Искусство

The exquisite objects created by goldsmith and jeweler Peter Carl Fabergé and his studio in the late 19th and early 20th centuries for the aristocracy and nobility of imperial Russia are considered to be some of the most refined examples of the jeweler's art of any age. Of greatest fascination are the extraordinary Easter eggs created as special commissions for the Russian imperial family and other notable patrons - works that remain unparalleled in their ingenuity of construction and sheer beauty.

Accompanying a major exhibition Faberge Revealed represents a landmark for the Virginia Museum of Fine Arts and for Fabergé scholarship. The essays by Géza von Habsburg and other scholars present new findings on Fabergé, his workshops, and the creation of these extraordinary objects. For the first time all items by or attributed to Fabergé in VMFA's collection are documented along with the museum's significant holdings of other Russian decorative arts. Also included is a section on forgeries that bravely confronts this vexing question. Every object has been splendidly re-photographed for this book - and the detailed photography alone should provide inestimable value for future Fabergé scholarship.

Richly illustrated with some 600 photographs, the volume documents an important collection bequeathed in 1947 to the Virginia Museum of Fine Arts by Lillian Thomas Pratt, of Fredericksburg, Va., the wife of General Motors executive John Lee Pratt. Her collection, assembled between 1933 and 1946, comprised several hundred creations by the Faberge workshops and by other Russian imperial jewelers. These exquisite, marvelously crafted objects, range from the majestic jeweled imperial eggs to delicate jeweled flowers in vases to diamond-encrusted icons and tiaras, to animal figures nimbly carved from precious stone.

Contents:
Introduction by Géza von Habsburg
Chapter 1: The House of Fabergé/by Géza von Habsburg
Chapter 2: Behind the Scenes at Fabergé: The St. Petersburg Workshops/ by Ulla Tillander-Godenhieim
Chapter 3: Fabergé and His Russian Competitors/ by Géza von Habsburg
Chapter 4: Fabergé and His Foreign Competitors
Chapter 5: Mrs. Pratt's Imperial Easter Eggs / by Carol Aiken
Chapter 6: The Zarnitza Sailor and His Place in History / by Christel Ludewig McCaniess
Chapter 7: Fabergé and Grand Duchess Vladimir / by Alexander von Solodkoff
Chapter 8: Lillian Thomas Pratt and A La Vieille Russie: A Personal Relationship/ by Mark Schaffer
Chapter 9: Fauxbergé / by Géza von Habsburg
Catalogue: Fabergé/Other Makers/Forgeries

About the Author:

Géza von Habsburg is an internationally known author and authority on Faberge who has served as curator and organizer for a number of Fabergé exhibitions in the United States and abroad, among them Fabergé, Jeweler to the Tsars (1986-87) at Kunsthalle der Hypo-Kulturstiftung in Munich, Germany, and Fabergé in America, which was shown at VMFA and 4 other U.S. venues (1996-97), and Faberge, Imperial Court Jeweler, which was shown in St. Petersburg, Paris, and London (1993-94). He has written or co-written 9 books on Faberge and related topics. Von Habsburg is the grandson of King Frederick Augustus III of Saxony and great-great-grandson of Emperor Franz-Joseph of Austria. He is currently the curatorial director of the London-based Fabergé Company.

As two of the most acclaimed fantasy artists working today, Boris and Julie have produced art for album covers, trading cards, posters and calendars for (in Boris' case) 30 years – as well as having 15 books of their work published under the Paper Tiger imprint.

During their careers Boris and Julie have become most famous for their paintings of the female form and this book is a collection of their greatest fantasy women.

The Fabulous Fantasy Women of Boris Vallejo and Julie Bell contains approximately 100 illustrations arranged thematically; these are divided into areas such as Amazonian women, Mermaids and Fighting women.

Nigel Suckling writes the introduction, the narrative accompanying the paintings and additional captions for many of the pieces

This new publication about the artistic collaboration Faile documents its work with the medium of wood.

Together, Patrick McNeil and Patrick Miller are Faile. Although their art has its roots on the street, their work clearly demonstrates that street art no longer solely belongs there. What began on city walls and asphalt is now shown, with much success, in galleries and museums and can be found in living rooms and on everyday objects. In their numerous projects, activities, exhibitions, and images, Faile shows how much fun art can be and how much fun they have making it.

Patrick McNeil and Patrick Miller have been working with wood since they founded Faile in 1999. Now, Faile: Works on Wood showcases their exploration of wood as an integral material in their practice from past to present. The book follows Gestalten s two bestsellers Faile: Prints + Originals 1999 2009 and Faile Temple.

Faile: Works on Wood presents a -compelling spectrum of projects and -craftsmanship that plays with the diversity of wood in terms of its uses and look and feel from early street art using salvaged material to more recent projects using apple boxes as well as their towering installation at the New York City Ballet.

The book introduces their Faile Puzzle Boxes, each of which contains 88 wooden blocks painted on six sides that can be moved and turned to create countless visual possibilities. It also includes their sculptural, carved Prayer Wheels, which are engineered to spin in place while people meditate to their favourite Faile images. Featuring beautiful colour reproductions and several new essays on their practice, Faile: Works on Wood takes readers on a journey of discovery through the artists work with this medium. In the process, the book shows that street art is not a momentary trend, but rather an independent art form.

Painter Jack Vettriano emerged from the unlikely background of the Scottish coalfields – unknown and untutored – and has seen his canvases hung in the Royal Scottish Academy. His first exhibition sold out, then the second. He sent the maximum, three paintings, to the Royal Academy summer show in Piccadilly; all three were hung. Alongside over forty Vettriano paintings are stories, poems, dialogue from plays, and other fine examples of Scottish writing.

W Gordon Smith, playwright and art critic, has woven an anthology of new and old writing round the painter’s images, complementing them, matching their moods, extending the lives of his characters beyond their frozen moments on canvas. Some of Scotland’s most accomplished writers have accepted the challenge to put their imagination into free fall and, by interpreting Vettriano’s paintings in such diverse ways, plunder some of their mysteries and perhaps go some way towards explaining their unique appeal.

Alongside 40 Vettriano paintings are stories, poems, dialogue from plays, an other fine examples of Scottish writing. Smith has woven an anthology of new and old writing round the painter’s images, complementing and extending them.

About the Author:

Jack Vettriano is entirely self-taught. A Scotsman of Italian descent, he left school at sixteen to become a mining engineer working down the Fife coalfields. For his twenty-first birthday a girlfriend gave him a set of watercolour paints and from then on, he spent much of his spare time teaching himself to paint. His first solo exhibition in Edinburgh was a sell-out and since then he has had solo exhibitions in London, Hong Kong and New York. Over the last twenty years, interest in Vettriano’s work has grown consistently. Vettriano’s best known painting, The Singing Butler, was sold at Sotheby’s for close to £750,000. He was awarded an OBE for Services to the Visual Arts. In 2013, a major twenty year Retrospective exhibition of Vettriano’s work was staged at Kelvingrove art Gallery and Musuem in Glasgow. He lives in Edinburgh.

This is a book to be cherished by everyone with an interest in society, collecting and the very best of jewelry art. The authors, both international jewelry experts, not only offer a rare opportunity to view a fabulous treasure trove of jewels, but also reveal the stories behind the jewels and their collectors.

For many centuries the collecting of precious gems and the jewelry fashioned from them was the exclusive prerogative of kings and queens, emperors, popes and maharajahs. But in the last hundred years movie goddesses, opera singers, industrialists and rock stars have joined those with the means to deck themselves in glittering bracelets, necklaces and earrings.

Most of what we know about the jewelry collections of recent times has been revealed through the auctions that have taken place after the collectors’ deaths. The famous sale of 1987 uncovered the full extent of the dazzling designs which belonged to the Duchess of Windsor. By the same token, as this book so handsomely shows, the collections of such society women as Daisy Fellowes, Mona Bismarck and Barbara Hutton can now be appreciated and described in detail. And among the royals and aristocrats are HRH the Princess Royal (Princess Mary) of Great Britain and the noble German family of Thurn und Taxis; from the world of film and entertainment stars like Merle Oberon, Joan Crawford and Ava Gardner.

Otherworldly works

This book brings together a colorful mixture of various works focusing on themes of the fantastic and surreal, starting with Böcklin’s "Toteninsel" and including Dorothea Tanning, Max Ernst, Hans Bellmer`s dolls, the Australian painter Sidney Nolan, Giger’s monsters, Cattelan’s pope, and the Chapman brothers` hybrids, as well as surreal painting from Magritte and Delvaux, the mystical and sensual work of Gustav Klimt, and Frida Kahlo`s dreamlike self-portraits.

Artists featured: Balthus, Hans Bellmer, Arnold Böcklin, Fernando Botero, Maurizio Cattelan, Jake and Dinos Chapman, Salvador Dalí, Paul Delvaux, Peter Doig, Alfred Kubin, James Ensor, Max Ernst, Ernst Fuchs, Frida Kahlo, Gustav Klimt, Joan Miró, Sidney Nolan, Odilon Redon, Dorothea Tanning, Franz von Stuck, Andrew Wyeth

About the Series:
Each book in TASCHEN's Basic Genre Series features:

• a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period
• a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist
• approximately 100 colour illustrations with explanatory captions

The author:
Walter Schurian studied psychology, sociology, and anthropology. Based in Vienna, he has been professor of psychology at Westfälische Wilhelms-Universität in Münster since 1973 and is the author and editor of numerous publications focusing mainly on Austrian contemporary art.

Посмотреть русскоязычное издание книги Fantastic Art - Фантастическое искусство

The sequel to the best-selling Fantasy Art Now, this volume catches up with some of the most talented and inspiring artists from around the world. Showcasing the latest, cutting-edge fantasy artwork and design, this book also provides insights from the artists into how their work is created. A stunning showcase of images from leading fantasy artists, this essential collection is a must have whether you are a fantasy artist, or simply a fan of the genre.

Fantasy Art Now sees some of the finest, freshest and most exciting talents in the world of fantasy illustration brought together for the first time in one luxurious showcase volume. Creators from across the globe are represented in a book that looks forward rather than back in its approach to fantasy art. Clint Langley, Greg Staples, Glenn Fabry, James Rayman, Linda Bergkvist, Liam Sharp, Jason Chan, Aly Fell, Aaron Sng and Robert Chang are just a few of the new generation of fantasy artists included. This is not a book of retrospectives, but examines what illustrators and painters are creating now – whether it’s for the latest graphic novel, book cover, trading card set or computer game. Heralding the new wave of contemporary fantasy creators and their endlessly adaptable new media, this book is must for all fantasy art aficionados.

Following the highly successful Fantasy Workshop, the ImagineFX team is back with the ultimate guide for digital and fantasy artists who want to take their skills out of this world.

Referencing such programs as Photoshop, Illustrator, and Corel Painter, Fantasy Creatures explains how to go from basic “pencil” roughs to first-stage line art to finished color art.

Step-by-step instruction and screen grabs show artists how they can use the latest techniques to create a variety of mythical and futuristic creatures, fight scenes, habitats, and close-ups.

Of all the riches of the sixteenth-century European nobleman, none spoke more powerfully of his heroism, wealth and taste than his armour, clothing and weapons. Drawing on the V&A's popular arms and armour collection, Angus Patterson looks at the suits designed to kill, protect and impress. From parade suits, lavishly embossed and gilded, decorated with plumes of ostrich feathers and draped with colourful silk sashes to swords, daggers, pistols and gunpowder flasks slung from elaborate belts, detailed new photography alongside paintings and sculpture bring medieval and renaissance fashion to life

In this lavishly illustrated book, a renowned editor at British Vogue examines the links between fashion and jewelry.

For as long as we’ve been dressing, we’ve been adorning ourselves with embellishments for ears, hands, wrists, waist and fingers. And as fashion trends evolve, so do trends in jewellery. Here, jewellery expert, Carol Woolton demonstrates how the worlds of fashion and jewellery have become increasingly integrated over the last century. From the corset-bound silhouettes of the turn of the century, with their elegant drop earrings and delicate chokers, to the free-flowing kaftans of the 1970s, adorned with chunky, earthy bangles and beads - major trends and designers are featured in double-page spreads that offer endlessly fascinating and informative texts and illustrations. Profiles of icons from Coco Chanel and Harry Winston to Princess Diana and Michelle Obama reveal the interplay of personality and history in the world of fashion. And as jewellery from Chanel, Boucheron, Van Cleef & Arpels and others was shown for the first time alongside haute couture in this year’s Paris Fashion Week, Woolton explores how brands have made the most of this trend. Gorgeous photography from the archives of Condé Nast, Sotheby’s, and many fine jewellers bring precious metal and twinkling gems to glorious life on the pages of this book.

This title presents the work of some of the top international illustrators from 26 countries and organizes it into three styles. Some are sensualists who work in ink or acrylic, using brushstrokes, layered colour, and textured papers and paints. Others focus on characters: gamine girls with eyes a la Twiggy; or sophisticated elegant figures who carry on the tradition of the 50s diva. Also included in the book is the work of technocrats - designers who work on the computer - as well as work from artists private collections, and international fashion magazines. This work is designed to be a reference guide for media and fashion industry professionals and a textbook for students.

Even before the advent of haute couture, Paris was a great centre of fashion. During the second half of the nineteenth century, when the capital was transformed by an ambitious urban plan, its residents responded in kind, wearing styles as polished and modern as the city itself in order to participate in the exciting new social scene. Featuring famed paintings by such Impressionist masters as Degas, Cassatt, Manet, Monet and Morisot, this delightful book revisits the world of Parisian fashion through the eyes of first-hand observers. Thematic chapters present a gallery-like ensemble of paintings that follow in the footsteps of stylish Parisians as they stroll in the parks and boulevards, meet friends at cafes, take in the theatre, relax at home and go on holiday. In an extended narrative-style caption to accompany each image, fashion and art historian Debra N. Mancoff offers a detailed discussion of what men and women wore and how their dress defined them. To complete the picture, illustrated interludes, providing glimpses into dressmaking, corsetry and millinery, the origins of couture and the rise of the department store, reveal how Paris became the fashion capital of the world.

Created with the catwalk and couture in mind, fashion jewellery is characterized by its creativity and originality. It is one of the most exciting fields in fashion today.

Arranged by designer, this compact edition showcases contemporary catwalk and couture jewellery, profiling 33 international fashion jewellers who combine traditional and ultra-modern techniques in their designs. The stunning images in the book feature collaborations with leading fashion designers such as Lanvin, Vivienne Westwood, Alexander McQueen and Comme des Garçons, as well as collections for directional fashion stores such as Colette and 10 Corso Como.

Fashion Jewellery provides inspiration for designers, jewellers and students of fashion, offering a unique insight into the working methods of a new generation of jewellers. Showcasing skilled craftsmanship, unusual materials and an often limited-edition approach, this beautifully illustrated book harnesses the spirit of couture for the 21st century.

About the Author:

Since graduating from Central Saint Martins, freelance writer and editor Maia Adams has contributed fashion and lifestyle articles to publications including British Vogue, Elle, The Guardian, The Sunday Times Travel Magazine and Wallpaper*. Based in London, Maia is also a visiting lecturer on the fashion degree courses at Barcelona’s Design Institute and the University of the Creative Arts in the UK.