Книги по ювелирному искусству

The ultimate go-to guide, The Modern Guide to Antique Jewellery takes the reader on a tour through time, venturing from the 1700s all the way through to the early 20th century. From how to look chic while wearing jewellery that outdates you by 100 years, to how to spot and score the best pieces, this book is a must-read for all enthusiasts and collectors who have an affinity for the jewels of the past.

Fun factual tidbits are presented in a witty, conversational style, and lively narratives explore each piece’s history. Part travelogue, featuring the most influential shops in New York, LA, London, Paris and Amsterdam; part educational guide, with anecdotes from dealers and experts; and part celebration of historical jewellery, this book is an invaluable and accessible reference.

Topics covered include (but are not limited to): how to identify the most popular gemstones, materials, styles and collectible pieces in the market today, and how to select antique jewellery to complement your lifestyle. The Modern Guide to Antique Jewellery will reveal what to look for and where to locate rare finds, as well as how the experts score the pieces that decorate the fingers, ears, necks and wrists of the collector. 

About the Author:

Beth Bernstein has over 20 years of experience in all facets of the jewellery industry. A jewellery historian, author and journalist, her books include If These Jewels Could Talk (ACC Artbooks, 2015), Jewelry's Shining Stars (Fine Points Publishing, 2013) and My Charmed Life (Penguin, 2012). Bernstein has contributed to many magazines, journals and publications including Forbes online, The Plunge.com, Accent, Forum, Departures, Newsday and The Huffington Post, and was Senior Editor for two national jewellery magazines. She launched her own online jewellery magazine in 2017, Bejeweledmag.com. Bernstein lectures at, runs and participates in seminars at various jewellery fairs and educational events.

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In The New Silversmith, jewelry artist Nicole Ringgold shares her cutting-edge sculptural torchwork techniques for creating hand-fabricated, nature-inspired jewelry in sterling silver.

Taking an innovative approach that challenges metalworking’s conventional wisdom, Ringgold creates intricate designs by fusing and carving scraps, and minimizes the need for chemicals by using tools in visionary ways.

- Essentials. An overview of safety rules, as well as metal, tools, and torch and how to use them. 
- Projects. A variety of techniques, illustrated by stunning projects ranging from simple chain designs to a textured branch to a delicate dragonfly, provide inspiration as well as instruction.
- Access to online tutorials. QR codes throughout the book link to concise, silent how-to videos that depict the techniques shown.

With The New Silversmith, you’ll learn to create sumptuous earrings, pendants, bracelets, and rings in sterling silver that celebrate natural forms with this revolutionary, zero-waste approach to jewelry making.

About the Author:

Nicole Ringgold is a silversmith living in Winthrop, Washington, located in the North Cascade mountains. Her art is inspired by her natural surroundings: plants she encounters while hiking through the mountains, the shapes of rocks she plucks from a river, a sound, glimpse, or smell. Her botanical jewelry is hand fabricated, starting with silver sheets and wire, with every piece sawed, soldered, filed, textured, formed, oxidized, and polished. Her intention is to recreate natural forms in silver with as much detail as possible, with the goal of making the metal appear alive. She teaches silversmithing workshops in her home studio and around the world. For more about Nicole’s work, workshops, and tutorials, visit nicoleringgold.com and @ringgoldnicole on Instagram.

The scandals, mysteries, and human stories behind the world’s greatest gems are brought to life by the curator of the Smithsonian’s National Gem Collection

Dr. Jeffrey E. Post, curator of the National Gem Collection for more than 25 years, separates fact from fiction in an all-new and original book, revealing fresh information and regaling the reader with anecdotes and tales of some of the world’s greatest and most famous gemstones. Dr. Post is the author of the now out-of-print book The National Gem Collection (Abrams, 1997), which has sold more than 50,000 copies. In this brand-new book, he tells the stories of the Smithsonian’s most famous gems, including the Hope Diamond, Star of Asia Sapphire, Carmen Lucia Ruby, Hooker Emerald, and Blue Heart Diamond — and also presents the tales, details, and fascinating facts surrounding rarely displayed gems from the Smithsonian vault and additions made to the collection since 1997. Not only a resource for learning about rare and beautiful gems, the book also presents the stories of the people who once owned or were associated with these jewels — from ordinary people to kings, emperors, maharajas, celebrities, and captains of industry.

About the Author:

Dr. Jeffrey Edward Post has served as curator of the U.S. National Gem and Mineral Collection since 1991. Dr. Post lives in Washington, D.C.

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A fully illustrated authoritative and comprehensive step-by-step manual for jewellery making techniques, materials and design

The focus is on detailed explanation – with clear step-by-step photography used extensively – displaying expert techniques aimed at professional jewellers but also accessible to students of any level seeking a ‘bible’ of their craft.

The Workbench Guide Brings together a vast range of skills, techniques and technical data in one volume, to provide an essential look-up resource for both students and professionals.

• Jewelry-making materials from precious metals and gemstones to ‘smart’ plastics,
vintage textiles and found objects
• Clear instructions and step-by-step photography
• Examples of cutting-edge jewellery pieces made by designers from around the world
• Practical aspects of making a business out of making jewellery
• Approaches to the creative process of jewellery design, from initial sketch to prototype.
• Workshop safety and procedures for outsourcing work to specialist external suppliers
• Exhaustive directory of tools – from simple hand tools to advanced machinery
• What to buy for a ‘beginner’s kit’.

Understanding Jewellery is a comprehensive guide to 19th and 20th Century jewellery. From the methods used to identify and date pieces, to the factors that can affect their value, this volume contains an abundance of expertise relating to precious stones and metals. With almost 1000 magnificent colour illustrations accompanied by straightforward but thorough explanations, this publication offers a richer and more accessible reading experience than traditional text-dominated books.

Including introductions to precious and semi-precious stones, and details of the stylistic developments of jewellery over the last 200 years, this volume is a standard work of reference and aninvaluable tool for collectors and dealers alike.

- Brings together in one volume identification and dating of jewellery made in the last 200 years
- Almost 1,000 superb colour illustrations to help facilitate identification and understanding
- Written in straightforward, non-technical English
- A standard work of reference

About the Authors:

David Bennett is the Worldwide Chairman of Sotheby’s International Jewellery Division and the Chairman of Sotheby’s Switzerland. He has sold four out of the five most expensive jewels in auction history. Having worked as an auctioneer at the firm since 1978, Bennett is renowned internationally as an authority on jewellery. He played a key role in numerous illustrious sales, such as the ‘Jewels of the Duchess of Windsor’ (1987), a tiara from the Collection of Princess Katharina Henckel von Donnersmarck (2011) and Henry IV of France’s Beau Sancy (2012).

Daniela Mascetti is Sotheby’s Chairman of Jewellery in Europe. She joined Sotheby’s in 1980, opening the firm’s Milan-based department. She is one of Sotheby’s most experienced scholars in the history of jewellery, and has collaborated extensively in the sales of historic collections. Her research has assisted with several notable auctions, from The Jewels of the Duchess of Windsor to the collections of Elton John and Gina Lollobrigida.

Understanding Jewellery, by authors David Bennett and Daniela Mascetti, is often described as the must-have jewellery book of our time – a ‘Bible’ in the jewellery trade. First published in 1989, it has remained in print ever since, amassing a loyal following of devotees who admire its detailed information and stunning imagery.

In this new work, Bennett and Mascetti have taken the original concept of Understanding Jewellery a stage further. Now, with the benefit of 20 years of hindsight, they have concentrated on the 20th century alone by conducting a detailed survey of each decade, identifying the key players, trends and movements. The book is an encyclopedic history of the various forms, techniques and materials employed by the companies and individuals who defined jewellery in the 20th century.

Most significantly, this book includes a new set of photographs, which make Understanding Jewellery: The Twentieth Century one of the most dazzling, absorbing and varied collections of jewellery images ever assembled in a book. This large format hardback volume is a perfect gift for all lovers of jewellery and the definitive guide for those who desire a deeper understanding of the subject. 

About the Authors:

David Bennett is the Worldwide Chairman of Sotheby’s International Jewellery Division and the Chairman of Sotheby’s Switzerland. He has sold four out of the five most expensive jewels in auction history. Having worked as an auctioneer at the firm since 1978, Bennett is renowned internationally as an authority on jewellery. He played a key role in numerous illustrious sales, such as the ‘Jewels of the Duchess of Windsor’ (1987), a tiara from the Collection of Princess Katharina Henckel von Donnersmarck (2011) and Henry IV of France’s Beau Sancy (2012).

Daniela Mascetti is Sotheby’s Chairman of Jewellery in Europe. She joined Sotheby’s in 1980, opening the firm’s Milan-based department. She is one of Sotheby’s most experienced scholars in the history of jewellery, and has collaborated extensively in the sales of historic collections. Her research has assisted with several notable auctions, from The Jewels of the Duchess of Windsor to the collections of Elton John and Gina Lollobrigida.

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The father of modern jewellery, the golden engineer, the King of Bling… These are just some of the epithets assigned to Andrew Grima, the British genius who marched in the vanguard of a 1960s London-based movement that created a new vocabulary for jewellery design.

Jeweller to the royals and the jet set, to the rule makers and the tastemakers, Grima was a feted celebrity who appeared on talk shows, in Pathé newsreels and in advertisements for Canada Dry. He won The Queen’s Award for Export, The Duke of Edinburgh’s Prize for Elegant Design and a record 11 De Beers Diamonds International Awards (the ‘Oscars’ of the jewellery world).

This book illuminates the career of a man who participated in a golden age of British creativity. It contains a dazzling array of never-before-seen sketches, designs and photographs from the Grima archives and includes a sparkling preface from the doyen of jewellery experts, TV celebrity Geoffrey Munn. A must-buy publication for art and jewellery lovers alike.

“Since discovering the work of Andrew Grima, I have not only become a collector of his exquisite creations, I have also become one of the many to be inspired by his unique and inimitable designs. Each piece of jewellery, each watch, each object is a sculpture.” – Marc Jacobs

 “His work, his style, is completely identifiable, it’s unique.” – James Taffin de Givenchy

- The first major monograph on Andrew Grima, arguably Britain's greatest jewellery maestro
- A glittering retrospective that encompasses Andrew Grima's life, career and legacy
- Detailed pictures demonstrate Grima's impeccable artistry as a modernist designer
- Preface by TV celebrity and Antiques Roadshow expert, Geoffrey Munn

About the Author:

William Grant is the husband of Andrew Grima's second wife Jojo, and step-father to their daughter Francesca. He therefore has unique access to the family history and has thoroughly investigated the verbal and written testimony about Grima, as well as the brand's extensive archives.

The name Fabergé has long been a byword for luxury. Combining an entrepreneurial vision for craftsmanship with innovative material sourcing and technical ability, Carl Fabergé created an astonishing array of bespoke jewelled and enamelled objects at the end of the 19th and beginning of the 20th century.

This beautifully illustrated book explores the history and legacy of the House of Fabergé, from its origins in Russia – and its role in the glamorous world of the Romanovs – to global recognition. Much of the story is familiar, but less well-known is the important part played by the London branch. Opened in 1903, and the only one outside Russia, it became a choice destination for Edwardian high society and an international clientele. Featuring over 120 pieces, from delicate flowers to Imperial Easter eggs, and with contributions from leading experts Fabergé: A Russian Love Affair celebrates the enduring fascination with this master craftsman’s works.

Fabergé in London: Romance to Revolution

This exhibition explores master goldsmith, Carl Fabergé – whose internationally recognised firm symbolised Russian craftsmanship, luxury and elegance – and the Anglo-Russian relationship which saw the opening of a London branch in 1903.

About the Authors:

Kieran McCarthy is the Managing Director at Wartski.

Hanne Faurby is Project Curator of the Fabergé: a Russian Love Affair exhibition at the V&A.

Celebrated world-wide for his modern romantic jewels that push the boundaries of contemporary design, Shaun Leane has been responsible for creating a new genre of jewellery; precious, poetic, with a sense of eternity, yet relevant to today’s world.

Illustrated with a breath-taking combination of high fashion shots and detailed close-ups of the pieces themselves. Captured by photographers Nick Knight, Robert Fairer and Chris Moore, along with a dedicated photo essay of unseen backstage images recorded by Leane’s close friend Ann Ray.

Shaun Leane is introduced by the jeweller himself, then divided into three distinct parts: His heritage and training, by Joanna Hardy; reflections on Leane’s famous collaboration with Alexander McQueen, by Claire Wilcox; and his modern classic commercial jewellery style, by Vivienne Becker. Altogether, this book provides a vital overview of an artist that will be of interest to anyone who follows the contemporary jewellery and fashion scene.

- Introduction from Shaun Leane and essays by three esteemed authors: Joanna Hardy, Claire Wilcox and Vivienne Becker
- Featuring multiple, stunning, unseen photographs by world renowned photographers
- A comprehensive visual record of the life's work of this renowned jewellery designer, known for his work with Alexander McQueen
- An exceptional book, printed to the highest standards

About the Authors:

Joanna Hardy is a gemologist, offering consultancy and evaluation. She brings her substantial knowledge of the field to this book, having worked for De Beers, Philips and Sotheby's. With Thames & Hudson, she has previously published Collect Contemporary Jewelry, Emerald and Ruby. She is a regular guest on Antiques Roadshow. 

Claire Wilcox is the Chair in Fashion Curation at the London College of Fashion as well as Senior Curator of Fashion at the Victoria & Albert museum since 2004. Among the exhibitions she curated at the V&A are Vivienne Westwood (2004) and From Club to Catwalk: London Fashion in the 1980s (2013) and Alexander McQueen: Savage Beauty (2015). 

Vivienne Becker is a jewellery writer, historian and journalist, having authored several books on the subject. She is a Contributing Editor to How to Spend It magazine (Financial Times), and her list of published books include Art Nouveau Jewelry, Fabulous Costume Jewellery and Read My Pins: Stories from a Diplomat's Jewel Box, which topped the NY Times bestseller list

The Art of David Webb celebrates the designer’s dedication to artistry over more than seven decades.

When David Webb came to New York at the age of 17, he was captivated by the museums, architecture, and fashions of the day. By the time he opened shop in 1948, the city had become his muse. In his only published article, “Why Not Hang Gems?,” of 1963, he wrote that jewelry deserved to be regarded as art and collected by museums.

That conviction fuels The Art of David Webb. Here is jewelry shown as art in more than 120 images — all specially photographed for this book—that speak to the variety of artistic and cultural periods that inspired David Webb and the company he founded. Examples include David Webb's enameled and diamond Mondrian Bracelet, an homage to Piet Mondrian’s Broadway Boogie Woogie and Yves Saint Laurent’s 1960s sheath dress with its famed color blocking; a gemstone-rich dragon brooch taken from a Scythian animal pommel; and a scored rock crystal and diamond bracelet that updates art deco classics. Throughout, work by painters, sculptors, photographers, architects, and couturiers form a visual dialogue with the sumptuous David Webb jewelry. The imaginative pairings, in-depth descriptive captions, and elegantly designed publication are resounding proof that jewelry is both art and culture.

About the Authors:

Ruth Peltason is an author, editor, jewelry historian, and lecturer. Her books include Elizabeth Taylor: My Love Affair with Jewelry, which made the New York Times Bestseller List; Living Jewels; and David Webb: The Quintessential American Jeweler, named the best gift book of the year in 2013 by the Los Angeles Times. 

David Webb has long been the leading American jeweler of bold, modern works, best known for hand-hammered gold, colorful enamel, exquisite rock crystal pieces, and signature animal motifs. All of the jewelry is made by master craftsmen and women in the company’s workshop in New York.

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This book is a poetic and timeless memento, a voyage into the heart of jeweler Van Cleef & Arpels’ universe to discover their creations.

This opus, arranged as an alphabetical guide, is a veritable A-Z lexicon that revisits the themes and codes of the famous jeweler: indispensable historical references to emblematic jewels, precision watchmaking and jewelry-making techniques demonstrating unique savoir faire, and artistic collaborations. Fabienne Reybaud’s lively text leads the reader into the center of an enchanting world where everything wondrous and fantastical serves as an ever-rejuvenating source of inspiration and creativity.

This poetic and timeless memento is magnificently illustrated with fabulous miniature worlds inhabited by the masterpieces that have forged the international identity and renown of the jewelers Van Cleef & Arpels.

About the Author:

Fabienne Reybaud is a distinguished editor specialized in the luxury world, notably in jewelry and watchmaking. She writes for the most prestigious French publications and has published more than ten books, including Jewelry Guide: The Ultimate Compendium (Assouline, 2022), Louis Vuitton Tambour (Thames & Hudson, 2022), Effortless Style: Casa Lopez with Pierre Sauvage (Flammarion, 2018), Rolex: The Impossible Collection (Assouline, 2018), Watches: The Ultimate Guide (Assouline, 2006/2010), and 100 Montres de Légende with Frédéric Ramade (Solar,1999).

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Costume jewellery is commonly understood to mean fashionable yet affordable adornments made from non-precious material. Originating in in mid-1700s France with the rise of the bourgeoise, the earliest ‘costume jewellery’ mimicked fine jewellery styles. Since then, costume jewellery has always been evolving. From Victorian sentimentalism to the mass-produced ornaments available today, costume jewellery has developed into an artform in its own right. An encyclopaedic study of its history is long overdue. Flush with expert information, identification tips and historical anecdotes, Adorning Fashion explores the development of costume jewellery across the past four centuries. The styles of each era – Victorian, Edwardian, Arts & Crafts, Jugenstil, Art Nouveau, and each decade of the twentieth century – are given individual attention. Production methods are also explained in depth. Alloys and gilded electroplating can mimic silver and gold, while the refraction index of treated glass can, to the untrained eye, be mistaken for diamond.

Adorning Fashion discusses the contributions of a remarkable roster of designers and innovators, including Kokichi Mikimoto, Arthur L. Liberty, Carlo Giuliano, René Lalique, Elizabeth Bonté, the Castellani brothers, Jean Fouquet, Jean Després, Fulco di Verdura, Jean Schlumberger, Salvador Dalí, Miriam Haskell, Lina Baretti, Countess Cissy Zoltowska, Line Vautrin, Kenneth Jay Lane, Francisco Rebajes, Diane Love, Christian Dior, Balenciaga, Chanel, Van Cleef & Arpels, Paco Rabanne, Yves Saint Laurent, Napier, Haskell, Trifari, Brania, Bulgari, Versace and more.

- Definitive, comprehensive overview of costume jewellery
- Follows the evolution of costume jewellery from bourgeois France to the present day
- Lavishly illustrated reference book - a must-buy for jewellery enthusiasts and fashion historians
- Includes a remarkable range of designers including Lalique, Fouquet, Dior, Balenciaga, Versace and many more

About the Author:

Deanna Farneti Cera has been researching and writing on the subject of vintage jewellery for over thirty years. An international expert on European and American fashion jewellery, Deanna was the curator and acting Vice Director at the Municipal Gallery of Modern Art in Bologna from 1975-1980, and has curated the exhibitions Le giolie di Hollywood - American Designers of Fashion Jewellery 1920-1960 (1987) and Jewels of Fantasy (1991). She wrote the book Bijoux (Federico Motta Editore, 2010), which was translated into Costume Jewellery (UK Edition) and Amazing Gems (US Edition). Deanna lives and works in Mila

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The definitive catalogue of an unparalleled collection of Indian jewelry and luxury objects made at the height of the Mughal empire and the Deccan sultanates.

This is the definitive catalogue of an unparalleled collection of Indian jewelry and jewelled luxury objects made at the height of the Mughal empire and Deccan sultanates in the 16th and 17th centuries. The collection, widely regarded as one of the finest in the world, was assembled by Sheikh Nasser and Sheikha Hussa al-Sabah for The al-Sabah Collection, Kuwait, and reveals the beauty, sophistication and diversity of Indian jewelled arts.

The Indian subcontinent is naturally rich in gems. From ancient times master jewellers developed a wide array of unique techniques and made it home to the most sophisticated jewels on earth. Exotic birds and animals, flowers, trees and mythological scenes rendered in precious gemstones, gold and enamel demonstrate these artists’ prodigious imagination and skill. They produced not only an unmatched range of jewelry to adorn the body but also ritual and household items of astonishing refinement and luxury, as well as extravagantly large engraved gemstones to serve as symbols of their princely patrons’ royal power – including a spinel of nearly 250 carats believed to be the legendary Timur Ruby.

This volume includes not only the finest and most valuable pieces in the collection – some familiar to connoisseurs, others published here for the first time – but also many previously unknown types that extend our understanding of artistic output in the region. With specially commissioned photography giving unprecedented new views of more than 300 jewelled objects, this is a publication of historic importance and beauty, for all lovers of jewelry, the arts of India and of the Islamic world.

About the Author:

Salam Kaoukji is curator and collection manager of The al-Sabah Collection, Kuwait, and an editor of Thames & Hudson’s long-running and acclaimed series of catalogues. Her previous books include Precious Indian Weapons and other Princely Accoutrements (2017) and Treasury of the World: Jewelled Arts of India in the Age of the Mughals (with Manuel Keene, 2001).

With lip art worthy of a museum, this collection showcases the magic Vlada Haggerty creates with lipstick.

From opulent to optical illusion, Haggerty’s art is a blend of makeup and magic that transforms her lips into canvases. Makeup artist royalty, her work is washed across the Internet, lips dripping and bedazzled, transformed by talent and a vision that’s helped shape the beauty industry.

Featuring over 200 photographs of Haggerty’s work, Art of the Lip is a sumptuous tome to flip through and marvel at the minute-painted details on her lips in each photo. Gloss, lipstick, sequins, and jewels transform Haggerty’s skin in hundreds of different images, with looks inspired by nature, jewelry, pop culture, and more.

Much more than just lipstick, Haggerty’s art is a showcase of makeup’s power and an artist’s innovation.

About the Author:

Vlada Haggerty is a Ukrainian cosmetic artist based in Los Angeles. She works as a makeup artist, beauty and cosmetic photographer, and lip artist. Her makeup and photography have been featured in publications internationally, including Harper’s Bazaar Ukraine, Harper’s Bazaar Kazakhstan, Vogue México, Vogue India, Cosmopolitan, Refinery29, Make-Up Artist Magazine, and many, many more. She has worked with Smashbox Cosmetics as their Lip Editor in Chief and her worked has inspired makeup artists everywhere.

Fabergé, Tiffany, Lalique — these great designers came together only once to display their goods in what was probably the most opulent exhibition ever mounted. At the 1900 Exposition Universelle in Paris, the three strove to position themselves ahead of their many competitors in the luxury market, each presenting his jewelry and home adornments as high art. Their success is explored in this splendidly illustrated catalogue, which elucidates the prewar pinnacle of European culture.

The array of displayed objects was mesmerizing: Tiffany glass, Easter eggs to dazzle the Czars, realistic insects created in precious materials as sinister decorations. Many of these bore influences of the advanced art of the time, such as Art Nouveau, Viennese modernism, and symbolism, and of styles from around the world.

Four essays discuss the works in the context of their times, illuminate the high societies served by the three masters, and trace the cultural trends behind their extraordinary creations. A treasure of accompanying photographs shows the individual exhibits, scenes from the World's Fair, and the glitterati who wore the jewelry. 

About the Authors:

Stephen Harrison is curator of decorative arts at the Cleveland Museum of Art. 
Emmanuel Ducamp has written and lectured widely on Russian and French decorative arts. 
Jeannine Falino is an independent curator, formerly the Carolyn and Peter Lynch Curator of Decorative Arts and Sculpture at the Museum of Fine Arts, Boston.