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Redefining cool for a new generation, Pharrell Williams is a creative force, using music, fashion, and design to express his distinctive style. 

Originating at the crossroads of art, design, popular culture, and street savvy, Pharrell Williams’s output is unique. By playing off different disciplines — namely music, fashion, street art, and design — and using each as an element in the other, Pharrell has redefined the role of the contemporary recording artist, blazing a trail for other musicians and prominent cultural figures. Illustrated with lavish photography, this book also explores his musical career in depth, charting his many projects from his production team The Neptunes, to the band N.E.R.D., and his collaborations with friends Kanye West, Jay-Z, Snoop Dogg, and other hip-hop royalty. This unprecedented volume documents Pharrell’s prolific body of work and his contribution to contemporary culture. In his own unique graphic language, he details his extensive creative pursuits, including clothing lines, jewelry, and accessories designs for Louis Vuitton, furniture and other product design, limited-edition toys, graphic designs, skate graphics, and collaborations with Moncler, Marc Jacobs, the artist KAWS, and with architects Zaha Hadid and Masamichi Katayama/Wonderwall. 

The book includes contributions from Buzz Aldrin, Toby Feltwell, Zaha Hadid, Shae Haley, Chad Hugo, Jay-Z, Masamichi Katayama, Ambra Medda, Takashi Murakami, NIGO ®, Loïc Villepontoux, Kanye West, Anna Wintour, Hans Zimmer, Ian Luna and Lauren A. Gould.

This book was originally published with three different coloured covers and a year later, reprinted with a new set of three colours.  Customers will be shipped any of the six different colours at random.

About the Author

Pharrell Williams is a designer, recording artist, and producer based in Miami. Jay-Z is a multiplatinum recording artist and producer based in New York. Ambra Medda is the co-founder and director of Design Miami and Design Miami/Basel. Nigo is a Japanese DJ, music producer, and developer of the clothing line A Bathing Ape. Takashi Murakami is an artist based in New York and Tokyo.

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Пролистать книгу Pharrell: Places and Spaces I've Been

A new collection of unseen photographs of New York City's 1970s punk heyday, by one of the icons of the city's golden age of new wave, Blondie's Chris Stein.

For the duration of the 1970s - from his days as a student at the School of Visual Arts through the foundation of the era-defining band Blondie and his subsequent reign as epicenter of punk's golden age - Chris Stein kept an unrivaled photographic record of the downtown New York City scene.

Following in the footsteps of the successful book Negative, this spectacular new book presents a more personal and more visceral collection of Stein's photographs of the era. The images presented here take readers from self-portraits in his run-down East-Village apartment to candid photographs of pop-cultural icons of the time and evocative shots of New York City streetscapes in all their most longed-for romance and dereliction. An eclectic cast of cultural characters - from William Burroughs to Debbie Harry, Andy Warhol to Iggy Pop - appear here exactly as they were in the day, juxtaposed with children playing hopscotch on torn-down blocks, riding the graffiti-ridden subway, or cruising the burgeoning clubs of the Bowery.

At once a chronicle of one music icon's life among his punk and New-Wave heroes and peers, and a love letter to the city that was the backdrop and inspiration for those scenes, Point of View transports us to another place and time.

About the Author:

Chris Stein is the co-founder, songwriter, and guitarist of the iconic punk band Blondie. His photographic work has been featured in galleries and press around the world, and published in the successful book Negative: Me, Blondie, and the Advent of Punk, published by Rizzoli. Beyond his era-defining music with Blondie, he has collaborated with a host of artists over the years, from Shepard Fairey to Glenn O'Brien and Andy Warhol.

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Пролистать книгу Point of View: Me, New York City, and the Punk Scene

Brand new edition of Soul Jazz Records’ massive deluxe 400-page Punk 45s cover art book edited and compiled by Jon Savage (author of the seminal book on punk, England’s Dreaming) and Stuart Baker (founder of Soul Jazz Records).

This new edition comes with a new introduction from Bobbie Gillespie, founder of Primal Scream (who has recently also published his memoirs Tenement Kid).

Contributors include Peter Saville, Richard Hell, Richard H Kirk, Seymour Stein, Geoff Travis, Martin Moscrop, Glenn Branca, Jamie Reid, Dave Robinson, Roger Armstrong, Martin Mills, Gee Vaucher, Savage Pencil, Dennis Morris and more.

This book is a revelatory guide to hundreds and hundreds of original 7” record cover sleeve designs – visual artefacts found at the heart of the most radical and anarchistic musical movement of the 20th century.

As well as the encyclopaedic visual imagery featured inside, the book also includes interviews with a number of significant figures in punk music: artists and groups including Richard Hell, Martin Moscrop (A Certain Ratio), Richard H Kirk (Cabaret Voltaire), Glenn Branca and David Thomas (Pere Ubu); record label owners including Seymour Stein (Sire Records), Geoff Travis (Rough Trade), Roger Armstrong (Chiswick), Martin Mills (Beggars Banquet), Dave Robinson (Stiff Records), David Brown (Dangerhouse); and the celebrated designers involved in creating punk’s original iconic imagery – Peter Saville (Factory Records), Gee Vaucher (Crass Records), Jamie Reid (Sex Pistols), Gee Vaucher (Crass Records) and Dennis Morris (Public Image Limited).

The revolutionary do-it-yourself ethic of punk was applied to the aesthetic of design as much as it was to music, and record sleeves acted as lo-fi signifiers of anarchy, style, fashion, politics and more with an urban and suburban invective courtesy of the 1000s of new bands - punk, post-punk, pre-punk, nearly-punk and more - that emerged at the end of the 1970s.

This book is an exhaustive, thorough and exciting celebration of the stunning artwork of punk music – everything from the most celebrated and iconic designs through to the stark beauty of the cheapest do-it-yourself lo-fi obscurities.

Drawing on a decade’s worth of pioneering photography and journalism, Punk Perfect Awful is an irreverent love letter to music and the passion that makes it happen.

Known for shedding new light on legends of popular culture and championing revolutionary voices, BEAT magazine reflects the depth and breadth of a playlist — bringing together high with low, mainstream with the underground, and mixing genres and styles with a few surprises thrown in.

Structured around themes drawn from artists’ own insights — from the fortune of being in the right place at the right time to the hustle and passion required to make it — the book reflects the eclecticism of pop’s new generation, where indie heroes like Devonté Hynes and St Vincent sit alongside pop megastars such as Lil Nas X and Neneh Cherry, and icons such as Debbie Harry and Nick Cave rub shoulders with Mykki Blanco and Charli XCX. BEAT has always ensured that it focuses on music to feel excited about, whatever that sounds like. The magazine published both Lizzo’s and Grimes’s first photo shoots, and the last piece of press David Bowie ever did.

With a parallel narrative by Hanna Hanra on a lifelong relationship with music and the inspiration behind founding BEAT, the book supplements portraits and interviews from the magazine’s archives with unpublished images — including photography by Alasdair McLellan, Ryan McGinley, Tyrone Lebon, Rosie Marks, Jack Davison, Clare Shilland, and Sue Webster — that illuminate the power of pop and the importance of meeting your heroes.

About the Author:

Hanna Hanra is a writer and brand consultant and the founding editor of Beat magazine. Her journalism appears regularly in publications including Vogue, New York Magazine and The Times.

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Пролистать книгу Punk Perfect Awful: Beat: The Little Magazine that Could ...and Did на сайте издательства.

This exclusive volume presents the best features and radically designed pages of the 1990’s most uncompromising document of alternative music, style, and pop culture.

Founded in 1992, Ray Gun was the only magazine wherein a die-hard culture seeker could find information on alternative music and the street-inspired style that really mattered. Punk rock had torn pop music to shreds and created a hunger for an original lifestyle beyond mainstream culture, and Ray Gun was its graphic chronicler: across its pages blasted a visual feast made up of era-defining artists such as Sonic Youth or Iggy Pop, music-inspired art, and a complete redefinition of sartorial style. The magazine’s original art director, David Carson, and his peers who followed, created an entirely new visual culture that shattered the limitations of graphic design.

Ray Gun was as radical as the lifestyle it reported on, deeply committed to visually representing an alternative culture as a new way of seeing and being in the world. With over 200 full-color photographs, Ray Gun: The Bible of Music and Style gathers the most outrageous pages from the magazine that helped to shape the ’90s. This epic anthology features exclusive photographs and articles on rock legends such as R.E.M., HenryRollins, Jane’s Addiction, The Pixies, Dinosaur Jr., U2, Marilyn Manson, Smashing Pumpkins, NineInch Nails, Mudhoney, Pearl Jam, Bjork, Morrissey, PJ Harvey, Beastie Boys, Soundgarden, Beck and an exclusive interview with David Bowie.

About the Authors:

Marvin Scott Jarrett is a celebrated creative force in the worlds of publishing, film, and television, as well as founder of Ray Gun and Nylon. Liz Phair is a legendary alt-rock goddess; Wayne Coyne is frontman of The Flaming Lips; Dean Kuipers is an arts and environmental writer; Steven Heller is an art director and co-chair of the MFA Design Department at the School of Visual Arts.

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Пролистать книгу Ray Gun: The Bible of Music and Style

On the occasion of the 15-year anniversary of Idee und Klang Audio Design (Idea and Sound Audio Design), a publication has been created that is dedicated to sound scenography and at the same time reflects the work of the atelier. It includes questions about the still young field of acoustic exhibition design as well as personal experiences in the area of audio creation. The topic is framed by interviews and texts by guest authors within this discipline.

With numerous sound examples via QR codes / Soundcloud app

Idee und Klang Audio Design is a team of composers, sound designers and technologists who create artistic, historical or commercial living environments with sound and music. The works of the studio founded in 2005 comprise sophisticated media installations, exhibitions and brand facilities such as the National Museum of Qatar, BMW Museum in Munich and Imperial War Museum in London.

A collection that has to be seen to be believed, Superstar Guitars showcases the most famous six-strings in the history of music, in exquisite detail.

Photographer Eleanor Jane has travelled the world, documenting the legendary guitars used to create some of the greatest music ever heard.

Jimi Hendrix's Woodstock Stratocaster. The guitar on which Bob Dylan 'went electric'. The Fender Mustang Kurt Cobain played in the 'Smells Like Teen Spirit' video. Explore some of the most iconic guitars in music, up close and personal.

Housed in a stunning package including a hardback slipcase, detailed photography explores every inch of these iconic instruments, accompanied by fascinating insights, telling the stories of the guitars that changed the world.

Guitars featured include:
Jimi Hendrix's Woodstock Stratocaster
Kurt Cobain's 'Smells Like Teen Spirit' Mustang
John Frusciante's Fender Stratocaster
Dave Grohl's Gibson Trini Lopez
Noel Gallagher's Epiphone Riviera
Eric Clapton's MTV Unplugged Martin
Jeff Buckley's Fender Telecaster
Brian May's Red Special
Tom Morello's Arm The Homeless
Phoebe Bridgers' Danelectro Baritone
Jack White's Airline
Prince's Yellow Cloud
Thurston Moore's Fender Jazzmaster
David Gilmour's Black Strat
Steve Vai's Ibanez JEM
Matt Bellamy's Mansion DeLorean
And many more...

About the Author:

Eleanor Jane is a writer and photographer in the music industry. She specialises in photographing artist portraits and high-end vintage and culturally significant guitars. Her work has been published in various books and magazines all over the world and she is particularly known for her detailed and atmospheric photographs of iconic guitars, shot in such a way as to evoke the spirit of the instrument.

In this unique and deeply thoughtful collection, musician Alex Bleeker (Real Estate) and food and travel journalist Luke Pyenson (formerly of Frankie Cosmos) take readers on tour with a diverse lineup of inspiring indie musicians from around the world, sharing meals and travel experiences, peeking behind the curtain at this singular and singularly misunderstood way of life.

Through original essays and engaging conversations with dozens of indie musicians representing several subgenres, scenes, and eras, food takes center stage in stories about being on tour and eating on tour and how this basic human necessity can create a sense of community and interconnectedness in one of the most mobile industries in the world. Based broadly on the subject of eating on tour, these entries each spin off into their own focused and exciting behind-the-scenes story, but all confirm what Pyenson and Bleeker suspected all along ― food looms large in the lives of touring musicians, and it can be used as a gateway into understanding what going on tour is really like.

Featured contributors include:

- Robin Pecknold (Fleet Foxes) 
- Chris Frantz (Talking Heads) 
- Natalie Mering (Weyes Blood) 
- Mark Ibold (Pavement)
- John Gourley (Portugal. The Man)
- Lily Chait (touring chef to boygenius and Phoebe Bridgers) 
- Amelia Meath (Sylvan Esso)
- Greta Kline (Frankie Cosmos) 
- Devendra Banhart
- Bob Mould (Hüsker Dü) 
- Brian "Geologist" Weitz (Animal Collective)
- Dawn Richard
- Sasami Ashworth (SASAMI)
- Sadie Dupuis (Speedy Ortiz)
- The Beths

In addition to wide-angle meditations about eating on tour, Pyenson and Bleeker have gathered stories that take place on five continents, in private homes and street-side stalls, in temples of fine dining and in actual temples, backstage and in the van, early morning and late at night. Stories that deal with the best parts of touring: meaningful cultural exchange, hospitality-induced euphoria, and the opportunity to build relationships around the world. And the worst: loneliness, exhaustion, estrangement from family and friends, struggles with disordered eating, and unsteady access to medical care.

So the question isn’t, “How was tour?” It’s, “What do you eat on tour?” Like the best songs or meals, these conversations and essays evoke something central about the human experience. They show us all the ways that music and food bring us together, break us down, lift us up, and add color to our lives.

About the Authors:

Alex Bleeker is the bassist and co-founder of beloved indie rock band Real Estate and ascendant jam band Taper’s Choice. During his decade-and-a-half career as a musician, he has released more than ten full-length albums and toured extensively on five continents. He holds a bachelor’s degree from Bennington College and lives in coastal California with his partner, Leanne.

Luke Pyenson is a food and travel journalist whose work has appeared in The Washington Post, The New York Times, The Boston Globe, Saveur, and other publications. He was the longtime drummer of the critically acclaimed indie rock band Frankie Cosmos and founding drummer of cult DIY band Krill. He holds an MA in the Anthropology of Travel, Tourism, and Pilgrimage from SOAS, University of London, and lives in Brooklyn with his wife, Lauren.

Everything you need to know about the queen of the charts and our hearts.

From her signature red lip to her endless list of chart-topping hits, Taylor Swift is a force to be reckoned with.

Every blank space in The Book of Taylor has been filled with colourful collages of our fave cat-loving, Grammy-winning, country-pop queen, alongside 50 T-Swiz facts, including her biggest fears, her unpublished manuscript, her go-to drive-through order and more.

Go beyond friendship bracelets and get to know your dream BFF on a whole other level.

About the Author:

Billie Oliver is a film critic and freelance journalist, based in Melbourne, Australia. She’s a bona fide pop-culture junkie and has written plenty of Harry-laden red-carpet recaps in her time. Billie has previously published We Heart Harry, Love Ya Olivia, It’s Britney…!, Chalamania, Keanu Forever, and Let it Lizzo! with Smith Street Books.

A love letter to a time before Instagram and the legendary party scenes of the 2000s that brought together the new millennium’s rising stars of pop culture.

Under the moniker the Cobrasnake, the photographer Mark Hunter captured the party scenes of Los Angeles and New York during the hipster-glam heyday of the 2000s — and in doing so defined the look of a generation.  Armed with just a Polaroid and a primitive website, Cobrasnake captured pioneers of youth culture from Kanye West and Steve Aoki to Jeremy Scott, Katy Perry, and Virgil Abloh — icons of the indie pop world in the making. Intimately connected with the people around him and keyed-in to the edgier fringes of the fashion, music, and art worlds, Hunter photographed influencers before they were influencers, in the wild and at play from the streets of LA to NYC and beyond. Collected here for the first time are more than three hundred of Cobrasnake’s favorite images alongside ephemera, from concert tickets and backstage passes to outtakes and unseen photographs from his many adventures. These photographs are records of the last generation of partiers to predate the livestreaming of culture afforded by today’s social media — capturing the energy and vibrancy of a time before Instagram.

About the Author:

Mark Hunter is a photographer who under the moniker of the Cobrasnake chronicled the party scenes of Los Angeles and New York in the 2000s. His work has appeared everywhere from editorials in Rolling Stone and Harper’s Bazaar to advertising campaigns for Calvin Klein and Helmut Lang. He lives in Los Angeles.  

Studio One is the legendary Jamaican reggae label that launched onto the world Bob Marley and theWailers.

As iconic as Motown was to soul, or Blue Note for Jazz, Studio One was the creation of one great figurehead Clement Sir Coxsone Dodd.

This deluxe hard-back book is the first ever to tell the story of Studio One and the many artists that it produced. The book features hundreds of stunning full size record cover designs of Studio One and original artwork as well as rare and exclusive photographs, original flyers and artist interviews.

In the 1950s Clement Dodds Downbeat Soundsystem was the most important sound system in downtown Kingstons burgeoning dancehall scene, fighting off the competition of Duke Reid, Tom the Great Sebastian and others. Dodd began producing his own records in the late 1950s and in 1963, the year after Jamaican Independence, he launched Studio One.

Described by Chris Blackwell as the University of Reggae, Studio One is by far the most important record label in the history of Reggae music, an A-Z of Jamaican music. It is where Bob Marley and theWailers, Horace Andy, Alton Ellis, Freddie McGregor, The Skatalites, Marcia Griffiths, Burning Spear, The Heptones, Toots and the Maytals and many more artists became stars.

As Jamaica approaches the 50th anniversary of independence, this stunning deluxe book is a timely look at Reggae musics legendary record label and the artists and musicians that it made famous.

The Cure “Stills” follows the changing faces of one of the leading British rock bands during the post-punk and new-wave movements of the late ’70s and ’80s. As the band has continued over a period of nearly 50 years, front man and only constant member Robert Smith has maintained the band’s popularity throughout the changing musical eras, while staying true to their individualistic style and quirkiness.

Instrumental in the creation of the varying incarnations of The Cure is photographer Paul Cox, who first encountered the group on Top of the Pops in 1980. Having established a creative, productive and trusting relationship with the band, Cox’s resulting work is The Cure in all their glory. Including over 200 colour and 75 black-and-white images, with accompanying captions selected and written by Cox and Smith, this book is a celebration of a seminal band through the lens of a skilled photographer. 

About the Author:

Paul’s career took off in the late 1970’s initially with a job with London Features International photographing bands at concerts and various locations. One of these was the BBC studios for Top of the Pops, where Paul first encountered The Cure in 1980.

_Over 200 colour and 75 black-and-white images of The Cure over the decades
_Accompanying captions written by frontman Robert Smith and photographer Paul Cox
_Foreword by Robert Smith
_Stunning images selected from Cox's personal archives and overseen by Robert Smith
_Included in Rough Trade's Books of the Year 2024

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Пролистать книгу  The Cure: Stills​  на сайте издательства.

The drummer is usually the least well-known member of any band. Yet behind every frontman is the person keeping the beat, and often acting as the music’s driving force. In these incredible portraits, Deirdre O’Callaghan places drummers squarely in the spotlight. Photographing her subjects in their private rehearsal spaces and residences — from studios, bedrooms and basements to garages and gardens — allows her to capture the true essence of their personalities and lifestyles. She has photographed almost 100 celebrated musicians for the book, including Ringo Starr, Questlove, Janet Weiss, Dave Grohl, Bobbye Hall, Lars Ulrich, Jack White, and Leah Shapiro. Each image is accompanied by excerpts from O’Callaghan’s personal conversations with the drummers. The result is a fascinating look at a truly diverse world made up of men and women from every walk of life, united by a single, emphatic passion.

An insightful look at the unprecedented rise of America’s musical obsession: gangster rap

The History of Gangster Rap is a deep dive into one of the most fascinating subgenres of any music category to date. Sixteen detailed chapters, organized chronologically, examine the evolution of gangster rap, its main players, and the culture that created this revolutionary music. From still-swirling conspiracy theories about the murders of Biggie and Tupac to the release of the 2015 film Straight Outta Compton, the era of gangster rap is one that fascinates music junkies and remains at the forefront of pop culture. Filled with interviews with key players such as Snoop Dogg, Ice-T, and dozens more, as well as sidebars, breakout bios of notorious characters, lists, charts, and more, The History of Gangster Rap is the be-all-end-all book that contextualizes the importance of gangster rap as a cultural phenomenon.

About the Author:

Soren Baker has written thousands of articles about music and culture for such outlets as the New York Times, the Los Angeles Times, and Rolling Stone, among others. He is producing a script he wrote for Snoop Dogg. He lives in Southern California.

The Penguin Guide to the 1000 Finest Classical Recordings brings together the experience and enthusiasm of four of classical music's greatest experts, Ivan March, Edward Greenfield, Robert Layton and Paul Czajkowski, to create an essential guide to the best recordings.

Downloads, CDs and DVD mean it is possible to listen to hundreds of thousands of classical recordings today - but how do you pick your way through the vast array of music now on offer? With clear, simple, easy-to-use A to Z listings of composers and performers, the pick of the latest CD releases, as well as established landmark recordings, short guides to ballet, opera and the history of recording, and indications of budget and mid-range price CDs, this guide offers a treasury of outstanding music, whether you are just starting to build a collection or tracking down a particular favourite.

About the Authors:

Ivan March is a well-known lecturer and broadcaster, he has contributed to a number of record-reviewing magazines. He now reviews solely for Gramophone. Edward Greenfield, until his retirement in 1993, was for forty years on the staff of the Guardian, succeeding Neville Cardus as Music Critic in 1975. Robert Layton is an author, translator and critic, specializing in the music of northern Europe. Paul Czajkoski has been a fanatical record collector from almost the age he could walk to a record shop.

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Пролистать книгу The Penguin Guide to the 1000 Finest Classical Recordings: The Must-Have CDs and DVDs на Google Books.