Holbein at the Tudor Court focuses on the internationally significant collection of portraits by Hans Holbein the Younger in the Royal Collection.

This richly illustrated publication has essays on the artist, his sitters and on the history of his work in the Royal Collection.

Holbein at the Tudor Court focuses on the internationally significant collection of portraits by Hans Holbein the Younger in the Royal Collection. These portraits, in drawing, miniature and painting, date almost exclusively from Holbein's period as the pre-eminent artist at the court of Henry VIII.

This richly illustrated publication has essays on the artist, his sitters and on the history of his work in the Royal Collection, and a series of entries on individual works - looking at both on the work of art and on the identity of the sitter featured, and uses, where possible voices from the period (as found in letters, poems, administrative records and diplomatic accounts) to bring alive the world of the sixteenth-century English court.

About the Author:

Kate Heard is Senior Curator of Prints and Drawings, Royal Collection Trust. Her previous publications include George IV: Art and Spectacle (2019), The First Georgians: Art & Monarchy (2014) and High Spirits: The Comic Art of Thomas Rowlandson (2013).

Featuring a foreword from Her Majesty Queen Camilla, this book is about the exquisite miniature library in Queen Mary’s Dolls’ House, one of the most beautiful and famous dolls’ houses in the world.

Running the full length of its ground floor is a spellbinding library filled with 300 miniature books and dozens of original paintings. Lining the bookshelves of this miniature Edwardian library are specially produced works by some of the finest authors of the 1920s. From poetry by Thomas Hardy to stories by Sir Arthur Conan Doyle, gardening books to atlases, miniature stamp albums to accurate train timetables, these works represent British aristocratic life and the best examples of art and literature of the time. This book presents the fascinating history of the Dolls’ House Library, including correspondence between its architect, Sir Edwin Lutyens, and the authors he commissioned together with Princess Marie Louise; a collection of selected works published for the first time since 1924 and lavish illustrations that capture the charming detail of this delightful little room.

About the Author:

Elizabeth Clark Ashby is Curator of Books and Manuscripts, Royal Collection Trust

The Northern Renaissance in Europe was a period of rapid social and religious change. This is reflected in much of the art of the period, which is further characterised by a fascinating range of subject-matter, superb technical skill and an interest in capturing likeness with almost psychological precision. The same period also saw a great rise in the importance of works on paper, especially prints. This book discusses works by Albrecht Dürer and Hans Holbein two of the greatest masters of the Northern Renaissance together with a selection of paintings by Lucas Cranach. Encompassing portraiture, religion, mythology and allegory, these works are examined alongside others by such masters as Francois Clouet, Jan Gossaert and Joos van Cleve. Holbeins superlative drawings of members of the court of King Henry VIII can be seen side-by-side with finished paintings and miniatures of the same sitters; and this rich survey also includes illuminated manuscripts and early printed books.