This heavily illustrated mid-career monograph documents the thirty-year creative journey of eight-time Academy Award-nominated writer and director Paul Thomas Anderson, from his early short films through his latest features.

A heavily illustrated mid-career monograph exploring the 30-year creative journey of the 8-time Academy Award–nominated writer and director

Paul Thomas Anderson has been described as a true auteur and among the foremost filmmaking talents of his generation. His films have received 25 Academy Award nominations, and he has worked closely with the finest actors of our time, including Daniel Day-Lewis, Joaquin Phoenix, and Philip Seymour Hoffman. In Paul Thomas Anderson: Masterworks, Anderson’s entire oeuvre — from Boogie Nights (1997), There Will Be Blood (2007), and The Master (2012) to his music videos for Radiohead to his early short films—is examined in illustrated detail for the first time.

Anderson’s influences, his style, and the recurring themes of reinvention, alienation, destiny, and ambition that course through his movies are analyzed and supplemented by firsthand interviews with Anderson’s closest collaborators and illuminated by film stills, archival photos, original illustrations, and a vibrant, engaging design aesthetic. Masterworks is a tribute to the dreamers, drifters, and evil dentists who populate his world.

Anderson has been described as “one of American film’s modern masters” and “the foremost filmmaking talent of his generation.” His films have received more than 25 Academy Award nominations, and he has worked closely with many of the most accomplished actors of our time, including Lesley Ann Manville, Julianne Moore, Daniel Day-Lewis, Joaquin Phoenix, and Philip Seymour Hoffman.

Film critics and fans are constantly looking forward to what he might create next and discuss the meaning and technical aspects of his movies and their most famous scenes. Mark Wahlberg in Boogie Nights, Daniel Day-Lewis in There Will be Blood, and Joaquin Phoenix in The Master are not just memorable movie performances, they are the stuff of Hollywood legend.

It also covers his music videos for Radiohead and his early short films. All are examined and illustrated in detail. Anderson’s influences; his style; and the recurring themes of alienation, reinvention, ambition, and destiny that course through his movies are analyzed and supplemented by firsthand interviews with his closest collaborators — and illuminated by film stills, archival photos, original illustrations, and an appropriately psychedelic design aesthetic.

Paul Thomas Anderson: Masterworks is a tribute to the dreamers, drifters, and evil dentists who populate his world.

About the Author:

Adam Nayman is the author of The Coen Brothers: This Book Really Ties the Films Together and is a contributing editor to Cinema Scope.

Adam Nayman’s David Fincher: Mind Games is the definitive critical and visual survey of the Academy Award– and Golden Globe–nominated works of the celebrated director.

From feature films Alien 3, Se7en, The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network, The Girl With the Dragon Tattoo, Gone Girl, and Mank through his MTV clips for Madonna and the Rolling Stones and the Netflix series House of Cards and Mindhunter, each chapter of David Fincher: Mind Games weaves production history with original critical analysis, as well as with behind the scenes photography, still-frames, and original illustrations from Little White Lies’ international team of artists and graphic designers. The book also features interviews with Fincher’s frequent collaborators, including Jeff Cronenweth, Angus Wall, Laray Mayfield, Holt McCallany, Howard Shore, and Erik Messerschmidt.

Grouping the director’s work around themes of procedure, imprisonment, paranoia, prestige and relationship dynamics, David Fincher:Mind Games is styled as an investigation into a filmmaker obsessed with investigation, and the design will shift to echo case files within a larger psychological profile.

About the Author:

Adam Nayman is the author of Paul Thomas Anderson: Masterworks (Abrams, 2020) and The Coen Brothers: This Book Really Ties the Films Together (Abrams, 2018) and is a contributing editor to Cinema Scope.

Little White Lies is one of the world’s pre-eminent film magazines, pairing a unique editorial angle with beautiful illustrations and world-class design.

From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text — biography, close film analysis, and enlightening interviews with key Coen collaborators — with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre.

About the Author:

Adam Nayman is a contributing editor for Cinema Scope and writes on film for The Ringer, Sight and Sound, Reverse Shot, and Little White Lies. He has written books on Showgirls and the films of Ben Wheatley, and lectures on cinema and journalism at the University of Toronto and Ryerson University.

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