Мистецтво

Після приголомшливого успіху першого тому серії Dark Inspiration 2 відкриває нову територію у світі жахливої ​​естетики, демонструючи найкращі нові твори мистецтва в жанрі, які неодмінно викликають занепокоєння та тривогу.

Ця нова колекція досліджує демонів, які переслідують усіх нас: від зображень наших найпервісніших страхів до сцен смерті та поранень. Деякі виглядають як кошмарні видіння, які наснилися та, сподіваємось, забули, інші є незрозумілими картинами, які обов’язково спантеличать і здивують. Всі захоплюючі. У різноманітних носіях, включаючи цифрові та ручні ілюстрації, скульптури, фотографії тощо.

Художники: Алекс Гарант, Антон Семенов, Ден Хіллієр, Даніель Мартін Діас, Еліза Анкорі, Евелін Бенчікова, Фіона Робертс, Фуко Уеда, Ханнес Гуммел, Януз Міраллес, Джонсон Цанг, Кеті Хоран, Кім Сімонссон, Лета Собірайскі, Лола Дюпре, Ніколетта Чекколі та багато інших.

____________

Захоплення та страх перед невідомим і неконтрольованим у житті були постійною темою мистецтва. Це містичне почуття часто призводить до сильного внутрішнього потягу досліджувати глибини людських душ. Для художників незвідані території не встановлюють кордонів для уяви. Те, що здається моторошним, апокаліптичним світом, є лише правдивим відображенням реальності у свідомості цих митців.

Темне натхнення 2, що торкається дивовижної сфери гротеску та окультизму, — це багатий витвір неймовірного мистецтва, створеного понад 50 художниками з усього світу. Дитячі мрії, старий фольклор і таємниці, а також хворобливе захоплення смертю та душевним болем поєднуються, щоб дослідити смертні гріхи, існування та стосунки людини зі Всесвітом. Охоплюючи ілюстрації, скульптури, інсталяції, фотографії та сценографію, чуттєва колекція продовжує ритуал свого першого тому, щоб зібрати різноманітні похмурі та скорботні вирази, які водночас привабливі, збентежені та надихаючі.

Since the late eighteenth century, numerous artists have been enthusiastic about the sublimity of nature, the purity of emotion, melancholy, and loneliness while at the same time feeling drawn to the abysses of the human condition, as is manifested in times of war and economic crisis. Their works tell of passion and death; their themes deal with the mysterious, the uncanny, the irrational, the fantastic, the grotesque, and evil. They feature social outcasts: madmen, criminals, beggars. In 1930 the literary theorist Mario Praz coined a term for this, “Dark Romanticism,” but it has yet to have been thoroughly examined by art theory.

This publication is the first to investigate in detail the relations among the Romantic, Symbolist, and Surrealist movements, presenting Romanticism as a recurring sentiment that was embraced throughout Europe and endured into the twentieth century.

Loving the Alien. Behind the scenes of Nic Roeg’s 1976 sci-fi masterpiece starring David Bowie

Haunting, hallucinatory, and with a mesmerizing lead role performance from David Bowie, Nic Roeg’s The Man Who Fell to Earth is a cult piece of science fiction. This book gathers a bumper collection of stills and behind-the-scenes images by unit photographer David James, including stunning shots of Bowie as humanoid alien Thomas Jerome Newton.

First advertised as a “mind-stretching experience,” Nicolas Roeg’s 1976 The Man Who Fell to Earth stunned the cinema world. A tour-de-force of science fiction as art form, the movie brought not only hallucinatory visuals and haunting exploration of contemporary alienation, but also glam-rock legend David Bowie in his lead role debut as paranoid alien Newton.

Based on Walter Tevis’s 1963 sci-fi fable of the same title, The Man Who Fell to Earth follows alien Newton from his arrival on earth in search of water; his transition to wealthy entrepreneur, leveraging the advanced technologies of his native planet; his sexual awakening with the young Mary-Lou; and then the discovery of his alien identity, his imprisonment, abandonment, and descent into alcoholism. Throughout, Roeg coaxed a beguiling performance from his cast, presenting not only Bowie in ethereal space-traveller glory, but also pitch-perfect supporting performances from Candy Clark, Rip Torn, and Buck Henry.

TASCHEN’s The Man Who Fell to Earth presents a plenitude of stills and behind-the-scenes images by unit photographer David James, including numerous shots of Bowie at his playful and ambiguous best. A fresh introductory essay explores the shooting of the film and its lasting impact, drawing upon an exclusive interview with David James, who brings first-hand insights into the making of this sci-fi masterwork.

The editor:

Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

The first monograph on the internationally renowned fashion artist David Downton.

With a foreword by Christian Lacroix, and an afterword by Dita Von Teese, this book showcases more than 150 of David’s drawings of celebrated women from the worlds of film, fashion and style.

The illustrations are enlivened by fascinating anecdotes revealing behind-the-scenes stories, and by specially commissioned photographs documenting the glamour of portrait sittings in London, Paris and New York.

About the Author:

David Downton has gained a reputation as one of the world’s leading fashion artists. His classically elegant yet highly contemporary images have been a strong factor in the resurgence of interest in fashion illustration. David’s natural ability with the human form and economy of line rapidly led to a hugely successful career working with, among others, Vanity Fair, Vogue, Harper’s Bazaar, V magazine, Chanel, Tiffany’s New York, Van Cleef & Arpels, Harrods, Topshop and the V&A.

This consideration of Hockney's work from 1960 to the early nineties dispels myths and opens up new lines of inquiry concerning his contributions to post-modern art. Filled with beautiful color plates of his paintings, the book draws on extensive research and the artist's personal archives. In a broad chronological format the book reveals the major phases in Hockney's oeuvre: his early years as a student at the Royal College of Art in London and his ironic experimentation with different styles of painting; his images of life in southern California; his highly personal portraits and their studies in perspective; his reinterpretations of modernist paintings; and his forays into photo-collage.

The authors' incisive commentary reveals how Hockney's paintings question, parody and undermine accepted ideas about modern art, while forcing us to reconsider our assumptions about originality and creativity.

This summer 2016 publication brings together the recent body of work by David Hockney, perhaps the most popular and versatile British artist of the last century.

Following his sweeping exploration of landscape in the Royal Academy’s galleries in 2012, this focused display will look exclusively at the portraits he has been painting in the last few years – the subjects of which are friends, family and art-world luminaries. After the sad events that touched his life in 2012, Hockney had stopped painting altogether. His move from Yorkshire to California coincided with his decision to revisit acrylic paints and bold colours.

Vibrant, observant and full of life, these portraits mark a return to vivid, Technicolor form. Incisive text from Tim Barringer places these works within Hockney’s development as a portrait painter, while curator Edith Devaney interviews the artist about the series, which he describes as ‘twenty-hour exposures’, in reference to the time each portrait takes to paint.

The book will show the stages of each painting, from first to last mark, to give the reader a unique insight into Hockney’s working method.

About the Authors:

Tim Barringer is the Paul Mellon professor of the history of art at Yale University.
Edith Devaney is head of the Royal Academy Summer Exhibition and curator of contemporary projects at the Royal Academy of Arts, London.

A set of a book and four CDs. Lifestyle, fashion and sightseeing in New York - a day in pictures and music in one of the world`s most impressive cities. The day ends where it began, with a view of the night skyline in the most exciting city in the world. The CDs feature music, which accompanies us through the day.

Greek-born Italian painter Giorgio De Chirico (1888-1978) was hugely influential in the early years of the Surrealist movement. His paintings during the teens in Paris, where he moved in 1911, caused such a stir that such important figures as Picasso and Paul Eluard immediately praised them. This phase of his work, which he later termed pittura metafisica (metaphysical painting) was marked by dramatic compositions involving sharp perspective, striking shadows, geometrical planes, voids of space, and a general feeling of anxiety and loneliness; the sense of absurdity evoked by the mannequin-like figures in almost nightmarish landscapes seemed to suggest a Freudian expression of the unconscious. After 1930, De Chirico turned to a more classical style of painting and continued in the same vein for the rest of his career; his later work was widely criticized, especially by the Surrealists who had so admired his early paintings.

About the Series:

Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Pittura Metafisica. The brooding spaces of Giorgio de Chirico

With his Pittura Metafisica, Greek-born Italian painter Giorgio de Chirico was a highly influential figure in the 20th-century avant-garde. Allied to the Surrealist movement, he developed a compelling style composed of sharp perspectives, striking shadows, ominous voids, and lonely figures, at once dreamlike, anxious, and brooding.

With his Pittura Metafisica, Greek-born Italian painter Giorgio de Chirico (1888–1978) was a major influence in Europe’s interwar avant-garde, hailed by the likes of Pablo Picasso and Paul Éluard.

The artist’s Pittura Metafisica set statues or mannequin-like figures in exaggerated one-point perspective spaces including city squares, receding arcades, distant walls, or claustrophobic interiors. Sharp perspectives, striking shadows, geometrical planes, and voids of space crafted a compositional drama and lurking mood of anxiety and loneliness.

The paintings set out to disquiet, to make the viewer reassess the nature of reality and search beneath its appearances for elusive memories and unexpected insights. While the Surrealists around Breton turned to Freud’s theories of the unconscious, de Chirico was fascinated by Nietzsche.

This dependable artist introduction explores all the ominous shadows and brooding corners of de Chirico’s Pittura Metafisica as well as his later development into a more classical style, a shift widely criticized by the Surrealists who had so admired his early paintings.

The author:

Magdalena Holzhey studied art history, Italian, and musicology in Berlin and Pisa. She held various academic and curatorial positions in galleries and museums, including the K20 Kunstsammlung Nordrhein-Westfalen in Düsseldorf, before becoming Curator of Collections of the Kunstmuseen Krefeld. She has published widely on classical modernism and contemporary art.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Published in conjunction with the large-scale, all-medium, posthumous retrospective of Willem de Koonings career at The Museum of Modern Art (MoMA), this book offers an unparalleled opportunity to appreciate the development of the artists work as it unfolds over nearly seven decades.

Representing nearly every type of work de Kooning made, in both technique and subject matter, this retrospective includes paintings, sculptures, drawings and prints. Among these are the artists most famous, landmark paintings among them Pink Angels, Excavation and the celebrated third Woman series plus in-depth presentations of all his most important series, ranging from his figurative paintings of the early 1940s to the black-and-white compositions of 1948-49, and from the urban abstractions of the mid 1950s to the artists return to figuration in the 1960s and the large gestural abstractions of the following decade.

Also included is de Koonings famous yet largely unseen theatrical backdrop, the 17-foot-square Labyrinth (1946). With lavish, full-colour documentation, this volume is the most complete account of de Koonings career ever published.

Goddess of the Automobile Age

The changing aspects of femininity and masculinity

Tamara de Lempicka (1898-1980) stood at the center of the sophisticated Paris art world of the 1920s and 30s. Her love for beautiful women, elegant automobiles, and the modern metropolis provided not only motifs for her pictures, but also influenced her artistic style.

Simultaneously with her career as artist, Tamara de Lempicka pioneered a new image of life on the screen, evident in the new, self-confident woman and the changing aspects of femininity and masculinity. The same sense of style was reflected in a futuristic cult of speed, domestic design forms promulgated by the Bauhaus, and the dandyism of a George Brummell. Tamara de Lempicka’s best-known painting, "Self-Portrait, or Tamara in a Green Bugatti", presents the artist as a female dandy brimming with cool elegance.

Whether as an Art-Déco artist, a post-Cubist or a Neoclasissist, de Lempicka struck the taste of a cosmopolitan (and wealthy) public that found its own image reflected in her work.

About the Series:
Every book in TASCHEN's Basic Art Series features:

• a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
• approximately 100 color illustrations with explanatory captions
• a concise biography

Freewheeling. Tamara de Lempicka, icon of Art Deco

Tamara de Lempicka (1896 1980) lived art in the fast lane. With an appetite for glamour and fame as much as Left Bank bohemianism, she fled her native Russia after the Bolshevik revolution and set about taking Paris by storm. Her prolific, monumental oeuvre remains one of the most vivid documents of 1920s Art Deco. 

De Lempicka s style deployed cool colors and tight, post-cubist forms into an at once neoclassical and voluptuous figuration. Her subjects, often nude, are sensual, aloof, and powerful. Bedecked in seductive light and textures, they command our attention but typically avert their gaze with an aspect of haughty grandeur. Her subjects include both high-society patrons and progressive portraits of emancipated and lesbian women, such as Women Bathing, Portrait of Suzy Solidor, and her notorious Self-Portrait in the Green Bugatti, showing Tamara behind the wheel. A vision of speed, sophistication, and independence, the work was commissioned for the cover of German magazine Die Dame, which defined de Lempicka as the epitome of women s liberation. 

Through some of her finest, most compelling portraits, this introduction to de Lempicka explores the artist s unique visual language and its privileged place not only in the annals of interwar art but also in the history of female artists and in our collective consciousness of the Roaring Twenties.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Disturbing, Macabre and Moving

Disturbing, macabre and moving: the images in this book examine our endu- ring desire to make peace with death. Chosen from the spectacular collection of a death-obsessed print dealer from Chicago, Richard Harris, they include art from an array of time periods, places and traditions. Works by Linda Connor, Robert Mapplethorpe, Andy Warhol, Otto Dix and Francisco Goya are shown alongside Renaissance vanitas paintings, Japanese Ukiyo-e woodcuts, photographs of Mexico’s Day of the Dead and eerie snapshots from the 1900s of anonymous sitters posing with skulls and skeletons.

The book is divided into five sections (Contemplating Death, The Dance of Death, Violent Death, Eros & Thanatos, and Commemoration), each accompanied by a short introductory text. In these pages we are presented with some of the many faces of death: violent and cruel, benign and playful; death the friend and death the enemy. The epitome of terrible beauty, this book is a reminder of the end awaiting us all.

TASCHEN's Decorative Art series, whose six installments span the 20th century up through the 1970s, carefully reproduces the best of Decorative Art, The Studio Yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. Preserving the yearbooks' original page layouts, TASCHEN's Decorative Arts books bring you the authentic experience of each decade's design trends and styles.

Decorative Art 1950s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on bother sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities, and these new homes reflected the new style.

While European design was extraordinarily inventive, American design was looking to an idealized vision of the future - between them a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti.

Postwar boom decor. Design trends and styles of the 1950s

Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers.

TASCHEN’s Decorative Art 50s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on bother sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities and these new homes reflected the new style. While European design was extraordinarily inventive, American design was looking to an idealized vision of the future — between them, a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti.

The editors:

Charlotte Fiell, Peter Fiell have written numerous TASCHEN books, including 1000 Chairs, Design of the 20th Century, Industrial Design A–Z, Scandinavian Design, Designing the 21st Century, Graphic Design for the 21st Century, 1000 Lights and Contemporary Graphic Design. They also edited TASCHEN’s Decorative Art series and the 12-volume Domus 1928–1999.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!