Книги про антиквариат

Switzerland is well-known for its host of remarkable collections of 18th-century European porcelain. Exemplary representatives include renowned collectors such as Dr Albert Kocher and Dr Marcel Nyffeler. A number of these magnificent collections can be found today – as a result of endowments or gifts – in Switzerland’s renowned institutions. Today, the ‘white gold’ from Saxony still fascinates Swiss connoisseurs: this publication is dedicated to their passion for collecting and for exceptional treasures, and is enriched with articles by renowned art historians and porcelain experts. An impressive overview of the gems from the most sumptuous Meissen porcelain of the early period.

The name Johann Joachim Kaendler (1706–1775) is closely entwined in the 18th century with the golden age of the Meissen Porcelain Manufactory. His exceptional artistic talent, coupled with craftsmanship, enabled him to capture the daily life of the nobility in their palaces and residences in numerous figures and groups. In doing so, he did not limit himself to official events but reflected tastes and aspirations as well as current trends.

In the publication Magnificence of Rococo impressive porcelain figurines from top-class European private collections are brought together for the first time: on over 300 pages, these magnificent, often unique objects provide insights into courtly life of the Baroque and Rococo periods.

_Four hundred images of pure Rococo and Baroque opulence
_Most beautiful Meissen figurines from European private collections
_Accompanying the extensive exhibition at Wawel Castle, Kraków

Chess, one of the world’s most popular games, has inspired artists for hundreds of years

Though apparently offering a limited canvas – each set has 32 pieces, each board 64 squares – sets have nevertheless been designed in countless ways, using almost every imaginable material: from precious metals to ivory and rock crystal. They have taken many forms, from figural to abstract, and used many diverse themes, from the historical and political to the beauty and variety of the animal kingdom.

This book brings together some of the most beautiful and unusual chess sets ever made. Over hundreds of years, from five continents, they are culled from private collections and museums, including 200-year-old sets made by nameless Indian craftsmen; sets by Peter Carl Fabergé; sets from Soviet gulag prisoners; and sets by leading artists of the 20th century, like Max Ernst.

Each set has been especially photographed for this book, with detailed insights provided by an exceptional group of experts: Dr. George Dean, Jon Crumiller, Larry List, Barbara Drake Boehm (senior curator of the Cloisters, Metropolitan Museum of Art) and William Wiles (Dezeen), with an introduction by the book’s editor, Dylan Loeb McClain, (former New York Times chess columnist).

Chess, one of the world’s most popular games, has inspired artists for hundreds of years

Though apparently offering a limited canvas – each set has 32 pieces, each board 64 squares – sets have nevertheless been designed in countless ways, using almost every imaginable material: from precious metals, to ivory and rock crystal. They have taken many forms, from figural to abstract, and used many diverse themes, from the historical and political to the beauty and variety of the animal kingdom.

This book brings together some of the most beautiful and unusual chess sets ever made. Over hundreds of years, from five continents, they are culled from private collections and museums, including: 200 year-old sets made by nameless Indian craftsmen; sets by Peter Carl Fabergé; sets from Soviet gulag prisoners; and sets by leading artists of the 20th century, like Max Ernst.

Each set has been especially photographed for this book, with detailed insights provided by an exceptional group of experts: Dr. George Dean, Jon Crumiller, Larry List, Barbara Drake Boehm (senior curator of the Cloisters, Metropolitan Museum of Art) and William Wiles (Dezeen), with an introduction by the book’s editor, Dylan Loeb McClain, (former New York Times chess columnist).

Pressure exerted by America in 1854 caused Japan to open its doors after 260 years of isolation. Virtually uninhibited receptiveness to everything Western was the driving force behind the modernisation of Japan initiated by the Meiji government yet it also induced a rapid rediscovery of indigenous cultural values. At early Paris and London international exhibitions, the Japanese decorative and applied arts sparked off the Western fascination with all things Japanese – japonisme. In Japan, on the other hand, new technologies were eagerly adopted – the government realised that increasing production for export would be an excellent means of promoting Japanese economic growth and thus enhancing Japan’s status worldwide.

The present publication represents the first detailed survey of the development of Japanese export porcelain against a highly charged background of political, economic and cultural factors. Stylistic development in Japanese ceramics did not mean one-sided Westernisation; instead, inspiration went both ways, most notably in the impact made by Japanese art on Art Nouveau/Jugendstil and, ultimately, the Japanese aesthetic response to it.

This is the first complete survey of Japanese export porcelain from the Meiji era to be published in English – a benchmark standard work for specialists and an insider tip for lovers of porcelain and anyone interested in Art Nouveau and Japan.

Meiji Ceramics represents the first in-depth study of the development of Japanese export porcelain against a highly charged background of political, economic and cultural factors. Includes 180 artists’ signatures.

Kostbar veredelte Glasgefäße von Emile Gallé, Daum Frères und Louis Comfort Tiffany, subtil dekorierte Erzeugnisse der berühmten Porzellanmanufakturen Rozenburg, Kopenhagen, Nymphenburg und Meissen, neben reich mit Blütendekor geschmückten Haarkämmen und anderen extravaganten Schmuckstücken der Pariser Juweliere um René Lalique, bis zu individuell gestalteten Möbeln von August Endell, Richard Riemerschmid und Henry van de Velde: Wer sich als Besucher in die Sammlung des Bayerischen Nationalmuseums München begibt, der wandelt durch die faszinierend vielfältige Zeit des Jugendstils.

Diese Sammlung zählt zu den herausragenden deutschen Museumsbeständen mit Meisterwerken des Jugendstils. Den Kern bilden die über Jahrzehnte mit hoher Kennerschaft zusammengetragenen Sammlungen Professor Dr. Siegfried Wichmanns und Herzog Franz von Bayern, die seit 1983 für das Münchner Museum erworben wurden. Aus dem mehr als 500 Einzelobjekte umfassenden Bestand führt die reich bebilderte Publikation dem Leser rund 150 der schönsten und bedeutendsten Werke mit fundierten Texten und brillanten Abbildungen vor Augen.

Dem Charakter der Sammlung entsprechend, spiegelt die Publikation das breite Spektrum der internationalen Jugendstilbewegung mit Arbeiten erstrangiger Künstler und mit Beispielen aus nahezu allen Materialgattungen wider.

If you want to know the value of your antiques - or find out how the antiques market is faring - the world's bestselling antiques price guide is the place to look.

'The bible of the antiques world.' Daily Mail

Miller's Antiques Handbook & Price Guide remains the essential and trusted guide to the antiques market. It has earned the reputation of being the book no dealer, collector or auctioneer should be without. Compiled by Judith Miller, world-renowned antiques expert and co-founder of the book, the guide features more than 8,000 antiques.

Comprehensive sections cover Ceramics, Asian Antiques, Furniture, Glass, Silver and Metalwares, Jewellery and objets de vertu, Clocks and Watches, Books, Textiles, Toys, Decorative Arts and Modern Classics. Special features explain why one piece is worth more than another, show how to value an item and teach you to be your own valuer. Biographies of designers and factories give the background information you need to help date and value objects, while special 'Judith Picks' sections give fascinating background and valuation details for particularly interesting or unusual objects.

About the Author:

Judith Miller was one of the world's leading antiques experts. She first began collecting in the 1960s while a student at Edinburgh University, and continued to extend and reinforce her knowledge of antiques through international research. In 1979 she co-founded the international best-seller Miller's Antiques Price Guide and went on to write more than 100 books which are held in high regard by collectors and dealers.

Judith appeared regularly on TV and radio. She was an expert on the BBC's Antiques Roadshow and co-hosted the popular BBC series The House Detectives, ITV's Antiques Trail, and Discovery's It's Your Bid. She appeared on The Martha Stewart Show and CNN. Judith lectured extensively, including at the V&A in London and the Smithsonian in Washington, and contributed to numerous newspapers and magazines, including the Financial Times, the Daily Telegraph, BBC Homes & Antiques and House & Garden.
 

Timepieces are the perfect distillation of Cartier's craft: At once bona fide jewels, the ultimate expression of style, and miracles of detail and precision, they are at the heart of all that the legendary house represents. Equal in beauty, value, and design to Cartier's jewels, each timepiece is an object of unparalleled luxury and elegance, emblematic of the "Cartier style." More than 450 pieces, including the complete collection of "mystery clocks" whose hands seem to float in midair, are presented here, representing more than 150 years of the finest horology. Each object is accompanied by its individual history and detailed technical specifications. Full-scale reproductions, including 12 gatefolds, are followed by an illustrated and comparative chronology, glossary of terms, and complete index.

About the Authors:

François Chaille is an art historian and fashion expert. He has written several titles, including The Cartier Collection: Jewelry, The Cartier Collection: Precious Objects, Cartier: Creative Writing, Cartier: Innovation through the 20th Century, and Girard-Perregaux. Franco Cologni is Chairman of the Cultural Council of the Fondation de la Haute Horlogerie.

A celebration of philanthropist Marjorie Merriweather Post’s passions for her residences and personal collections, reflecting centuries of some of the finest treasures in the world.

Marjorie Merriweather Post (1887–1973) was an extraordinary person, not only for being the head of a major corporation but also for overseeing elegant and well-run residences and amassing collections of astounding beauty. Including portraiture, imperial Russian tableware, Fabergé creations, stunning garments and jewelry, books, and rare objects in gold, silver, and porcelain, Post’s works of art were acquired with intelligence and acuity. She was inspired by past royal and aristocratic patrons as well as countries that she admired: France, Russia, England, and Austria.

This publication illustrates the evolution of Post’s collections and her interactions with dealers, artists, artisans, and architects. The backdrops for her treasures — residences in New York, the Adirondacks, Palm Beach, and Washington, D.C. — are depicted with period and newly commissioned photography. Recent scholarship focusing on the highlights of her trove of exquisite objects sheds new light on Post’s legacy as a twentieth-century collector.

About the Author:

Kate Markert is the executive director of Hillwood Estate, Museum & Gardens. Wilfried Zeisler is the chief curator at Hillwood. Megan J. Martinelli is the associate curator of textiles, apparel, jewelry, and accessories at Hillwood. Jason G. Speck is Hillwood’s head of archives and special collections.

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Пролистать книгу The Houses and Collections of Marjorie Merriweather Post

The global porcelain scene is celebrating the 40th anniversary of the International Ceramics Fair and Seminar, which was founded by Brian Haughton and his wife, Anna, in London in 1982. That was just the beginning: further fairs and accompanying symposia on design, jewellery, and antiques in New York and Dubai were to follow, becoming important venues of exchange, not just for trade but for the academic world too.

To mark this anniversary, more than 40 renowned scholars were asked to write about selected European ceramics that had been traded in Brian Haughton’s gallery and that he had been particularly passionate about.

This publication is a wonderful kaleidoscope of unique ceramics from the 18th and 19th centuries, released as a homage to Brian Haughton, The Man with the Butterfly Tie.

The Watch Book I and II in one volume: Expansive knowledge from renowned watch expert and historian Gisbert L. Brunner alongside almost 1,000 high-quality color photographs brings together the latest innovations and most important names in top-end timekeeping under one roof. Few objects combine function, elegance, and status as well as a wristwatch.

A blend of precise mechanics, craftsmanship, fine materials, and innovation distinguishes the truly superlative examples. With so-called smart watches playing a larger role, the world of watches is in transition. However, classic timepieces with mechanical movement will not disappear from people's wrists, because the ticking of a mechanical watch has been and will continue to be the heartbeat of human culture. After their individual success, the bestsellers The Watch Book I and The Watch Book II are finally available together in one comprehensive volume. Readers can feast their eyes and minds on a magnificently-illustrated and well-documented chronicle of the world's best timepieces.

Portraits of more than 40 watch brands, from premium manufacturers Patek Philippe, Rolex, and Cartier to watches from the "affordable luxury" segment, right up to timepieces from the chronometric creme de la creme. We explore their unique features and quirks and learn about the remarkable breakthroughs and exclusive technical developments that have contributed to the history of the watch. This volume also includes a helpful glossary of important terms, making it an absolute must for both timepiece experts and collectors and those new to the world of watch artistry.

For bibliophiles, connoisseurs of contemporary printmaking, and everyone whose imagination is fired by the macabre

With breathtaking virtuosity and a unique, dreamlike vision, Érik Desmazières – a master of contemporary printmaking – re-creates interiors, cityscapes and fantastical compositions.

For this book - the first to include the artist's rare work in colour - Desmazières has delved deep into the arcane theme of cabinets of curiosities. Taking as his starting point the melancholy musings of the seventeenth-century antiquary Sir Thomas Browne, he has reinterpreted these shadowy collections of the recondite, rare and bizarre – precious corals, shrunken heads and magical artefacts – as a series of meditations on the vanity of earthly life. Death and decay are never far below the surface, as a depiction of Sir Thomas Browne’s own skull, disinterred and displayed in a museum until the 1920s, reminds us.

The erudite text by Patrick Mauriès traces the preoccupations of Browne and his fellow collectors through history, showing how abstruse objects and spectres of death - subject matter once considered the preserve of specialists - have now entered the cultural mainstream.

Rich in atmosphere, refreshingly strange and exquisitely produced, A Cabinet of Rarities is a bibliophilic treasure for anyone whose imagination is fired by the esoteric and macabre.

Contents List:

The Artist-Engraver • The Virtuoso • Reawakenings

About the Authors:

Erik Desmazières is a French engraver and printmaker, who is represented in numerous important public and private collections all over the world.
Patrick Mauriès is a writer and publisher of many notable titles on fashion and design, including Jewelry by Chanel, A Cabinet of Rarities, The World According to Karl and Fashion Quotes to name a few, all published by Thames & Hudson.

The basic tenet of Jugendstil (German Art Nouveau) was to "suffuse all areas of life with art". This also applied to objects in everyday use.

The German Blade Museum boasts the world's biggest cutlery collection. Vol. I of the Museum catalogue presents "Jugendstil Cutlery" in all its diversity. Silver, silver-plate and other materials were used for this cutlery, most of it made in Germany. The collection comprises more than 300 patterns, which are arranged here by purely formal criteria to reveal the enormous variety of forms and decoration. No other era produced such a diversity of decorative designs and this is the first ever publication to deal with it. All known makers and designers, as well as anonymous factory designs for patterns, are represented in this collection.

The best-selling guide to British antique furniture for over forty years, now in its sixth edition.

For the past forty years this book has, in its various editions, outsold all others on British antique furniture simply because it is unique in explaining what to look for when assessing the value of individual pieces. In this, the sixth edition, the huge financial importance of patination and colour has been explained and illustrated - something which has become increasingly important in recent years. This classic guide consists of over 1,600 photographs of furniture found in shops and auction rooms throughout the country with the author's down-to-earth comments on important features that affect individual prices. The reader will come to understand the rules and prejudices which apply while the eye will become aware of gradations of quality. He will come instinctively to assess the workmanship and how all this affects the final price tag. This is, above all, a reference book for the practicing collector and dealer, a work from which the memory may be refreshed and points checked.

John Andrews is both a founding member of, and the first author published by, the Antique Collectors' Club. His professional background as a market researcher and his love of furniture have made his books unique in their clear explanations and practical, factual approach. Apart from collecting, restoring and writing about furniture, he is an active businessman and fiction writer.

This is the first volume of the definitive reference series dealing with commercial bronze sculptures in the period 1800 to 1930. This period spans the rise and decline of commercial industrial foundries in Europe, especially in France, and a wide array of international sculptors. Together, they produced millions of fine statuettes for the general public. Volume 1 includes 799 photographs of sculptures on 224 pages with essays on specific topics of identitication and caring for bronze. It incorporates lists of the sculptors whose work is shown, the founders represented, 24 different founders' seals and an index to this volume. The photographs are remarkably clear enabeling small details in the sculptures to be visible. With this reference series, collectors will be able to identify many of the old commercial bronzes found on the market today