Книги про скульптуру и керамику

This monograph on the life and work of iconoclastic Japanese artist Shiro Tsujimura demonstrates how, in his signature self-taught manner, he has reinvented the classic ceramic art form.

Shiro Tsujimura is a vanguard contemporary ceramic artist. While his creations and techniques are deeply rooted in traditional Japanese and Korean styles, his independent streak defines his practice with a sense of freedom, playfulness, and self-confidence that results in decidedly unique works. This monograph takes readers inside his studio and home to discover his artistic practice and lifestyle. Axel Vervoordt, Alexandra Munroe, and longtime friend Hiroshi Sujimoto each contribute a highly personal essay, providing rare insight into this magnetic artist. Tsujimura himself shares his approach to ceramics, deeply linked to both his training as a monk and his fierce independence, which drove him from his spiritual practice to become an artist. Each of his creations is pure and spiritual, where the passing of time and the art of imperfection play an important role.

Tsujimura has held solo exhibitions around the world and his works have been acquired from Japan to Berlin to New York by the world’s most prestigious museums, including the Met and The British Museum.

About the Authors:

Axel Vervoordt is a collector, antiquarian, designer, and curator who regularly incorporates Tsujimura’s work into interior design projects. Alexandra Munroe is curator of Asian Art at the Guggenheim in New York. Hiroshi Sugimoto is a renowned photographer and architect. Shiro Tsujimura is an eminent Japanese artist and potter. Laziz Hamani is a luxury still life photographer who has contributed to more than thirty books. Shouya Grigg is a fine art photographer and cinematographer based in Hokkaido. Jan Liégeois is a photographer specialized in interiors and architecture.

A retrospective of the preeminent Greek-born American artist, who was a pioneer in the use of neon in the realm of fine art.

Prolific multimedia artist Stephen Antonakos (1926–2013) is best known for his resplendent abstract neon sculptures — instantly recognizable for their vibrant colors and crisp geometry. Along with well-known artists Lucio Fontana, Bruce Nauman, Keith Sonnier, and his compatriot Chryssa, Antonakos brought new perceptual and formal possibilities to the medium of neon.

This comprehensive book comprises Antonakos’s diverse output of neon, canvases, drawings, travel collages, chapels, and gold works, all of which reflect an abiding concern with illumination, incomplete geometric shapes, and an almost mystical spirituality that is manifest throughout his oeuvre, from his overtly religious pieces to his playful assembled collages from his trips to Greece. His later works feature neon lights placed behind painted or gold-leaf panels, often bathing the surfaces and the surrounding space in gold halos like Byzantine icons, a tradition that has long fascinated this extraordinary artist.

Author David Ebony provides research on Antonakos as a central figure in the international avant-garde of the 1960s and ’70s. He also discusses the artist’s Greek heritage and legacy, as well as the spiritual and mystical aspects of his later works.

About the Author:

David Ebony is a contributing editor of Art in America and a frequent contributor to Artnet News and Yale University Press online, among other publications.

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Explore the creative possibilities of this incredibly versatile range of glazes with this comprehensive guide for ceramic artists of all levels.

Unlock the world of low-fire glazes with The Complete Guide to Low-Fire Glazes for Potters and Sculptors. Potter, podcaster, and author of Mastering the Potter’s Wheel, Ben Carter, challenges the belief that serious artists work exclusively with high-temperature materials, sharing years of research on crafting exquisite low-fire pots and glazes. Delve into the benefits of firing at lower temperatures, explore the visual nuances of low-fire glazes, and witness renowned artists thriving in this temperature range.

Illustrated with stunning photography of work by Carter and other artists, this visually captivating resource covers:

- Insights into the benefits and visual attributes of low-fire glazes
- Guidance on setting up a glaze lab
- An explanation of how glaze is formulated
- Troubleshooting tips for common glaze faults
- Designing and making test tiles
- Techniques for layering, using glaze as form, integrating decals, atmospheric firing, and more
- Tried-and-true glaze recipes — from gloss to satin, matte, and tin — for varied finishes and color creation

Whether you are new to the world of ceramic glazes or looking to expand your knowledge of low-fire glazes, The Complete Guide to Low-Fire Glazes is your path through a world of artistic possibilities.

The Mastering Ceramics series is for artists who never stop learning. With compelling projects, expert insight, step-by-step photos, and galleries of work from today’s top artists, these books are the perfect studio companions.

Also available from the series: Amazing Glaze, Amazing Glaze Recipes and Combinations, Mastering Sculpture: The Figure in Clay, Mastering Kilns and Firing, Mastering Hand Building, and Mastering the Potter’s Wheel.

About the Author:

Ben Carter is a studio potter and workshop instructor and the author of Mastering the Potter’s Wheel. He received his BFA in ceramics/painting from Appalachian State University and his MFA in ceramics from the University of Florida. He has lectured and presented workshops at universities and craft centers in the United States, China, Australia, Canada, and New Zealand and exhibited internationally in numerous invitational and juried shows. Ben’s work has been featured in the Australian Journal of Ceramics, Pottery Making Illustrated, and Ceramics Monthly; Pottery Making Illustrated named him Ceramic Arts 2016 Yearbook Artist of the Year. Since 2012, he has been hosting and producing the popular podcast, Tales of a Red Clay Rambler. Ben lives in New Jersey.

Highlights from the palatial Hermitage Museum in St. Petersburg, Russia, are beautifully reproduced in an accessible volume celebrating the museum's 250th anniversary. For 250 years, the State Hermitage Museum has been one of the world's most palatial and significant museums. The Hermitage collections were developed beginning in 1764 by Catherine the Great, Empress of Russia, and now encompass more than 3 million works of art and artifacts displayed within a spectacular architectural ensemble, the heart of which is the famed Winter Palace. Now, on this important anniversary, this stunning volume captures the masterpieces that make this world-famous institution a cultural destination and a global treasure.

The Hermitage: 250 Masterworks explores this sumptuous collection in the manner of a private tour, showcasing the museum's extraordinary and uniquely underpublished treasures: no other institution has thirty-six Rembrandts; works by Italian Renaissance artists including Leonardo da Vinci, Michelangelo, and Titian; Spanish artists such as Velazquez, Ribera, and Murillo; Flemish baroque artists such as van Dyck, Rubens, and Jan Brueghel the Elder; impressionist and post-impressionist works by Renoir, Monet, Van Gogh, Gauguin, Cezanne, and Degas; and modern paintings by Matisse, Picasso, Malevich, and Kandinsky. Priceless antiquities, feats of mechanical engineering such as the famous Peacock Clock, and works of sculpture and decorative arts will also be shown. With lavish reproductions accompanied by texts by the museum's leading curators, this volume is sure be cherished by art lovers around the world.

About the Author:

Mikhail Piotrovsky has been the director of the State Hermitage Museum since 1991 and has dedicated his career to making its treasures accessible to individuals and institutions around the world.

A sublime volume about one of the most important collections of ancient marble sculptures in the world, an astonishing private trove largely hidden to scholars and the public until now.

Last published in a nineteenth-century catalog, the distinguished Torlonia Collection of more than 600 priceless Greek and Roman works -- marbles and bronzes, reliefs and sarcophagi, depictions of gods, and portraits of emperors -- is one of the most important assemblages of classical sculptures still in private hands anywhere in the world. This eagerly awaited volume presents a selection of nearly 100 sculptures, which have been chosen for their quality and historic significance and which will be featured in an unprecedented exhibition designed by David Chipperfield and held in the Villa Caffarelli, near the Musei Capitolini in Rome, before touring globally. The legendary aura surrounding this, Rome's last princely collection, is due not only to its extraordinary scope and the high quality of the works, but also to the fact that the collection has not been available to the public for decades.

This revelatory book features multiple essays by leading experts on the history of the collection and scholarly entries for the works detailing important discoveries made through archaeological research as well as the cleaning and conservation of the sculptures.

About the Authors:

Salvatore Settis is the former director of the Getty Research Institute, Los Angeles (1994-99) and of the Scuola Normale Superiore di Pisa (1999-2010), where he also taught classical archaeology and art history. He currently chairs the Scientific Council of the Musée du Louvre and has curated or co-curated a number of exhibitions.

Carlo Gasparri taught archeology and history of Greek and Roman art in the universities of Urbino (1975-90), Viterbo (1990-93) and Naples (1993-2014). He is emeritus professor of the University of Naples Federico II and has authored several books about archeology and Greek and Roman art.

Step inside designer and sculptor Thomas Bastide’s studio to discover the techniques, concepts, and inspirations that lie behind his glass creations.

This book retraces forty years in the creative career of Thomas Bastide. The designer and sculptor has collaborated with prestigious French and international companies, including Baccarat, Hennessy, and Christofle, and this volume pays tribute to the unique techniques that he has contributed to the fields of crystal glassmaking, goldsmithery, and porcelain-making.

Featuring the themes that are fundamental to the artist’s work, such as equilibrium, deconstruction, mechanics, and fluidity, this volume invites readers to discover an exceptional savoir faire combining creativity, technical prowess, resilience, and dexterity. The text paints an authentic, vivacious, yet humble portrait of Bastide, and his anecdotes accompany photographs by Jo Pesendorfer of a selection of his works. 

This is a bilingual edition, in English and French.

About the Author:

Born in 1954, Thomas Bastide grew up watching Scandinavian master glassmakers at work, and glass—with the multiple creative possibilities it offers—has become a true passion for him. A graduate from the Penninghen School of Graphic Arts and ENSAAMA in Paris, and the Pilchuck School in Seattle, he began his professional career with Raymond Loewy, a star of the design world. Laure Verchère was a long-time journalist for Elle Décoration. She is the author of numerous books, including Signed Sybille de Margerie and Le Grand Hôtel & Café de la Paix, published by Flammarion.

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On Venini’s 100th anniversary, this book celebrates the excellence of Italian high artistic glass craftsmanship and the vases that made history.

From Venice to the world, this special book recounts the prolific and original manufacture of Venini, the glass art company founded 100 years ago in Murano, Venice, by the visionary genius of Paolo Venini and Giacomo Cappellin. Over the course of a century, Venini has pursued the goal of innovation in keeping with tradition: the brand has transformed the ancient art of glassmaking by “intersecting” it with the modern visions of artists and designers. It has gained international fame and become the obsession of collectors all over the world. Venini objects are present in private collections, as well as museums and public institutions.

The book describes the evolution of Venini’s taste, style, and innovation, thanks to the images and stories of key designers and art directors, such as Paolo Venini, Carlo Scarpa, Gio Ponti, Gae Aulenti, Ettore Sottsass, Alessandro Mendini, Tadao Ando, and Ron Arad. The imagery includes about 150 illustrations: photos of glass, archive documents, original drawings, and a photoshoot carried out in the furnace itself. These images will allow readers to enter the beating heart of Venini craftsmanship and observe all the stages of glassmaking.

About the Author:

Federica Sala is an independent curator. She edited the book Minimal/Baroque on the Italian artist Gianluca Pacchioni and has authored various publications on the history of Italian design.

Between Afrofuturism, fantasy and postcolonialism: the most comprehensive monograph to date on the fantastical worlds of Wangechi Mutu

Wangechi Mutu takes viewers on journeys of material, psychological and sociopolitical transformation; this volume explores her most recent groundbreaking work. Over the past two decades, Mutu has created chimerical constellations of powerful female characters, hybrid beings and fantastical landscapes. With a rare understanding of the need for powerful new mythologies beyond simple binaries and stereotypes, Mutu breaches common distinctions between human, animal, plant and machine. An artist who calls both Nairobi and New York City home, Mutu moves voraciously between cultural traditions to challenge colonialist, racist and sexist worldviews with her visionary projection of an alternate universe informed by Afrofuturism, posthumanism and feminism.

This dazzling book accompanies a presentation of Mutu’s new work on view at the Legion, along with a greater selection from her landmark oeuvre. It is the most comprehensive book on the artist to date.

A distinguished panel of international jurors identifies the most exciting names in sculpture today

How do you find the most promising emerging artists at work in a rapidly transforming medium? Bypassing traditional art world channels, 100 Sculptors of Tomorrow is the culmination of a major, democratic open call for up-and-coming sculptors. From thousands of entries, an internationally renowned jury has identified the most exciting names in sculpture today, all showcased in this beautifully illustrated, authoritative book. Featuring a selection of the finest emerging sculptors worldwide, 100 Sculptors of Tomorrow guides the reader with biographical summaries and first-hand artist testimonies, as well as recommended reading and jurors’ insights.

Following the much-respected 100 Painters of Tomorrow, which launched the careers of artists including Michael Armitage, Yelena Popova and Heman Chong, 100 Sculptors offers another powerful platform for artists and a fascinating, visually breathtaking experience for readers.

About the Authors:

Kurt Beers is founder and director of BEERS London gallery, which he founded in 2012, and is also the author of 100 Painters of Tomorrow.

Richard Cork is an art historian, critic, curator and broadcaster. He has been an art critic for the Evening Standard, The Listener, The Times and the New Statesman, and is a past Turner Prize judge.

1000 illustrations

After the 1000 Paintings of Genius, the 1000 Sculptures of Genius offers a large panorama of artistic creation between the High Antiquity and the twentieth century. Along with numerous references, comments on masterworks and biographies, this work enables the reader to rediscover the Western world heritage and is the perfect guide for students and statuary art lovers.

This book will be a companion volume to the successful 1000 Patterns book which we previously bought-in from the Ivy Press.

Like the previous book, it will be an historical/geographical survey of the subject, jam-packed with beautiful, full colour illustrations, covering 1000 different styles of tiles, providing collectors, designers (and interior designers), students and general readers with and invaluable reference/sourcebook.

Охватывая период от античности до двадцатого века, эта коллекция скульптуры представляет собой действительно оригинальный обзор западного искусства, предлагая самые разнообразные работы - от мифологических и религиозных до минималистических и провокационных. Роднит их одно - все они творения великих мастеров.

Шедевры, помещенные на страницах книги, - зеркало эпохи, художника и его времени. Читатель совершает экскурс не только в историю искусства, но и в саму историю. Обширный справочный материал - хронология важнейших событий от древних времен до наших дней, глоссарий и справки-биографии самых выдающихся скульпторов - помогут открыть для себя наследие западного мира не только изучающим искусство, но и просто любителям скульптуры.

This beautiful book was born out of the passion and artistic insight of Marnix Neerman and Hugo Martens. One hundred and twenty-eight masks have been photographed in such a unique style that their artistic nature is revealed to the utmost. Each mask has been shot from the front and from the rear, and detail shots reveal each mask as an almost autonomous work of art. And yet, these masks are not considered works of art in their countries of origin, but rather tools that have a function and a meaning in socio-religious life.

Many of these masks have never been displayed or published before and come from reference collections such as the Museum for Middle Africa in Tervuren, Belgium; the Etnographic Museum in Antwerp and private collections in Belgium, France, UK and USA.

African Faces was produced in cooperation with the archive of the Yale university, Tribal Art magazine, Parcours des Mondes in Paris and many other experts and will become a future reference work when it comes to the African mask; the powerful photographs accentuate the artistic value of the masks like never before

Alberto Giacometti forged a singular path within European Modernism, restlessly seeking a new language for sculpture as a double of reality. Presenting some 100 sculptures and paintings, the publication tracks the evolution of Giacometti’s work from Post-Cubism through Surrealism to post-war Realism.

Throughout his life, Alberto Giacometti (1901–1966) was in conversation with some of the most influential intellectuals of the twentieth century. By highlighting three writers – Georges Bataille, Jean Genet, and Samuel Beckett, with whom the artist sustained lasting friendships – the publication examines how these dialogues may be traced in Giacometti’s oeuvre.

The lavishly illustrated book not only provides an overview extending from his early to his later works, and newly commissioned essays but also presents important historical texts by the three authors and the artist himself.

This book references all the artist's periods and media: sculpture (plaster, bronze), paintings, drawings, prints… It will allow a comprehensive view of Alberto Giacometti's creation, from early works to the surrealist period, from the return to figuration to his work from models, and to the invention of the great post-war icons. Over 230 works are represented, including several masterpieces such as Spoon Woman (1927), The Invisible Object (1934-35), Woman with Chariot (1945), The Nose (1947), and Walking Man (1960).

Giacometti’s works are separated into fourteen original sections revealing the themes favoured by the artist - the representation of the head, the face, the female body, etc. The book is punctuated by seven essays written by leading art historians who dwell on the detours and questions that mark Alberto Giacometti's creative process, but also allow the reader to discover his relationship to loneliness, melancholy, and his hard work with his models: his wife Annette, his brother Diego, his close friends. This catalogue aims to introduce the reader to another Giacometti, the one who experiments with the limits of sculpture, and the formidable painter who also practices, alongside the portrait, the genres of landscape or still life.