Книги про скульптуру и керамику

Overs!ze features the best of installation art on a grand scale all around the world. 

The designers, sculptors and installation artists featured in these pages discuss considerations such as weather, wind flow, method of installation, time constraints, budgets, transportation of the piece to the site, materials used and their durability and the process of site selection. 

The finished projects interact in symbiotic or contrasting methods with their surroundings in carefully controlled ways to create new spatial meanings.

Coupling defeat and despair with rebellious humor, Danish artist Peter Linde Busk explores the grotesque conditions of human existence. Populating his works with tragic and awkward figures like fallen heroes, jesters, or outlaws in abstract spaces of detailed ornamentation, his figurations are  meticulously composed using a great variety of textures and techniques, and often incorporate random material relics from previous works. Similarly, his titles are wry quotes or poetic fragments: it is from Rilke that Peter Linde Busk has borrowed the title of the book, Who speaks of victory? To endure is all. 

This richly illustrated monograph features a major essay by art historian Maria Fabricius Hansen juxtaposing Linde Busk’s work with medieval mosaics and the grotesques of Renaissance art. A catalogue raisonné of works from 2015 to 2022 is supplemented by short prose texts and a playlist by writer Minna Grooss that suggests a sound track to the materially emphatic works by Linde Busk.

About the Author:

Peter Linde Busk (*1973, Copenhagen) is one of the most renowned Danish artists of his generation. Educated in London, New York and Düsseldorf and working in multiple media such as painting, sculpture, relief, and mosaic, a central theme of his work is seeing the beauty and value in what is normally considered failed. This is evident both in his motifs and in his choice of materials such as discarded matter or studio debris. Linde Busk lives and works in Berlin.

This is the first monograph on the great American artist's work as a sculptor.

Published on the occasion of the exhibition held at the Fondazione Emilio e Annabianca Vedova for the 2013 Venice Biennale, the monograph exhaustively illustrates the sculptures Lichtenstein created between 1968 and 1997, the year of his death. From his first ceramic works down to large-scale public ones, the volume seeks to trace the artistic process leading from draughts and drawings to collages, maquettes, metal sculptures and large-scale urban installations. It also seeks to explore Lichtenstein's work on industrial manufacturing methods and techniques, by providing important information about the workshops the artist collaborated with during his career.

The book is intended to offer a comprehensive overview of the artist's experimental use of methods of industrial production, along with a selection of interviews and texts on his two-dimensional sculptures.

The art historian, critic and theoretician Germano Celant has curated exhibitions throughout the world and authored over a hundred books and catalogues. The Director of the Fondazone Prada in Milan since 1995, Celant is also the curator of the Fondazione Aldo Rossi in Milan, and the curator of the Fondazione Vedova in Venice.  He writes for L'Espresso and Interni.

English edition (with Italian insert)
Exhibition
Venice, Fondazione Vedova
28 May – 24 November 2013

The first book on painter and sculptor Sam Moyer, best known for her unique practice of combining remnants of stone and natural materials inlaid into painted canvas, creating powerfully expressive works.

Sam Moyer has developed a distinctive language of abstraction, creating paintings, structures, and sculptural objects that draw inspiration from architectural space and natural materials. Recognized for a diverse practice in which she unites found textures and objects in innovative ways, Moyer crafts compelling hybrids, often combining hand-painted fabrics with repurposed marble, slate, and stone that carry textural imperfections reflecting industrial design processes. Her practice has evolved from its more conceptual and process-based origins to address formal and theoretical issues regarding the construct of painting. In all her productions, issues of scale and space remain critical. Moyer is particularly interested in the way architecture functions in tandem with her objects to create dynamic visual experiences.

In this volume, the artist’s first monograph, curators Renaud Proch and Scout Hutchinson contribute the first extended critical essay on the artist’s art and career, identifying key works and exhibitions of the last ten years and detailing her artistic trajectory. Artist and writer Ross Simonini, who has known Moyer for a decade, contributes an in-depth interview with the artist, and noted novelist Kaitlyn Greenidge offers a poetic reading of Moyer’s artwork.

About the Author:

Kaitlyn Greenidge’s debut novel, We Love You, Charlie Freeman (Algonquin Books), was one of the New York Times Critics’ Top 10 Books of 2016. Her writing has appeared in Vogue, Glamour, the Wall Street Journal, Elle, Buzzfeed, Transition Magazine, Virginia Quarterly Review, the Believer, and American Short Fiction. She is the recipient of fellowships from the Whiting Foundation, the National Endowment for the Arts, the Radcliffe Institute for Advanced Study, the Lewis Center for the Arts at Princeton University, and the Guggenheim Foundation. She is currently Features Director at Harper’s Bazaar as well as a contributing writer for the New York Times. Her second novel, Libertie (Algonquin Books), was published in 2021. Scout Hutchinson is a curator, researcher, and writer based in New York. She has provided cura­torial support to numerous art institutions, includ­ing deCordova Sculpture Park and Museum, the Fred Jones Jr. Museum of Art at the University of Oklahoma, the Mead Art Museum at Amherst College, and the Whitney Museum of American Art. She served as a research assistant for Hauser & Wirth Institute’s catalogue raisonné of Franz Kline's paintings, and in 2021 was an inaugural research fellow with the Holt/Smithson Foundation. Renaud Proch is Executive and Artistic Director of Independent Curators International (ICI), an organization dedicated to advancing the work of curators to create stronger art communities through experimentation, collaboration, and inter­national engagement. Before joining ICI in 2009, he was senior director of the Project gallery in New York, as well as director of MC in Los Angeles. He is a co-founder of the Backroom, an evolving archive of artists’ source materials and itinerant research project, and of ART2102, an independent art space in Los Angeles (2003–11). Ross Simonini is a multidisciplinary artist, working in painting, writing, music, performance, and dia­logues. He has held exhibitions of his work at the Sharjah Biennial 13, anonymous gallery, Et al., Shoot the Lobster, Jack Hanley Gallery, and Human Resources. He has released many albums of music, under his own name and with collaborators. His first novel, The Book of Formation, was published in 2018 (Melville House Books).

Leading sculptor Antony Gormley, informed and energised by a lifetime of making, and art critic and historian Martin Gayford, explore the central role of sculpture in the development of human culture from prehistory to the present day

Sculpture is the universal art. It has been practised by every culture throughout the world and stretches back into the distant past. The first surviving shaped stones may even predate the advent of language. The drive to form stone, clay, wood and metal into shapes evidently runs deep in our psyche and biology. This links the question ‘What is sculpture?’ to the question ‘What is humanity?’

In this wide-ranging book, two complementary voices – one belonging to an artist who looks to Asian and Buddhist traditions as much as to Western sculptural history, the other to a critic and historian – consider how sculpture has been central to the evolution of our potential for thinking and feeling. Sculpture cannot be seen in isolation as an aesthetic pursuit; it is related to humankind’s compelling urge to make its mark on the landscape, to build, make pictures, practise religion and develop philosophical thought.

Drawing on examples from thousands of years BCE to now, and from around the globe, the authors treat sculpture as a transnational art form with its own compelling history. They take into account materials and techniques, and consider overarching themes such as space, light and darkness. Above all, they discuss their view of sculpture as a form of physical thinking capable of altering the way people feel and of inviting them to look at sculpture they encounter and more broadly the world around them in a completely different way.

Contents List:

Preface • 1. Bodies in Space • 2. Off the Wall • 3. Mounds, Fields & Standing Stones • 4. Trees & Life • 5. Light & Darkness • 6. Clay & Modelling • 7. Voids • 8. The Body & the Block • 9. The Age of Bronze • 10. Bodies & Buildings • 11. The Colossus & the Slave • 12. Time & Mortality • 13. Drapery & Anatomy • 14. Actions & Events • 15. Fear & Fetishism • 16. Collecting & Selecting • 17. Industry & Heavy Metal • 18. Shaping a Changing World

About the Authors:

Sir Antony Gormley is a distinguished British artist and sculptor perhaps best known for his huge Angel of the North in Gateshead. He won the Turner Prize in 1994 and has been a Royal Academician since 2003. Gormley is one of the most critically respected artists working internationally, with works that have universal resonance. Martin Gayford is art critic for The Spectator and the author of acclaimed books on Van Gogh, Constable and Michelangelo. He is the author of Man with a Blue Scarf, Rendez-vous with Art and A Bigger Message. He has collaborated with David Hockney on A Bigger Message: Conversations with David Hockney and A History of Pictures, and has co-written a volume of travels and conversations with Philippe de Montebello: Rendez-vous with Art.

This monograph on the life and work of iconoclastic Japanese artist Shiro Tsujimura demonstrates how, in his signature self-taught manner, he has reinvented the classic ceramic art form.

Shiro Tsujimura is a vanguard contemporary ceramic artist. While his creations and techniques are deeply rooted in traditional Japanese and Korean styles, his independent streak defines his practice with a sense of freedom, playfulness, and self-confidence that results in decidedly unique works. This monograph takes readers inside his studio and home to discover his artistic practice and lifestyle. Axel Vervoordt, Alexandra Munroe, and longtime friend Hiroshi Sujimoto each contribute a highly personal essay, providing rare insight into this magnetic artist. Tsujimura himself shares his approach to ceramics, deeply linked to both his training as a monk and his fierce independence, which drove him from his spiritual practice to become an artist. Each of his creations is pure and spiritual, where the passing of time and the art of imperfection play an important role.

Tsujimura has held solo exhibitions around the world and his works have been acquired from Japan to Berlin to New York by the world’s most prestigious museums, including the Met and The British Museum.

About the Authors:

Axel Vervoordt is a collector, antiquarian, designer, and curator who regularly incorporates Tsujimura’s work into interior design projects. Alexandra Munroe is curator of Asian Art at the Guggenheim in New York. Hiroshi Sugimoto is a renowned photographer and architect. Shiro Tsujimura is an eminent Japanese artist and potter. Laziz Hamani is a luxury still life photographer who has contributed to more than thirty books. Shouya Grigg is a fine art photographer and cinematographer based in Hokkaido. Jan Liégeois is a photographer specialized in interiors and architecture.

A retrospective of the preeminent Greek-born American artist, who was a pioneer in the use of neon in the realm of fine art.

Prolific multimedia artist Stephen Antonakos (1926–2013) is best known for his resplendent abstract neon sculptures — instantly recognizable for their vibrant colors and crisp geometry. Along with well-known artists Lucio Fontana, Bruce Nauman, Keith Sonnier, and his compatriot Chryssa, Antonakos brought new perceptual and formal possibilities to the medium of neon.

This comprehensive book comprises Antonakos’s diverse output of neon, canvases, drawings, travel collages, chapels, and gold works, all of which reflect an abiding concern with illumination, incomplete geometric shapes, and an almost mystical spirituality that is manifest throughout his oeuvre, from his overtly religious pieces to his playful assembled collages from his trips to Greece. His later works feature neon lights placed behind painted or gold-leaf panels, often bathing the surfaces and the surrounding space in gold halos like Byzantine icons, a tradition that has long fascinated this extraordinary artist.

Author David Ebony provides research on Antonakos as a central figure in the international avant-garde of the 1960s and ’70s. He also discusses the artist’s Greek heritage and legacy, as well as the spiritual and mystical aspects of his later works.

About the Author:

David Ebony is a contributing editor of Art in America and a frequent contributor to Artnet News and Yale University Press online, among other publications.

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Explore the creative possibilities of this incredibly versatile range of glazes with this comprehensive guide for ceramic artists of all levels.

Unlock the world of low-fire glazes with The Complete Guide to Low-Fire Glazes for Potters and Sculptors. Potter, podcaster, and author of Mastering the Potter’s Wheel, Ben Carter, challenges the belief that serious artists work exclusively with high-temperature materials, sharing years of research on crafting exquisite low-fire pots and glazes. Delve into the benefits of firing at lower temperatures, explore the visual nuances of low-fire glazes, and witness renowned artists thriving in this temperature range.

Illustrated with stunning photography of work by Carter and other artists, this visually captivating resource covers:

- Insights into the benefits and visual attributes of low-fire glazes
- Guidance on setting up a glaze lab
- An explanation of how glaze is formulated
- Troubleshooting tips for common glaze faults
- Designing and making test tiles
- Techniques for layering, using glaze as form, integrating decals, atmospheric firing, and more
- Tried-and-true glaze recipes — from gloss to satin, matte, and tin — for varied finishes and color creation

Whether you are new to the world of ceramic glazes or looking to expand your knowledge of low-fire glazes, The Complete Guide to Low-Fire Glazes is your path through a world of artistic possibilities.

The Mastering Ceramics series is for artists who never stop learning. With compelling projects, expert insight, step-by-step photos, and galleries of work from today’s top artists, these books are the perfect studio companions.

Also available from the series: Amazing Glaze, Amazing Glaze Recipes and Combinations, Mastering Sculpture: The Figure in Clay, Mastering Kilns and Firing, Mastering Hand Building, and Mastering the Potter’s Wheel.

About the Author:

Ben Carter is a studio potter and workshop instructor and the author of Mastering the Potter’s Wheel. He received his BFA in ceramics/painting from Appalachian State University and his MFA in ceramics from the University of Florida. He has lectured and presented workshops at universities and craft centers in the United States, China, Australia, Canada, and New Zealand and exhibited internationally in numerous invitational and juried shows. Ben’s work has been featured in the Australian Journal of Ceramics, Pottery Making Illustrated, and Ceramics Monthly; Pottery Making Illustrated named him Ceramic Arts 2016 Yearbook Artist of the Year. Since 2012, he has been hosting and producing the popular podcast, Tales of a Red Clay Rambler. Ben lives in New Jersey.

Highlights from the palatial Hermitage Museum in St. Petersburg, Russia, are beautifully reproduced in an accessible volume celebrating the museum's 250th anniversary. For 250 years, the State Hermitage Museum has been one of the world's most palatial and significant museums. The Hermitage collections were developed beginning in 1764 by Catherine the Great, Empress of Russia, and now encompass more than 3 million works of art and artifacts displayed within a spectacular architectural ensemble, the heart of which is the famed Winter Palace. Now, on this important anniversary, this stunning volume captures the masterpieces that make this world-famous institution a cultural destination and a global treasure.

The Hermitage: 250 Masterworks explores this sumptuous collection in the manner of a private tour, showcasing the museum's extraordinary and uniquely underpublished treasures: no other institution has thirty-six Rembrandts; works by Italian Renaissance artists including Leonardo da Vinci, Michelangelo, and Titian; Spanish artists such as Velazquez, Ribera, and Murillo; Flemish baroque artists such as van Dyck, Rubens, and Jan Brueghel the Elder; impressionist and post-impressionist works by Renoir, Monet, Van Gogh, Gauguin, Cezanne, and Degas; and modern paintings by Matisse, Picasso, Malevich, and Kandinsky. Priceless antiquities, feats of mechanical engineering such as the famous Peacock Clock, and works of sculpture and decorative arts will also be shown. With lavish reproductions accompanied by texts by the museum's leading curators, this volume is sure be cherished by art lovers around the world.

About the Author:

Mikhail Piotrovsky has been the director of the State Hermitage Museum since 1991 and has dedicated his career to making its treasures accessible to individuals and institutions around the world.

The global porcelain scene is celebrating the 40th anniversary of the International Ceramics Fair and Seminar, which was founded by Brian Haughton and his wife, Anna, in London in 1982. That was just the beginning: further fairs and accompanying symposia on design, jewellery, and antiques in New York and Dubai were to follow, becoming important venues of exchange, not just for trade but for the academic world too.

To mark this anniversary, more than 40 renowned scholars were asked to write about selected European ceramics that had been traded in Brian Haughton’s gallery and that he had been particularly passionate about.

This publication is a wonderful kaleidoscope of unique ceramics from the 18th and 19th centuries, released as a homage to Brian Haughton, The Man with the Butterfly Tie.

A sublime volume about one of the most important collections of ancient marble sculptures in the world, an astonishing private trove largely hidden to scholars and the public until now.

Last published in a nineteenth-century catalog, the distinguished Torlonia Collection of more than 600 priceless Greek and Roman works -- marbles and bronzes, reliefs and sarcophagi, depictions of gods, and portraits of emperors -- is one of the most important assemblages of classical sculptures still in private hands anywhere in the world. This eagerly awaited volume presents a selection of nearly 100 sculptures, which have been chosen for their quality and historic significance and which will be featured in an unprecedented exhibition designed by David Chipperfield and held in the Villa Caffarelli, near the Musei Capitolini in Rome, before touring globally. The legendary aura surrounding this, Rome's last princely collection, is due not only to its extraordinary scope and the high quality of the works, but also to the fact that the collection has not been available to the public for decades.

This revelatory book features multiple essays by leading experts on the history of the collection and scholarly entries for the works detailing important discoveries made through archaeological research as well as the cleaning and conservation of the sculptures.

About the Authors:

Salvatore Settis is the former director of the Getty Research Institute, Los Angeles (1994-99) and of the Scuola Normale Superiore di Pisa (1999-2010), where he also taught classical archaeology and art history. He currently chairs the Scientific Council of the Musée du Louvre and has curated or co-curated a number of exhibitions.

Carlo Gasparri taught archeology and history of Greek and Roman art in the universities of Urbino (1975-90), Viterbo (1990-93) and Naples (1993-2014). He is emeritus professor of the University of Naples Federico II and has authored several books about archeology and Greek and Roman art.

Step inside designer and sculptor Thomas Bastide’s studio to discover the techniques, concepts, and inspirations that lie behind his glass creations.

This book retraces forty years in the creative career of Thomas Bastide. The designer and sculptor has collaborated with prestigious French and international companies, including Baccarat, Hennessy, and Christofle, and this volume pays tribute to the unique techniques that he has contributed to the fields of crystal glassmaking, goldsmithery, and porcelain-making.

Featuring the themes that are fundamental to the artist’s work, such as equilibrium, deconstruction, mechanics, and fluidity, this volume invites readers to discover an exceptional savoir faire combining creativity, technical prowess, resilience, and dexterity. The text paints an authentic, vivacious, yet humble portrait of Bastide, and his anecdotes accompany photographs by Jo Pesendorfer of a selection of his works. 

This is a bilingual edition, in English and French.

About the Author:

Born in 1954, Thomas Bastide grew up watching Scandinavian master glassmakers at work, and glass—with the multiple creative possibilities it offers—has become a true passion for him. A graduate from the Penninghen School of Graphic Arts and ENSAAMA in Paris, and the Pilchuck School in Seattle, he began his professional career with Raymond Loewy, a star of the design world. Laure Verchère was a long-time journalist for Elle Décoration. She is the author of numerous books, including Signed Sybille de Margerie and Le Grand Hôtel & Café de la Paix, published by Flammarion.

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On Venini’s 100th anniversary, this book celebrates the excellence of Italian high artistic glass craftsmanship and the vases that made history.

From Venice to the world, this special book recounts the prolific and original manufacture of Venini, the glass art company founded 100 years ago in Murano, Venice, by the visionary genius of Paolo Venini and Giacomo Cappellin. Over the course of a century, Venini has pursued the goal of innovation in keeping with tradition: the brand has transformed the ancient art of glassmaking by “intersecting” it with the modern visions of artists and designers. It has gained international fame and become the obsession of collectors all over the world. Venini objects are present in private collections, as well as museums and public institutions.

The book describes the evolution of Venini’s taste, style, and innovation, thanks to the images and stories of key designers and art directors, such as Paolo Venini, Carlo Scarpa, Gio Ponti, Gae Aulenti, Ettore Sottsass, Alessandro Mendini, Tadao Ando, and Ron Arad. The imagery includes about 150 illustrations: photos of glass, archive documents, original drawings, and a photoshoot carried out in the furnace itself. These images will allow readers to enter the beating heart of Venini craftsmanship and observe all the stages of glassmaking.

About the Author:

Federica Sala is an independent curator. She edited the book Minimal/Baroque on the Italian artist Gianluca Pacchioni and has authored various publications on the history of Italian design.

Between Afrofuturism, fantasy and postcolonialism: the most comprehensive monograph to date on the fantastical worlds of Wangechi Mutu

Wangechi Mutu takes viewers on journeys of material, psychological and sociopolitical transformation; this volume explores her most recent groundbreaking work. Over the past two decades, Mutu has created chimerical constellations of powerful female characters, hybrid beings and fantastical landscapes. With a rare understanding of the need for powerful new mythologies beyond simple binaries and stereotypes, Mutu breaches common distinctions between human, animal, plant and machine. An artist who calls both Nairobi and New York City home, Mutu moves voraciously between cultural traditions to challenge colonialist, racist and sexist worldviews with her visionary projection of an alternate universe informed by Afrofuturism, posthumanism and feminism.

This dazzling book accompanies a presentation of Mutu’s new work on view at the Legion, along with a greater selection from her landmark oeuvre. It is the most comprehensive book on the artist to date.

A distinguished panel of international jurors identifies the most exciting names in sculpture today

How do you find the most promising emerging artists at work in a rapidly transforming medium? Bypassing traditional art world channels, 100 Sculptors of Tomorrow is the culmination of a major, democratic open call for up-and-coming sculptors. From thousands of entries, an internationally renowned jury has identified the most exciting names in sculpture today, all showcased in this beautifully illustrated, authoritative book. Featuring a selection of the finest emerging sculptors worldwide, 100 Sculptors of Tomorrow guides the reader with biographical summaries and first-hand artist testimonies, as well as recommended reading and jurors’ insights.

Following the much-respected 100 Painters of Tomorrow, which launched the careers of artists including Michael Armitage, Yelena Popova and Heman Chong, 100 Sculptors offers another powerful platform for artists and a fascinating, visually breathtaking experience for readers.

About the Authors:

Kurt Beers is founder and director of BEERS London gallery, which he founded in 2012, and is also the author of 100 Painters of Tomorrow.

Richard Cork is an art historian, critic, curator and broadcaster. He has been an art critic for the Evening Standard, The Listener, The Times and the New Statesman, and is a past Turner Prize judge.