Mats Gustafson's newest works are dedicated to the grace and beauty of Maria Grazia Chiuri's creations for Dior.

Seven years after the publication of the first Dior by Mats Gustafson, the Swedish illustrator returns to capturing the sophistication and glamour of the House of Dior. In this sublime volume, Gustafson’s ethereal watercolors and vibrant collages focus on the designs of Maria Grazia Chiuri since her appointment as creative director of Dior in 2016. The book encompasses Chiuri’s tenure through haute couture and ready-to-wear creations from her beginnings to the latest collections. Portraits of models and details of patterns complete the iconography. Celebrating the breadth of style and flair demonstrated by the illustrious fashion brand in recent years, Gustafson’s sophisticated illustrations capture Chiuri’s innovations and are an ode to the enduring allure of Dior. Renewing the refined tradition of fashion illustration this finest piece of bookmaking will be a coveted, indispensable must-have for all lovers of fashion and art, like his first book.

About the Authors:

Mats Gustafson’s fashion and portrait illustrations have been included in numerous publications, such as Vogue and Vogue Italia, the New Yorker, and Harper’s Bazaar. His work has been exhibited internationally in solo and group shows. Holly Brubach is an American journalist and author. She has written for Vogue, the Atlantic, the New Yorker, W magazine, and Vanity Fair and has served as Style Editor for T: The New York Times Magazine. She is the author of several books.

A sumptuous treasury of Dior scarves.

Plain and elaborate, commonplace and precious, fashionable and timeless, masculine and feminine: Dior’s silk scarves form a unique visual repertoire and cover a gamut of palettes, themes and styles. The epitome of Parisian chic, they express the poetic imagination of the creative directors who have shaped the destiny of the house, from Christian Dior to Maria Grazia Chiuri.

Unveiling the history and artistry of Dior’s scarves from the first designs to today, this sumptuous book celebrates their incredible variety and beauty as never before. At its heart is an atlas of over 400 scarves, organized by theme and printed on a delicate paper that replicates the texture of the scarves themselves. Dior’s creative director Maria Grazia Chiuri, who has overseen the creation of this volume, contributes a foreword. The atlas is supplemented by exclusive visual essays from renowned photographers Brigitte Niedermair and Pol Baril, as well as texts by distinguished fashion historians Maria Luisa Frisa, Claire Allen-Johnstone, Elda Danese and Emilie Hammen.

From vibrant opulence to graphic harmony, every scarf conveys a mood and every one tells a story. Those stories are now brought together in a book that will delight all aficionados of this symbol of timeless elegance.

About the Author:

Maria Grazia Chiuri has been Dior’s Creative Director since 2016. Brigitte Niedermair is a renowned Italian photographer. Maria Luisa Frisa is a Full Professor at IUAV University of Venice, where she founded the BA Program in Fashion Design and Multimedia Arts. Claire Allen-Johnstone is Assistant Curator of Textiles, Fashion and Furniture at the Victoria and Albert Museum, London. Elda Danese teaches in the course of Fashion Design at the IUAV University in Venice. Emilie Hammen is a Professor of Fashion History & Theory at Institut Français de la Mode.

An exquisitely curated selection of illustrations accompanied by fashion writer Karen Homer's authoritative text presents the journey of a brand known today as the last word in opulence, drama and femininity.

Little Book of Dior is the pocket-sized and beautifully illustrated story of 70 years of opulent fashion.

Christian Dior's spectacular rise to the upper echelons of the Parisian fashion world is one of the most compelling stories of twentieth-century fashion. Dior's debut collection in 1947 invented the New Look silhouette and revolutionized the way women dressed, shopped and saw themselves.

Recounting Christian Dior's early life, the brand's inception, the triumphs of the couture collections on the catwalk and the red carpet, and the fashion house's evolution under Christian Dior's creative direction successors – Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Bill Gaytten, Raf Simons and Maria Grazia Chiuri – Little Book of Dior is a stylish gift for any lover of fashion.

About the Author:

Karen Homer is an established fashion journalist who worked as a fashion columnist for The Times and has contributed to the Telegraph, Harpers & Queen, Elle, World of Interiors and Vogue. She is the author of Little Book of Dior and Things a Woman Should Know About Style. She lives in London.

The first exploration of the two decorators who worked closely with Christian Dior and translated the spirit of the New Look into interior design

Dior and His Decorators is the first work on the two interior designers most closely associated with Christian Dior. Like the unabashedly luxurious fashions of Dior’s New Look, which debuted in 1947, the interior designs of Victor Grandpierre and Georges Geffroy infused a war-weary world with a sumptuous new aesthetic — a melding of the refined traditions of the past with a wholly modern sense of elegance. Author Maureen Footer recounts the lives and work of this influential trio, illustrated with a trove of evocative vintage photographs. Grandpierre designed Dior’s first couture house, creating not only the elegantly restrained look of the salons but also the template for the Dior brand, including typeface, logo, and packaging. Both Grandpierre and Geffroy (who worked independently) designed the interior of Dior’s townhouse. After the couturier’s untimely death in 1957, Grandpierre and Geffroy went on to design salons for other couturiers, as well as homes for the likes of Yves Saint Laurent, Marcel Rochas, Gloria Guinness, Daisy Fellowes, and Maria Callas.

About the Author:

Maureen Footer is an interior designer and the author of George Stacey and the Creation of American Chic. Hamish Bowles is the European editor at large for American Vogue.

This exquisite book takes the reader on a kaleidoscopic journey through the history of makeup, style, and color at the revered fashion house of Dior. An exquisite ode to color, this book presents the history of Dior cosmetics placed within contexts of fashion and art. Divided into twelve chapters (White, Silver, Nude, Pink, Red, Purple, Blue, Green, Yellow, Gold, Gray, and Black) Dior: The Art of Color showcases not only the sometimes glamorous, sometimes natural cosmetics, but also the aesthetics of color, which was the source of inspiration for so much of Dior’s creations. The evolution of color through the ages is presented with iconic works from renowned artists and Dior makeup advertising campaigns — including creations from some of the greats in the field, such as Serge Lutens, Tyen, and the current head of Dior makeup, Peter Philips — captured by master photographers such as Irving Penn, Guy Bourdin, and Richard Burbridge. With a highly engaging text and never-before-seen imagery, this is a book that no student of fashion or art should be without.

About the Authors:

Richard Burbridge is a photographer who has shot for Tom Ford, Chanel, and Cartier. 

Marc Ascoli is the art director responsible for the image branding of Jil Sander, Yohji Yamamoto, and Chloé, among others. 

Jerry Stafford is a writer and creative director of Premiere Heure, an advertising and feature film production company based in Paris.

The Dior Bar suit is one of the most influential designs in the history of fashion. On February 12, 1947, Christian Dior presented this voluminous skirt combined with a jacket featuring a tiny waist, a pronounced bust, and enhanced hips in his first collection in the salons of 30 Avenue Montaigne. After the show, the editor in chief of Harper’s Bazaar, Carmel Snow, exclaimed: “It’s quite a revolution, dear Christian! Your dresses have such a new look!” The phrase made headlines.  

Dior’s New Look transformed the zeitgeist of a postwar France and heralded a storied career for his label. The New Look was an immediate sensation, and everyone wanted to wear the silhouette that Dior was later to describe as “the return to an ideal of civilized happiness.” Almost seven decades after its creation, the New Look revolution and its spirit continue to inspire the House of Dior.

Published to accompany the Dior: The New Look Revolution exhibition at the Musée Christian Dior in Granville, France, this stunning volume presents a rare collection of images that illustrate the Bar suit, from the initial sketches drawn by Christian Dior to the sartorial perfection of the completed outfit, as well as the many versions it has inspired. From Yves Saint Laurent to Raf Simons, season after season, the designers of Dior have interpreted the legendary curves of the Bar suit, dreaming up bustier versions, designing it in woolen denim, or adorning it with masculine prints. With exquisite photography and insightful text surveying over sixty years of Dior’s sublime reinvention, this book is a must-have for followers and students of fashion.

About the Author:

Laurence Benaïm is a writer and historian known for her biographies of Yves Saint Laurent and Marie-Laure de Noailles, among others.

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Пролистать книгу Dior: The New Look Revolution

A collection of the lavish and iconic gowns of Christian Dior, from the 1950s and ’60s, captured by the legendary photographer Mark Shaw. Iconic photographer Mark Shaw documented the ultra-exclusive Parisian fashion world, focusing on Paris’s long-standing top couturier Christian Dior. Shaw’s photographs — some of the first fashion photographs ever shot in color — capture the most stunning and extraordinary fashion of the era. This lavish volume embodies the glamour of that time, from rare moments of Christian Dior during fittings to editorial-style photographs of models, socialites, and actresses posing in Dior’s ballgowns, day suits, and haute couture collections. Shaw’s photojournalistic style changed fashion photography forever: his approach was to photograph wide, giving the subject a sense of context, creating an environment as exquisitely transformative as the subject and garment. With an eye for intimacy and opulence, this book features more than 200 color and black-and-white photographs, many never published before, having only recently been found in a secret vault by his estate. Dior Glamour: 1952–1962 captures the drama and elegance of the period’s style and will be treasured by lovers of photography, fashion, style, history, and cultured living.

About the Author:

Born and raised in New York City, Mark Shaw was mentored by legendary creative director Alexey Brodovitch before becoming one of the most sought-after photographers in the world. Shooting primarily for Life magazine, from 1952 to 1968, Shaw had subjects that ranged from the young Audrey Hepburn and the pre–Velvet Underground Nico to the Kennedys before and during their presidential fame.

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Пролистать книгу Dior Glamour: 1952-1962

A lavish celebration of twenty years of Dior Joaillerie showcasing the breathtaking creations of creative director Victoire de Castellane through an extravagant illustrated dictionary.

As creative director of Dior Joaillerie since its beginnings in 1998, Victoire de Castellane is renowned for her fearless approach to jewellery. Crossing the boundary between natural and artificial, her fantastical jewels are inspired by global pop culture, Christian Dior's life and work, and the floral world and embody a timeless, poetic style.

To fête twenty years of Victoire de Castellane's designs, this luxurious volume presents a dictionary of eighteen chapters, each introduced by a dazzling drop cap ornate with an original collage of drawings. From the first collections to the acclaimed Le Bal des Roses pieces and the celebrated floral gardens of Belladone Island, Dior Joaillerie's history is explored from its debut and up to the latest collection, Gem Dior, presented in Venice in June 2019 and exclusively shot for this publication. More than 300 images by renowned photographers such as Guido Mocafico and Erwan Frottin illustrate this original alphabetical journey. Through the dictionary entries penned by Olivier Gabet, director of the Musée des Arts décoratifs, readers uncover nonlinear, playful insights into the fascinating world of one of the world's foremost jewellery designers. Printed in Italy and with creative direction by Thomas Lenthal, this exquisite piece of bookmaking is a stunning homage to Victoire de Castellane's artistry and imagination.

About the Authors:

Victoire de Castellane has been the creative director of Dior Joaillerie since 1998. Olivier Gabet is the director of the Musée des Arts Décoratifs (MAD) in Paris.

In this exquisite book, the watercolors and collages of Mats Gustafson replace the camera to capture the spirit and beauty of Dior.

While illustration was an essential element in promoting fashion in the first half of the twentieth century, photography has been the medium of choice since the 1970s. So when Dior approached Swedish illustrator Mats Gustafson in 2012 to portray its collections, it was a return to the elegance of fashion’s earliest mode of expression. Dior by Mats Gustafson presents this inspired collaboration for the very first time.

Infused with a sophisticated charm, Gustafson’s vibrant watercolors and collages thoroughly capture Dior’s glamorous world, including its haute couture masterpieces, recent contemporary ready-to-wear creations, and celebrated accessories—while echoing the same sense of chic that the house has cultivated for seventy years. A must-have for aspiring illustrators, artists, and fashion aficionados alike, this magnificent tome is, above all, an illustrated ode to the enduring allure of Dior.

About the Author:

Mats Gustafson’s fashion and portrait illustrations have been included in numerous publications, such as Vogue and Vogue Italia, the New Yorker, and Harper’s Bazaar. His work has been exhibited internationally in solo and group shows.

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Пролистать книгу Dior by Mats Gustafson

A celebration of the collaboration between two design legends, Christian Dior and Roger Vivier, spotlighting vintage shoes of luxurious glamour.

This beautifully crafted volume highlights the outstanding shoe designs that sprang from the iconic collaboration between two French fashion legends, Christian Dior and Roger Vivier. Spanning from the 1950s, when Monsieur Dior first met the renowned footwear designer, throughout the entire course of this prodigious partnership until the early 1960s, dazzling vintage shoe designs pop off the pages in all their glamorous glory and elaborate modernity.

With over three hundred exclusive photographs of jewel-encrusted slippers, sculptural kitten heels, and other designs embellished with lace, feathers, and more, accompanied by an engaging text penned by shoe historian Elizabeth Semmelhack, this latest title is a must-have addition to the libraries of fashion and shoe lovers everywhere.

About the Authors:

Acclaimed shoe historian Elizabeth Semmelhack is senior curator at the Bata Shoe Museum, Toronto. Gérard Uféras is a leading contemporary French photographer. His works has been exhibited internationally and featured in books such as In the Company of Stars (Rizzoli, 2007) and Dior, 30 Avenue Montaigne (Terre Bleue, 2012).

The history of Dior as seen through the mythical Parisian address of 30, avenue Montaigne, home to the House’s headquarters and ateliers.

Celebrating 30, avenue Montaigne, this sophisticated volume — published on the occasion of the House’s 75th anniversary in 2022 — presents the public and unseen life of the iconic headquarters.

Located in the heart of Paris’s posh Triangle d’Or, 30, avenue Montaigne has been linked to the House of Dior’s story since 1946. Christian Dior chose this hôtel particulier to establish his couture house and present his collections, including the inaugural 1947 fashion show that marked the New Look era’s debut. Since then, Christian Dior and his successors — from Yves Saint Laurent to Maria Grazia Chiuri — have designed and created all the House’s collections here. 30, avenue Montaigne is where the ateliers are still based, making it a fabled address of Parisian haute couture. With emblematic images of Christian Dior working in his design studio, fitting sessions, and backstage fashion shows; archival documents; and a breathtaking portfolio of Dior creations, readers will discover 30, avenue Montaigne’s spirit throughout the decades while heralding its future.

About the Authors:

Pietro Beccari is Chairman and CEO of Christian Dior Couture. Maureen Footer is an American design historian and writer. She contributed to Christian Dior: Designer of Dreams (Rizzoli, 2021). Jérôme Hanover is a journalist who regularly writes for Vogue France and Le Figaro. Olivier Flaviano is the manager of the Galerie Dior. Laziz Hamani is a luxury still-life photographer who has photographed more than 30 books. 

This volume features around 120 haute couture designs by Christian Dior from the collections of the Musée des Arts Décoratifs and the House of Dior — including archival runway prototype and custom garments — showcased alongside fashion photography, film stills, vintage perfume, cosmetics and original sketches, Dior’s furniture and other decorative pieces that demonstrate the designer’s passion for collecting and his time as an art dealer. The items reproduced here thus offer an overview of Dior’s life and character, as well as his haute couture creations since 1947, always the epitome of modern elegance, with the selection taking as its unifying thread the fabric of dreams and the passing on of an aesthetic vision. Christian Dior was born in Granville, a seaside town on the coast of Normandy, France, in 1904. While his family had hoped that he would become a diplomat, Dior preferred art. His preternatural talent resulted in him being hired by Robert Piquet in 1937, and he subsequently worked alongside Pierre Balmain and Lucien Lelong. Dior was an instant sensation after the Second World War. His designs, which asserted femininity, were a strong rebuke to the utilitarian, unisex clothing of wartime Europe, and came to symbolize the “New Look.” Since his untimely death in 1957, an exceptional series of creative directors have imprinted their own style upon the iconic brand.

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Christian Dior was born in Granville, a seaside town on the coast of Normandy, France: while his family had hoped that he would become a diplomat, Dior preferred art. His preternatural talent resulted in him being hired by Robert Piquet in 1937, and subsequently worked alongside Pierre Balmain and Lucien Lelong.

Dior was an instant sensation after the Second World War. His designs, which asserted femininity, were a strong rebuke to the utilitarian, unisex clothing of wartime and came to symbolise the ‘New Look’. Dior had an extremely close relationship with his sister, Catherine ― honouring her work during the war in the French Resistance with the popular perfume Miss Dior. She was his muse. The book features around 60 haute couture designs from the collections of the Musée des Arts Décoratifs along with an equivalent number of iconic pieces belonging to Dior Héritage (the house’s own archives of original runway prototypes or garments ordered by clients), supplemented by fragrances and accessories. The items on display thus offer a panorama of Christian Dior’s haute couture creations since 1947, always the epitome of modern elegance, with the selection taking as its unifying thread the fabric of dreams and the passing on of an aesthetic vision.

CONTENTS
Foreward
Introduction
Christian Dior: his musée imaginaire
The ew look
Designer for Dior
Versailles
Dior around the World
The Dior Atelier
The Dior gardens
The Dior ball
Stars in Dior
Dior Lady Art
Chronology

Celebrating Dior’s floral inspirations in fashion and perfume, this unique volume features a portfolio of rose portraits by acclaimed fashion photographer Nick Knight.

For Christian Dior, perfume was “a door opening into a hidden world.” His first, Miss Dior, inspired by the lush gardens of his childhood home in Normandy, forged an inextricable link between his fashion and fragrance creations. Other scents were inspired by evenings in southern France, lit with fireflies and scented with jasmine. The rose bowers of his family home in Granville; his old mill country house; and the Château de la Colle Noire near Grasse ― where jasmine, tuberose, and May roses reign supreme and are still cultivated ― inspired Dior’s most memorable creations.

Flowers were also at the heart of Dior’s fashion, from the women-flowers that inspired the late 1940s New Look to the swishing, blossom-like ball gowns embroidered with lavish floral motifs. They have inspired all of the designers who followed him at the House of Dior, from Yves St Laurent to John Galliano, and Raf Simons to Maria Grazia Chiuri.

This extraordinary volume blooms with color and inspiration, and includes rose portraits by Nick Knight, previously unpublished archival documents, exquisite details of embroidery and fabrics, perfumes, fashion sketches, and sublime fashion photographs.

About the Authors:

Acclaimed novelist, fashion writer, and biographer Justine Picardie is the former editor-in-chief of Harper’s Bazaar and Town & Country.
Naomi Sachs, a therapeutic landscape designer, has published and presented internationally on the positive role of nature in human health and well-being.
Alain Stella has written numerous books, including Historic Houses of Paris (Flammarion, 2010/2019) and Jacques Garcia: Twenty Years of Passion, Château du Champ de Bataille (Flammarion, 2013).
Influential, visionary photographer Nick Knight is known for his numerous contributions to Vogue and his fashion advertising campaigns.

Exclusive celebrity portraits by photographer Nikolai von Bismarck capture the new course of Dior menswear under the direction of contemporary fashion innovator Kim Jones.

Known for slim silhouettes and precise tailoring, Dior Homme has long been a leader in menswear. In this new volume of exquisite portraits of celebrities and style influencers, photographer Nikolai von Bismarck celebrates the thoroughly contemporary style of the revered French fashion house.

In the world of contemporary men's fashion, Christian Dior's sophisticated legacy has been upheld by innovative designers, especially current creative director Kim Jones, who's received praise for incorporating both couture values and streetwear elements into his work. With his years of experience at the heart of the fashion world and working on photographic reportages all around the globe, von Bismarck captures striking images of Kim's designs, which fuse exquisite detail, romantic patterns, and soft colors with traditionally masculine silhouettes while retaining the modern edge of streetwear through sports shoes and chunky industrial jewelry. Jones's reverence for Dior's heritage is evident in the photographs - even in his most daring innovations he nods to Christian Dior's favorite patterns and floral motifs, as well as tailoring inspired by the signature couture designs of vintage Dior. A rare look inside an iconic menswear brand consistently at the foreground of celebrity style, The Dior Sessions is a must-have for Dior fans, fashion aficionados, and stylish men everywhere.

About the Author:

Nikolai von Bismarck is a photographer specializing in portraiture, reportage, and fashion photography. Born in London in 1986, Nikolai first began working for Mario Testino and became the youngest photographer to shoot for a Condé Nast publication, before attending Parsons School of Design and training under Annie Leibovitz for two years. Vying to explore his own photographic projects, Nikolai travelled widely around Africa, Eastern Europe and Asia; his reportage projects have been featured in The Times and The Daily Mirror. Nikolai's fashion and portraiture work has also appeared in numerous publications, including Vogue and Harper's Bazaar.

A magnificent showcase of one of France’s greatest couture houses, published to accompany a major exhibition at the Musée des Arts Décoratifs, Paris, and a core part of the blockbuster retrospective at the V&A.

2017 marks the 70th anniversary of the House of Dior. It was in 1947 that Christian Dior presented his first collection and heralded the birth of a new fashion silhouette for women. After the austerity of the war years, the cinched waistlines, full skirts and soft shoulders of the New Look came to embody a revival of Parisian luxury. Paris regained its place as the global capital of fashion and the name of Dior became a synonym for haute couture.

For this book, seventy of the most memorable looks created Christian Dior and his successors – Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons and Maria Grazia Chiuri – have been specially selected and photographed in fascinating detail. These wonderful designs are also featured in sketches, runway shots and fashion shoots by the world’s greatest fashion photographers, including Irving Penn, Richard Avedon, Cecil Beaton, William Klein, Helmut Newton, Patrick Demarchelier, Paolo Roversi, Peter Lindbergh, Mario Testino and Nick Knight.

Recurring themes from the history of Dior are discussed in depth: the concept of line and architecture in fashion; the influence of history and art (the Palace of Versailles, the Empire style, Impressionism, the Belle Époque, the Ballets Russes, Picasso, Dalí, Pollock); the use of colour; the influence of gardens and landscapes as sources of inspiration; and, of course, the brand’s muses and famous clients: the Duchess of Windsor, Marlene Dietrich, Princess Grace of Monaco, Marilyn Monroe, Elizabeth Taylor, Isabelle Adjani, Princess Diana, Marion Cotillard, Charlize Theron, Natalie Portman, Jennifer Lawrence and more.

Contents List:

Preface by Pierre-Alexis Dumas • Preface by Bernard Arnault • Introduction by Olivier Gabet and Florence Müller • The Essence of Couture Silhouettes by Florence Müller • Iconic Dior by Jérôme Gautier • Christian Dior Pays an Imaginary Visit to the Museum by Olivier Gabet • Christian Dior’s Apartment by Patrick Mauriès • Seventy Silhouettes

About the Authors:

Florence Müller is a Professor at the Institut Français de la Mode (IFM), where she teaches the History of Fashion.

Olivier Gabet is Director of the Musée des Arts décoratifs in Paris.

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«Christian Dior: Designer of Dreams» – рассказывает историю создания, одного из величайших домов моды Франции - Dior. В этой книге заключены 70, самых запоминающихся образов, созданных Кристианом Диором и его приемниками, среди которых: ив Сен-Лоран, Марк Бохан, Джон Гальяно, Джанфранко Ферре и др. Точные фотографии этих произведений были тщательно отобраны, чтобы читатель смог рассмотреть мельчайшие детали. Также представлены эскизы моделей одежды, снимки с подиума и фотографии величайших мировых фотографов, таких как: ИрвингПенн, Ричард Аведон, СесилБитон, Уильям Кляйн, Хельмут Ньютон, Патрик Демаршелье, Паоло Роверси, Питер Линдберг, Марио Тестино.

В 2017 году исполняется 70 лет Дому Dior, а в 1947 году Кристиан Диор представил свою первую коллекцию и объявил о рождении нового модного образа для женщин. После сурового военного времени, тонкие линии талии, пышные юбки и мягкие линии плеч New Look – стали воплощением возрождения парижской роскоши. Париж восстановил свое звание модной столицы мира и имя Диор стало синонимом высокой моды.

Книга «Christian Dior: Designer of Dreams» включает в себя обсуждения таких тем из истории бренда, как:

- концепция линий и архитектуры в моде;
- влияние истории и искусства (Версальский дворец, Ампир, Импрессионизм, «Великолепный век», «Русские сезоны», Пикассо, Дали, Поллок);
- игры цвета;
- влияние красоты садовых ландшафтов, как источника вдохновения;
- и самое главное, влияние тех, для кого создавалась мода – прекрасных женщин.

Музами и знаменитыми клиентами Dior были герцогиня Виндзорская, Марлен Дитрих, принцесса Монако - Грейс, Мэрилин Монро, Элизабет Тейлор, Изабель Аджани, принцесса Диана, Марион Котийяр, Шарлиз Терон, Натали Портман, Дженнифер Лоуренс и другие.