Keiko's unique approach to ikebana, the Japanese art of flower arranging, combines traditional techniques with modern tastes. Her influences -- which range from sculpture to today's Western floral design -- come together to create one-of-a-kind arrangements that are authentic and eye-catching, simple and graceful, and possible for anyone to achieve.

This book presents step-by-step instructions for creating 20 stunning ikebana arrangements in a range of sizes and styles. Each of the flower arrangements can be completed in just three simple steps and uses easy-to-find floral materials and containers. The book also includes an introduction to the history of ikebana as it relates to Japan and Japanese culture, as well as a guide to the basic rules of ikebana design and floral techniques. Suggestions for finding and choosing materials and supplies make it easy to learn how to arrange flowers and gain a hands-on appreciation of the art of Japanese flower arranging.

About the Authors:

Keiko Kubo started taking ikebana classes as a teenager in Japan. After coming to the United States to pursue her art, she graduated from the School of Art Institute of Chicago with a master of fine arts degree, majoring in sculpture, and has also studied Western floral art. Keiko resides in Chicago, IL.
Erich Schrempp is a Chicago-based photographer specializing in illustrative images. His fine art and commissioned work can be viewed at www.schremppstudio.com.

___________

Пролистать книгу Keiko's Ikebana: A Contemporary Approach to the Traditional Japanese Art of Flower Arranging на Google Books.

At its heart, the Japanese art of ikebana is about celebrating an intimate connection with nature. To practice ikebana is to find inspiration in the seasons, favor unassuming blooms and branches, seek balance and simplicity, and remain fully present in the moment. It is a beautiful, pure antidote to our age of distraction and excess. Honoring the lineage of ikebana while making the art their own, Amanda Luu and Ivanka Matsuba of Studio Mondine show us new ways to tell stories with flowers. They offer step-by-step instructions for dozens of stunning, seasonal arrangements, while in the process introducing readers to the themes and stylistic signatures of the art. In Studio Mondine’s hands, this centuries-old practice feels undeniably fresh — and readers are given the gift of learning to create unique, meaningful, and authentic arrangements.

"A modern take on a centuries-old art that’s breathtakingly simple.”
— Booklist, starred review

About the Authors:

Ivanka Matsuba and Amanda Luu are the team behind Studio Mondine, a floral design studio based in San Francisco, California, which seeks to balance the simplicity of Japanese ikebana with the abundance of Western-style flower arranging. Their work has been featured in the New York Times, Vogue, Real Simple, Martha Stewart Weddings, and Architectural Digest, and they have created arrangements for Everlane, Google, Parachute Home, the Brooklyn Botanic Garden, and more.

__________

Пролистать книгу Ikebana Unbound: A Modern Approach to the Ancient Japanese Art of Flower Arranging на Google Books.

Perfect the gift of giving. The only modern, practical guide to the ancient art of Japanese gift wrapping. Discover how to use Furoshiki - beautiful, reusable wrapping cloth, to make gift-giving extra special and joyful, and kinder to the planet too.

In Japan, gift-giving is an important cultural ritual, and the presentation is just as important as the gift itself. Learn 30 exquisite yet easy wrapping styles, involving knotted or intricately folded Furoshiki cloth, to wrap bottles, bouquets of flowers and other presents. You can also use Furoshiki to wrap and carry all sorts of everyday items.

With no cutting, sticking or waste, give thoughtful, beautiful gifts and say goodbye to single-use wrapping paper, bags and packaging for good.

About the Author:

Tomoko Kakita is a Japanese Furoshiki expert and an interior architect based in London, UK. She designs and sells her beautiful, nature-inspired Furoshiki at maspacedesign.com

'a mixture of artistic sensibility and imagery that leaves nothing to the imagination'  - The Telegraph

In early modern Japan, thousands of sexually explicit paintings, prints, and illustrated books with texts were produced. These were euphemistically called ‘spring pictures’ (shunga) and were originally created by the artists of the ukiyo-e school of the floating world to advertise brothels in 17th-century Yoshiwara, including the celebrated artists Utamaro and Hokusai.

This catalogue of an exhibition in 2013/4 at the British Museum aims to answer some key questions about what shunga is and why it was produced. Erotic Japanese art was heavily suppressed in Japan from the 1870s onwards, and it is only in the last twenty years or so it has been possible to publish unexpurgated examples in Japan. 

Drawing on the latest scholarship and featuring over 400 images of works from major public and private collections, this book sheds new light on this unique art form within Japanese social and cultural history.

About the Author:

Timothy Clark, Head of Japanese Section, British Museum

An introduction to the Japanese art of living of Ogata through the vision of its founder, Shinichiro Ogata.

As an expert in the cultures and traditions of ancient Japan, Shinichiro Ogata has dedicated himself to a contemporary reinvention of this solemn yet simple ideal of a harmonious life. His eponymous spaces in Japan and Paris are at once a tea salon, pastry shop, restaurant, bar, art gallery, and crafts and housewares store where every element is infused with a pared-back, refined style, holistically in tune with surroundings and nature.

Beautifully printed, this elegant volume provides a comprehensive overview of Japanese art of living, with chapters on tea, cuisine, wagashi (traditional confections), crafts, fragrance, and floral art. Readers are invited to consider a new outlook, nourished by millennia-old traditions and materialized through exquisite objects and sensorial experiences. Each section explores the details and innovative possibilities for deeply rooted traditions as well as the social and aesthetic rules that sustain them, while beautiful photographs showcase Ogata’s signature design as well as its flagship Paris space. Written in the first person, Shinichiro Ogata’s text offers a deeper understanding of his creative process and unique aesthetic vision. This is an exquisite book for aficionados of Japanese refinement and craftsmanship.

About the Authors:

Shinichiro Ogata is a Japanese designer. He founded Simplicity Co., Ltd. in 1998, a multidisciplinary company with activities ranging from a design studio to tea, cuisine, wagashi, crafts, and other fields. Ogata opened in Paris in 2020. Dennis Paphitis is the founder of Aesop. Kei Osawa is a French-Japanese researcher and curator at the University Museum, the University of Tokyo.

_____________

Пролистать книгу Ogata: Reinventing the Japanese Art of Living​  на сайте издательства.

This art book showcases depictions of hell in Japanese art from the 12th century to the 19th century.

It features a large collection of masterpieces presented with details and enlargements from the works. These images are of aesthetic, thought-provoking, frightening and wickedly funny.

The single-volume collection focuses primarily on works designated as Japanese National Treasures or Important Cultural Properties and features the various depictions of hell by prominent artists such as Kazunobu Kano, Nichosai, Yoshitoshi Tsukioka and Kyosai Kawanabe. It is a must-see for artists, illustrators and anyone interested in representations of hell. This volume also features the 19th-century woodblock-printed edition of Ojoyoshu (The Essentials of Rebirth in the Pure Land) written by the medieval Buddhist monk Genshin (942 - 1017) and is accompanied by modern bilingual text.

Written in 985, this influential Buddhist text is often compared with Dante's La Divina Commedia (La Divine Comedie/The Divine Comedy). Its brutal scenes of underworld realms display the suffering and cruelty one might endure as a consequence of harmful acts committed in life or the judgement by the Ten Kings of Hell. These ideas of hell in Ojoyoshu have played an enduring role in inspiring Japanese Buddhist paintings and other subsequent texts, particularly from the medieval period onward, and are vividly portrayed in the painting featured in this volume.

Essays from historians of both Japanese art and Buddhism are also included in bilingual text.

'a mixture of artistic sensibility and imagery that leaves nothing to the imagination'  - The Telegraph

In early modern Japan, thousands of sexually explicit paintings, prints, and illustrated books with texts were produced. These were euphemistically called ‘spring pictures’ (shunga) and were originally created by the artists of the ukiyo-e school of the floating world to advertise brothels in 17th-century Yoshiwara, including the celebrated artists Utamaro and Hokusai.

This catalogue of an exhibition in 2013/4 at the British Museum aims to answer some key questions about what shunga is and why was it produced. Erotic Japanese art was heavily suppressed in Japan from the 1870s onwards and it is only in the last twenty years or so has it been possible to publish unexpurgated examples in Japan. 

Drawing on the latest scholarship and featuring over 400 images of works from major public and private collections, this book sheds new light on this unique art form within Japanese social and cultural history.

About the author:

Timothy Clark, Head of Japanese Section, British Museum

280 colour and b/w illustrations, hardcover

This richly illustrated book presents the Jeffrey Montgomery collection of Japanese folk art, one of the foremost collections of this art in the world. Superb examples of lacquer and metalwork, basketry, textiles, furniture, masks, sculpture, paintings, toys and ceramics, organised by medium into five sections. These utilitarian objects of everyday life date from the Muromachi period (1392-1568) to the early Meiji period (1868-1912), and were crafted by hardworking artisans for farmers, fishermen, town merchants and the upper-class elite. The pieces these artisans produced reflect an honesty and respect for all things both animate and inanimate, while at the same time they served as vehicles of ritual and symbols of cultural identity. The significant feature of all the objects in the collection is that they possess a unique and inherent quality of timeless beauty. The introduction written by Dr. Edward de Waal, a potter and a writer whose works are held in many museum collections, focuses on the history of the appreciation of Japanese Folk arts in the West. Indeed, the influence of Japanese folk art on modernist design and on the growth of the craft movement within the West has been extremely important. The book continues with extensive texts written by four highly respected Japanese art historians. The entries are divided into five sections: ceramics, textiles, metalworks, masks, and additional objects (furniture, toys, sculptures, etc.) The book includes a chronology, a map of Japan, an index and bibliography.