coda
14. “The Wallace Fountain” by Francesca Ferrari and Erika Mosier
15. “Studies” by Francesca Ferrari and Anny Aviram
Backmatter
Illustrated chronology
Checklist of the exhibition
Selected Bibliography

Curated by noted Picasso biographer John Richardson, this exhibition catalogue examines the intersection of Picasso's bullfighting imagery with the mythological (and biographical) compositions of the 1930's.
Including works dating from 1897 to 1972, this fully illustrated catalogue presents a career-long survey of Picasso's engagement with ancient bullfighting and mythological narratives and includes essays by noted Picasso scholars Michael FitzGerald and Gertje Utley.

About the Author:

John Richardson is the author of a multivolume biography on the life of Picasso. He is a regular contributor to The New York Review of Books, The New Yorker, and Vanity Fair. Gertje Utley is an art historian, and the author of Pablo Picasso: The Communist Years, 2000. Michael Fitzgerald is director of the art history program at Trinity College, Hartford, CT, and has written several books on Picasso, including Picasso and American Art, 2006.

A rare look at the exceptional works on paper from private collections by the master of modern art. 

“There’s nothing more difficult than a line.” – Pablo Picasso

Picasso: Seven Decades of Drawing surveys Pablo Picasso’s prodigious career as a draftsman, including over 40 examples on loan from private collections spanning nearly 70 years of the artist’s long and celebrated career.

The book showcases drawings in a wide range of media, from works in charcoal and crayon to colored pencil, collage or papiers collés, graphite, gouache, ink, pastel, and watercolor.

Some of the drawings on loan are rarely on view and they provide insight into the evolution of his iconic paintings, such as Les Demoiselles d’Avignon and Guernica, while others stand alone as virtuoso, independent works, highlighting Picasso’s mastery of line, form, and medium. The book ultimately examines how drawing serves as the vital thread connecting all of Picasso’s art.

About the Author:

Olivier Berggruen is a German-American art historian and independent curator based in New York. Christine Poggi is Judy and Michael Steinhardt Director and Professor of Fine Arts at the Institute of Fine Arts, New York University.

This fascinating full-length study examines all works by the great Flemish painter Pieter Bruegel within the wider setting of art during his lifetime.

The recent rediscovery in Spain of Pieter Bruegel the Elder’s lost painting, The Wine of Saint Martin’s Day, has created even more interest in this much-loved artist, who was one of the Netherlands’ two great masters of satire and fantasy, along with Hieronymus Bosch. Although these two artists never met each other - Bruegel was born around 1525, a decade after Bosch’s death - numerous features link them; indeed, Bruegel painted several demon-infested hellscapes directly inspired by the older master, and he was known in Antwerp as a “second Bosch.” But Bruegel is most famous for his peasant scenes, often humorous and packed with anecdote, and for his landscapes, which poignantly evoke Nature’s changing seasons. His legacy to Netherlandish art was the enduring popularity of both these genres, as well as the artistic dynasty he founded, beginning with his painter sons Pieter the Younger and Jan Brueghel.

Critics have often remarked how Bruegel’s art, so keenly observed and richly detailed, seems to preserve a world in miniature. In this new monograph, Larry Silver, an eminent historian of Northern Renaissance art, serves as our guide to that world. He leads us expertly through Bruegel’s complex and fascinating iconography, allowing us to see his paintings and drawings from the same perspective as his sixteenth-century countrymen. Silver situates Bruegel within the visual culture of his time - exploring, for example, his relationship with the print publisher Hieronymus Cock - and within the broader context of Netherlandish history. All of Bruegel’s surviving paintings are reproduced here, with many full-page details, as well as all of his prints and representative works by his contemporaries and followers.

This volume on Bruegel complements Silver’s widely praised monograph on Hieronymus Bosch, which was published by Abbeville Press in 2006. These two books are the most authoritative and best-illustrated studies of their respective subjects, and together they present us with a panorama of Netherlandish art’s emergence into the distinctive form of the Northern Renaissance.

About the Author:

Larry Silver, a historian of Northern Renaissance art, received his Ph.D. from Harvard University and is currently Farquhar Professor of Art History at the University of Pennsylvania. His other books include the general survey Art in History and the recent Landscapes and Peasant Scenes: The Rise of Pictorial Genres in the Antwerp Art Market.

The first extensive monograph dedicated to the artist Rafael Megall, whose work is strongly interwoven with Armenian recent history.

This illustrated volume highlights the rich personality of the Armenian painter Rafael Megall (born 1983), his connection with the artistic tradition of his country, and the peculiar language inspired by the story of his people. The book offers a panorama of his production, among others: the famous “icons,” paintings on wood first showcased at the 57th Venice Biennale; the installation The Artist and His Mother, showcased at the National Gallery of Armenia, one of the most powerful artworks dedicated to the Armenian genocide; the unpublished series of portraits dedicated to Lev Tolstoy.

About the Author:

Demetrio Paparoni is an Italian art critic and writer, curator and essayist. Among his publications and monographs, often revealing the contemporary Asian world, are Ronald Ventura, Works 1998–2017 (2018), Nyoman Masriadi: Telepathy Contact (2020), The Devil: A Visual History (2017).

Published on the occasion of a major exhibition bringing together the best Rembrandt paintings from American collections. The great seventeenth-century Dutch artist Rembrandt van Rijn is one of the most important painters in the history of European art. This richly illustrated volume gathers some fifty of the finest paintings by the Dutch master and his followers from private and public collections across America, including the National Gallery of Art in Washington, D.C., and The Metropolitan Museum of Art, New York.

Rembrandt had an uncanny ability to depict light and shadow, and to capture the emotions of his sitters. In addition to his portraits, he is also known for historical scenes. Highlighting the authentic Rembrandts in America during the late nineteenth century’s Gilded Age, a time when American tycoons cultivated a passion for collecting European masterpieces, the book also features fifteen to twenty works that were originally attributed to the master’s hand but are now recognized as paintings by his successors, contemporary followers, and later imitators.

An introduction focusing on Rembrandt as a cultural phenomenon is followed by essays devoted to his life, the controversy associated with his workshop, and the pursuit of Rembrandt in America. Published in association with the Cleveland Museum of Art, the North Carolina Museum of Art, and the Minneapolis Institute of Arts

The definitive monograph on one of the world's best-loved artists, sumptuously illustrated in full color.

Pierre-Auguste Renoir (1841-1919) stands out among the great artists for his willingness to paint pictures that are straightforwardly pretty and charming: he chooses familiar and sympathetic human types as his subjects, and depicts them with an appealing immediacy, using an attractively bright and rosy palette. Not all of his four thousand or so paintings are equally good; some fall short on formal grounds, and others, not surprisingly, sink into sentimentality. But Renoir's best works are masterpieces, perhaps the most joyous and effervescent ones in the history of art - his great monuments to leisure, Dancing at the Moulin de la Galette and Luncheon of the Boating Party; his delicate portraits of women and children, like the winsome Girl with a Watering Can; and his many frankly sensual nudes.

In this highly readable monograph, noted art historian Anne Distel offers an illuminating new account of the life of the man who created such singularly sparkling works. The author deftly narrates Renoir’s rise from apprentice porcelain painter to celebrated artist, quoting judiciously from the painter’s own vivid letters and offering keen analyses of his style at each stage of his sixty-year career. And Distel does not consider that career in isolation, but uses the latest discoveries in the documentary evidence - some of them her own - to re-create the artistic and social milieus in which Renoir worked. She traces his relationships with other artists, both his fellow Impressionists and older contemporaries like Corot and Daubigny as well as the younger Bonnard, Matisse, and Picasso; with writers like Zola, Mallarmé, and Mirbeau; and, in particular, with the dealers and patrons who were so important to his career, like Paul Durand-Ruel, Ambroise Vollard, the Bernheim brothers, the Charpentiers, the Berards, Charles Ephrussi, and Dr. Barnes.

Distel's authoritative text is illustrated throughout with some three hundred beautiful color reproductions of the artist’s finest and most representative works, ensuring that this will be the Renoir monograph of reference for years to come.

About the Author:

Anne Distel, is the conservateur général honoraire du patrimoine at the Musée d'Orsay and author of numerous books on 19th century painting . She is also a professor of art history at the University of Paris Sorbonne-Paris and an impressionist painting specialist.

An exploration of the work by American artist Richard Bernstein that celebrates his larger-than-life portraits for the covers of Andy Warhol’s Interview magazine, as well as his visually arresting fine art, movie posters, and album covers created from the mid-1960s to the 1990s.

Richard Bernstein, a fixture at Studio 54 and with fashion and art insiders, captured the allure of the disco era through his iconic hyper-colored graphic portraits of superstars for the covers of Andy Warhol’s Interview magazine. Warhol’s influence on Bernstein’s bold, playful, and graphic artwork is evident, and it was often thought that Warhol created the covers himself. Yet it was Bernstein, an American artist and art director, whose distinctive craft of retouching photographs with pastels, stencils, and airbrushing monumentalized his subjects into dazzling pop-art incarnations — sexy, captivating, and forever young.

The book features his legendary Interview covers of Madonna, Grace Jones, Mick Jagger, Cher, Calvin Klein, Michael Jackson, and Aretha Franklin, and Bernstein’s rarely seen fine artwork, album covers, and editorial work for Time, Vogue Italia, New York Magazine, and Playboy, complete with intimate anecdotes and interviews with his closest friends and collaborators. This volume is an essential addition to any fashion, pop culture, style, or art lover’s library.

About the Authors:

Roger Padilha and Mauricio Padilha are the founders of MAO Public Relations and the authors of several Rizzoli books. Grace Jones is a legendary Jamaican performer, singer, supermodel, and author. Jean-Paul Goude is a renowned French graphic designer, photographer, and advertising film director.

The quintessential book on the beloved California artist reveals new scholarly research and firsthand reflections by fellow artists and friends and relatives.

A fresh and new overview of this treasured West Coast artist, with hundreds of his paintings, drawings, and prints covering five decades of his illustrious career. The book surveys the extraordinary achievements of Diebenkorn, who successfully explored both abstract and figurative painting. Produced in a slipcase box, this is the ultimate source for art enthusiasts, from his early work of the mid-1940s to his Berkeley and Ocean Park series. The book includes not only his iconic paintings of the California landscape and interior figures but also many of his less well-known and rarely published works.

Art historian Sasha Nicholas discusses Diebenkorn's place in postwar American painting and his independence from the art-world trends. Steven Nash conducts an interview with close friend Wayne Thiebaud, giving an artist's point of view. The two artists shared the inspiration of California and experimented with perspective to capture their surroundings.

About the Authors:

Sasha Nicholas is an independent curator and art historian specializing in American art. Steven A. Nash is president of the board of directors of the Richard Diebenkorn Foundation. Wayne Thiebaud is a painter best known for his still lifes and landscapes who made his career on the West Coast. Tony Berlant is an artist living in Southern California. Kathan Brown is founder of the Crown Point Press in San Francisco. Gretchen Diebenkorn Grant is the daughter of Richard Diebenkorn and lives in the Bay Area. William Luers is a retired American career diplomat and museum executive.

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Пролистать книгу Richard Diebenkorn: A Retrospective

A timely consideration of African-American artists' rich engagement with the history of art from the twentieth century, this book is the winner of the James A. Porter and David C. Driskell Book Award for African American Art History.

Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog -- accompanying a major exhibition at the Phillips Collection in Washington, D.C.-- explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues.

About the Author:

Adrienne L. Childs is an associate of the Hutchins Center for African and African-American Research at Harvard University. Renée Maurer is an associate curator at the Phillips Collection, in Washington, D.C. Valerie Cassel Oliver is the curator of modern and contemporary art at Virginia Museum of Fine Arts, in Richmond. Dorothy Kosinski is the Vradenburg Director & CEO of the Phillips Collection.

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Пролистать книгу Riffs and Relations: African American Artists and the European Modernist Tradition

On the heels of Ashley Longshore’s successful I Do Not Cook, I Do Not Clean, I Do Not Fly Commercial comes Roar! A Collection of Mighty Women: inspirational portraits of the most culturally seminal women in history, created in the artist’s colorful signature style.

Ashley Longshore now turns her eye toward badass women throughout history with Roar! A Collection of Mighty Women. Longshore’s pop art paintings are never shy of daring; her art makes noise, and her singular portraits of legendary stateswomen, artists, and notable women from all walks of life include Marie Curie, Maya Angelou, Mother Teresa, Peggy Guggenheim, First Lady Michelle Obama, Greta Thunberg, Queen Elizabeth II, Cleopatra, Rosa Parks, Frida Kahlo, Josephine Baker, Amanda Gorman, and even Lynda Carter as Wonder Woman! Many of these striking and vibrant portraits were previously exhibited at Diane von Furstenberg’s flagship store in New York.

Accompanied by descriptions about what makes these women such significant and meaningful icons, Roar! is sure to be the perfect gift for women of all ages.

About the Author:

New Orleans–based self-taught pop artist and entrepreneur Ashley Longshore is known for her bold portraits and larger-than-life personality. Diane von Furstenberg is a celebrated fashion designer and philanthropist.

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Пролистать книгу Roar!: A Collection of Mighty Women

Celebrate the life and work of Peter Paul Rubens with this informative introduction to the Flemish artist

Arguably the greatest artist of the Baroque period, Peter Paul Rubens was an accomplished painter and draughtsman, as well as a valued diplomat. This accessible examination of his life and work looks at every aspect of Rubens's oeuvre; from his commissioned portraits of royalty and the nobility to his magnificent representations of ancient myths, Biblical stories, and historical events. This incisive biography traces his life as a student in Venice, where he encountered the works of Titian and Tintoretto, the establishment of his studio in Antwerp, and the lucrative patronages of Marie de Medici and Phillip IV. Full-page reproductions of Rubens's work communicate his energetic and dynamic style, along with his masterful use of color and sensuous depictions of the human body.

About the Author:

Michael Robinson is a freelance lecturer and writer on art and design history having gained a Master's degree at Kingston University, where he spent many years as a lecturer. He is also a Blue Badge tourist guide and can often be found in Museums and galleries sharing his passions for art.

Salvador Dali was one of the most important artists of the twentieth century, as well as a cultural figure who challenged convention. 

He worked in an incredible array of different media, but is best-known for his Surrealist paintings, abound with Symbolism representing eroticism, death and decay, and demonstrating his fascination with Freud and later science and religion. 

This wonderful, heavily-illustrated book is a fascinating foray into the life and works of a man whose ability to reveal the gap between reality and illusion proved to be of huge influence to many artists, as well as popular culture in general.

A lush new volume devoted to the best works by beloved American Impressionist and portraitist John Singer Sargent, whose dazzling use of light and color depicts modern subjects with arresting intimacy.

An ideal introduction to the painter’s work, Sargent: The Masterworks features 100 of his most beloved paintings. Illustrating all aspects of his diverse oeuvre — portraits, landscapes, mural commissions — in oil and watercolor, this handsome new book includes works from both private and public collections, including the Metropolitan Museum of Art’s infamous Madame X.

Author Stephanie L. Herdrich draws on a wealth of new research to provide both an essential overview and a more nuanced understanding of the great American painter. Richly illustrated, the book’s three chapters cover the artist’s career from his childhood and early years in Paris, to his mid-career portraits made in England and United States, and his later years painting out of doors. An illustrated chronology contains fascinating details and archival imagery about the artist’s life. Sargent’s cosmopolitan upbringing and education made him perfectly suited to capture the upwardly mobile bourgeoisie and aristocrats of his era, creating sensual portraits that depict his sitters with startling vibrancy. Though he achieved tremendous success in portraiture, Sargent focused on painting outdoors after 1900, achieving the most brilliant and personal images of his career. One of the greatest portraitists and watercolorists of his time, Sargent remains one of the most well-known and well-loved of all American artists.

About the Author:

Stephanie L. Herdrich is assistant curator of American painting and sculpture at the Metropolitan Museum of Art, New York. She was cocurator of Sargent: Portraits of Artists and Friends (2015) and Navigating the West: George Caleb Bingham and the River (2015) and is coauthor of American Drawings and Watercolors in The Metropolitan Museum of Art: John Singer Sargent (2000).

Of Absence and Weight is the first comprehensive monograph of Pakistani-born, New York-based artist Seher Shah, a leading figure in South Asian art working at the edge of architectural drawing and abstraction.

The book surveys twenty years of Shah’s practice across drawing, printmaking, and sculpture. Her work speaks to the poetics and fractures of the surrounding landscape, spanning the historical and the intimate. She has explored ideas in architecture and perspective drawing traditions; contested relationships between history, objects, and time; and examined the relationship between poetry and abstraction.

Her works are found in collections including the Metropolitan Museum of Art and the Museum of Modern Art, in New York; the Centre Pompidou, in Paris; the Tate Modern, in London; and the Art Jameel Collection, in Dubai.

About the Author:

Murtaza Vali is a writer and curator based between Brooklyn and Sharjah, United Arab Emirates. Sean Anderson is associate professor and director of the undergraduate program in architecture at Cornell University. Jyoti Dhar is an art critic and editor based in Dubai. Catherine David is an art historian, curator, and former director of the Musée National d’Art Moderne at Centre Pompidou in Paris.