Мистецтво

Протягом століть історії найвидатніших світових колекцій ювелірних виробів зберігалися в архівах Christie's, відомих аукціоністів. Від трагічних європейських королев, Марії, королеви Шотландії, та Марії-Антуанетти (обом обезголовленим) до голлівудських королівських осіб, таких як Елізабет Тейлор, сховища виблискують найвідомішими (а часом і сумнозвісними) іменами останніх 250 років. Після успіху своїх книг про Boucheron: The Secret Archives, Van Cleef & Arpels: Treasures and Legends та Mellerio: Jewellers to the Queens of Europe, автор Вінсент Мейлан досліджує ці чудові архіви ювелірних виробів, вперше розкриваючи таємниці, що в них зберігаються.

Кожен продаж мав свою інтригу, кожен свою історію. Перший аукціон ювелірних виробів британської королівської родини відбувся в Christie's у 1773 році, після смерті принцеси Уельської, матері Георга III. Як показують архіви, у наступні століття Christie's брав участь у продажу ювелірних виробів кількома наступними поколіннями британської королівської родини, від леді Патрісії Рамзі та графині Саутеск до принцеси Маргарет, графині Сноудон. А після революції та царевбивства на Christie's були продані коронні коштовності Франції, Росії, Баварії, Сербії, Єгипту, Індії та Іспанії. Окрім Елізабет Тейлор, тут також представлені легендарні колекції кінозірок Мерл Оберон та Глорії Свансон, а також найвідоміші перли та діаманти у світі; кожен з них досліджено в контексті визначного життя їхніх власників.

Вправно куруючи великі архіви, Вінсент Мейлан виклав ключові деталі кожного знаменного продажу. Оригінальні документи зі сховищ відтворені в книзі разом із сотнями кольорових ілюстрацій коштовностей та їхніх власників.

Про автора:

Вінсент Мейлан — спеціаліст з дорогоцінного каміння та високих ювелірних виробів, а також автор кількох біографій та праць з історії дорогоцінного каміння, зокрема Queens' Jewels (Assouline, 2005), Boucheron: The Secret Archives ISBN 9781851496679 (ACC, 2011) та Van Cleef & Arpels: Treasures and Legends ISBN 9781851497706 (ACC, 2014).

February 2005 marked the ephemeral installation of a monumental work of art by Christo and Jeanne-Claude in New York City’s Central Park. First conceived in 1979 and rejected by New York City government in 1981, the project was approved by Mayor Michael Bloomberg’s administration in 2003. The work of art consisted of 7503 16-foot-high vinyl gates with saffron-colored fabric panels on twenty-three miles of the Park’s walkways. Seen from the buildings surrounding the Park, The Gates looked like a saffron flowing river, while those walking through them experienced the ambience of a fluid golden ceiling. Financed entirely by Christo and Jeanne-Claude through their C.V.J. Corporation, The Gates were assembled and installed by thousands of paid workers. Completed on February 12, 2005, The Gates remained in place for sixteen days, after which they were removed and the materials recycled. The work of art was free for all visitors, who continued to use Central Park during the whole process. This historic event provided a memorable and joyous experience for New Yorkers and visitors. This book, which documents the entire project from its beginnings in 1979 to its completion in 2005, is the perfect souvenir for who want to remember this ephemeral work of art. Christo and Jeanne-Claude, both born on June 13, 1935, have been working in collaboration since 1961. Previous large-scale projects include Wrapped Coast, Australia, 1968–69, Valley Curtain, Grand Hogback, Rifle, Colorado, 1970–72, Running Fence, Sonoma and Marin Counties, California, 1972–76, Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980–83, The Pont Neuf Wrapped, Paris, 1975–85, The Umbrellas, Japan–USA, 1984–91, Wrapped Reichstag, Berlin, 1971–95, Wrapped Trees, Riehen, Switzerland, 1997–98.

Fabric monuments

In the summer of 1995, the Reichstag building in Berlin was transformed into an immense sculptural experience by Christo and Jeanne-Claude along with a team of hundreds of workers.

Using fabric materials has become a famous tradition for Christo and Jeanne-Claude: landscape projects in the USA, Japan, and Australia and urban projects such as the Pont Neuf Wrapped in Paris have established them as the most extraordinary artist couple of the age.

This in-depth survey of their unusual work is illustrated with absorbing photographs by Wolfgang Volz.

About the Series:
Each book in TASCHEN’s  Basic Art Series  features:

• a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
• a concise biography
• approximately 100 colour illustrations with explanatory captions

The photographer:
Wolfgang Volz has worked with Christo and Jeanne-Claude as the exclusive photographer of their works since 1971. He was also project director (with Roland Specker) for Wrapped Reichstag and (with Josy Kraft) for Wrapped Trees, and was in charge of The Wall - 13,000 Oil Barrels, 1999. His close collaboration has resulted in many books and more than 300 exhibitions in museums and galleries around the world.

The author:
Jacob Baal-Teshuva, born 1929, is author, critic and independent curator of museum shows. He studied at the Hebrew university in Jerusalem and the New York University. His numerous publications include works on Marc Chagall, Alexander Calder, Jean-Michel Basquiat, Andy Warhol and Christo and Jeanne-Claude. Jacob Baal-Teshuva lives and works in New York and Paris.

“All our work is about freedom.” The universe of Christo and Jeanne-Claude

Discover Christo and Jeanne-Claude, the artist duo who were born on the same day, met in Paris, fell in love, and became a unique creative partnership that took on Central Park, the German Reichstag, Biscayne Bay, and beyond with their vast and extraordinary environmental interventions.

The work of the artist couple Christo (1935–2020) and Jeanne-Claude (1935–2009) resists categorization. It is a hybrid of art, urban planning, architecture, and engineering, but above all an aesthetic uniquely their own: surreal and ethereal environmental interventions that have graced monuments, public parks, and centers of power alike.

This compact book spans the complete career of the couple who were born on the very same day, met in Paris, fell in love, and became a creative team like no other. With rich illustration, it spans Christo and Jeanne-Claude’s earliest projects in the 1950s right through to The Floating Piers, installed at Lake Iseo, Italy, in 2016. The book celebrates all of the couple’s most famous environmental interventions, such as The Gates in New York’s Central Park and the Wrapped Reichstag in Berlin, while also featuring early drawings and family photos unknown to the wider public.

The artists:

Christo and Jeanne-Claude began their collaboration in 1961, and lived in New York City since 1964. Jeanne-Claude died in 2009; Christo died in 2020. Their large-scale projects include Wrapped Coast, Australia, 1968–69; Valley Curtain, Rifle, Colorado, 1970–72; Running Fence, Sonoma and Marin Counties, California, 1972–76; Surrounded Islands, Biscayne Bay, Florida, 1980–83; The Pont Neuf Wrapped, Paris, 1975–85; The Umbrellas, Japan–USA, 1984–91; Wrapped Reichstag, Berlin, 1971–95; Wrapped Trees, Riehen, Switzerland, 1997–98; The Gates, Central Park, New York City, 1979–2005; The Floating Piers, Lake Iseo, Italy, 2014–16 and The London Mastaba, Serpentine Lake, Hyde Park, 2016–18. Christo and Jeanne-Claude's temporary work of art L'Arc de Triomphe, Wrapped, Project for Paris is scheduled for September 18–October 3, 2021.

The author:

Jacob Baal-Teshuva, born 1929, is author, critic and independent curator of museum shows. He studied at the Hebrew University in Jerusalem and New York University. His numerous publications include works on Marc Chagall, Alexander Calder, Jean-Michel Basquiat, Andy Warhol, and Christo and Jeanne-Claude. Jacob Baal-Teshuva lives and works in New York and Paris.

The photographer:

Wolfgang Volz has worked with Christo and Jeanne-Claude as the exclusive photographer of their works since 1971. He was also project director (with Roland Specker) for Wrapped Reichstag, Berlin, 1971–95 and (with Josy Kraft) for Wrapped Trees, Riehen, Switzerland, 1997–98, and was in charge of The Wall – 13,000 Oil Barrels, Gasometer Oberhausen, Germany, 1998–99 and Big Air Package, Gasometer Oberhausen, Germany, 2010–13. His close collaboration has resulted in many books and more than 300 exhibitions in museums and galleries around the world.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

The life and work of Christo and Jeanne-Claude, in a book designed by Christo himself

"Nobody discusses a painting before it has been painted. Our projects are discussed and argued about, pro and con, before they are realized."  - Christo

The work of the artists Christo and Jeanne-Claude transcends borders, resists categorizing, and embraces contradiction. This is the only large-format book that includes all of their projects, from Christo and Jeanne-Claude's works from 1958 to urban and rural temporary works of art, such as The Gates in Central Park, the Wrapped Reichstag in Berlin, and Running Fence in California. Part biography, part critical analysis, part catalogue, the book has a lively text by the critic Paul Goldberger that traces both the lives and the works of an artist couple who established a category all their own: a category somewhere between conceptual art, urban planning, architecture, politics, engineering and art.

This volume gives a detailed overview of the life and work of Christo and Jeanne-Claude, from early drawings and family photos to plans for future projects. It features hundreds of previously unpublished photographs, drawings and plans for realized works, an incisive and detailed history spanning the entire oeuvre, and in-depth interviews, in a lavish edition designed by Christo himself. In addition to a thorough photographic documentation of all of Christo and Jeanne-Claude's work, the book includes the transcript of a conversation between the artists and Paul Goldberger, the last conversation about her work that Jeanne-Claude had before her death in late 2009. Conceived originally to mark Christo and Jeanne-Claude's 75th birthdays, this book is now an eloquent homage to Jeanne-Claude, and a celebration of the work of two artists whose imagination has affected the landscape of every continent.

Covering all work phases in large-scale reproductions and accompanied by extensive texts as well as production Polaroids and installation photos by Wool himself. Limited to 1,000 copies, each numbered and signed by the artist. Also available in an Art Edition, limited to 100 copies and with an original artwork by Christopher Wool.

In-your-face, achingly simple, deceptively frank, the work of Christopher Wool is so very New York. Though he owes a debt to abstract expressionism and pop art, he completely transcends - even demolishes - these genres. Whether it’s a text-based painting or an abstract spray-painted piece, his work is immediately engaging. Wool questions painting, like many other artists in his generation, but he doesn’t provide any easy answers. “The harder you look the harder you look,” as he titled one of his word paintings, is an excellent example of how he states the obvious whilst provoking us to think deeper about what seems obvious.

Christopher Wool became known in the mid-1980s through allover paintings produced with rubber rollers commonly used to simulate decorative wallpaper patterns on walls. By 1988 he had hit stride with his dry, dead-pan word paintings (“Trbl,” “Riot,” “Sell the House, Sell the Car, Sell the Kids”), while continuing to explore the possibilities of pattern painting. Since the 1990s, he has been developing the painterly qualities of his work, using a mostly black-and-white palette, starting from abstract lines drawn with a spray gun or layered stock images, overpainting silkscreens on linen, wiping out images, with a widening variety of media, a process that can involve photography, silkscreen, and, in the new millennium, also the computer.

Exploring Wool’s work in close to 500 pages, this monograph is exhaustive in scope and depth. All work phases are covered in large-scale reproductions and accompanied by production Polaroids and installation photos by Wool himself. Editor Hans Werner Holzwarth has previously collaborated on several catalogs and artist’s books with Wool. Essays and analyses by Glenn O’Brien, Jim Lewis, Ann Goldstein, Anne Pontégnie, Richard Hell, and Eric Banks make this book a great read as well as a definitive study of the story so far.

A look at the seminal work of this conceptual artist, who photographed her trademark performances and created dramatic narrative collages using the results.

Created in 1975, A Play of Selves is a visual tale of a young woman overwhelmed by her various, conflicting alter-egos and her final triumph over self-doubt. Acted out with sixteen separate characters, the seventy-two photographic assemblages mark Sherman’s earliest explorations of her trademark use of herself as the subject in staged photographs.

Sherman originally shot hundreds of photographs of herself costumed as the various characters in dozens of poses. After cutting out the individual images from black-and-white prints, she used an elaborately formulated, handwritten script to organize the images into the five-act “play.” The piece was first shown in 1975, in Buffalo, New York, where Sherman was a student.

If you love cinema and would like to know more about it, look no further than Cinema: The Whole Story. This is an indispensable book for all those who love watching and reading about films, and who want to understand more about the international world of cinema.

• Places key works in the context of genre and social and cultural developments
• Historical timelines highlight key influences and events
• Inside the world of film-making – the glamour, the triumphs, the disappointments and the realities of stardom
• Written by an international team of film experts, led by Philip Kemp, film historian, lecturer and author

Illustrated, in-depth text covers every genre of cinema, from the first silent films to epic blockbusters, CGI graphics and ground-breaking special effects of the 21st century. Detailed timelines accompany the text and clarify cinematic history.

Everything from camera and lighting to acting styles, animation and the film’s social and cultural impact is explained, enabling you to interpret the full meaning of world-famous movies. Discover what makes a star, what makes a film a success – and why even the most promising of ideas can prove an expensive disaster.

_________

В этой книге тщательно исследуются основные периоды, жанры и кинопроизведения разных стран, помещая цветущий мир кино в контекст изменяющихся социальных и культурных условий. Построенная в хронологическом порядке, она прослеживает эволюцию кино от кинопроекторов до многоэкранных кинотеатров и современных супертехнологий. Иллюстрированный, углубленный текст охватывает все жанры кино — от первых немых фильмов до эпических блокбастеров, компьютерной графики и новаторских эффектов XXI века.

This charming and adorable collection of the best cinematic dogs is sure to delight dog lovers and movie-goers alike. The Citizen Canine pack includes sixty of the bravest, cutest and furriest pooches ever to grace the silver screen. Covering 100 years of films from top-billed hounds like Lassie and Benji to comedic scene-stealers like Asta from Bringing Up Baby and Puffy from There's Something About Mary, all your favourite furry friends are here. Whether you have a canine companion or just wish you did, Citizen Canine is your perfect guide to dogs, movies and the magical moments when they come together.

A light, entertaining introduction covers the history of dogs in movies, from Charlie Chaplin to contemporary indie darlings, while fun facts and stories from behind the camera bring the all the featured films to life.

Find all about the tricks trainers used to train these canine actors, the following are included in the book:

Scraps (A Dog's Life)
Toto (The Wizard of Oz)
Matisse (Down and Out in Beverly Hills)
Sandy (Annie)
Cujo (Cujo)
Hooch (Turner & Hooch)
Beethoven (Beethoven)
Chance (Homeward Bound: The Incredible Journey)
Fly (Babe)
The puppies (101 Dalmatians)
Buddy (Air Bud)
Lou (Cats & Dogs)
Shaggy (The Shaggy Dog)
Sam (I Am Legend)
Marley (Marley & Me)
Rocco (The Drop)
Bailey (A Dog's Purpose)

About the Author:

Wendy Mitchell is a contributing editor for Screen International. She has been a staff writer and editor at Entertainment Weekly, IndieWire and Rolling Stone and has written for The Guardian, Variety, Time Out New York, Glamour and Billboard. She consults for film festivals including San Sebastian, Zurich, Rotterdam and Goteborg.

"The images presented here bear witness to the great diversity of cultures, yet they also reflect the existence of similar needs, practices and activities in all societies. The custom of wearing masks, found at every latitude, for example but also and above all the everyday character of many objects that bear traces of the people who once made use of them: furnishings, items of clothing, work tools. Objects which offer insights into people`s lives that, above and beyond all the historical, linguistic, religious and cultural differences, allow us to empathize with them to some degree, leading us to recognize a common humanity, notwithstanding the distance that is imposed by our modern way of life. A distance that, when we look closely, is no longer confined to the West but shared the whole world." Ivan Bargnia

He was born Eric Patrick Clapton, but you can just call him “Slowhand.”

Over the years, fans of Eric Clapton have debated the high points of an epic career in blues and rock ‘n’ roll spanning nearly fifty years. Which song best epitomizes Clapton’s skills as a songwriter? Which era—the Yardbirds, Cream or his solo work—stands about above the rest? Where does Clapton rank on the list of all-time guitar greats?

Whatever your opinions may be, one this is for sure: few artists have contributed as much to the world of music as the six-string magician from Ripley.

Put simply, one look at Clapton’s five-decade-long résumé is enough to blow any rock ‘n’ roll junkie’s mind. It includes time with the Yardbirds, John Mayall's Bluesbreakers, Cream, Blind Faith, the Plastic Ono Band, Bonnie & Delaney, Derek and the Dominoes, and his own solo discography, not to mention his Crossroads festivals and appearances at the Concert for Bangladesh, the Last Waltz, Live Aid, the Secret Policeman’s Other Ball, and so much more.

Along the way, Clapton has won seven Grammy Awards and eighteen gold, eight platinum, and seven multi-platinum albums—including one ten-times platinum LP. And if that weren’t enough, he’s also the only musician to have been inducted in the Rock ’n’ Roll Hall of Fame three times—as a solo performer and as a member of the Yardbirds and Cream.

From respected author and rock journo Chris Welch, Clapton: The Ultimate Illustrated History is a beautifully illustrated celebration of all things Clapton. Packed with more than 400 photographs, guitars, concert posters, and other memorabilia, this first-of-its kind book also houses eleven chapters following Clapton’s remarkable career—from its earliest days to his various work in several now-legendary bands to his stunning solo career. Also included is a wealth of sidebars covering the gear Clapton has used through the years, as well as extensive appendices detailing his complete discography.

The hectic cultural and political upheavals occurring in the 1960s marked a divide between the relatively stable cultural environment of the previous decade and what is now regarded as the golden age of pop music and youth culture.

Flourishing alternative cultures in the latter part of the decade laid many of the foundations of later trends and subcultures and this influence is nowhere more apparent than in record packaging, with classic graphic design and layouts reappearing again and again. This newly reformatted edition of Classic Album Covers of the 60s is a collection of over 200 of the very best (and in some cases worst) that designers had to offer throughout the decade. Representative designs from each period are illustrated in full colour, taking the reader on a journey from the wholesome joviality of the Very Merry Macs and Muscle Beach Party, through stylish and understated jazz cover designs, to the best psychedelic designs of the late 60s such as the Beatles’ Sgt Pepper and the Incredible String Band’s The 5000 Spirits.

The changing style of album cover design illustrated in Classic Album Covers of the 60s provides a fascinating reflection of changing cultural trends during a decade whose ideas and artistic expressions sought to break the prevailing rules and, so doing, laid the foundations for cover design today.

About the Author

Storm Thorgerson is a graphic designer and filmmaker who shot to prominence in 1968 as one half of Hipgnosis. Along with Aubrey Powell, he designed iconic record covers for the likes of Pink Floyd, Led Zeppelin and Genesis. In 1983 Storm formed Green Back Films and made clips for Paul Young, Yes, Robert Plant, Nik Kershaw and others. Today, Storm continues to design album covers (Phish, Cranberries, Pink Floyd, Catherine Wheel, Megadeth, Muse), to execute assorted graphics for DVDs, websites, programmes, T-shirts and to direct the occasional film. He has written and designed several books including '100 Best Album Covers' (Dorling Kindersley) and 'Eye Of The Storm' (Sanctuary Books).

1270 illustrations, most in full color

Updated every two years, Classic Wristwatches deals solely with vintage watches, that is, watches no longer in current production. This easy-to-use guide fully describes and illustrates each timepiece featured, as well as providing an estimated price carefully calculated by experts in the field. Including record prices at auction, this book supplies all the information that a collector needs to know about a vintage watch and its approximate current value, such as details on the movement, case, and special characteristics of the piece. A symbol also denotes whether the authors believe the value of the watch will increase, decrease, or remain the same. In addition to collectible vintage watches, the coverage in Classic Wristwatches includes important historical models by Rolex and Patek Philippe and such rare brands as Record and Enicar.

Featured Manufacturers: Angelus, Audemars Piguet, Baume & Mercier, Breitling, Cartier, Certina, Chronoswiss, Cyma, Doxa, Eberhard & Co., Enicar, Eterna, Excelsior Park, Fortis, Gigandet, Girard-Perregaux, Glashütte, Hamilton, Hanhart, Heuer, IWC, Jaeger-LeCoultre, Junghans, A. Lange & Söhne, LeCoultre, Lémania, Leonidas, Longines, Mido, Movado, Ulysse Nardin, Nivada, Officine Panerai, Patek Philippe, Piaget, Pierce, Record, Rolex, Tissot, Tudor, Universal Gené, Vacheron Constantin, Vulcain, Wakmann, Zenith

Stefan Muser has been the owner of the renowned auction house Dr. Crott in Mannheim, Germany, since 1993. He is regarded as one of the most knowledgeable auctioneers in Europe. Michael Ph. Horlbeck is a collector and journalist who writes a collecting column for the German magazine Armbanduhren. Horlbeck is also author of a book on mechanical alarm wristwatches.

Claude Lorrain (ca. 1600/1604–1682) ist zu Recht der Vater der europäischen Landschaftsmalerei genannt worden. Der bedeutendste Landschaftsmaler des 17. Jahrhunderts schuf auf der Grundlage genau beobachteter Naturstudien vor allem der römischen Campagna arkadische und zeitlos klassische Ansichten, oft mit biblischen oder mythologischen Szenen.

Lorrains in weiches Licht getauchte ideale Landschaften begeisterten schon früh die Romreisenden auf der Grand Tour, sodass viele seiner Werke sich heute in britischen Sammlungen befinden und der englische Landschaftsgarten entscheidend von seiner Ästhetik geprägt wurde. Zum Schutz vor Raubkopien seiner Gemälde schuf er die gezeichneten Kopien des Liber Veritatis, welches als Kunstwerk eigenen Rechts Ausdruck dafür ist, dass er seine Zeichnungen und Druckgrafiken als den Gemälden gleichrangig verstand. 140 von Lorrains Werken stellt der Band vor, darunter auch »Bildpaare«, die das unkonventionelle Vorgehen des Künstlers besonders deutlich werden lassen.

Claude Lorrain (c. 1600/1604–1682) is justifiably referred to as the father of European landscape painting. Basing his work on carefully observed studies of nature, the most important landscape painter of the seventeenth century created Arcadian, timeless, classic paintings, often of biblical or mythological scenes.
Lorrain’s idealized landscapes are immersed in soft light, and very early on they excited travelers to Rome doing the Grand Tour—today, many of his works are included in British collections, and the English garden itself was definitely influenced by his aesthetics. In order to protect his paintings from being plagiarized, he drew copies of them in his Liber Veritatis, which, as a work of art in its own right, is an expression of the artist’s belief that his drawings and prints were on an equal par with the paintings. This volume presents 140 of Lorrain’s works, including the “pendants,” which make the artist’s unconventional approach remarkably palpable.