An authoritative compendium on the main masterpieces of Frank Gehry, including 480 illustrations and photographs, produced in collaboration with Cahiers d’Art.

Experimenting with a range of materials from cheap mass-produced items to space-age titanium, and using 3D computer modelling as an architectural tool, Frank Gehry’s buildings are remarkable and surprising, united by the sense of movement they convey. His projects flow, curve, bend, and crumple in novel and unexpected ways, subverting traditional building norms.

From his own home in Santa Monica to the undu­lating Beekman Tower in New York, from the shining curves of the Guggenheim Museum in Bilbao to the Fondation Louis Vuitton in Paris, and his most recent construction, Luma Arles, Gehry has left his indelible mark on the history of architectural design. Forty of the renowned architect’s most remarkable works are presented by architect and critic Jean-Louis Cohen, alongside views of the interiors and exteriors of each building. This tour includes many of Gehry’s works throughout the United States and abroad, such as the Walt Disney Concert Hall, the one-of-a-kind “Binoc­ulars Building” in Los Angeles, and the beloved “Dancing House” in Prague.

About the Authors:

Frank Gehry’s architecture has had the rare distinction of pleasing critics, academics, and the public alike. When he was awarded the Pritzker Prize in 1989, Vanity Fair has called him “the most important architect of our age.” Jean-Louis Cohen is France’s most authoritative historian of twentieth-century architecture. He has published more than forty books and curated numerous architectural expositions. He is the Sheldon H. Solow Professor in the History of Architecture department at NYU’s Institute of Fine Arts and holds a chair at the Collège de France.

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Пролистать книгу Frank Gehry: The Masterpieces

Featuring fifty of Frank Gehry’s most important projects, this lavish monograph presents the full range of the architect’s work from the past six decades.

Arranged chronologically, this book follows the arc of Gehry’s career, from his early residential projects through the public and cultural facilities his studio is currently focused on. The book explores the evolution of Gehry’s work, and how he has ceaselessly embraced formal, technological and constructional innovations, while his practice has never wavered from his vision. It examines his work in the context of the urban environment, showing how Gehry continually strives to challenge the idea of the city, creating urban buildings that respond to their surroundings without trivializing them.

The buildings profiled here — including the Vitra International Furniture Manufacturing Facility and Design Museum in Switzerland, Walt Disney Concert Hall in Los Angeles, the 8 Spruce Street Skyscraper (Beekman Tower) in New York, and the Fondation Louis Vuitton — are represented in dazzling color photographs as well as preparatory drawings, plans, and models. From his early years working within the L.A. Art Scene, to his Pritzker-winning recognition, to his pioneering research into the application of computer-aided-design in all aspects of the building design process from the first sketches to the final elements of construction, Frank Gehry, now in his eighth decade, continues to surprise and inspire the public.

This informative, fascinating volume is a must-have for his ardent fans and anyone interested in architecture.

This volume brings together all the projects realized by Frank O. Gehry since his pivotal stylistic metamorphosis of 1997, embodied by the Guggenheim Museum in Bilbao, until today.

Among the featured works: the Walt Disney Concert Hall in Los Angeles (1989-2003), the DZ Bank Building in Berlin (1995-2001), the Jay Pritzker Pavilion in Chicago (1999-2004), the Corcoran Gallery in Washington, D.C. (1999-2005), the Experience Music Project in Seattle (1995-2000), the Art Gallery of Ontario (2000-2008), the Interactive Corporation headquarters in New York (2003-2007), the Beekman Street residential complex in New York (2003-2009), and two projects begun in 2005-06 that are still underway, the Atlantis Sentosa resort in Singapore and the Guggenheim Museum in Abu Dhabi.

Published in concomitance with the major exhibition curated by Germano Celant at the Triennale di Milano.

One of the great architects of our time, Frank Gehry has revolutionized the use of materials in design and redefined how architects use computers as a design tool to advance form-making as we know it. He has achieved worldwide fame for such large-scale public projects as the Guggenheim Museum in Bilbao, Spain, and the Walt Disney Concert Hall in Los Angeles, California, but it was in private houses that Gehry first explored and interrogated the principles of modern architecture.

In these houses - most notably his own, in Santa Monica, California - Gehry distorted, expanded, and collapsed the modernist box, exploring everyday materials (corrugated metal, unfinished plywood, and chain-link), experimenting with colour, and challenging accepted notions about geometry and structure. In houses such as the Schnabel House in Brentwood, California, and the Winton Guest House in Wayzata, Minnesota, he experimented with collage and assemblage. More recently, Gehry’s work has taken on sculptural forms, aided by new structural and geometric potentials of digital design, as in the near-legendary Lewis House in Lyndhurst, Ohio.

Colour photographs, sketches, and plans create an illuminating visual record of some of the most groundbreaking, seminal projects of Gehry’s oeuvre.