Explore the varied and incredibly chic residences crafted by internationally acclaimed decorator Tino Zervudachi in his first monograph, written by Natasha Fraser-Cavassoni.

Named one of Architectural Digest’s 100 top decorators of 2011, Tino applies his unfaltering and flawless design to projects as diverse and all-encompassing as a Parisian château, a Swiss chalet, a zen refuge in Tokyo, a Mediterranean villa, and even a 45-meter long yacht, with a result that is never short of breath-taking.

His respect for the individual personality and cultural environment of each space he decorates, and his fearless ability to splash a room with a bold color, or to accent it with a striking piece of contemporary art, makes his work unparalleled.

Drawing inspiration from Indonesia’s rich heritage, fashion designer Biyan Wanaatmadja’s first book is a master class in ethereal elegance. Indonesia’s most celebrated fashion designer, Biyan Wanaatmadja, learned his craft in Germany at M. Müller & Sohn and in England at the London College of Fashion before returning to Indonesia to launch his acclaimed label BIYAN. Combining classic and sophisticated tailoring with a profound appreciation for the handcrafting traditions of his home country such as batik, weaving, and embroidery, Biyan creates a feminine, fairy-tale–like look that is at once romantic, captivating, and modern. Refined and enchanting, this book serves as a gorgeous introduction to the singular oeuvre of the lauded designer and will be a must-have for fashion lovers.

About the Author:

After studying in Germany and London, Biyan Wanaatmadja began to produce his own designs in a small atelier in Surabaya, Indonesia, and has been based in Jakarta since 1986. His first clothing line, BIYAN for women, began in 1984, followed by the diffusion line STUDIO 133 BIYAN in 1985 and BIYAN Bride in 2005. Natasha Fraser-Cavassoni is the author of Sam Spiegel, Tino Zervudachi: A Portfolio, and Dior Glamour. Marc Ascoli is the art director responsible for the image branding of Jil Sander, Yohji Yamamoto, and Chloé, among others.

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A collection of the lavish and iconic gowns of Christian Dior, from the 1950s and ’60s, captured by the legendary photographer Mark Shaw. Iconic photographer Mark Shaw documented the ultra-exclusive Parisian fashion world, focusing on Paris’s long-standing top couturier Christian Dior. Shaw’s photographs — some of the first fashion photographs ever shot in color — capture the most stunning and extraordinary fashion of the era. This lavish volume embodies the glamour of that time, from rare moments of Christian Dior during fittings to editorial-style photographs of models, socialites, and actresses posing in Dior’s ballgowns, day suits, and haute couture collections. Shaw’s photojournalistic style changed fashion photography forever: his approach was to photograph wide, giving the subject a sense of context, creating an environment as exquisitely transformative as the subject and garment. With an eye for intimacy and opulence, this book features more than 200 color and black-and-white photographs, many never published before, having only recently been found in a secret vault by his estate. Dior Glamour: 1952–1962 captures the drama and elegance of the period’s style and will be treasured by lovers of photography, fashion, style, history, and cultured living.

About the Author:

Born and raised in New York City, Mark Shaw was mentored by legendary creative director Alexey Brodovitch before becoming one of the most sought-after photographers in the world. Shooting primarily for Life magazine, from 1952 to 1968, Shaw had subjects that ranged from the young Audrey Hepburn and the pre–Velvet Underground Nico to the Kennedys before and during their presidential fame.

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The best of the tiaras created by Parisian high-jewelry house Chaumet, presented in a luxurious slipcased package

Founded in 1780 in Paris, the Maison Chaumet became the most prestigious and sought-after jeweller in Europe under the patronage of the Empress Joséphine, wife of Napoléon. For nearly 250 years, Chaumet has specialized in tiaras of dazzling craftsmanship for powerful women including royalty, heiresses, celebrities, artists and modern businesswomen.

The spectacular and rarely seen tiaras in this book are presented thematically: Nature, Sky, Freeforms and Power, accompanied by essays from V&A jewellery curator Clare Phillips and fashion journalist Natasha Fraser-Cavassoni. Featuring more than 200 illustrations, including specially commissioned photographs, this is a stunning tribute to an enduring symbol of feminine majesty.

Contents List:

Chaumet: An Exquisite Legacy, by Clare Phillips • The Tiara: Power, Fashion and Magic by Natasha Fraser-Cavassoni • Nature • Sky • Freeforms • Power • Timeline • Endmatter

About the Authors:

Clare Phillips is a curator in the Sculpture, Metalwork, Ceramics and Glass Department at the Victoria and Albert Museum. Her publications include Jewelry: From Antiquity to the Present and Jewels and Jewelry.
Natasha Fraser-Cavassoni is the author of numerous books, including Vogue on Yves Saint Laurent and After Andy: Adventures in Warhol Land. She was the European editor for Harper’s Bazaar from 1999 to 2004.

Loulou de la Falaise is the first monograph to celebrate the life and work of the style icon and muse of Yves Saint Laurent, who became the embodiment of French chic. Renowned for her bohemian chic, daring style as well as for her lightness, nonchalance, and humor, Loulou de la Falaise was not only an influential fashion icon but also a breath of fresh air to the world of Parisian haute couture. The Anglo-French beauty assisted the designer Halston and modeled briefly for Diana Vreeland’s Vogue before moving to Paris in 1972 to work alongside the iconic designer Yves Saint Laurent.

A true original, her sense of color and fantasy and her attitude would energize the mythic house and fashion in general. For almost forty years, de la Falaise would forge her professional reputation designing extraordinary jewelry and accessories both for Yves Saint Laurent as well as for her own line. This elegant volume is a life in pictures, with over 400 images by legendary contemporary photographers, from Helmut Newton and Richard Avedon to Steven Meisel and Bettina Rheims, as well as an essay by Pierre Bergé and interviews with Loulou intimates such as Betty Catroux, Inès de la Fressange, Diane von Furstenberg, Christian Louboutin, Elsa Peretti, Paloma Picasso, André Leon Talley, and Oscar de la Renta.

A celebrated style icon from the ’60s until her death, Loulou's appetite and flair for fashion continues to be an inspiration today.

About the Authors:

Ariel de Ravenel is a Paris-based fashion consultant who runs Loulou de la Falaise’s brand and works with designer Olivier Theyskens. Natasha Fraser-Cavassoni is the Paris-based author of Sam Spiegel, Tino Zervudachi: A Portfolio, and Dior Glamour. Pierre Bergé cofounded the house of Yves Saint Laurent with his longtime partner, the celebrated couturier.

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A tortured genius and one of the most influential designers of the twentieth century, Yves Saint Laurent was responsible for revolutionising the way women dressed and viewed themselves.

During a wildly creative career stretching from 1958 to2002 Saint Laurent established a reputation for accessible, flawlessly cut clothes. He became an overnight sensation in 1958, aged 21 when he showed his 'Trapeze' collection, his first for the House of Christian Dior, following the master's death. Four years later, Saint Laurent opened his own couture house and within a few seasons was hailed by Vogue's Diana Vreeland as 'the pied piper of fashion'.

Viewed as a master colourist and admired for his choice of sultry fabrics, his great gift was creating lasting styles - described by Vogue as 'stockpiles of essentials in times of famine' - that flattered all shapes and sizes. As well as designing wardrobe classics like the 'Le Smoking' tuxedo for women, the Safari jacket, the trench and the pea coat, and introducing trousers into haute couture, he also dressed international style icons such as Catherine Deneuve, Marella Agnelli and Lauren Bacall. With his nose for the zeitgeist, Saint Laurent recognized the global power of street fashion and launched Rive Gauche, his ready-to-wear boutique line in 1966.

Christened 'The Saint' by Vogue, every element of his fashion empire, which included exhilarating couture collections, exquisite accessories and sought-after perfumes, was captured by Vogue's writers and leading photographers like Richard Avedon, David Bailey and Norman Parkinson.

This book reveals how Calvin Klein created a fashion brand that made understated, all-American glamour his own – at the same time as building a vast billion-dollar empire that includes everything from pants and jeans to perfume and pillows.

A master of minimalism, Klein’s clothes have been beautifully documented in the pages of Vogue over the years by the world’s starriest photographers, including Terry Donovan, Herb Ritts, Snowdon and Nick Knight. While Vogue also reflected the public’s fascination with his film-star handsomeness, glamorous marriage and divorces, bi-sexuality, drama and stints in rehab, the magazine understood that Calvin Klein’s success lay in the very opposite of excess: ‘His clothes simply offered women practical elegance and cool, understated chic’.

In the early 1970s, he introduced his trademark jeans, which he elevated to designer status by cutting them tight and branding his name on the back pocket. Suggestive ads (with the nubile, 15-year-old Brooke Shields cooing ‘You want to know what comes between me and my Calvins? Nothing.’) created a designer jean frenzy among consumers. In 1993, he also made sexy male underwear mainstream with an equally seductive campaign featuring the beefcake charms of the young Mark Wahlberg.

This is the ultimate handbook to an American icon.