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Manuel Blanco, Alberto Campo Baeza, Marvin Heiferman, Photographs by Marco Anelli, Foreword by Vittorio Calabrese
ID: 16113
Видавництво: Rizzoli

Celebrated Italian photographer Marco Anelli captures the construction of Magazzino Italian Art, a new Hudson Valley institution dedicated to postwar and contemporary Italian art.

The transformation and expansion of a 1960s factory building in Cold Spring, NY to house an extraordinary art collection has been documented by Marco Anelli, Magazzino Italian Art’s first artist in residence. From initial excavations to the installation of artworks in the galleries, Anelli traces Spanish architect Miguel Quismondo’s plan to create a space that bridges the artistic legacy of the Hudson Valley with the demands of ambitious contemporary artworks. Several essays and examples of founders Nancy Olnick and Giorgio Spanu’s stunning Italian art collection enliven Anelli’s series of landscape photographs and portraits.

About the Author:

Marco Anelli’s publications include works on sculpture and architecture. Vittorio Calabrese is the director of Magazzino Italian Art. Nancy Olnick and Giorgio Spanu are the co-founders of Magazzino Italian Art. Manuel Blanco is an architect, curator, and professor at the School of Architecture of Madrid (ETSAM). Alberto Campo Baeza is an architect and professor at ETSAM. Marvin Heiferman is an American curator and writer.

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Author Richard Meier, Contributions by Kurt W. Forster and Alberto Campo Baeza
ID: 15803
Видавництво: Rizzoli

This is Rizzoli’s eighth volume in the definitive series of monographs on the work of Richard Meier, one of America’s most acclaimed architects.

Richard Meier, Architect: Volume 8 vividly conveys the purity and power of Meier’s unique and celebrated vision. Thirty residential, commercial, and civic projects are featured in a dazzling variety of scales and locales, including Manhattan, Los Angeles, the Hamptons, Las Vegas, Mexico City, Tel Aviv, Rio de Janeiro, and Tokyo, among many other venues.

The development and significance of Meier’s work is discussed in authoritative essays by the distinguished architectural historian and curator Kurt W. Forster and world-renowned architect Alberto Campo Baeza. The architect himself contributes a preface that offers firsthand insight into his thought processes and working methods. A biographical chronology and selected bibliography complete this exhaustive and lavish monograph on a modern American master.

About the Author:

Richard Meier began his career in the early 1960s designing projects whose elegant modernist style and white facades have become icons of modern architecture. He has received numerous awards for his work, including the Pritzker Architecture Prize and the Gold Medal of the American Institute of Architects. Kurt W. Forster has taught at Yale University, Stanford University, MIT, ETH Zurich, and Bauhaus University at Weimar and founded and directed research institutes at the Getty Research Center in Los Angeles and the Canadian Centre for Architecture in Montreal. Alberto Campo Baeza is the founding principal of his eponymous architecture studio and emeritus head professor of design in the Madrid School of Architecture, ETSAM, where he has been a tenured professor for more than thirty-five years.

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Пролистать книгу Richard Meier, Architect: Volume 8

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Author Alberto Campo Baeza, Text by Richard Meier and David Chipperfield and Kenneth Frampton
ID: 15661
Видавництво: Rizzoli

A comprehensive survey of the work of a master of modernist design today.

Alberto Campo Baeza, one of contemporary architecture’s most distinguished voices, is renowned for a body of work that exudes the power of radical simplicity. The architectural ideas expressed in his buildings have ranged in scale from such small but beautiful residential structures as the Turégano, Gaspar, and De Blas houses to cultural facilities such as Andalucia’s Museum of Memory in Granada, an addition to his earlier achievement, the Caja General Bank Headquarters. All share an uncompromising dedication to simple composition and demonstrate the ways in which he so brilliantly deploys disciplined restraint to achieve architectural silence in the face of the clamor of the modern city.

This monograph features projects spanning four decades of international architectural practice. Contributions by Richard Meier and David Chipperfield offer critical commentary on Campo Baeza’s persistent quest for beauty and relevance through his adherence to simplicity and a deeply felt devotion to modernist principles of architecture.

About the Author:

Alberto Campo Baeza is the founding principal of his eponymous architecture studio and emeritus head professor of design at the Madrid School of Architecture, ETSAM, where he has been a tenured professor for more than thirty-five years. Richard Meier received his architectural training at Cornell University and began his career in the early 1960s designing projects that have become icons of modern architecture. David Chipperfield founded his own architecture practice in 1985, which comprises offices in London, Berlin, Milan, and Shanghai. Architect, critic, historian, and author Kenneth Frampton is the Emeritus Ware Professor of Architecture at the Graduate School of Architecture, Planning, and Preservation at Columbia University, where he taught from 1972 to 2020.

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Пролистать книгу Campo Baeza: Selected Works на сайте издательства.

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Alberto Campo Baeza
ID: 3136
Видавництво: Taschen
From the early days as a member of the New York Five, Richard Meier has been a central figure in contemporary architecture in the United States. With the Getty Center and more recent buildings such as the Jubilee Church in Rome, the New Yorker has cemented his reputation as a truly international figure who has expanded the horizons of contemporary American architecture while maintaining his rigorous approach to design and detailing. Known for carefully conceived grid plans and frequent use of white, Richard Meier is a master of light and space, able to adapt his style to very different circumstances and locations.
The entire span of Meier's career, right up to his most recent designs for New York and Shenzhen, is included in this exceptional volume, created in close collaboration between the architect, the author, and the eminent graphic designer Massimo Vignelli. This spectacular monograph displays Meier's work in unprecedented size and brilliance, and features a preface by the noted Spanish architect Alberto Campo Baeza.
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