The first authoritative assessment of Mario Buatta by a protégée of the decorator. Never-before-seen archival material is culled to present the design master as someone who remains impactful in today’s world of maximalist interiors.

This book presents the design tricks and decorative life of Mario Buatta (1935–2018), one of America’s most famous interior decorators. Drawing upon Buatta’s vast archives and revealing the foundations of his work, which include hundreds of presentation boards, more than eighty scrapbooks chronicling his career, and correspondence with clients and such design notables as John Fowler and Sister Parish, Anatomy of a Decorator illuminates the designer’s work with a focus on influences, process, and evolution. His very last projects, not included in Rizzoli’s comprehensive book on the decorator in 2013, are evaluated and provide readers a masterclass in decorating à la Buatta. Ribbons, needlepoint, fine English and American antiques, floral chintzes, blue-and-white porcelains, lacquerware, botanicals, vibrant color combinations, and whimsy abound.

Chapters include a close look at the important figures who guided his trajectory, including Nancy Lancaster, Rose Cumming, Keith Irvine, and Albert Hadley; an assessment of how the designer catapulted from Staten Island without a college degree to become a household name; and a breakdown of Buatta’s design vocabulary and how-tos. This book is an essential addition to the libraries of design aficionados.

About the Authors:

Emily Evans Eerdmans is a design historian and founder of Eerdmans New York, a fine and decorative arts gallery and consultancy. She is the author of Mario Buatta: Fifty Years of American Interior Decoration (2013), among others. Patricia Altschul is an American socialite and art collector. Altschul has had several residences designed by Buatta.

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The eagerly anticipated first monograph to celebrate the fifty-years-and-counting career of decorating legend Mario Buatta. Influenced by the understated elegance of Colefax and Fowler and the doyenne of exuberant American decor, Sister Parish, Buatta reinvented the English Country House style stateside for clients such as Henry Ford II, Barbara Walters, Malcolm Forbes, and Mariah Carey, and for Blair House, the President’s guest quarters. The designer is acclaimed for his sumptuous rooms that layer fine antiques, confectionary curtains, and sublime colorations, creating an atmosphere of lived-in opulence. This lavishly illustrated survey — filled with images taken for the foremost shelter magazines as well as many unpublished photographs from the designer’s own archive — closely follows Buatta’s highly documented career from his professional start in the 1950s working for department store B. Altman & Co. and Elisabeth Draper, Inc. to his most recent projects, which include some of the country’s finest residences. Buatta shares exclusive insights into his process, his own rules for decorating, and personal stories of his adventures along the way.

About the Author:

Mario Buatta is an internationally acclaimed interior designer known for his English Country House style. He has brought the refinement, comfort, and beauty of his designs to a long list of clients from the worlds of entertainment, business, fashion, and high society. Emily Evans Eerdmans received her master’s degree in fine and decorative arts from Sotheby’s Institute of Art in London and is a leading authority on antique furniture and interior design. She has authored The World of Madeleine Castaing and Regency Redux. Paige Rense is the editor emeritus of Architectural Digest, where she served as editor-in-chief from 1975 to 2010.

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The first book dedicated to Henri Samuel, considered one of the best French interior designers of the twentieth century and acclaimed for his mastery of historical design, as well as his eye for contemporary presentation and furnishings — a high-point addition to Rizzoli’s continuing coverage of the masters of the field.

Design legend Henri Samuel believed that a successful interior was one in which an observer never suspected that a decorator had been involved. This book takes the reader inside some of Samuel’s groundbreaking and inspiring interiors, beginning with his first job assisting Stéphane Boudin of Jansen in the 1920s through postwar Paris society and into the go-go ’80s. During his illustrious career, Samuel created rarefied and beautiful environments for his jet-set clientele — Doris Duke, Prince Sadruddin Aga Khan, Susan and John Gutfreund, Valentino Garavani, and multiple Rothschilds and Vanderbilts. Such was his expertise that museums such as Versailles and the Metropolitan Museum of Art consulted him on the installation of period rooms. Samuel was a master at reproducing intimate spaces in various historic styles in addition to mixing those styles in an erudite way: modernist paintings were installed over Empire consoles, Louis XIII furniture shared space with Oriental objects, neoclassical chairs were placed beside tables of brass and Plexiglas.

This book records Samuel’s life, his career, and the luxurious interiors he created for his clients and himself—rooms that look as fresh and alive today as they did when they were first arranged. It is a necessary addition to any design library.

About the Author:

Emily Evans Eerdmans is an acclaimed design expert, historian, and author. She teaches connoisseurship and design history at the New York School of Interior Design. Jacques Grange, who early in his career worked with both Henri Samuel and Madeleine Castaing, has been one of the foremost French designers for more than four decades.

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The inimitable style of renowned French interior designer Madeleine Castaing, chronicled in-depth for the first time.

While many were drumming to the beat of modernism in the early- and mid-twentieth century, French antiquaire and decorator Madeleine Castaing created her own look that was a unique blend of neoclassicism, Proustian romanticism, and pure wit. Her distinctive aesthetic vision has inspired tastemakers on both sides of the Atlantic, and her devotees - both then and now - are legion. Ocelot carpeting, opaline blue, "coolie" lampshades, and an eclectic mix of neoclassical furnishings ranging from English Regency to Napoleon III all formed part of the vocabulary of "le style Castaing." This lavishly illustrated volume - the first on her work - explores in-depth the elements of her style, and examines how she crafted interiors so emotive that visitors felt that they had stepped into a Balzac novel or a Proustian recollection. Her entire life and career are chronicled, from her early years in Montparnasse, the epicenter of artistic activity in Paris, to her incomparable country house Lèves and her legendary shop on rue Jacob in Paris.

The classical elegance of the Regency period in England is considered one of the most sophisticated and refined moments in design history.

Throughout the twentieth century, designers took elements of the Regency vocabulary and restyled them to meld with the reigning design aesthetic of the day to extraordinary effect. The book opens with an introduction to the original Regency period, which built its sophisticated aesthetic on the example of the Neoclassical style of Napoleon’s time. It then picks up with the Art Deco designs of Emile-Jacques Ruhlmann and Süe et Mare in France. By the 1930s, the Vogue Regency returned home to England where Sibyl Colefax and Syrie Maugham created stylized classical interiors. In America, the Regency revival took hold in Hollywood on the lavish film sets of the 1930s and ‘40s. Designers and architects to the stars such as Billy Haines and T.H. Robsjohn-Gibbings made a mark with their work for the Hollywood elite. The book concludes with Regency fashions of the 1930s and ‘40s, when Dorothy Draper and Elsie de Wolfe cut a stylish swath with their Regency-infused designs from coast to coast.

Rounding out the vintage interiors are designs by acclaimed contemporary designers. Each chapter is illustrated with a rich selection of images of interiors, film sets, and furniture.