A major monograph on Asia’s leading interior designer

André Fu is one of Asia’s leading interior designers. When his design for the world-renowned The Upper House hotel in Hong Kong opened ten years ago, he became an overnight sensation around the world. As one of Asia’s most widely sought-after interior designers, the Hong Kong-based designer has gone on to create forward-thinking interiors for other major hotels, restaurants and leading brands, including Louis Vuitton, The Berkeley (London) and Waldorf hotels. This showcase of his works to date features eighteen recent projects around the world and provides fresh insights into Fu’s creative process, including his hand-drawn sketches and mood boards, as well as an introductory essay that explores Fu’s key influences and the importance of his unique and highly refined East-meets-West aesthetic. With an illustrated chronology of all the designer’s works to date, this rich overview presents the award-winning vision of interior design’s rising star, not only in Asia but across the world.

Contents List:

Foreword by Paddy McKillen • Preface • Introduction by Catherine Shaw • Waldorf Astoria Hotel, Bangkok • St. Regis Hong Kong • Perrotin Shanghai • Akira Back, Seoul • The Mitsui, Kyoto • Lasvit: Tactile • The Berkeley London: Pavilion Suites • Cos: Urban Landscape • Tai Ping: Scenamatic • Artus, Hong Kong • Louise, Hong Kong • Louis Vuitton • Andaz, Singapore • Kerry Hotel, Hong Kong • 53W53, New York • The Upper House • Villa La Coste • André Fu Repulse Bay home

About the Authors:

Catherine Shaw is an independent architecture, design and art critic and the author of the Wallpaper* Tokyo City Guide.

André Fu first made his name with his design for The Upper House hotel in Hong Kong. He is regularly called upon to participate in international exhibitions, including Wallpaper*’s ‘Handmade’ series in 2016/2017. He launched his successful André Fu Living (AFL) lifestyle brand in 2015.

A comprehensive look at Istanbul-based interior designer Zeynep Fadillioglu’s most striking projects, from a modern minimalist mosque to the city’s largest luxury hotel.

Renowned for her striking, multilayered projects that are rich in materials, arts, and crafts, Zeynep Fadillioglu’s interiors express a bold contemporary sophistication and modern understanding of traditional values.

Born and raised in Istanbul, Fadillioglu studied computer science and then art history and design at London’s Inchbald School of Design before setting up her design company in Istanbul. Today, having designed many notable landmarks, she is one of the most sought-after designers both at home and abroad. Her thoughtful, creative, and interdisciplinary approach to interior design bridges history, community, cities, climate, and culture with meticulous attention to detail and to storytelling.

Beautifully printed in Italy, this monograph presents a selection of the designer’s finest projects, revealing the inspiration that has made her work in demand from London and New York to Bombay and Qatar. Written in first person, the volume provides an intimate insight into a uniquely nuanced cross-cultural approach to design that combines classic and contemporary, responding to the complex links between nature, heritage, culture, craft, and art.

The book features never-before-published photographs and captivating original illustrations.

About the Authors:

Catherine Shaw is an independent architecture, design, and art critic; speaker; and moderator, who writes about urban regeneration, Japanese architecture, art, and design. She is the author of the Wallpaper* City Guide Tokyo and Louis Vuitton City Guide Hong Kong. She is the Asia-Pacific contributing editor for the New York–based Metropolis magazine.

Author Residence: London and Hong Kong

Alan Chan, the renowned designer with an impeccable eye for Asian artifacts, has amassed a remarkable collection of over 10,000 exquisitely designed and crafted pieces.

This rare personal insight into the influences and inspirations behind acclaimed Hong Kong designer and collector Alan Chan gives an intimate view of the collection of objets he has fastidiously assembled throughout his life, and the creative process they have informed.

The pioneering, award-winning, and self-taught designer is known for his inventive and innovative designs. Effectively organized by theme, from tea to dragons, and with an emphasis on objets produced for China Trade, many of the elegant pieces photographed for this book showcase Chan’s insatiably inquiring mind. They offer insights into how his passion for collecting drives his characteristically whimsical signature take on East and West, tradition and innovation, where there is always a twist of the unexpected. Part autobiography, part reflection on creativity, it is full of insights into Chan’s remarkable design process, making it a treat for the eyes and a valuable resource for new and established designers alike.

About the Authors:

Catherine Shaw is an independent architecture, design, and art critic and published author. Trained as an urban planner, she has written extensively on urban development and arts and crafts in Asia. Aric Chen is an independent curator and writer based in Shanghai. He is professor and founding director of the Curatorial Lab at the College of Design and Innovation, Tongji University, and was formerly the lead curator for Design and Architecture at M+, Hong Kong.

Drawing on the work of artist and architect William Lim, this book offers a new, enlightened perspective on what Asian design means today. 

Exploring design works ranging from furniture and temporary art installations to interior design and architecture by CL3, founded by William Lim, and related studios Lim + Lu and Open UU, this book presents a fresh consideration of the essence of contemporary Asian design and how it has evolved over the past few decades.

The projects selected share a sensitivity to Asian qualities: a deep appreciation of site and context, craft and design details, with imaginative architectural responses delivering a reinterpretation of cultural heritage and traditions.

The book includes a contextual essay by Hong Kong-based architecture critic and author Catherine Shaw, a foreword by architecture and design curator Aric Chen, and a chapter dedicated to conversations on the modern interpretation of eastern aesthetics and the unique experience of designing for a new Asia between William Lim, Swedish museum director, art critic and writer Lars Nittve, and Shanghai-based architect Lyndon Neri.

The projects are presented in a clear, vibrant graphic style designed by William Lim and artist and graphic designer Stanley Wong, aka anothermountainman, to evoke an Asian quality. Each chapter includes a text by William Lim and features original conceptual sketches, photographs, floor plans, and drawings.

About the Author:

Catherine Shaw is an independent architecture, design, and art critic and published author. Originally an urban planner, she writes extensively on architecture, design, arts, and craft in Asia.  

This book presents the radical architectural strategies and poetic cultural projects developed by OPEN Architecture, and the opportunities and challenges that arise from redefining built forms.

Drawing on a series of conversations and site visits to six recent groundbreaking projects, architecture writer Catherine Shaw describes how Beijing-based OPEN Architecture is reinventing and responding to China’s complex and fast-changing cultural landscape with projects that mark a new era for contemporary Chinese cultural architecture. OPEN Architecture was founded in New York in 2003 by Li Hu and Huang Wenjing, while their Beijing office opened in 2008.

From a contemporary art gallery buried beneath a sand dune to a sculptural open-air theatre in a remote mountain valley near the Great Wall, co-founders Li Hu and Huang Wenjing re-evaluate conventional Western assumptions about culture and design as they base each pioneering project on the needs and pleasures of humanity within the context of diverse terrains and climates. In doing so, they not only consider how cultural architecture looks, but how it works. Projects are presented with commentary and contextual information as well as new analyses and archival material, including outstanding color photography, plans and drawings, and exploratory sketches. This book provides a fresh perspective on contemporary cultural architecture and place-making, high-lighting the architects’ sources of inspiration, their challenges, and their construction methods, showing how each impactful project responds to China’s distinctive context.

About the Author:

Catherine Shaw is an independent architecture, design, and art critic and published author. Originally an urban planner, she writes extensively on architecture, design, arts, and craft in Asia.