With an engaging text by renowned Michelangelo scholar William E. Wallace, Michelangelo: The Complete Sculpture, Painting, Architecture brings together in one exquisite volume the powerful sculptures, the awe-inspiring paintings, and the classical architectural works of one of the greatest artists of all time. Including everything from his sculptures Pietàs and David to his beautiful paintings of the Sistine Chapel and the Doni Tondo, the book provides an opportunity to view Michelangelo’s work as never before, and to more fully understand the artist who, through his work, spoke of his life and times. The frescoes are specially printed on onion skin paper to recreate the actual appearance of light reflecting off of the plaster walls. The stunning black-and-white photography of the sculptures is printed in four colors to bring out the rich details of the marble.

About the Author:

William E. Wallace is associate professor of art history at Washington University in St. Louis, and is an internationally recognized authority on Michelangelo and his contemporaries.

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The first survey of the classic twentieth-century houses that defined American Midwestern modernism.

Famed as the birthplace of that icon of twentieth-century architecture, the skyscraper, Chicago also cultivated a more humble but no less consequential form of modernism–the private residence. Modern in the Middle: Chicago Houses 1929-75 explores the substantial yet overlooked role that Chicago and its suburbs played in the development of the modern single-family house in the twentieth century. In a city often associated with the outsize reputations of Frank Lloyd Wright and Ludwig Mies van der Rohe, the examples discussed in this generously illustrated book expand and enrich the story of the region’s built environment.

Authors Susan Benjamin and Michelangelo Sabatino survey dozens of influential houses by architects whose contributions are ripe for reappraisal, such as Paul Schweikher, Harry Weese, Keck & Keck, and William Pereira. From the bold, early example of the “Battledeck House” by Henry Dubin (1930) to John Vinci and Lawrence Kenny’s gem the Freeark House (1975), the generation-spanning residences discussed here reveal how these architects contended with climate and natural setting while negotiating the dominant influences of Wright and Mies. They also reveal how residential clients – typically middle-class professionals, progressive in their thinking – helped to trailblaze modern architecture in America. Though reflecting different approaches to site, space, structure, and materials, the examples in Modern in the Middle reveal an abundance of astonishing houses that have never been collected into one study – until now.

About the Authors:

Michelangelo Sabatino directs the PhD program in architecture and is the inaugural John Vinci Distinguished Research Fellow at the Illinois Institute of Technology. As an architect, preservationist, and historian, his research broadly addresses intersections across culture, technology, and design in the built and natural environment. He has authored and coauthored numerous books including Pride in Modesty: Modernist Architecture and the Vernacular Tradition in Italy (2011) recipient of the Society of Architectural Historians’ Alice Davis Hitchcock Award, Canada: Modern Architectures in History (2016), Avant-Garde in the Cornfields: Architecture, Landscape, and Preservation in New Harmony (2019), and Making Houston Modern: The Life and Architecture of Howard Barnstone (2020).

Susan Benjamin is a noted historic preservationist and published architectural historian based in Chicago. Her office, Benjamin Historic Certifications, has initiated the landmarking of notable historic buildings of all periods, in Chicago as well as throughout Illinois. Benjamin lectures frequently on a wide variety of topics, from historic landscapes to Chicago's residential architecture of the nineteenth century to the present. She is coauthor, with architect Stuart Cohen, of two important books on historic residential architecture in Chicago: North Shore Chicago, Houses of the Lakefront Suburbs: 1890-1940 (Acanthus Press, 2004) and Great Houses of Chicago: 1871-1921 (Acanthus Press, 2008). 

Michelangelo was recognised as a great artist early in his long life. Along with a small number of contemporaries he was responsible for Renaissance Florence becoming the artistic fountainhead of western culture. This comprehensive new book offers a wide range of his art, with details and panoramas, some well known, others less so, but each one illuminating the grand eloquence of one of the worlds greatest artists.

Before reaching the tender age of 30, Michelangelo Buonarroti (1475–1564) had already sculpted Pietà and David, two of the most famous sculptures in the entire history of art. As a sculptor, painter, draftsman, and architect, the achievements of this Italian master are unique — no artist before or after him has ever produced such a vast, multifaceted, and wide-ranging œuvre.

This fresh TASCHEN edition traces Michelangelo’s ascent to the cultural elite of the Renaissance. Ten richly illustrated chapters cover the artist’s paintings, sculptures, and architecture, including a close analysis of the artist’s tour de force frescoes in the Sistine Chapel.

Full-page reproductions and enlarged details allow readers to appreciate the finest details in the artist’s repertoire, while the book’s biographical essay considers Michelangelo’s more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his immense wealth, and his skill as a property investor.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Renaissance man in extremis. Michelangelo, in pursuit of the beautiful and sublime

Nicknamed “il divino,” Renaissance genius Michelangelo combined body, spirit, and God into visionary masterpieces across sculpture, painting, and architecture. From The Pietà to the extraordinary ceiling of the Sistine Chapel, this book provides the essential introduction to the artist’s revolutionary ideas and awe-inspiring artworks.

Italian-born Michelangelo di Lodovico Buonarroti Simoni (1475–1564) was a tormented, prodigiously talented, and God-fearing Renaissance man. His manifold achievements in painting, sculpture, architecture, poetry, and engineering combined body, spirit, and God into visionary masterpieces that changed art history forever. Famed biographer Giorgio Vasari considered him the pinnacle of Renaissance achievement. His peers called him simply “Il Divino” (“the divine one”).

This book provides the essential introduction to Michelangelo with all the awe-inspiring masterpieces and none of the queues and crowds. With vivid illustration and accessible texts, we explore the artist’s extraordinary figuration and celebrated style of terribilità (momentous grandeur), which allowed human and biblical drama to exist in compelling scale and fervor. Through the power hubs of Renaissance Italy, we take in his major commissions and phenomenal capacity for compositional schemes, whether the famous Medici library in Florence, or the extraordinary 500-square-meter ceiling (1508–1512) in the Vatican’s Sistine Chapel.

From the towering David to the aching grief and faith of The Pietà and the vivid drama of the Sistine Chapel’s Last Judgment, this is a succinct, dependable reference to a true giant of art history and to some of the most famous artworks in the world.

The author:

Gilles Néret (1933–2005) was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU Museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Élie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Graphic beauty: Breathtaking drawings

Few artists can claim such tenacious fame across continents and centuries as Michelangelo Buonarroti(1475 - 1564). His achievements as a sculptor, painter, draftsman, and architect remain unrivalled and unique. This fresh edition celebrates the artist s graphic work, with a selection of his most masterful and mesmerizing drawings.

Gathered from some of the world s most prestigious collections, these works show the full ambition and reach of Michelangelo s practice, spanning architectural elements, facial expressions, and countless, meticulous anatomical drawings. Whether finely-tuned or left unfinished, each and every drawing testifies to the artist s dedicated scrutiny of the world around him and his compelling mastery of line, form, and detail.

There is an intimacy in these works, too. As different sketches occupy the same pages, and notes intersperse the drawings, we may not only marvel at the meticulously rendered textures or anatomically-perfected figures, but also feel a spine-tingling proximity to the very process, as much as the product, of genius.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Il divino. A glorious exploration of Michelangelo’s works

Before reaching the tender age of 30, Michelangelo Buonarroti (1475–1564) had already sculpted David and Pietà, two of the most famous sculptures in the entire history of art. As a sculptor, painter, draftsman, and architect, the achievements of this Italian master are unique — no artist before or after him has ever produced such a vast, multifaceted, and wide-ranging œuvre.

This comprehensive book explores Michelangelo’s life and work with a richly illustrated biographical essay, and a complete four-part inventory of his paintings, sculptures, buildings, and drawings. Full-page reproductions and enlarged details allow readers to appreciate fine details in the artist’s vast repertoire, while the book’s biographical insights consider a previously unseen extent to Michelangelo’s more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his immense wealth, and his skill as a property investor. In addition, the book tackles the controversial issue of the attribution of Michelangelo drawings, an area in which decisions continue to be steered by the interests of the art market and the major collections.

This is the definitive work about Michelangelo for generations to come, to be delved into and put on display, with its slipcase neatly converting into a book stand.

The editor and author:

Frank Zöllner wrote his doctoral thesis on motifs originating from Antiquity in the history of art and architecture of the Medieval and Renaissance periods (1987). He is also the author of a postdoctoral treatise on motion and expression in the art of Leonardo da Vinci, published in 2010. He has published numerous works on Renaissance art and art theory, and on 20th-century art. Since 1996 he has been Professor of Medieval and Modern Art at the University of Leipzig. For TASCHEN he has authored the XL monographs on Leonardo da Vinci and Michelangelo.

The contributing authors:

Christof Thoenes studied art history in Berlin and Pavia, before completing his doctorate in Berlin. Thoenes was Honorary Professor in Hamburg and now lives in Rome, where for many years he has worked for the Bibliotheca Hertziana (Max-Planck-Institute). He has contributed to numerous publications on Italian art, particularly on architecture and architectural theory of the 15th to 18th centuries.

Thomas Pöpper wrote his doctoral thesis on 15th-century Italian Renaissance sculpture (2003). After a fellowship at the Bibliotheca Hertziana, he worked as a volunteer for the Schleswig-Holsteinische Landesmuseen. Following further appointments at universities in Hamburg und Leipzig, since 2008 he has been Professor of Art and Design History at the West Saxon University of Applied Sciences of Zwickau, where he is currently Head of the Faculty of Applied Art. Pöpper has published on a variety of aspects of Italian art from the Middle Ages to the Baroque, German painting of the Early Modern era and German sculpture of the 19th and 20th century. 

The restoration of Michelangelos magnificent frescoes in the Vaticans Sistine Chapel is perhaps the most controversial event in the art world in the past three decades. Now, after nearly fifteen years of effort, the restoration is finally complete. This unique volume-the first to document the project-is the result of an unparalleled international photographic campaign. For the first time, the restored Chapel is shown in its entirety, from the Creation to the Last Judgment. Glorious, full-color photographs-250 in all-portray the frescoes both before and after their restoration, providing an unforgettable view of the meticulous work that many believe restored the frescoes to their original High Renaissance splendor.

Originally created in the late 1400s, the frescoes of the Sistine Chapel are the best-known of all the Vatican masterpieces. As early as 1502, however, tourists began noting the damage wrought by smoke and crumbling walls. By 1980 the need for conservation appeared to be dire. The restoration team had to contend with centuries of decay-structural fractures in the walls and ceilings, soot and dust accumulation, and rainwater seepage that left white patches on every surface. Artisans in previous centuries had made attempts at conservation, but often did more harm than good; the frescoes were found to be coated with many layers of "protective" glue that had yellowed and darkened with age.

Though many art historians opposed the restoration, believing that Michelangelo was a somber artist who worked in dark and muted colors, the endeavor presents frescoes that are gloriously vivid, setting the chapel aglow with their brilliance. In addition, they provide new insights about Michelangelos brushstroke techniques, and add more information to a centuries-old debate over how he worked with the wet plaster surface of the frescoes.

Written with Gianluigi Colalucci, the technical overseer of the restoration, the text provides an intimate understanding of this masterpiece of Renaissance art. It explains the various forensic studies carried out in the course of the project, the pragmatic concerns of the restoration, and the many problems of historical approach that were confronted. This volume, including remarkable new pictures of the Chapel frescoes, belongs in the libraries of every art historian and student of the Italian Renaissance.

The majestic bearing of his nudes, his accomplished treatment of the human anatomy, and his virtuosity characterize the drawings of Michelangelo (1475–1564). Masterpieces from the most distinguished museums in the world will be shown alongside treasures from the Albertina’s collection of prints, affording a unique look at the graphic oeuvre of the great Florentine artist.

This publication spans a wide range of works - from the works he created in his youth, his studies for the Battle of Cascina, the frescoes for the Sistine Chapel, to the drawings he made as gifts for Tommaso de’ Cavalieri and the later crucifixion scenes. Paintings by other artists, done after the master’s sketches, illuminate the dimension and force of his art, and show him within the context of his own time. The book also examines some critics’ doubt about the attributions of numerous drawings to Michelangelo.

A glorious exploration of Michelangelo's works

"The photography is sharp, the colour true and full of lustre...This will prove to be one of the art books of the year." - The Good Book Guide, London

Before reaching the tender age of thirty, Michelangelo Buonarroti (1475-1564) had already sculpted David and Pièta, two of the most famous sculptures in the entire history of art. Like fellow Florentine Leonardo da Vinci, Michelangelo was a shining star of the Renaissance and a genius of consummate virtuosity. His achievements as a sculptor, painter, draughtsman, and architect are unique - no artist before or after him has ever produced such a vast, multi-faceted, and wide-ranging oeuvre. Only a handful of other painters and sculptors have attained a comparable social status and enjoyed a similar artistic freedom. This is demonstrated not only by the frescoes of the Sistine Chapel but also by Michelangelo’s monumental sculptures and his unconventional architectural designs, whose forms went far beyond the accepted vocabulary of his day. Such was his talent that Michelangelo was considered a demigod by his contemporaries and was the subject of two biographies during his lifetime.

The edition explores Michelangelo's life and work in depth and detail. The different parts of the book concentrate on the life of Michelangelo via an extensive and copiously illustrated biographical essay and include gorgeous, full page reproductions and enlarged details that bring readers up close to the works.

This sumptuous tome also takes account, to a previously unseen extent, of Michelangelo's more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his miserliness, his immense wealth, and his skill as a property investor. This survey of Michelangelo's life and oeuvre is a basic reference for every art lover.

Authors:
Christof Thoenes studied art history in Berlin and Pavia, before completing his doctorate in Berlin. Thoenes lives in Rome, where for many years he has worked for the Bibliotheca Hertziana (Max-Planck-Institute), and is honorary professor in Hamburg. He has contributed to numerous publications on Italian art, particularly on architecture and architectural theory of the 15th to 18th centuries.

Frank Zöllner wrote his doctoral theses on artistic and architectural theory (1987) and Leonardo Da Vinci (1996). He has written numerous publications on the art and artistic theory of the Renaissance and on Paul Klee. Since 1996 he has been Professor of Renaissance and Modern Art at Leipzig University. He is also the author of TASCHEN's XL monograph on Leonardo da Vinci.

Taschen 25 - Special edition!

Michelangelo between earthly passions and fear of God

During the Renaissance, several great homosexual artists - from Leonardo da Vinci and Botticelli to Michelangelo and Raphael - transformed the history of art, striving for ever closer imitation of nature while shaping it to their tastes. In their art ambiguous beings were born, half man, half woman; female breasts were planted on male busts and a young man's gaze peeped out beneath the eyelids of a Madonna.

From his earliest youth Michelangelo transformed personal torment into exquisite creativity - attempting to reconcile the apparently conflicting forces that inhabited him: his earthly passions and his fear of God. Hence the peerless monuments to beauty, celestial and infernal alike, that Michelangelo raised to the glory of God. His predecessors aspired to Heaven through faith alone; Michelangelo sought absolution through the contemplative exaltation of beauty - even on the ceiling of a papal chapel: the Sistine. This exposed him to a chorus of derision from prudish critics, who accused him of exhibiting paganism in a place of religion, and who clothed his immodest Titans in painted "breeches".

It was Michelangelo's curse to remain a colossus outside and apart from his time. It is the birthright of the comet to inspire fear and awe in the spectator; but the spectacle of such glory can sear the tender eye.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Творчество Микеланджело - скульптора, живописца, архитектора и рисовальщика - поистине уникально. Ни один художник не оставил столь обширного, многогранного и разнообразного наследия. Лишь немногие живописцы и скульпторы сумели достичь такого высокого художественного уровня. Фрески Сикстинской капеллы, монументальная скульптура и архитектура Микеланджело намного опередили свое время.
Это богато иллюстрированное издание представляет полное собрание произведений Микеланджело и подробно повествует о его жизни и творчестве. Четыре каталога (скульптуры, живописи, архитектурных проектов и рисунков) анализируют работы мастера.
Большое внимание уделяется личности художника, а также доселе неизвестным обстоятельствам жизни и творчества Микеланджело. В книге поднимаются вопросы атрибуции некоторых рисунков, авторство которых до сих пор является спорным. Эта публикация может послужить материалом для новых дебатов и научных исследований.

Прекрасно иллюстрированное подарочное издание большого формата в суперобложке, с шелковым ляссе. Эта книга будет прекрасным подарком.

With L`Avventura he piqued the world`s curiosity. With La Notte and L`Eclisse, he mystified audiences and broke hearts. With Red Desert, his first color picture, he blurred all the lines between art, cinema, and still photography. Continuing his creative explosion with Blow-Up, Zabriskie Point, The Passenger, and The Identification of a Woman, Michelangelo Antonioni cemented his reputation as the most innovative and artistic filmmaker of his generation. With a plethora of illustrations, drawn in part from Antonioni`s own archives, this book explores his life and career from his earliest documentaries to his latest collaborations.

About the Series:
Every book in TASCHEN's Basic Film series features:

* an introduction to the director and coverage of every film he or she directed
* over 100 scenes from the movies, shots of the director at work, and film posters, with explanatory captions
* rare images from around the world
* informative text by acknowledged experts
* a chronology, filmography, and bibliography

Книга об итальянском художнике раннего барокко Караваджо (1571–1610).

Его живопись и образ жизни провоцировали постоянные скандалы, он был не в ладах с законом и пользовался дурной репутацией. Караваджо неоднократно подвергался арестам и препровождался в тюрьму, чем доставлял большие затруднения своим влиятельным покровителям, вынужденным хлопотать за него.

Караваджо сыграл одну из ключевых ролей в истории изобразительного искусства. Он обладал способностью писать картины в неимоверно быстром темпе, создавая сложные композиции сразу на холсте. Это подтверждает то обстоятельство, что до сих пор не обнаружено ни одного эскиза, рисунка или гравюры художника. Он стал основоположником реалистического направления в живописи; его кисти принадлежат картины, наполненные драматизмом, театральными эффектами, как бы говорящие со зрителем.

Даже создавая картины на религиозные сюжеты, художник приглашал для позирования людей из низов, мало заботясь о реакции общества. Для его композиций характерны подчеркнутые диагонали - направленный луч света выхватывает из мрака фигуры и моделирует их с пластической осязательностью.

Книга состоит из четырех глав, подробно рассказывающих о жизни художника и об истории написания каждой картины, представленной в издании.

В конце книги приводится хронология жизни и творчества мастера.

Книга об универсальном гении, одном из величайших живописцев, скульпторов и архитекторов эпохи Возрождения, предшественнике барокко Микеланджело Буонарроти (1475–1564). Микеланджело оставил также огромное число рисунков, эскизов и картонов. В книге можно ознакомиться и с любовными стихами Микеланджело, продолжающими темы поэзии Петрарки. Поэзия позволяет лучше понять сложную личность необыкновенного художника. Современники называли Микеланджело божественным, благоговейно преклоняясь перед мощью его творческого гения. Прекрасные юноши и обнаженные герои населяют его произведения. Долгое время исследователи игнорировали эту гомоэротическую компоненту в его работах. Морализирующая цензура предпочитала окутывать покровами целомудрия страдания, получившие свое художественное выражение с помощью резца и кисти. Автор книги рассматривает творчество великого мастера через призму его личности, его страданий и переживаний, это позволит читателям глубже понять его творчество. Книга состоит из пяти глав, подробно рассказывающих о жизни художника и об истории написания каждой картины, представленной в издании. В конце книги приводится хронология жизни и творчества мастера, а также перечень событий, которые происходили в это время в искусстве, политике и религии.