Искусство

Deftly crafted dissectable female wax models take centre-stage in this disquieting volume for fans of the macabre, the ghoulish and medical history

Beneath the original Venetian glass and rosewood case at La Specola in Florence lies Clemente Susini’s Anatomical Venus (c. 1790), a perfect object whose luxuriously bizarre existence challenges belief. It – or, better, she – was conceived as a means to teach human anatomy without the need for constant dissection, which was messy, ethically fraught and subject to quick decay. This life-sized wax woman is adorned with glass eyes and human hair and can be dismembered into dozens of parts revealing, at the final remove, a tranquil foetus curled in her womb. Sister models soon appeared throughout Europe, where they not only instructed the specialist students but also delighted the general public.

The Anatomical Venus is a celebration of these female wax models and reveals their evolution from wax effigy to fetish figure and the embodiment of the uncanny. Today, these images trouble the edges of our neat categorical divides between life and death, science and religion, body and soul, effigy and ecstasy, spectacle and education, kitsch and fine art. Skilfully written by a curator of the macabre, the beautiful and the spiritual, this is a meticulously illustrated survey of these anatomical odalisques and the cultural and artistic intersection they inhabit.

About the Author:

Joanna Ebenstein is an internationally recognised expert in the art of anatomy and creator of the Morbid Anatomy blog, library and event series. Her books include Death: A Graveside Companion and Anatomica.

The highly anticipated fifth volume of The Andy Warhol Catalogue Raisonné, covering his paintings from 1976 to 1978

This two-book addition to The Andy Warhol Catalogue Raisonné persuasively demonstrates the subversive core of Warhol's art. Intent on radical departure from his portraiture in the early seventies, Warhol's production gradually became anything but 'just faces'. From portraits of athletes and self-portraits to his Skull and Hammer and Sickle series, the Torso and Sex Parts paintings, and his abstract Piss, Oxidation, and Cum canvases, volume 5 showcases Warhol's work as powerful, and provocative as ever.

About the Authors:

Neil Printz co-edited volumes 1 and 2 of The Andy Warhol Catalogue Raisonné and is the editor of volumes 3 and 4. He was formerly editor of the Isamu Noguchi Catalogue Raisonné and research curator for twentieth-century art at The Menil Collection, Houston.

Sally King-Nero, executive editor of Volumes 2, 3, and 4 of The Andy Warhol Catalogue Raisonné, is curator of drawings and photographs at the Andy Warhol Foundation for the Visual Arts in New York.

The first in a multi-volume series on Warhol's complete artworks.

Andy Warhol (1928-1987) is one of the most iconic figures of twentieth-century art, a highly enigmatic personality who not only altered the definition of art but also left in his wake a vast and staggeringly complex record of his daily activities.

The Andy Warhol Catalogue Raisonné, the definitive record of the artist's paintings, sculptures and drawings, cover some 15,000 works produced by Warhol between 1948 and 1987. Also included is an incredible array of rarely published source material, including newspaper scraps and movie star publicity stills that inspired Warhol's boundlessly fascinating life and career.

The Andy Warhol Catalogue Raisonné was initiated in 1977 by Thomas Ammann. The editors Georg Frei and Neil Printz began primary research in 1993 and have been advised throughout the project by the distinguished curators and art historians Kynaston McShine and Robert Rosenblum. Experts from the Andy Warhol Foundation personally examined the vast majority of Warhol's works and began a thorough review of his archive, which at his death consisted of some 1,500 cardboard boxes, flat files, and trunks filled with source material, memorabilia, correspondence and junk mail.

The editors examined works in museum conservation facilities and discussed them with conservators, submitted works for review by the Andy Warhol Art Authentication Board, and interviewed Warhol's assistants and colleagues to assemble a customized database of works unparalleled in Warhol scholarship. All of their findings are documented in this unprecendented project.

Each annotated catalogue entry includes the works title, date, medium, dimensions and present owner, followed by a record of inscriptions, provenance, exhibitions and literature. Related works are linked by general introductory texts that explore historical circumstances, shared themes and studio practices. Supplementary figures to the texts illustrate source materials that Warhol appropriated for his works: newspaper articles and advertisements, soup cans and publicity stills, as well as related drawings, works by other artists, and studio and exhibition views. Volume 1 includes classic and much-prized Warhols such as the Campbell Soup paintings, images of the iconic figures of Marilyn, Liz and Elvis, and early self-portraits.

About the Authors:

Georg Frei is a curator, art critic, and editor who has been affiliated with Thomas Ammann Fine Art AG in Zurich since 1988. Previously he wrote art, dance, and theatre criticism for several Swiss newspapers and magazines. For the Thomas Ammann gallery he has organized more than a dozen exhibitions and edited the accompanying catalogues on such artists as Picasso, Cy Twombly, Max Beckmann, and Willem de Kooning. For the Fondation Beyeler in Basel, he was the guest curator of the exhibition 'Andy Warhol: Series and singles, 2000-2001'.

Neil Printz is an art historian with a focus on twentieth century American art. He is currently the editor of the Isamu Noguchi Catalogue Raisonné for the Isamu Noguchi Foundation in New York, and Professor of Art History at Caldwell College in Caldwell, New Jersey. From 1977 to 1983 he was the director of the Holly Solomon Gallery in New York. Dr. Printz has contributed and edited articles for several journals and museum publications, including The Menil Collection in Houston, Texas; the Rheinisches Landesmuseum in Bonn; the Stadel Museum in Frankfurt; and the St. Petersburg Foundation for Culture and Art. He was Research Curator at The Menil Collection from 1983 to 1991.

The fourth volume of this highly praised, definitive reference to Andy Warhol’s (1928–1987) extensive artistic production

The 607 paintings and one sculpture documented in Volume 4 of The Andy Warhol Catalogue Raisonné were produced during a period of less than three years, from late 1974 through early 1977. In September 1974, Warhol changed studios, moving across Union Square from the sixth floor of 33 Union Square West to the third floor of 860 West Broadway. Like Volumes 2 and 3, Volume 4 is identified with a new studio, where Warhol continued to work for a decade, until he moved into his last studio at 22 East 33 Street on December 3, 1984. Volume 4 may be seen as the first in a series of books associated with one studio that will document an enormously productive ten-year period in Warhol's oeuvre from the mid seventies to the mid eighties.

About the Authors:

Sally King-Nero, Executive Editor of Volumes 2 and 3 of the Andy Warhol Catalogue Raisonné, is Curator of Drawings and Photographs at the Andy Warhol Foundation for the Visual Arts in New York.

Neil Printz, co-edited the first two volumes of the Andy Warhol Catalogue Raisonné. Paintings and Sculptures, 1961–1963 and Paintings and Sculptures, 1964–1969. He is the Editor of Volume 3: Paintings and Sculptures, 1970–1974. He was formerly Editor of the Isamu Noguchi Catalogue Raisonné and Research Curator for Twentieth Century Art at The Menil Collection, Houston.

The second in a multi-volume series on Warhol's complete artworks.

Andy Warhol (1928-1987) is arguably the most iconic figure of twentieth-century art, a highly enigmatic personality who not only altered the definition of art itself but also left in his wake a vast and staggeringly complex record of his activities. Warhol's archive consists not only of his artworks but also of 1,500 cardboard boxes, flat files and trunks filled with source material, memorabilia, correspondence and junk mail. The catalogue raisonné constitutes an indispensable record of the artist's paintings, drawings and sculptures: some 15,000 works produced by the artist between 1948 and 1987, the year of his death.

Volume 2 documents the artist's paintings, sculpture and installations made between 1964 and 1969, the important period known as 'The Factory Years', when Warhol began to acquire Pop Art fame as well as a cadre of collaborators and groupies - all of which made 'The Factory' into one of the most mythologized artist's studios ever, and Warhol's work at this time emblematic of his career as a whole. This volume documents 23 series and more than 1,400 individual works, including the well-known series Thirteen Most Wanted Men, the box sculptures, approximately 300 works in the Jackie series, and the 1964 and 1964-5 Flowers series, amongst others.

As in Volume 1, Volume 2 includes a fascinating collection of source material: especially the rare studio photographs taken by Billy Name-Linich, who became The Factory's first de facto photographic historian. In this volume, editors Georg Frei and Neil Printz focus on Warhol's serial production, analysing the evolution of Warhol's working methods and the growing relationship between Warhol's exhibitions and his studio production. They establish a sophisticated and extensive chronology for the works of this period, many of which have been difficult to locate and to date, due to their seriality. The text provides both a compelling overview and an unparalleled deconstruction of Warhol's riveting story.

The project is co-sponsored by the Andy Warhol Foundation for the Visual Arts in New York and by Thomas Ammann Fine Art in Zurich.

About the Authors:

Georg Frei is a curator, art critic and editor who has been affiliated with Thomas Ammann Fine Art AG in Zurich since 1988. Previously he wrote art, dance, and theatre criticism for several Swiss newspapers and magazines. For the Thomas Ammann gallery he has organized more than a dozen exhibitions and edited the accompanying catalogues on such artists as Picasso, Cy Twombly, Max Beckmann and Willem de Kooning. For the Fondation Beyeler in Basel, he was the Guest Curator of the exhibition 'Andy Warhol: Series and singles, 2000-2001'.

Neil Printz, a specialist in twentieth-century American art, in New York, is currently Editor of the Isamu Noguchi Catalogue Raisonné. He is Professor of Art History at Caldwell College in Caldwell, New Jersey.

Sally King-Nero is Curator of Drawings and Photographs at the Andy Warhol Foundation for the Visual Arts, a position she has held since 1993. She has been extensively involved in the examination and cataloguing of Warhol's works since the 1980s.

The Art and Making of Arcane takes readers through the visual journey of Riot Games’ and Fortiche's revolutionary animated series. Featuring early art styles, evolving character designs, and jaw-dropping worldbuilding artwork, this volume is the definitive compendium of Arcane’s creative process and vision.

Arcane and League of Legends fans alike will be amazed by the visual development of fan-favorite champions, the breathtaking cityscapes of Piltover and Zaun, and the riveting inventions of hextech and Shimmer.

Featuring never-before-seen images from the vaults of Riot and Fortiche, a manuscript built from interviews with over twenty animators, writers, directors, artists, and so many more creative minds behind the success of Arcane, this is simply a must-have book.

The book includes early designs showing how characters evolved visually, gorgeous vistas of sprawling background and setting art, and interviews with over 20 key animators, writers, directors, artists, game designers, musicians, and other creators.

The Art and Making of Arcane comes with an acetate jacket exclusive to this edition. It also comes with a trove of in-world extras, including a Jinx poster, a removable map of Piltover, an in-world blueprint, a Vander Letter, fold-out spreads showcasing content from seasons one and two, and more.

A dazzling successor to Abbeville's The Art of Florence, this two-volume tour de force sweeps through the entire history of the arts in Paris, from the Stone Age to the pyramid at the Louvre. Contains Vol 1 and Vol 2, slipcased.

All the arts — painting, sculpture, architecture, urban design, interior design, graphic design, photography, film, fashion, the theater, and opera — have played a role in creating the enduring spirit of Paris. From a primitive village huddled on an island in the middle of the Seine, Paris rose to glory as a medieval and Renaissance center for art, as the cradle of the Enlightenment, and as the crucible of modern art and architecture. It remains a world center of innovation in art, architecture, and design, and one of the most thoroughly pleasurable of all modern cities.

Assembled under the editorial direction of Michel Laclotte, former director of the Musée du Louvre, and with the participation of outstanding scholars on both sides of the Atlantic, The Art and Spirit of Paris spans more than 6,000 years of cultural history. In two volumes, comprising nine insightful and wide-ranging chapters, and with approximately 1,500 illustrations, the authors chronicle the history of the visual arts in Paris, tracing their evolution and that of the social systems that supported them.

Volume I introduces the Gallo-Roman settlement described by Caesar and unearthed by modern archeologists, literally the foundation of modern Paris. From these beginnings, chapter 2 takes the reader through the dark period of the early Middle Ages, when Paris was ravaged by Norsemen, through the long process of rebuilding that led to the flowering of the Gothic and the remarkable masterworks of architecture and stained glass, Notre-Dame-de-Paris and the Sainte-Chapelle. The Renaissance city and the center of the Enlightenment are the subjects of chapters 3 and 4, illustrated by the masterpieces of painting and the decorative arts that established Paris, by the eighteenth century, as the Western worlds center of the arts.

Volume II begins at 1800, as Napoleon consolidates his power and resolves to make Paris the most beautiful city the world has seen. Chapter 5 treats his brief era, which would echo in the French imagination for decades after, and which begins the reign of Paris as "Capital of the Nineteenth Century." The battles of classicism and romanticism and the advent of a modern "engineers architecture" of glass and iron are followed in chapter 6 by the glorious Ville Lumière of Second Empire Paris, with its remarkable worlds fairs. It treats as well the aftermath of the Commune, when a "New Painting" would be invented by the most beloved artists of the French tradition, including Manet, Renoir, Monet, and Cézanne. Chapter 7 brings us to fin de siècle Paris, the Belle Epoque, and the run-up to World War I, when a remarkable coterie of artists, including Picasso, invent an art for the new century. Chapter 8 examines the period between the wars, an era of refinement and consolidation in the arts, and chapter 9 brings the story of Paris up to the present, examining the remarkable ways Paris has yet again remade herself, as a city of spectacle and guardian of her remarkable past, while remaining a vital center of fashion, theater, and the visual arts.

A lavish selection of photographs, most reproduced in color, complements the lively, informative texts with a revealing mixture of much-loved masterpieces and little-known discoveries. Completing these luxurious volumes are nine photographic portfolios, featuring classic black-and-white pictures, reproduced in duotone, by such masters as Brassaï, Henri Cartier-Bresson, Robert Doisneau, and André Kertesz, which capture the spirit of Paris in visual essays on such subjects as the Seine, Paris by night, shops and cafés, and the citys streets and boulevards.

About the Author:

Michel Laclotte, Director of the Musée du Louvre from 1987 to 1995, also served as Chief Curator in the museums Department of Paintings beginning in 1966. He specializes in French and Italian painting of the 14th and 15th centuries. Laclotte served as the Editorial Director for Abbevilles masterwork, The Art and Spirit of Paris.

A magnificent visual history of Decadence, Aestheticism and Symbolism presented by Hiroshi Unno 

From the foil-stamped cover to the reversible images printed onto the page edges and the mix of paper stocks inside, this is an amazing example of why we still love the book as an object

Across time and space, the motifs and images of Decadence are repeatedly depicted in literature, fine arts, music and other art forms. This book presents numerous historically important artworks spanning from the 19th century to Surrealism, including notable European illustrators such as Odilon Redon, Gustav Klimt, Gustave Moreau, Aubrey Vincent Beardsley and much more. 

Each chapter comprehensively showcases such art works, grouping them by stylistic category or artistic movement: Pre-Raphaelite Brotherhood; Symbolism in France, Germany and Belgium; Wiener Secession; Art Nouveau and Art Deco; Eroticism; book illustrators; Surrealist artists and so on. This collection also explores the theme of the femme fatale through representations of Sirens, mermaids and witches, as well as characters from Greek mythology, modern literary works, and so on. 

Approximately 370 great artworks are presented in a stylish layout designed by Reiko Harajo, the renowned book designer and creator of the gorgeous book designs of past PIE titles: George Barbier, William Morris and Harry Clarke. These art titles are available in English and include columns on themes related to these works. 

The Art of Decadence is sure to become a most treasured book for artists and illustrators, especially those with a keen interest in 19th century European Art. 

About the Author:

Hiroshi Unno was born in 1939 in Tokyo. Unno writes on art, cinema, music, urbanism, novels, flower arranging and more. Unno recent titles released by PIE International - Avant-Garde Graphics in Russia, The Art of Fantasy, Sci-fi and Steampunk, Harry Clarke, William Morris: Master of Modern Design, The World of Mucha, A Thousand and One Nights - have gained recognition worldwide.

Ron Ashtiani brings together twenty-five years of experience directing creative projects for games and film to share what it takes to be a successful art director in the entertainment industry today. Using his well-honed art direction skills and diverse project experience, real-world examples, and clear diagrams, he educates his readers on every element of stellar art design for both video games and movies.

Providing creative and business leadership, as well as being a specialist consultant and regular industry and educational public speaker, he is one of the most resourceful and well-educated practitioners in the field of video game and movie art design, making him perfectly poised to teach others in the industry.

The fully illustrated The Art of Direction book, leads the reader on the journey of the art director, from how to craft an artistic vision to how to successfully manage a team of artists in bringing that vision to life and making the best creative decisions along the way.

About the Author:

Ron Ashtiani is an award-winning Creative business leader, Art Director and Author.

Ron has had a 25-year career in the entertainment industry, first as an artist/art director, then a creative director and over the last decade, a business leader and entrepreneur.

Ron has built successful teams and businesses, worked on three Blockbuster Marvel movies, and contributed to over 30 video games. He has also delivered creative projects for J.K Rowling's Pottermore, Warner Bros., Sony, and Microsoft to name a small few. Ron is listed in the UK top 100 people in games and in the top 100 in digital media.

He provides creative and business leadership as well as specialist consultancy and is a regular industry and educational public speaker.

Ron Ashtiani brings together twenty-five years of experience directing creative projects for games and film to share what it takes to be a successful art director in the entertainment industry today. Using his well-honed art direction skills and diverse project experience, real-world examples, and clear diagrams, he educates his readers on every element of stellar art design for both video games and movies.

Providing creative and business leadership, as well as being a specialist consultant and regular industry and educational public speaker, he is one of the most resourceful and well-educated practitioners in the field of video game and movie art design, making him perfectly poised to teach others in the industry.

The fully illustrated The Art of Direction book, leads the reader on the journey of the art director, from how to craft an artistic vision to how to successfully manage a team of artists in bringing that vision to life and making the best creative decisions along the way.

About the Author:

Ron Ashtiani is an award-winning Creative business leader, Art Director and Author.

Ron has had a 25-year career in the entertainment industry, first as an artist/art director, then a creative director and over the last decade, a business leader and entrepreneur.

Ron has built successful teams and businesses, worked on three Blockbuster Marvel movies, and contributed to over 30 video games. He has also delivered creative projects for J.K Rowling's Pottermore, Warner Bros., Sony, and Microsoft to name a small few. Ron is listed in the UK top 100 people in games and in the top 100 in digital media.

He provides creative and business leadership as well as specialist consultancy and is a regular industry and educational public speaker.

An all-encompassing look at the making of The Wild Robot, based on the New York Times bestselling series from Peter Brown

DreamWorks Animation brings to life Peter Brown’s bestselling book about a robot stranded on an uninhabited island.

Depicting the tale of resilience, kindness, and shared humanity, The Art of DreamWorks The Wild Robot presents hundreds of character designs and concept art from the making of the movie, along with exclusive interviews from the writers, artists, cast, and filmmakers.

Featuring a foreword by Lupita Nyong'o, a preface by Peter Brown, an introduction by writer-director Chris Sanders, and an afterword by producer Jeff Hermann, this insider’s guide details the elaborate artistry involved in creating the ultimate celebration of nature, family, and the emotional journey of becoming more than one is programmed to be.

This beautiful coffee table book is a gift to animation fans.

About the Authors:

Jerry Schmitz is the author of multiple books that delve into the art and making of film, including The Art and Making of The Peanuts Movie, The Art of DreamWorks Trolls, Surf’s Up: The Art and Making of a True Story, and The Art of Shrek Forever After. More recently, he served as the project manager of Spielberg: The First Ten Years by Laurent Bouzereau. He lives in Los Angeles. Instagram: @JerSchmitz

Lupita Nyong’o is an actress who has won an Academy Award, an Emmy Award, and a Screen Actors Guild Award and is known for her performances in critically acclaimed films such as 12 Years a Slave, Black Panther, Us, and many others. She has additionally been nominated for a Golden Globe, a BAFTA Award, and a Tony Award.

Peter Brown is the New York Times bestselling author and illustrator of the Wild Robot series. In 2016, The Wild Robot was named one of the best children’s books by Kirkus Reviews, the New York Public Library, Publishers Weekly, and Shelf Awareness. His work has also garnered a Caldecott Honor.

Chris Sanders is a three-time Academy Award–nominated filmmaker, producer, animator, and voice actor. He is known for writing and directing both Lilo & Stitch and How to Train Your Dragon.
Jeff Hermann is a producer known for his work on The Boss Baby: Family Business, Kung Fu Panda 3, and a number of animated shorts. He lives in California.

Through never-before-seen development art, character sketches, storyboards, and color scripts, The Art of Frozen 2 gives fans a front-row view of the vast creative effort behind the epic sequel to Frozen. Filled with gorgeous four-color images and fascinating facts and details from the production team, it's the ultimate insider's look.

•    Art book from Disney’s Frozen 2
•    Features exclusive full-color concept art from the making of the film
•    A must for Disney Frozen fans

Fans of Disney Frozen II The Magical Guide and Frozen II The Official Movie Special will love this book.

©2019 Disney Enterprises, Inc. All Rights Reserved.

About the Authors:

Jessica Julius is vice president of creative affairs at Walt Disney Animation Studios and author of The Art of Moana and The Art of Zootopia.

Chris Buck is the Oscar® award–winning director of Frozen and Frozen 2.

Jennifer Lee, Oscar® award–winning writer and director of Frozen and Frozen 2, is chief creative officer of Walt Disney Animation Studios.

Peter Del Vecho is the Oscar® award–winning producer of Frozen and Frozen 2.

Discover how artists have been tricking the human eye for centuries

This spellbinding look at the history and development of illusionistic art reveals wide-ranging techniques that have piqued the public’s fascination with this medium. Beautifully reproduced, the images featured in the book includes centuries-old work such as the scenery at the Teatro Olimpico in Vicenza, Italy, and the ceiling frescos at the Würzburg Residence in Germany, that showcase processes such as trompe l’oeil and anamorphosis. It also features work from the 20th and 21st centuries, including René Magritte’s classic surrealist works; M. C. Escher’s magical and mathematically precise drawings; the seemingly undulating paintings of Bridget Riley; the manipulated photography of Andreas Gursky; Duane Hanson’s eerily lifelike sculptures; JR’s larger-than-life portrait photographs; and Georges Rousse’s mind-bending constructions.

The book also has examples of amazing street art including subway graffiti and a sidewalk painting that makes pedestrians think twice. This extraordinary and informative guide to all kinds of artistic trickery will satisfy scholars as well as everyday fans.

About the Author:

Florian Heine is an arts editor, photographer, and author whose many books include 50 Contemporary Photographers You Should Know, Buildings that Revolutionized Architecture, and Photography: The Groundbreaking Moments (all by Prestel).

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Пролистать книгу The Art of Illusion

The Art of Passover is the ideal presentation as a hostess gift at a seder. Full of ritual riches, The Art of Passover is an exquisite compilation of a cherished celebration to be passed down from generation to generation.

For thousands of years, Jewish families have gathered to celebrate the eight days of Passover and commemorate the liberation of Jews from slavery in Egypt by reading the Haggadah at the seder. Illustrated with dozens of stunning artifacts representing hundreds of years of this special observance, The Art of Passover resonates with the joyful spirit of the holiday and the devotion of those who celebrate it.

Gathered from across the centuries and around the world, this collection of Passover art and objects is at once a breathtaking visual treasury and a fascinating chronicle of Jewish life from the Middle Ages to the present day. Featured are illustrations from some of the most beautiful Haggadahs ever crafted, from the German Bird's Head Haggadah and the Spanish Golden Haggadah of the fourteenth century to those illustrated by contemporary artists such as painter Ben Shahn. A seder plate used in the concentration camp at Terezin is a moving reminder of the darkest period in Jewish history.

Rabbi Stephen O. Parnes offers insightful explanations of the religious, biblical, and historical symbols found in the pieces. Entertaining and informative commentaries by Bonnie-Dara Michaels and Gabriel M. Goldstein examine the works from an artistic perspective, complementing the illustrations and enhancing our appreciation and understanding of this very special holiday.

About the Author:

Rabbi Stephen Parnes is a practicing rabbi with a congregation in Lancaster, Pennsylvania. Bonnie-Dara Michaels and Gabriel M. Goldstein are curators at Yeshiva University Museum in New York City.

Posuka Demizu is a rising star among manga artists whose new title, The Promised Neverland, created with co-author Kaiu Shirai, is currently running in the manga magazine Weekly Shonen Jump in Japan. This first collection of Posuka's work features outstanding artworks from his career so far, along with new illustrations created especially for this edition. Readers will appreciate seeing Posuka's vibrant characters and compositions rendered in his characteristically precise style, gathered together for the first time in a single volume.

About the Author:

Posuka Demizu Born in Tokyo in 1988, is a Japanese illustrator/manga artist. He has dedicated his entire career so far to creating work for children's books, videogames and comics, contributing his interesting style to Namco Bandai, Coro Coro Comic (manga magazine published by Shogakukan), Nintendo and a lot of other clients. He also once created manga basedon Animal Kaiser Card.