Included for the first time in one volume are all Galle's major works of furniture, both those he designed as unique pieces for an exclusive clientele and those he displayed at two World Expositions and at the annual Paris Salons between 1889 and his untimely death in 1904

Emille Gallé was one of the great names of the Art Nouveau movement in France, and founder of the famous École de Nancy. A polymath and committed social activist, he was best known for his glasswork and faience. Furniture became his third discipline after experimenting with the manufacture of wooden bases on which he could mount his glass vases.

Following the French tradition of furniture decoration known as marqueterie, his work is characterised by its meticulous decorative veneers, stained with subtle organic dyes; and panels inlaid with stunningly intricate country scenes and flowers.

This important book outlines all of Galle's major works of furniture, from the pieces uniques that were designed for an exclusive clientele, to those displayed between 1889 and 1904 at the annual Paris Salons and two World Expositions. The recent emergence of many of his objets de luxe enables the reader to understand many of his pieces for the first time.

Written by Decorative Arts specialist Alastair Duncan, Gallé Furniture documents the history of Gallé's furniture production from his favourite motifs to the ways in which he used furniture design to express his social and political ideals. Duncan includes an encyclopedic range of models created in the Gallé Workshops both during and after his lifetime. Beautifully illustrated, and containing translations of Gallé's 'Notes to the Juries' of the World Expositions, this stunning publication will leave the reader captivated by this remarkable expression of the new art that changed the European aesthetic forever.

Sumptuously illustrated with over 1,000 illustrations and written by one of the world’s leading experts, Art Deco Complete will be the definitive work on the subject for many years to come.

In the most comprehensive account of the decorative arts of the Art Deco period ever assembled, Alastair Duncan celebrates the rich variety of form and diverse international roots that have made it a perennial favourite of collectors and a constant source of inspiration for designers.

Straddling two World Wars and the Great Depression, ushering in the Jazz Age and the era of the automobile and skyscraper, and shaping everything from the Golden Gate Bridge to the humble desk lamp, the story of Art Deco is the story of our modern world.

In its purest forms, it developed from a characteristically French image of luxury and refinement. Later, modernist European and American designers incorporated metal and plastic in styles described as ‘Streamline Moderne’, but which are now called ‘Deco’. Although Paris was the spiritual home of the movement, Art Deco was a truly global style, with designers from every country in Europe and the Americas inspired by a vast international catalogue of artistic and craft traditions.

The guide begins with essays on the major media of the period: Furniture and Interior Decoration; Sculpture; Paintings, Graphics, Posters and Bookbinding; Glass; Ceramics; Lighting; Textiles; Silver, Metal, Lacquer and Enamel; and Jewelry, each followed by lavishly illustrated in-depth biographies of the major designers and artists working in the medium.

The second half of the book is an authoritative illustrated A–Z listing of all significant designers in the Art Deco style, comprising over four hundred entries.

About the author:

Alastair Duncan was for many years an officer and consultant of Christie’s, New York, and is now an independent consultant on the decorative arts of the 19th and 20th centuries. He is the author of many books on the Art Deco period, including Art Nouveau and Art Deco Lighting, Art Deco Furniture, American Art Deco and Art Nouveau and Art Deco Bookbinding.

With over 1000 illustrations in colour and black and white

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Стильно оформленное, прекрасно иллюстрированное подарочное издание большого формата в суперобложке, упакованное в оригинальный подарочный футляр.

Это самая полная энциклопедия, посвященная искусству ар деко, за всю историю изучения стиля. Ар деко считается наиболее изысканным из всех декоративных стилей ХХ века, он возник на основе типично французского представления о роскоши и утонченности, что в 1920-е годы нередко выражалось в использовании экзотических материалов. Богатство и разнообразие форм, множество заимствований из других культур – характерные особенности стиля, благодаря которым ар деко не перестает быть фаворитом коллекционеров и источником вдохновения дизайнеров нового поколения.

Энциклопедия начинается серией эссе, посвященных мебели и декору интерьеров, скульптуре, живописи, графике, плакату и книжным переплетам. Предметом тщательного исследования являются  также художественное стекло, керамика, освещение, текстиль и ювелирные изделия. Каждая глава сопровождается иллюстрациями и подробными биографиями выдающихся мастеров. 

Art Deco is one of the most exciting chapters in the history of the decorative arts. Conceived in France before the First World War, it spread throughout Europe and had its greatest and most spectacular success in the United States. Myriad influences shaped the style – Cubism, Constructivism, Orientalism, the Ballets Russes, the Bauhaus – and its exponents included many of the century’s most celebrated artists, designers and craftsmen.

The catalogues of the Paris Salons at the turn of the 19th to the 20th century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development, the five previous volumes covering Jewellery, Furniture, Ceramics and Glass, and Objets d'Art.

The fabric designers of the Art Nouveau style who exhibited at the Paris Salons produced a remarkable oeuvre in printed and woven fabric, silk, lace, embroidery and tapestry.

Bookbinding was, and still is, a well-established French tradition, and bibliophiles commissioned unique bindings from artist-designers who, at the same time, were also creating and exhibiting non-bound leather goods - handbags, blotters, upholstery.

This volume is probably the most important in the series. Because of wear and tear, practically none of the approximate 1,200 textile and leatherware pieces illustrated have survived outside museum collections or appeared at auction, unlike the items covered by the earlier volumes.

‘As good a treatment of this subject as one could ever hope for’ – Los Angeles Times

After its initial explosion in mid-1920s Europe, American designers began to make their own contribution to the style of Art Deco. Most of the important buildings of the 1930s were embellished with Art Deco ornamentation — from the Oviatt Building in Los Angeles to New York’s romantic Chrysler Building. The style was adopted in Hollywood and Art Deco became part of the background of ordinary people.

A dynamic American tradition developed in virtually all the applied arts, as demonstrated by the dazzling illustrations in this book. In chapters covering subjects such as furniture, silverware, glass, architecture, sculpture and painting, jewelry and world fairs, Alastair Duncan explores this wide and exuberant subject, reassessing the work of such gifted artists as Donald Deskey, Paul Manship, Gilbert Rohde, Walter von Nessen, and many others whose vision helped to transform American art and design.

Posters by their very nature are ephemeral: crookedly plastered on a roadside billboard, tacked to the back of a tabac, they lasted a few weeks until advertisers issued another imaginative argument for soap or an ocean voyage. While few contemporary observers understood the richness of their design or appreciated the ingenuity of their unsung creators, they are now highly prized. William Crouse, long-time poster aficionado, has selected over three hundred of the most sought-after examples of poster art created between the wars to include in this definitive volume.

Organized thematically into subject categories (aviation, communication, fashion, etc.), The Art Deco Poster presents a jaunty cavalcade of international poster design and includes highly rare and even unique examples by masters of the art form, including Nizzoli and Beall.

Each poster — digitally photographed under carefully controlled conditions — is accompanied by an expanded caption that addresses the aesthetic, sociological, economic, and/or political context of the image. Introduced by Art Deco specialist Alastair Duncan, The Art Deco Poster is an essential addition for all interested in graphic design, Art Deco, and life and culture between 1919 and 1939.

William W. Crouse is a long-time collector of twentieth-century posters. He is the author of Grand Prix Automobile de Monaco Posters: The Art, The Artists, and the Competition 1929–2009. He lives in Florida and New York.

Alastair Duncan was for many years an officer and consultant of Christie’s, New York, and is now an independent consultant on the decorative arts of the nineteenth and twentieth centuries. He is the author of many books on the Art Deco period, including Art Deco Complete, Art Nouveau and Art Deco Lighting, Art Deco Furniture, American Art Deco and Art Nouveau, and Art Deco Bookbinding. He lives in New York.

Over 300 of the most sought-after examples of poster art created between the wars are included in this definitive volume.

This cavalcade of international poster design is organized by subject: aviation, communication, fashion and many more. Featuring rare and even unique examples by masters of the art form, including Nizzoli, Cassandre and Beall, each poster – carefully re-photographed – is accompanied by an extended caption that addresses the aesthetic, social, economic, and/or political context of the image.

Posters were by their very nature ephemeral: on a billboard or tacked to a newsstand, they lasted only a few weeks until advertisers issued another argument for a soap or an ocean voyage. While few contemporary observers understood the richness of their design or appreciated the ingenuity of their unsung creators, they are now highly prized by collectors.

Introduced by Art Deco specialist Alastair Duncan, The Art Deco Poster is an essential book for all interested in graphic design, Art Deco, and life and culture in the Jazz Age.

About the Authors:

William W. Crouse is the author of Grand Prix Automobile de Monaco Posters: The Art, The Artists and the Competition 1929-2009.
Alastair Duncan is the author of many books on the Art Deco period, including Art Deco Complete, American Art Deco, Art Deco and Art Deco Furniture, Art Deco Furniture: The French Designers

Illustrated survey with expert on Tiffany glass as its guide. Topics include traditional and stained glass items; Tiffany revival; varieties of glass and tools; soldering; cutting glass; design; window ornaments; lead cane lampshades; copper foil techniques. For crafters at every level of experience. 252 black-and-white illustrations. 8 full-color illustrations. Bibliography. Index.
Unabridged republication of the edition published by B. T. Batsford Ltd., London, 1975.

Alastair Duncan introduces us to the work of more than eighty architects, furniture makers and interior designers. The colour and monochrome photographs – almost all of them specially commissioned for this book – form a valuable portfolio of Art Deco furniture for anyone seeking comprehensive information about this design movement. This volume will have lasting appeal for collectors as well as the general public.

The catalogues of the Paris Salons from the turn of the century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development. These volumes contain over 5,500 illustrations of items of jewellery by leading designers such as Boucheron, Chaumet and Lalique. The pictures have been sourced and re-photographed from the original and often rare catalogues. They have been rearranged alphabetically by artist-designer thus providing an indispensable and practical reference for this seminal twenty-year period. They are a unique source for identification and authentication and an invaluable key both to design ideas and the jewellery of the period.

The catalogues of the Paris Salons from the turn of the century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development. These volumes contain over 5,500 illustrations of items of jewellery by leading designers such as Boucheron, Chaumet and Lalique. The pictures have been sourced and re-photographed from the original and often rare catalogues. They have been rearranged alphabetically by artist-designer thus providing an indispensable and practical reference for this seminal twenty-year period. They are a unique source for identification and authentication, and an invaluable key both to design ideas and the jewellery of the period.

This beautiful and comprehensive work illustrates a seemingly inexhaustible selection of the oil and electric light fixtures issued by the Tiffany studios: table and floor lamps, chandeliers and sconces. Also included are the other metalware items produced by the firm, including fancy goods, desk sets, miscellaneous household goods such as toiletry and smoking accessories, inkstands, candlesticks, photograph frames, book ends, tea screens, clocks, tobacco jars, humidors - the list is almost endless.

Tiffany Lamps and Metalware is the ultimate pictorial reference work for both enthusiasts and collectors of Tiffany. There is a comprehensive index that cross-references the firm's original model numbers to the illustrations.

Alastair Duncan, the world-renowned authority on Louis C. Tiffany, has produced the definitive work on America's premier artist-designer, examining every facet of Tiffany's unrivalled achievements in a lifetime consecrated, in his own words, to 'The Quest of Beauty'. As Tiffany's wares have continued to rise in popularity since their resurgence in the market-place in the 1950s, many collectors have focused solely on lamps, others on glassware, while others again have assembled collections encompassing several Tiffany disciplines, for example, a handful of lamps, vases, fancy goods, and a window or painting or two. Only Takeo Horiuchi, however, has set out to build a comprehensive collection that incorporates masterworks in each and every artistic discipline to which Tiffany applied himself: Paintings, Furniture, Windows, Mosaics, Art Glass, Lamps, Fancy Goods, Metalware, Enamelware, Silver, Pottery and Jewellery. This book, based on the superlative Louis C. Tiffany Garden Museum Collection formed by Mr. Horiuchi, presents a unique overview of every aspect of Tiffany's talent. For the first time it is possible to see, gathered together 'under one roof', the range of Louis C. Tiffany's creativity - from his famous lamps and windows to his lesser-known paintings and furniture. Every piece in the collection is reproduced in colour, often complemented by extracts from contemporary art revues and the Tiffany firm's sales catalogues, advertisements and price lists, while photographs show them in their original domestic settings, or in the firm's showrooms or international expositions at which they made their debuts. Tiffany's workshops are also illustrated, as well as the logbook entries of its artisans and annotated sketches of its designers. This wealth of illustrative material is accompanied by Alastair Duncan's detailed and evocative descriptions of the workshops, materials, manufacturing processes, the rich and famous who patronised Tiffany, their commissions, and the colourful personalities of the team of artist-craftsmen with whom Tiffany surrounded himself. This book provides a beautiful and comprehensive picture of every artistic discipline to which Tiffany applied himself, a true testament to his extraordinary talent.