Искусство

This official behind-the-scenes companion to Star Wars: The Last Jedi (the sequel to Star Wars: The Force Awakens) offers fans exclusive access to the Lucasfilm art department’s creative process

Written and directed by Rian Johnson (Looper, The Brothers Bloom, Brick) and production designed by Rick Heinrichs (Fargo, The Big Lebowski, The Nightmare Before Christmas, Captain America: The First Avenger), Star Wars: The Last Jedi, like every chapter before it, owes its visual language and fully imagined cinematic landscape to an incomparable art department: the Lucasfilm “visualists.” 

The Art of Star Wars: The Last Jedi explores their vision and illuminates their creative process in stunning detail. Featuring concept art, costume sketches, and storyboards, this book takes fans on a deep dive into the development of the fantastic worlds, characters, and creatures — both old and new — of The Last Jedi. Exclusive interviews with the filmmakers and with the Lucasfilm visualists provides a running commentary on this unforgettable art, and reveals the inspirations behind moviemaking magic at its finest.

About the Author

Phil Szostak has worked in conjunction with Star Wars art departments for eight years at Lucasfilm and is the author of The Art of Star Wars: The Force Awakens (Abrams, 2015). A graduate of the School of Visual Arts in New York, Szostak worked for Wild Brain Animation on the Disney Channel series Higglytown Heroes, and ran the JAK Films Art Department on Skywalker Ranch for over three years before joining the narrative design team on LucasArts’s Star Wars 1313. He resides in San Francisco. 

his official behind-the-scenes companion to the Disney+ Star Wars series The Mandalorian features exclusive concept art, character and costume sketches, and vehicle and creature designs.

The Art of Star Wars: The Mandalorian takes fans behind the scenes of the first-ever live-action Star Wars television series. Filled with concept art, sketches, and interviews with key cast, crew, and creatives, including executive producer/showrunner/writer Jon Favreau and executive producer/director Dave Filoni, The Art of Star Wars: The Mandalorian will provide readers with an exclusive look at a whole new universe of Star Wars characters, locations, and vehicles.

Premiering in November 2019 as a key launch title for Disney+, The Mandalorian follows the adventures of galactic gunslinger Din Djarin and the Child as they traverse the outer systems of the galaxy and evade remnants of the Empire. Readers will encounter early visual and conceptual ideas for these new characters and unexplored frontiers, filled with crime syndicates, bounty hunters, and smugglers. The gritty, lived-in cantinas and spaceports are populated by a talented cast that includes Pedro Pascal (Game of Thrones), Werner Herzog (Fitzcarraldo, Grizzly Man), Nick Nolte (48 Hours), Gina Carano (Haywire, Deadpool), Giancarlo Esposito (Breaking Bad), and Carl Weathers (Rocky).

About the Authors:

Lucasfilm creative art manager Phil Szostak has worked in conjunction with Star Wars art departments since 2008. A graduate of the School of Visual Arts in New York, Szostak ran the JAK Films Art Department at Skywalker Ranch for more than three years before joining the narrative design team on LucasArts’ Star Wars: 1313. He is also the author of The Art of Star Wars: The Force Awakens (Abrams, 2015), The Art of Star Wars: The Last Jedi (Abrams, 2017), The Art of Star Wars: The Rise of Skywalker (Abrams, 2020), and The Art of Star Wars: The Mandalorian, Season Two (Abrams, 2022). He lives in San Francisco. 

Doug Chiang is an Academy Award®–winning artist, author, and production designer. As creative director for Industrial Light & Magic, he served as visual effects art director of films such as Terminator 2: Judgment Day, The Mask, and Forrest Gump. In 1995, George Lucas personally selected Chiang to serve as head of the Lucasfilm art department for seven years on Star Wars: Episodes I and II. He left Lucasfilm in 2002 to form his own design studio, IceBlink Studios. Chiang returned to Lucasfilm in 2013 to work on Star Wars: The Force Awakens and currently serves as Lucasfilm VP and executive creative director. He served as production designer and design supervisor on The Mandalorian seasons one and two.

A must-have reference book for today's artists and art students.

Every artist needs to learn and master the still life. Written by a well-known artist and expert instructor, The Art of Still Life offers a comprehensive, contemporary approach to the subject that instructs artists on the foundation basics and advanced techniques they need for successful drawing and painting. In addition to Casey’s stunning paintings, the work of over fifty past and present masters is included, so that the book will do double duty as a hardworking how-to manual and a visual treasure trove of some of the finest still life art throughout history and being created today.

About the Author:

A Massachusetts native, Todd M. Casey studied at art schools in Boston and San Francisco before embarking on the classical artistic education offered by Jacob Collins’s famed Water Street Atelier in New York City. A modern master of the still life genre, Casey teaches at several institutions, including the Art Students League of New York. He is represented by Rehs Contemporary Galleries, Inc., New York, and his paintings are held in numerous private collections worldwide. He lives with his wife and daughter in New York’s Hudson Valley. Visit his website at toddmcasey.com.

The Art of Taxidermy is a contemporary look at an historical and controversial subject – a sumptuous photographic-led exploration of the genre’s history, uses and modern applications.

Taxidermy courses are enjoying a renewed surge of popularity and this book is poised to offer the new wave of enthusiasts a beautiful volume on the subject. Well-researched text covering aspects of the artform’s history, including hunting trophies, museums displays, its use in media and film, interior decoration and the work of contemporary artists reinventing an age-old technique is complemented by stunning photography.

This fascinating book will make an ideal gift for both those with a passing interest in taxidermy and art enthusiasts alike.

An extensively illustrated compendium of 45 expertly selected illuminated bibles that transport the reader through 1,000 years of history and across the Christian world

For two millennia the Bible has inspired the creation of art. Within this legacy of remarkable art and beauty, illuminated biblical manuscripts offer some of the best evidence for our understanding of early Christian painting and artistic interpretations of the Bible.

Compiled and written by two internationally renowned experts, this beautiful book immerses the reader in the world of illuminated manuscripts of the Bible. Through its pictures we are transported across 1,000 years of history, passing chronologically through many of the major centres of the Christian world. Starting in Constantinople in the East, the journey moves on to Lindisfarne in the North, to imperial Aachen, back to Canterbury, then to Carolingian Tours in western France. Later we view some of the riches of Winchester, Mozarabic Spain, Crusader Jerusalem, the Meuse valley, northern Iraq, Paris, London, Bologna, Naples, Bulgaria, the Low Countries, Rome and Persia. Our journey ends in Gondar, the capital of imperial Ethiopia. Forty-five remarkable books – each a treasure in its own right – provide our itinerary through time and across continents. Together they enable us to explore and revel in the extraordinary art and beauty of illuminated biblical manuscripts, some of the finest but least-known paintings from the Middle Ages.

Contents List:

Introduction: One Thousand Years of Art and Beauty
The Bibles
1. The Golden Canon Tables
Canon Tables of Eusebius of Caesarea, in Greek Constantinople, 6th or 7th century [Turkey]
Glimpses of early Christian splendour in Constantinople
2. The Lindisfarne Gospels
The Four Gospels, in Latin, with added interlinear gloss in Old English
Lindisfarne, c. 700 (added gloss, Chester-le-Street, c. 970) [UK]
Spectacular Anglo-Saxon Ornament
3. The Vespasian Psalter
Psalter, in Latin, with interlinear gloss in Old English
Kent, 1st half of the 8th century [UK]
The Earliest Narrative Initials in Western Europe
4. The Harley Golden Gospels
The Four Gospels, in Latin
Aachen?, Carolingian Empire, c. 800 [UK]
The Gospels Written in Gold
5. The Canterbury Royal Bible
Bible, in Latin (incomplete, now comprising the Four Gospels only)
Canterbury, 1st quarter of the 9th century, [UK]
An Early Canterbury Bible
6. The Moutier-Granval Bible
Bible, in Latin
Tours, 2nd quarter of the 9th century [France]
Symbolic Figurative Art
7. The Lothar Psalter
Psalter, in Latin
Aachen, c. 842–55 [Germany]
An Imperial Psalter
8. The Aethelstan or Coronation Gospels
The Four Gospels, in Latin
Lobbes, south of Brussels, last quarter of the 9th century, or 1st quarter of the 10th century [Belgium]
A Royal Gift
9. Guest-Coutts New Testament
New Testament, in Greek
Constantinople, middle of 10th century [Turkey]
An Illuminated New Testament from Constantinople
10. The Harley Psalter
Psalter, in Latin (Psalms, incomplete)
Canterbury, 1st half of the 11th century [UK]
An Anglo-Saxon Masterpiece
11. The Old English Hexateuch
Hexateuch (Genesis-Joshua), in Old English
Canterbury, 2nd quarter of the 11th century [UK]
The Earliest Illustrated Western Vernacular Bible
12. The Harley Echternach Gospels
The Four Gospels, in Latin
Echternach, middle of the 11th century [Luxembourg]
Ottonian Imperial Style
13. The Tiberius Psalter
Psalter, in Latin, imperfect, with Old English gloss
Winchester, 2nd or 3rd quarter of the 11th century [UK]
A Grand Christological Cycle
14. Theodore Psalter
Psalter, in Greek
Constantinople, 1066 [Turkey]
A Byzantine Visual Commentary on the Psalms
15. The Silos Apocalypse
Revelation and Beatus of Liébana’s commentary,
St Jerome’s commentary on Daniel, in Latin
Silos [Spain], 1091 (text) and 1109 (decoration) [Spain]
A Spanish Vision of the Apocalypse
16. The Stavelot Bible
Bible, in Latin
Stavelot, near Liège, 1093–97 [Belgium]
Monumental Art
17. The Egerton Gospel Lectionary
Gospel Lectionary, in Latin
Germany, c. 1100 [Germany]
Illuminating the Liturgy
18. The Burney Gospels
The Four Gospels, in Greek
Constantinople, 10th century (script) and 2nd quarter
of 12th century (portraits) [Turkey]
An Imperial Tetraevangelion
19. The Psalter of Queen Melisende
Psalter, in Latin
Jerusalem, between 1131 and 1143 [Middle East]
A Psalter for a Crusader Queen
20. The Winchester Psalter
Psalter, in Latin and French with the Apostles Creed
and some prayers in French
Winchester, England, middle of 12th century [UK]
An Illustrated Bilingual Psalter
21. The Worms Bible
Bible, in Latin
Frankenthal, near Worms, c. 1148 [Germany]
A Romanesque Giant Bible
22. The Floreffe Bible
Bible, in Latin
Meuse valley, 2nd or 3rd quarter of the 12th century [Germany]
Visual Biblical Exegesis
23. The Arnstein Bible
Bible, in Latin
Arnstein, Germany, c. 1172 [Germany]
A Grand Monastic Bible
24. The Harley Greek Gospels
The Four Gospels, in Greek
Cyprus or Palestine, late 12th century [Middle East]
A Gospels to Aid Devotion
25. Syriac Lectionary
Gospel Lectionary, in Syriac
Mosul, between 1216 and 1220 [Syria / Middle East]
A Syrian Visualization of the Gospels
26. The Harley Bible moralisée
Moralized Bible (Maccabees and the New Testament),
in Latin, Paris, 2nd quarter of 13th century [France]
Royal Instruction
27. Apocalypse
Revelation, with extracts from the commentary
of Berengaudus, in Latin, imperfect
London or Westminster, c. 1260 [UK]
An English Illustrated Apocalypse
28. Bolognese Bible
Bible, in Latin
Bologna, c. 1280–1300 [Italy]
Italian Splendour
29. Gospel Lectionary of the Sainte-Chapelle
Gospel Lectionary, in Latin
Paris, last quarter of 13th century [France]
Picturing the Gospels in Medieval Paris
30. The Queen Mary Psalter
Psalter, in Latin
London?, 1st quarter of 14th century [UK]
Unprecedented Psalter Illustration
31. Welles Apocalypse
Revelation, with commentary in Anglo-Norman French,
bound with Peter of Peckham, La lumere as lais
England, c. 1310 [UK]
Revelation in the Vernacular
32. Holkham Bible Picture Book
Bible Picture Book, with captions in Anglo-Norman French
London, c. 1320–30 [UK]
The Bible in Pictures
33. The St Omer Psalter
Psalter, in Latin
Norfolk, c. 1330 (with later additions) [UK]
Glorious Marginal Imagery
34. Bible of Clement VII
Bible, in Latin
Naples, c. 1330–40 [Italy]
A Papal Bible
35. The Gospels of Tsar Ivan Alexander
The Four Gospels, in Slavonic of Bulgarian character
Turnovo (?), 1355–56 [Bulgaria]
Slavonic Emulation of Byzantine Splendour
36. Bible historiale of Charles V
Bible historiale completée moyenne: Genesis to the Apocalypse, in French
Paris, 1357 [France]
The Bible as History
37. Paduan Bible Picture Book
Bibbia istoriata: Exodus to Joshua, in Italian
Padua, c. 1390–1400 [Italy]
The Old Testament in Pictures
38. King’s Biblia pauperum
Biblia pauperum
The Hague, c. 1395–1400 [Netherlands]
The Old Testament revealed in the New
39. The Great Bible of the Kings of England
Bible, in Latin
London, c. 1410–13 [UK]
A Late Medieval Giant Bible
40. Bible historiale of Charles of France
Grande Bible historiale à prologues: Genesis to the Apocalypse
Paris, c. 1420 [France]
Learning Wisdom from the Bible
41. Dutch History Bible
Utrecht Bible: Genesis to Esther
Utrecht, c. 1440–45 [Netherlands]
Seeing Salvation in the Netherlands
42. Edward IV’s Bible historiale
Bible historiale: Tobit to Acts, in French
Bruges, 1470 (script) and c. 1479 (illumination) [Belgium]
A Bible fit for a King
43. The Gospels of Cardinal Francesco Gonzaga
The Four Gospels, in Greek
Rome, 1478 [Italy]
A Renaissance Cardinal’s Gospel book
44. Armenian Gospels
Four Gospels, in Armenian
Isfahan, 1608 [Middle East]
Painting the Gospels in Persia
45. Ethiopian Octateuch and Gospels
Octateuch, Four Gospels and Apostolic Canons, in classical Ethiopic (Ge'ez)
Gondar (?), late 17th century [Ethiopia]
Reviving Former Ethiopian splendour

Further Reading
Index

About the Authors:

Dr Scot McKendrick is Head of Western Heritage Collections at the British Library, and Dr Kathleen Doyle is the Lead Curator, Illuminated Manuscripts at the same institution. Scot and Kathleen edited and contributed to 1,000 Years of Royal Books and Manuscripts (2013) and, with Professor John Lowden, Royal Manuscripts: The Genius of Illumination (2011), which was shortlisted for the William M.B. Berger Prize for British Art History (2012). Together they wrote Bible Manuscripts: 1,400 Years of Scribes and Scripture (2007), and contributed to Sacred: Books of the Three Faiths: Judaism, Christianity and Islam (2007).

The bestselling classic celebrating animation legend Walt Disney by author and photographer Christopher Finch — revised and updated to celebrate Disney 100 Years of Wonder

Since it was first published in 1973, The Art of Walt Disney: From Mickey Mouse to the Magic Kingdoms and Beyond has established itself as an indispensable classic of illustrated book publishing, selling hundreds of thousands of copies. Offering a comprehensive history and tribute to the career and legacy of Walt Disney, the book was the first to reveal the wealth of concept art, animation drawings, and archival material that is created in the course of animating films.

Now back in print to celebrate Disney 100 Years of Wonder, this groundbreaking work collects a century of timeless animation.

- Foreword by legendary Disney animator Floyd Norman (Sleeping Beauty, One Hundred and One Dalmatians, Mary Poppins, and The Jungle Book)
- Presented for the first time in a deluxe foil slipcase and real-cloth binding with foil stamping

About the Authors:

Christopher Finch was the author of many books about art in America, including Chuck Close: Work, Chuck Close: Life, Norman Rockwell’s America, and Jim Henson: The Works. 

At 88 years old, Disney legend Floyd Norman (animator, storyman, and beloved “troublemaker”) is the picture of perseverance in the animation industry. As the first African American animator at Disney, arriving in 1956, Floyd worked on classics like Sleeping Beauty, One Hundred and One Dalmatians, Mary Poppins, and The Jungle Book. On the latter title, Floyd was handpicked by Walt Disney to join the story team. Impressed? This is just the start of his ongoing 67 years in animation—as told in his documentary, Floyd Norman: An Animated Life.

Classic fairy tales turned into splendid illustrations.

This book is a collection of Yogisya’s imaginary book cover illustrations of classic fairy tales by Andersen and Grimm, novels by Shakespeare and Edgar Allan Poe, Through the Looking Glass, One Thousand and One Nights, tales from folklore and even an opera by Giuseppe Verdi. The illustrations are taken from PIE’s popular web series by the illustrator Yogisya, in which Yogisya plays the role of an illustrator who travels through time to many places and illustrates the cover art of a famous classic masterpiece.

This book contains all artworks from the web series but also some original illustrations as additional special content. Immerse yourself in Yogisya’s unique, delicate, deep, beautiful, and bewitching artworks.

An essential guide to the artists of tomorrow by one of the movers and shakers of the art world

With the birth of contemporary museum culture and the advent of digital technologies, the 21st century has brought a whole new means by which to access art and its histories. How do we engage with contemporary art in an ever-developing global context, without getting lost in a frenzied cult of novelty?

The Artists Who Will Change the World is a new global map of art that points to the future. Unlike a traditional atlas, its cartography illustrates a world of international artists who may not yet be household names, but who will undoubtedly shape the art of tomorrow. These are artists whose work engages with the aesthetics of technology and the issues of tomorrow; artists who are developing concepts rarely tested before, or who are engaging with politics in new ways. Omar Kholeif takes us on a journey of discovery that will influence generations of artists and art lovers to come.

About the Author:

Over the last decade, Omar Kholeif has quickly become one of the most recognisable curators of modern and contemporary art working globally. By the age of thirty he had curated over a hundred exhibitions and commissions of contemporary artists’ work. He has authored or edited over twenty books on art.

Contents List:

Mapping the Contemporary: Introduction by Omar Kholeif • The Cause but not the Symptom: Introduction by Douglas Coupland • Technology: Jeremy Bailey; James Bridle; Ian Cheng; DIS; Constant Dullaart; Guan Xiao; Katja Novitskova; Trevor Paglen; Heather Phillipson; Jacolby; Satterwhite; Hito Steyerl; Ryan Trecartin • Identity: Jonathas de Andrade; Zach Blas; Andrea Crespo; Celia Hempton; Adam Linder; Tala Madani; James Richards; Tejal Shah; Hank Willis Thomas; Amalia Ulman; Lynette Yiadom-Boakye • Place: Nadim Abbas; Assemble; Cao Fei; Cui Jie; Theaster Gates; Camille Henrot; Iman Issa; Samson Kambalu; Lee Kit; Basim Magdy; Taus Makhacheva; Koki Tanaka; Adrián Villar Rojas; Amanda Williams; Zhou Tao • Power: Lawrence Abu Hamdan; Sophia Al-Maria; Yto Barrada; Zachary Cahill; Simon Denny; GCC; Joana Hadjithomas & Khalil Jorge; Jumana Manna; Otobong Nkanga; Christodoulos Panayiotou; The Propeller Group; Imran Qureshi; Michael Rakowitz; Hrair Sarkissian; Kemang Wa Lehulere; Xu Zhen

The Barnes Foundation, established by scientist, entrepreneur, and educator Dr. Albert C. Barnes in 1922, is home to a legendary art collection. Barnes assembled one of the world’s largest and finest groups of post-impressionist and early modern paintings, with holdings by such luminaries as Renoir, Cézanne, Matisse, Picasso, Rousseau, Modigliani, Soutine, Manet, Monet, Seurat, Degas, Van Gogh, and Gauguin.

The Foundation’s collection also holds significant examples of American art, including works by Demuth, Glackens, and the Prendergasts; African sculpture; Native American ceramics, jewelry, and textiles; Asian paintings, prints, and sculptures; medieval manuscripts and sculptures; Old Master paintings by El Greco, Rubens, Titian, and others; ancient Egyptian, Greek, and Roman art; and American and European decorative arts and metalwork. 

The presentation of the collection reflects Barnes’s educational and aesthetic approach: symmetrical “ensembles,” or wall compositions, combine works of different periods, mediums, cultures, and styles for the purpose of comparison and study.

Texts by Judith F. Dolkart and Martha Lucy explore the Barnes Foundation’s collection, educational mission, ensembles, and individual works. Large color plates, little-seen archival photographs, and numerous gatefolds illustrate 150 of the greatest hits of the collection and twenty gallery ensembles.

About the Authors:

Judith F. Dolkart is chief curator of the Barnes Foundation. She is the author of James Tissot: The Life of Christ (2009). Martha Lucy is associate curator of the Barnes Foundation.

This highly sought-after volume detailing one of the most influential magazines of the twentieth century is now back in print at a newly affordable price. In 1950, Fleur Cowles established what would become one of the most important and talked about magazines ever created. Critically lauded for its sharp mix of clothes, literature, art, travel, decor, theater, and humor, Flair made publishing history with its combination of eclectic editorial content and lavish production quality. Recalled as "the first magazine that became an art form," The Best of Flair is a compilation of the magazine’s best content as chosen by the woman who created it. Along with its distinctive production values, Flair also features interviews and contributions from some of the most noted artists and celebrities of the past fifty years, including Lucian Freud, Jean Cocteau, Tallulah Bankhead, Saul Steinberg, Salvador Dalí, Simone de Beauvoir, Walker Evans, James Michener, Ogden Nash, Gypsy Rose Lee, Clare Boothe Luce, George Bernard Shaw, John O’Hara, Margaret Mead, and Tennessee Williams. Now, more than ten years after this book was first published by Rizzoli, and more than fifty years after the magazine ceased publication, this facsimile edition offers the same ingenious bookmaking of its predecessor, including multiple gatefolds with die-cuts, booklets, and accordion folder leaflets.

About the Author:

Fleur Cowles (1908–2009) was an American artist, editor, and writer best known for her pioneering and influential work at Flair. Dominick Dunne (1925–2009) was an American writer and investigative journalist best known for his contributions to Vanity Fair magazine as well as his true crime novels.

A new book by the Keeper of Manuscripts at Trinity College Library that represents the glories of The Book of Kells for today’s readers, revealing the astounding detail and richness of one of the greatest treasures of medieval Europe.

One of the most remarkable manuscripts to survive from the early Middle Ages in Europe, The Book of Kells was probably painted around 800 in a monastery at Iona in Scotland or Kells in Ireland, or perhaps in both places.

Extraordinarily inventive and intricate imagery accompanies the texts of the four Gospels: full-page depictions of Evangelists and their symbols, lavish honorific openings to the Gospels, extraordinary initials, and decoration that combines complex interlace, animals, and human figures.

This newly photographed book explores The Book of Kells through its historical background; a display of the elements of the book at their actual size; the spectacular openings of the texts that precede the Gospels; a study of earlier and comparable manuscripts; detailed examination of symbols and themes, with special enlarged details; a look at the scribes and artists who worked on the manuscript; and a consideration of technical aspects, illuminated by recent scientific research.

The rich illustrations feature more than fifty full-size reproductions of complete pages of the manuscript plus enlarged details that allow one to relish the intricacy of elements barely visible to the naked eye. Supplementary images place the manuscript in its setting and provide comparisons for its iconography and style.

Everything you need to know about the queen of the charts and our hearts.

From her signature red lip to her endless list of chart-topping hits, Taylor Swift is a force to be reckoned with.

Every blank space in The Book of Taylor has been filled with colourful collages of our fave cat-loving, Grammy-winning, country-pop queen, alongside 50 T-Swiz facts, including her biggest fears, her unpublished manuscript, her go-to drive-through order and more.

Go beyond friendship bracelets and get to know your dream BFF on a whole other level.

About the Author:

Billie Oliver is a film critic and freelance journalist, based in Melbourne, Australia. She’s a bona fide pop-culture junkie and has written plenty of Harry-laden red-carpet recaps in her time. Billie has previously published We Heart Harry, Love Ya Olivia, It’s Britney…!, Chalamania, Keanu Forever, and Let it Lizzo! with Smith Street Books.

The third volume in this luxurious series, this work is a celebration of the most precious objects of the Cartier Collection.

The Cartier Collection, housed in Geneva, Switzerland, gathers together over 1,360 pieces that reveal the stylistic and technical developments in the creations of this world-renowned house. Following the previous works in this series devoted to Cartier’s jewelry and timepieces, this third volume explores the precious objects and accessories that complete the collection: from opulent gold and black enamel vanity cases set with platinum and rose-cut diamond fleurons to exquisite and stylish cigarette holders, belt buckles, hat pins, and evening bags. The jeweler has always placed great emphasis on male elegance and an array of men’s accessories is also showcased, including polished gold razors, sophisticated leather travel bags, and diamond-encrusted platinum and onyx cuff links.

From the extravagant yet sublime Tutti Frutti evening bag, made of a weave of seed pearls and dripping with gold, diamond, ruby, emerald, and sapphire details, to exotic and intricate Chinese powder compacts, these creations are works of fine art. This handsome volume recounts the history of the House of Cartier and its sublimation of often everyday items, which became veritable precious objects. The text is illustrated with more than 550 pieces taken from the collection ― beautifully reproduced in full size and in color ― which can usually only be admired in retrospective exhibitions held in internationally-renowned museums. Other archival material includes photographs of high society clients, detailed sketches and studies for various pieces, and vintage advertising posters.

Presented in a luxurious silk slipcase with ribbon closure, this tome is a tribute to some of the most exquisite objects in the Cartier Collection.

About the Authors:

François Chaille is an art historian and fashion expert. He has written several titles, including The Cartier Collection: Jewelry, The Cartier Collection: Timepieces, Cartier: Creative Writing, Cartier: Innovation through the 20th Century, and Girard-Perregaux. Franco Cologni is Chairman of the Cultural Council of the Fondation de la Haute Horlogerie.

Timepieces are the perfect distillation of Cartier's craft: At once bona fide jewels, the ultimate expression of style, and miracles of detail and precision, they are at the heart of all that the legendary house represents. Equal in beauty, value, and design to Cartier's jewels, each timepiece is an object of unparalleled luxury and elegance, emblematic of the "Cartier style." More than 450 pieces, including the complete collection of "mystery clocks" whose hands seem to float in midair, are presented here, representing more than 150 years of the finest horology. Each object is accompanied by its individual history and detailed technical specifications. Full-scale reproductions, including 12 gatefolds, are followed by an illustrated and comparative chronology, glossary of terms, and complete index.

About the Authors:

François Chaille is an art historian and fashion expert. He has written several titles, including The Cartier Collection: Jewelry, The Cartier Collection: Precious Objects, Cartier: Creative Writing, Cartier: Innovation through the 20th Century, and Girard-Perregaux. Franco Cologni is Chairman of the Cultural Council of the Fondation de la Haute Horlogerie.