Искусство

Into the shadows. From The Cabinet of Dr. Caligari to Drive, 100 all-time favorite film noirs and neo-noirs

Enter a world populated by private eyes, gangsters, psychopaths, and femmes fatales, where deception, lust, and betrayal run rampant. The first film-by-film photography book on film noir and neo-noir, this essential collection begins with the early genre influencers of German and French silent film, journeys through such seminal works such as Double Indemnity, The Postman Always Rings Twice, and Vertigo, and arrives at the present day via Chinatown, Pulp Fiction, Heat, and the recent cult favorite Drive.

Entries include posters, tons of rare stills, cast/crew details, quotes from the films and from critics, and analyses of the films. Film director, film noir scholar, and Taxi Driver screenwriter Paul Schrader provides the introduction to this feast of noir worship. Populated by the genre’s most revered directors, like Hitchcock, Wilder, Welles, Polanski, Mann, and Scorsese, the book also pays homage to its iconic faces, including Mitchum, Bogart, Hayworth, Bergman, Grant, Bacall, Crawford, Nicholson, Pacino, and so many more.

The 70's gave the world "Star Wars, Grease", "The Godfather", "Mad Max", "Alien", "Taxi Driver", "Texas Chainsaw Massacure", "Halloween", "Rocky" and a very blood thirsty shark who changed human perception of sharks for decades to come named "Jaws". These films along with other greats fill this book. Roger Moore also took over from Connery as James Bond and Clint Eastwood made a heap of Westerns. Find them here as well.

The 1980s was a decade in which filmmakers pulled put all the stops to dazzle audiences and make them jump out of their seats. And just as they marked the development of the special effects technology that sparked a wave of blockbuster films, the Eighties also saw the advent of the cutting edge computer techniques used by graphic artists in the promotional posters for these unforgettable films. It was the decade when filmmakers finally had the technology to transfer their visions to the screen, challenging graphic artists and illustrators to catch up, and many of its most enduring images are represented in this volume: the glow behind the lenses of Arnold Schwarzenegger's gargoyle-framed sunglasses that characterized the monolithic menace of "The Terminator"; the sarcastically simple crossed-out cartoon ghost that enticed audiences into the theaters to see "Ghostbusters"; the silhouette of the mysterious, domino-clad stranger that haunts the unbalanced mind of "Mozart in Amadeus"; the wisp of cigarette smoke that bisects the image of Sean Young's stoic face on the poster for "Blade Runner"; and many more.

The poster art presented in this volume represents the work of a new generation of graphic artists and designers, equipped for the first time with a brand new technology, in collaboration with visionary filmmakers - from Spielberg to Kurosawa, from Cameron to Ramis, from Foreman to Attenborough - who continually managed to keep our eyes riveted to the screen.

Back in the USSR. 250 film posters capture the cultural energy of the pre-Stalin era

At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the pre-Stalin Soviet Union of the 1920s and 1930s to explore the energy and invention of this period before Soviet Realism became the official art doctrine.

Drawn from the private collection of connoisseur Susan Pack, the selection includes the work of 27 different artists. From bold figuration to architectural elements, each artist displays a distinct style and aesthetic, as much as they collectively eschew the glamour of Hollywood for more stark, striking, even challenging images, often marked by unusual angles, dynamic compositions, and startling close-ups.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Back in the USSR. 250 film posters capture the cultural energy of the pre-Stalin era

At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the Soviet Union of the 1920s and early 1930s to explore the energy and invention of this period, before Soviet Realism became the official art doctrine.

Drawn from the private collection of connoisseur Susan Pack, the selection includes the work of 27 different artists. From bold figuration to architectural elements, each artist displays a distinct style and aesthetic, as much as they collectively eschew the glamour of Hollywood for more stark, striking, even challenging images, often marked by unusual angles, dynamic compositions, and startling close-ups.

About the Author:

Susan Pack graduated from Princeton in 1973. For 10 years she worked in advertising, latterly as senior copywriter at Saatchi & Saatchi in New York. She began collecting rare advertising posters in the 1970s, in due course acquiring one of the world’s foremost collections of avant-garde Russian film posters.

Actors often say they only really assume the identity of their character when they have donned the costumes painstakingly created for them by the costume designer. In this volume of the Filmcraft series, sixteen of the worlds greatest costume designers come together to share their inspiration and knowledge with the world. They provide insights into the challenges of building a team, working with budgets, and collaboration with production designers, actors and directors. Designers featured include Academy Award winners like Aggie Guerard Rodgers, Janty Yates and Lindy Hemming and nominees Julie Weiss and Mary Zophres, and BAFTA winner Michael Kaplan.

Ultimately responsible for the creative content on screen, directors are the captains of the ship on every film.

All actors and heads of department report to them. Some directors are also writers, employing unique styles of dialogue and characterisation; others, like Pedro Almodóvar, create inimitable visual and tonal styles which mark their films out from the crowd. Unlike the other volumes in the series, the directing book covers all the disciplines of the film art, from development and writing, to working with actors, designers and cinematographers, to postproduction and distribution.

Among the filmmakers giving glimpses of their processes in this volume will be US legend Clint Eastwood, Latin visonary Guillermo Del Toro as well as Park Chan-wook, Stephen Frears, Terry Gilliam, Susanne Bier, the Dardenne Brothers, Istvan Szabo, Amos Gitai and Paul Greengrass.

Du Paquier, an independently operating Viennese porcelain factory, was established in 1718, only eight years after Meissen. Although its heyday was brief, lasting only twenty-five years, Du Paquier produced porcelain of great beauty, notable for an enchantingly graceful style and consummate sophistication of execution. In three sumptuously illustrated volumes, scholars of international standing present the distinctive style and the exciting history of Du Paquier porcelain in the context of Baroque Vienna. The first comprehensive publication on this important porcelain factory, this work has been made possible through a five-year research programme conducted by the Melinda and Paul Sullivan Foundation for the Decorative Arts. The objects shown, many of them for the first time here, are in major public and private collections.

The first volume deals with the historical and stylistic background of Du Paquier porcelain: art and architecture in early eighteenth-century Baroque Vienna; furthermore, the history of the porcelain factory, its style and its manifold sources of inspiration as well as Du Paquier’s relationship to Meissen and the role played at Du Paquier by independent porcelain painters and decorators (Hausmaler). The second volume places this Viennese porcelain in its cultural context, providing broad-ranging information on court banquet ceremony as well as private pleasures such as drinking and festive dining. Objects used in aristocratic circles are shown along with choice presents of state made to the Ottoman and Russian courts. In addition, this volume contains a new study on the Dubsky Room, the only room still in existence devoted to Du Paquier porcelain. The contents of the third volume include an annotated catalogue comprising approx. 500 objects, scholarly analysis and a chapter on the history of collecting Du Paquier porcelain, an inventory of the Dubsky Room, a bilingual glossary of terms and a complete bibliography. An enclosed CD-ROM contains transcriptions of original documents that have played an important role in the history of the Du Paquier porcelain factory.

The arts in Baroque Vienna represent the cultural background for the magnificent Du Paquier porcelain. These lavishly designed books provide a comprehensive introduction to this courtly society and the distinctive porcelain made by Du Paquier. Essays by distinguished scholars in the field make this publication a standard work, not only for specialists but also for collectors and connoisseurs of porcelain as well as anyone interested in the Baroque era.

Authors: Meredith Chilton | Johann Kräftner | Claudia Lehner-Jobst | Ghenete Zelleke | Johanna Lessmann | Sebastian Kuhn | Katharina Hantschmann | Samuel Wittwer

Between these pages are images of the original acetate rubbings from Charlie Wagner's turn of the 20th-century tattoo shop, The Black Eye Barbershop, in the Bowery at Chatham Square in New York.

This is the only known art that has survived from this shop, where Samuel J. O'Reilley's modern-day electric tattoo machine was born and patented. The imagery of this classic flash preserves the origins of American tattoos when tattoo art was transferred to the client from these templates via an acetate stencil. Everything was done by hand until O'Reilley's electrified tattoo machine changed history.

This rich heritage of folk art has more than 900 individual pieces of flash that provide commentary on the shop's clientele and reveal some of the social, economic, and political ideas of the time. Including nautical themes, Asian imagery, flowers, boxers, circus characters, and plenty of girls, this is an exciting collection of early American flash and a necessary book for the tattoo artist, aficionado, and student.

Flemish painting flourished from the early 15th century until the 17th century to Belgium and Holland. Flanders delivered the leading painters in Northern Europe and attracted many promising young painters from neighbouring countries. The most famous painters of the period were from Flanders and their influence went across all of Europe.

The first major survey of artist Katherine Bradford, renowned for her wholly personal paintings of swimmers, bathers, and superheroes.

Known for her vibrant palette and eccentric compositions, Katherine Bradford came to prominence late in life, when her unique style of painting finally garnered critical acclaim in the art world. The artist’s paintings are populated by a wide-ranging cast of characters—from swimmers to superheroes to, most recently, mothers—who anchor and connect her work across time and media. Her figures, who often defy society’s expectations of women (and other gender norms), thus serve as surrogates for a mother, painter, and lesbian coming of age at the turn of the twenty-first century. Featuring more than twenty years of her work, Flying Woman: The Paintings of Katherine Bradford considers the artist’s many themes, her ongoing exploration of different painterly modes, and her lifelong fascination with color.

About the Author:

Jaime DeSimone is the Robert and Elizabeth Nanovic Curator of Contemporary Art at the Portland Museum of Art in Maine. Nancy Princenthal is a New York–based art writer.

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Пролистать книгу Flying Woman: The Paintings of Katherine Bradford

Concepts in space. Artworks as visual explanations of ideas

Italian artist Lucio Fontana tore apart the modern art establishment — literally. Trained initially as a sculptor, Fontana (1899-1968) blurred the lines between painting and sculpture by creating works that combined both form and color in a spatial context, most famously exemplified by his slashed canvases of the 1950s and 60s. Fontana`s work was truly conceptual, in that the ideas he wanted to express were more important than the actual work itself; with titles like Concetto Spaziale (Spatial Concept) and Scultura Spaziale (Spatial Sculpture), his pieces served as visual explanations of his ideas. From his early work in collaborating with architects through his years in Buenos Aires (where, in the mid-1940s, he published the famous "White Manifesto" and "Technical Manifesto of Spatialism," among others), his experimental light installations of the early 1950s, and his later experiments with various media, this book covers the entire career of Italy`s pioneering abstract artist.

About the Series:
Each book in TASCHEN’s Basic Art Series  features:

• a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
• a concise biography
• approximately 100 colour illustrations with explanatory captions

The author:
Barbara Hess (b. 1964) is an art historian, critic and translator, resident in Cologne. Her numerous articles on contemporary art have featured in Camera Austria, Flash Art, Kunst-Bulletin and Texte zur Kunst. She co-curated the touring exhibition Ready to Shoot: Fernsehgalerie Gerry Schum/videogalerie schum at the Kunsthalle Düsseldorf and the Musée d’Art Moderne de la Ville de Paris. Her TASCHEN titles include a monograph on Willem de Kooning.